Songs like Everyone And No One by Ashley Kutcher
Based on a tempo of (+/- 10%) and a similar genre
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Ashley Kutcher
Everyone And No One
62 bpm • C# Maj • 03:23 • -6.76db
43% Popularity • 31% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 31% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Day
Softly
59 bpm • F min • 03:57 • -8db
46% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Anson Seabra
I Can Love Anyone (As Long As It's You)
70 bpm • A Maj • 03:22 • -9.06db
41% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Jessica Baio
start over
71 bpm • F Maj • 03:24 • -9.27db
51% Popularity • 36% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 36% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Mimi Webb
Last Train To London
71 bpm • A Maj • 03:47 • -7.09db
47% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Rachel Grae
Colorblind
71 bpm • D# Maj • 02:35 • -9.22db
58% Popularity • 51% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
58% Popularity • 51% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Reagan Beem
Stranger, Dear
72 bpm • D Maj • 02:46 • -8.92db
31% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Thomas Day
Gravity
67 bpm • D Maj • 02:52 • -9.1db
40% Popularity • 45% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 45% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Navvy
Scared to Be Happy
73 bpm • G Maj • 02:37 • -7.38db
41% Popularity • 41% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 41% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Avery Anna
Narcissist
73 bpm • C# Maj • 02:34 • -5.99db
60% Popularity • 32% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 32% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Mimi Webb
Last Train To London (I Won't Look Back)
73 bpm • A Maj • 03:52 • -6.92db
37% Popularity • 52% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 52% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Dylan Conrique
Never Change
74 bpm • D# Maj • 02:41 • -7.37db
46% Popularity • 37% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 37% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Lauren Weintraub
Missing You
75 bpm • E Maj • 03:03 • -6.15db
41% Popularity • 31% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 31% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Kenzie Cait
buffalo
75 bpm • D# Maj • 03:18 • -8.38db
32% Popularity • 64% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 64% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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TAELA
i can't
75 bpm • D# Maj • 02:27 • -8.33db
39% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Hanniou
unanswered
75 bpm • G Maj • 03:49 • -10.24db
45% Popularity • 43% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 43% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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ROSIE
I Should Just Go To Bed
76 bpm • E Maj • 03:19 • -8.76db
38% Popularity • 56% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 56% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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JESSIA
Somehow
76 bpm • D Maj • 02:41 • -7.53db
46% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jenna Raine
She's There
76 bpm • A Maj • 03:50 • -10.31db
37% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Kenzie Cait
what i do best
75 bpm • B Maj • 03:38 • -9.32db
26% Popularity • 33% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 33% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Tate McRae
hate myself
76 bpm • G Maj • 02:53 • -8.18db
55% Popularity • 47% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
55% Popularity • 47% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Zach Hood
never knew a heart could break itself - ...
76 bpm • A Maj • 02:48 • -8db
54% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Andi
Runner Up
77 bpm • G Maj • 02:56 • -8.94db
30% Popularity • 31% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 31% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Rowan Drake
Elephant In The Room
77 bpm • C# Maj • 02:41 • -12.02db
54% Popularity • 51% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 51% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Devon Gabriella
remind me
77 bpm • G min • 02:17 • -12.55db
41% Popularity • 67% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 67% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Frawley
Knocking On My Heart
77 bpm • E min • 03:35 • -7.01db
46% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Bellah Mae
2053
77 bpm • A Maj • 03:26 • -7.84db
55% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Zach Hood
when she was mine
76 bpm • A Maj • 02:25 • -8db
52% Popularity • 48% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 48% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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gavn!
Madelyne
77 bpm • C Maj • 02:15 • -6.89db
54% Popularity • 55% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 55% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Abe Parker
Last First Kiss
78 bpm • D Maj • 02:51 • -9.61db
40% Popularity • 55% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 55% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Emily James
that was then
78 bpm • C# Maj • 02:54 • -8.96db
46% Popularity • 66% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 66% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Rachel Grae
It'll Be Okay
78 bpm • D# Maj • 03:52 • -9.14db
57% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Lillian Hepler
House Of Lies
78 bpm • G# Maj • 03:14 • -5.45db
49% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Munn
learned from you
78 bpm • C Maj • 02:18 • -8.69db
45% Popularity • 68% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 68% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Camylio
monsters
78 bpm • B Maj • 02:53 • -7.23db
59% Popularity • 55% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 55% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Jamie Miller
I Lost Myself In Loving You
78 bpm • C# Maj • 03:21 • -5.45db
62% Popularity • 46% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
62% Popularity • 46% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Lauren Weintraub
If You’re Gonna Break My Heart
79 bpm • A# Maj • 02:51 • -8.78db
44% Popularity • 59% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 59% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Rosie Darling
Coping - Stripped
79 bpm • F# Maj • 03:01 • -6.86db
48% Popularity • 68% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 68% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Zach Hood
never knew a heart could break itself
79 bpm • A Maj • 02:35 • -7.26db
65% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Rachel Grae
Enough of Me
79 bpm • G min • 02:28 • -5.28db
59% Popularity • 41% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 41% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Zach Seabaugh
Maybe in the Morning
79 bpm • E Maj • 02:44 • -11db
41% Popularity • 58% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 58% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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vaultboy
this is what i get
79 bpm • D Maj • 03:05 • -6db
41% Popularity • 35% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 35% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Chelsea Cutler
Men On The Moon
79 bpm • G# Maj • 03:40 • -6.83db
49% Popularity • 56% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
49% Popularity • 56% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Sofia Camara
Who Do I Call Now? (Hellbent)
80 bpm • F# Maj • 03:10 • -8.64db
67% Popularity • 30% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
67% Popularity • 30% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jessica Baio
glad you're settling
80 bpm • A Maj • 03:13 • -7.21db
58% Popularity • 39% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 39% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Frawley
Austin's Song
80 bpm • D# Maj • 03:07 • -12.41db
48% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Rachel Grae
Daughter
80 bpm • D Maj • 02:42 • -7.4db
51% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Fischer
Carry It Well
80 bpm • F# min • 03:32 • -6.58db
27% Popularity • 52% Danceability • 48% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 52% Danceability • 48% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
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Jamie Grey
Yesterday
80 bpm • F# Maj • 02:52 • -7db
41% Popularity • 66% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 66% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Lexi Jayde
homesick
80 bpm • C min • 02:51 • -6.96db
37% Popularity • 55% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 55% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Avery Anna
biggest t-shirt
80 bpm • D Maj • 03:40 • -7.23db
31% Popularity • 42% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 42% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Emily James
In a Week
80 bpm • C Maj • 03:15 • -9.86db
33% Popularity • 69% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 69% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Thomas Day
After We Break Up
80 bpm • E Maj • 03:03 • -8.25db
38% Popularity • 48% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 48% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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Clara Mae
Miss The Party
80 bpm • D# Maj • 03:12 • -6.86db
37% Popularity • 61% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 61% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Savanna Leigh
all ur clothes
80 bpm • F Maj • 02:48 • -5.74db
19% Popularity • 62% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 62% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jamie Miller
Maybe Next Time
80 bpm • B Maj • 03:08 • -6.82db
67% Popularity • 63% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
67% Popularity • 63% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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JESSIA
Serotonin
80 bpm • G min • 02:47 • -6.88db
46% Popularity • 58% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 58% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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ROSIE
Screaming Underwater
81 bpm • C Maj • 02:59 • -10db
25% Popularity • 46% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 46% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Munn
i hate you for this
81 bpm • C# Maj • 02:17 • -7.87db
46% Popularity • 54% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 54% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Camylio
leaving home
80 bpm • C Maj • 02:53 • -8.48db
48% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jessie Murph
What Happened to Ryan
81 bpm • E Maj • 02:35 • -7.49db
54% Popularity • 50% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
54% Popularity • 50% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Jillian Rossi
Bare Minimum
81 bpm • G Maj • 03:12 • -5.81db
42% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Frawley
If I Don't Laugh, I'll Cry
81 bpm • E Maj • 03:18 • -5.18db
61% Popularity • 67% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
61% Popularity • 67% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Caleb Hearn
Damage
81 bpm • F# Maj • 02:32 • -10db
62% Popularity • 48% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
62% Popularity • 48% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Mybe
Songs we used to Play
82 bpm • A Maj • 02:31 • -10.77db
29% Popularity • 43% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 43% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Ryan Mack
Did You Love Me Ever?
82 bpm • C Maj • 02:06 • -11.41db
52% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Zach Hood
number one fan
82 bpm • D# Maj • 02:57 • -7.87db
29% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Ashley Kutcher
Girl In The Mirror
82 bpm • E Maj • 03:48 • -7.29db
38% Popularity • 31% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 31% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Reagan Beem
Dancing Round My Problems
82 bpm • A# Maj • 02:57 • -9.23db
45% Popularity • 39% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 39% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Clinton Kane
COLD
82 bpm • G Maj • 02:49 • -7.08db
43% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Grey Zeigler
Wanted You More
83 bpm • C Maj • 02:30 • -10.05db
15% Popularity • 68% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 68% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Rachel Grae
How to Be Alone
83 bpm • D Maj • 02:31 • -7.17db
58% Popularity • 75% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
58% Popularity • 75% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Kenzie Cait
that girl
84 bpm • C Maj • 03:42 • -7.43db
39% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ashley Kutcher
Do It All Again
83 bpm • A# Maj • 02:59 • -9.32db
37% Popularity • 53% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 53% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 46% Positiveness
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BLÜ EYES
stuck in my head
84 bpm • C# Maj • 02:32 • -10db
46% Popularity • 52% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 52% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Sam Fischer
You Don't Call Me Anymore
84 bpm • C# Maj • 02:55 • -8.24db
37% Popularity • 34% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 34% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Bradley Marshall
Hurts The Most
84 bpm • B Maj • 03:22 • -9.01db
43% Popularity • 44% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 44% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Zoe Clark
What's Wrong with Me
84 bpm • G Maj • 03:16 • -9.23db
40% Popularity • 41% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 41% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Savanna Leigh
end from the beginning
85 bpm • G# Maj • 03:26 • -8.51db
17% Popularity • 52% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
17% Popularity • 52% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Ashley Kutcher
The Night You Left
83 bpm • C# Maj • 02:39 • -8.41db
44% Popularity • 31% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 31% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Jamie Grey
Single Part of You
84 bpm • C# Maj • 02:32 • -12db
45% Popularity • 47% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 47% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Sofia Camara
Something Better
85 bpm • G# Maj • 03:29 • -7.47db
41% Popularity • 53% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 53% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Hanniou
what do i do now
85 bpm • D# Maj • 03:05 • -8.94db
54% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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ROSIE
Never the 1
85 bpm • C# Maj • 02:51 • -12.13db
48% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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FLETCHER
Better Version
86 bpm • G# min • 02:53 • -11db
41% Popularity • 50% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 50% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Ashley Kutcher
Survive My Own Mind
85 bpm • C# Maj • 03:13 • -8.92db
41% Popularity • 58% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 58% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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![see you later (ten years) [feat. JVKE] cover art](https://i.scdn.co/image/ab67616d00001e02492d9db1c528d2982f0c657d)
Jenna Raine
see you later (ten years)
86 bpm • C# Maj • 03:09 • -6.85db
43% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jamie Grey
Head Above the Water
86 bpm • G# Maj • 02:44 • -7.24db
46% Popularity • 78% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 78% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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DREAMDNVR
THRILLER
86 bpm • F Maj • 02:41 • -7.21db
40% Popularity • 66% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 66% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 35% Positiveness
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Haley Joelle
Haunt You
86 bpm • C# Maj • 02:46 • -6db
44% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Alex Warren
Remember Me Happy
86 bpm • D Maj • 02:21 • -8.27db
49% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Ashley Kutcher
Love You More
85 bpm • D# Maj • 02:49 • -10.01db
52% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jenna Raine
see you later (ten years)
86 bpm • C# Maj • 03:08 • -6.44db
65% Popularity • 58% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
65% Popularity • 58% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Beth Keeping
Plane Tickets
86 bpm • C Maj • 03:26 • -6.33db
36% Popularity • 55% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 55% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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FLETCHER
Better Version
87 bpm • G# min • 02:53 • -9db
56% Popularity • 51% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 51% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Rosie Darling
What A Convincing Illusion
87 bpm • C Maj • 03:17 • -9db
41% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jamie Grey
Shouldn't Be Thinking About You
87 bpm • F# Maj • 02:51 • -8.7db
48% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Ashley Kutcher
If I Could
87 bpm • C# Maj • 03:07 • -9.57db
41% Popularity • 32% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 32% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
