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Evil Comes from the North
Songs like
Evil Comes from the North
by
Lamia Vox
Based on a tempo of (+/- 10%) and a similar genre
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Lamia Vox
Evil Comes from the North
134 bpm • C min • 09:41 • -13.77db
12% Popularity • 47% Danceability • 59% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Wordclock
Thames Does Flow
134 bpm • C# Maj • 02:54 • -22.89db
27% Popularity • 46% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Sjellos
All Hope Gone
134 bpm • C min • 03:43 • -21.92db
11% Popularity • 16% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Flowers for Bodysnatchers
Aokigahara
134 bpm • A min • 08:20 • -24.18db
7% Popularity • 23% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Peter Bjärgö
Sleep Dep.Loop1
134 bpm • F min • 10:12 • -29db
7% Popularity • 20% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Cities Last Broadcast
Railroom
134 bpm • C# Maj • 05:43 • -24.34db
10% Popularity • 16% Danceability • 52% Energy • 19% Liveness
84% Instrumentalness • 4% Positiveness
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LẼTUM
Death Will Be My Friend
134 bpm • C# Maj • 04:37 • -25.36db
14% Popularity • 15% Danceability • 18% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
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ALLSEITS
Gjöll
135 bpm • F min • 08:01 • -18db
11% Popularity • 18% Danceability • 48% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Marc Straight
Draugr
135 bpm • E min • 07:16 • -15.21db
12% Popularity • 16% Danceability • 53% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Enmarta
Temple of Abandon
135 bpm • A min • 08:16 • -16.03db
12% Popularity • 15% Danceability • 33% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Wordclock
Something Else
135 bpm • D# Maj • 05:11 • -15.42db
12% Popularity • 15% Danceability • 35% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Blood Box
Wither and Fade
135 bpm • E min • 09:54 • -14db
7% Popularity • 16% Danceability • 44% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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LẼTUM
The Path of Lonelyness
133 bpm • B min • 05:09 • -11.84db
8% Popularity • 16% Danceability • 64% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Kammarheit
For The Innermost
133 bpm • A# min • 08:00 • -24.63db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Desiderii Marginis
Black Feathers
135 bpm • G# min • 05:52 • -14.59db
19% Popularity • 20% Danceability • 45% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Phonothek
Styx
133 bpm • F Maj • 04:24 • -14.11db
14% Popularity • 23% Danceability • 55% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Wordclock
Beatrice's Euphoria
133 bpm • D Maj • 06:00 • -21.98db
17% Popularity • 17% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Ugasanie
To the Land of Storms and Mists
135 bpm • A min • 03:48 • -36.65db
24% Popularity • 15% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Sjellos
Her Dark Shadow
135 bpm • C Maj • 04:45 • -18db
12% Popularity • 26% Danceability • 23% Energy • 63% Liveness
88% Instrumentalness • 4% Positiveness
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Kammarheit
The Poignant
132 bpm • D min • 04:54 • -19.17db
14% Popularity • 23% Danceability • 23% Energy • 9% Liveness
83% Instrumentalness • 6% Positiveness
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Council of Nine
The Ossuary
132 bpm • E min • 06:14 • -19.9db
13% Popularity • 18% Danceability • 65% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
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New Risen Throne
Loneliness
136 bpm • C# Maj • 09:14 • -21db
25% Popularity • 18% Danceability • 19% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Lamia Vox
Witches Night
136 bpm • C# Maj • 05:04 • -13.15db
13% Popularity • 42% Danceability • 58% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
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Beyond Sensory Experience
The Only Alternative
136 bpm • B min • 07:07 • -26db
12% Popularity • 17% Danceability • 12% Energy • 29% Liveness
94% Instrumentalness • 6% Positiveness
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Randal Collier-Ford
Eyes of the Temple
136 bpm • E min • 07:44 • -23db
14% Popularity • 20% Danceability • 24% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Sjellos
Necrobiosis
132 bpm • A# Maj • 03:54 • -17.46db
10% Popularity • 30% Danceability • 15% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
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Dead Melodies
In the Company of Ruin
136 bpm • C Maj • 03:47 • -33.27db
25% Popularity • 15% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Apoptose
Die drei Schwestern
131 bpm • C# Maj • 04:26 • -21.87db
18% Popularity • 32% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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protoU
Pel
137 bpm • F min • 04:00 • -22.94db
15% Popularity • 53% Danceability • 45% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Kammarheit
I Found It Weeping in the Field
131 bpm • D Maj • 07:31 • -22.38db
13% Popularity • 16% Danceability • 22% Energy • 9% Liveness
70% Instrumentalness • 7% Positiveness
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Randal Collier-Ford
The Breach
137 bpm • G# Maj • 05:18 • -23db
12% Popularity • 26% Danceability • 42% Energy • 28% Liveness
90% Instrumentalness • 14% Positiveness
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Ugasanie
White Silence
131 bpm • C Maj • 08:31 • -21.76db
12% Popularity • 16% Danceability • 33% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
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Psychomanteum
Celestial Body Absent
131 bpm • D# Maj • 05:18 • -28.29db
18% Popularity • 16% Danceability • 15% Energy • 9% Liveness
55% Instrumentalness • 5% Positiveness
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Apocryphos
A Feral Nature
138 bpm • D Maj • 06:42 • -25db
18% Popularity • 15% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Metatron Omega
Sanctum
138 bpm • F# Maj • 07:18 • -24.58db
14% Popularity • 15% Danceability • 36% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Northaunt
Barren Land
131 bpm • C min • 07:08 • -25db
14% Popularity • 22% Danceability • 32% Energy • 50% Liveness
84% Instrumentalness • 8% Positiveness
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Kammarheit
A Room Between the Rooms
137 bpm • F# Maj • 06:33 • -23db
34% Popularity • 16% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Megaptera
Cog-Wheel Machinery
138 bpm • A min • 06:35 • -23.36db
9% Popularity • 44% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Halgrath
He Led Me Through the Dark Caverns
138 bpm • G# Maj • 05:22 • -17.36db
19% Popularity • 15% Danceability • 20% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Giant Serpentine
130 bpm • F min • 01:33 • -13.11db
9% Popularity • 23% Danceability • 70% Energy • 10% Liveness
82% Instrumentalness • 32% Positiveness
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Ager Sonus
Shards of Umm El-Qaab
130 bpm • E Maj • 05:21 • -20.06db
8% Popularity • 16% Danceability • 27% Energy • 26% Liveness
88% Instrumentalness • 4% Positiveness
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Parhelion
Midnight Sun
130 bpm • C# Maj • 07:19 • -15.56db
15% Popularity • 17% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Dead Melodies
The Sacred Scroll
130 bpm • A min • 05:49 • -25.36db
16% Popularity • 33% Danceability • 17% Energy • 32% Liveness
87% Instrumentalness • 7% Positiveness
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Kolhoosi 13
Rainout
130 bpm • C# Maj • 04:29 • -22.55db
9% Popularity • 18% Danceability • 32% Energy • 13% Liveness
75% Instrumentalness • 7% Positiveness
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Metatron Omega
Heosphoros
138 bpm • C# Maj • 08:13 • -27.85db
20% Popularity • 15% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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In Slaughter Natives
The Vulture
130 bpm • G Maj • 04:55 • -11.78db
9% Popularity • 44% Danceability • 48% Energy • 11% Liveness
41% Instrumentalness • 3% Positiveness
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Vestigial
The Coming
138 bpm • F# Maj • 07:13 • -11.55db
10% Popularity • 19% Danceability • 52% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Monasterium Imperi
Pax Imperatoris
138 bpm • G Maj • 03:04 • -15.6db
31% Popularity • 14% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Phelios
Triangulum
130 bpm • F# Maj • 07:27 • -24.68db
13% Popularity • 18% Danceability • 23% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Hexentanz
The Sabbat Comes Softly
138 bpm • E Maj • 04:55 • -6.73db
9% Popularity • 29% Danceability • 68% Energy • 9% Liveness
53% Instrumentalness • 9% Positiveness
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Phonothek
Lethe
130 bpm • D# min • 06:10 • -17.33db
9% Popularity • 24% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Gustaf Hildebrand
Journey To Orion
139 bpm • C Maj • 08:14 • -23.24db
13% Popularity • 15% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Vestigial
Anthropic Uncreation
129 bpm • D Maj • 05:16 • -15.01db
27% Popularity • 16% Danceability • 65% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Kammarheit
The Howl
139 bpm • E Maj • 02:50 • -25.09db
28% Popularity • 14% Danceability • 18% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Iron Cthulhu Apocalypse
Circle of Monoliths
139 bpm • F Maj • 08:55 • -38.31db
21% Popularity • 14% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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New Risen Throne
A Glance Thru the Mournful Remains
129 bpm • D Maj • 07:39 • -23.92db
8% Popularity • 20% Danceability • 22% Energy • 14% Liveness
74% Instrumentalness • 10% Positiveness
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Randal Collier-Ford
Crown Adorn With Nails
139 bpm • G# Maj • 01:46 • -26.61db
29% Popularity • 14% Danceability • 33% Energy • 11% Liveness
97% Instrumentalness • 16% Positiveness
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Lamia Vox
Lapis Occultus
139 bpm • C# Maj • 05:43 • -16.1db
23% Popularity • 37% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Ugasanie
White Death
139 bpm • C# Maj • 03:43 • -30.41db
19% Popularity • 15% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Metatron Omega
Transfiguration
140 bpm • B Maj • 10:40 • -24.16db
15% Popularity • 14% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
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Musica Cthulhiana
Totentanz
128 bpm • D min • 03:46 • -28.26db
23% Popularity • 17% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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Vestigial
Anthropic Resonance
128 bpm • A# Maj • 07:07 • -14.92db
8% Popularity • 19% Danceability • 44% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Council of Nine
Riddled With Guilt
128 bpm • A Maj • 05:37 • -21.65db
13% Popularity • 20% Danceability • 33% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Apoptose
Meer der Ruhe
140 bpm • D# Maj • 07:11 • -12db
13% Popularity • 38% Danceability • 72% Energy • 20% Liveness
84% Instrumentalness • 20% Positiveness
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Lesa Listvy
Swarm
140 bpm • C# Maj • 04:57 • -22.66db
12% Popularity • 24% Danceability • 37% Energy • 19% Liveness
86% Instrumentalness • 10% Positiveness
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Northumbria
Song for Freyja
140 bpm • E Maj • 05:28 • -21.96db
12% Popularity • 17% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Enmarta
The Hermit
128 bpm • E min • 06:16 • -19.87db
15% Popularity • 17% Danceability • 39% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Gustaf Hildebrand
Worlds Of A Distant Sun
140 bpm • C min • 07:11 • -35.14db
16% Popularity • 14% Danceability • 7% Energy • 12% Liveness
65% Instrumentalness • 20% Positiveness
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Cities Last Broadcast
Architecton
128 bpm • A# min • 09:47 • -18db
8% Popularity • 16% Danceability • 37% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
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Apoptose
Two Hours
140 bpm • A min • 04:53 • -15.39db
13% Popularity • 66% Danceability • 61% Energy • 38% Liveness
92% Instrumentalness • 18% Positiveness
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Endura
When God Was a Snake
140 bpm • F# Maj • 09:37 • -22.86db
9% Popularity • 61% Danceability • 46% Energy • 17% Liveness
92% Instrumentalness • 12% Positiveness
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Halgrath
The Opposite Mind and Mutuality
128 bpm • C Maj • 07:02 • -11.59db
10% Popularity • 38% Danceability • 44% Energy • 8% Liveness
66% Instrumentalness • 11% Positiveness
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Eximia
First Contact
140 bpm • C# Maj • 07:31 • -29.03db
10% Popularity • 16% Danceability • 17% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Coph Nia
Untitled I
128 bpm • B min • 09:21 • -26.11db
15% Popularity • 16% Danceability • 32% Energy • 37% Liveness
90% Instrumentalness • 3% Positiveness
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Beyond Sensory Experience
From One Dream Into the Next
128 bpm • B min • 03:57 • -22.16db
12% Popularity • 24% Danceability • 7% Energy • 30% Liveness
93% Instrumentalness • 2% Positiveness
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Apoptose
Horizont
128 bpm • C Maj • 08:06 • -17.84db
11% Popularity • 45% Danceability • 30% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Wordclock
Unbecoming
128 bpm • F# Maj • 04:23 • -12.72db
14% Popularity • 44% Danceability • 46% Energy • 14% Liveness
48% Instrumentalness • 14% Positiveness
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Sinke Dûs
The Premonition
127 bpm • C# Maj • 06:44 • -18db
8% Popularity • 16% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Visions
Ascendance
127 bpm • C Maj • 09:10 • -16.02db
14% Popularity • 17% Danceability • 47% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Metatron Omega
Hierosgamos
127 bpm • A# min • 09:01 • -24.94db
18% Popularity • 17% Danceability • 26% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Dead Melodies
On Crimson Water
128 bpm • G Maj • 05:53 • -24.41db
15% Popularity • 17% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Kammarheit
Klockstapeln
141 bpm • F min • 05:39 • -20.31db
14% Popularity • 14% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Darkher
Spirit Waker
127 bpm • A min • 02:03 • -19.98db
25% Popularity • 17% Danceability • 15% Energy • 14% Liveness
99% Instrumentalness • 3% Positiveness
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Eximia
Exctinction
142 bpm • C# Maj • 05:31 • -28.62db
12% Popularity • 14% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Cities Last Broadcast
Bascule Bridge
142 bpm • G# min • 05:53 • -23db
14% Popularity • 14% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Metatron Omega
Apotheosis
142 bpm • B min • 07:40 • -26.04db
25% Popularity • 15% Danceability • 26% Energy • 12% Liveness
84% Instrumentalness • 6% Positiveness
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Sephiroth
The Call of the Serpent
142 bpm • D# Maj • 06:21 • -11db
16% Popularity • 27% Danceability • 57% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
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New Risen Throne
Heritage of the Emptiness
126 bpm • C Maj • 06:07 • -23.44db
8% Popularity • 17% Danceability • 38% Energy • 11% Liveness
73% Instrumentalness • 12% Positiveness
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Sjellos
Awakening
126 bpm • C Maj • 04:44 • -25.61db
14% Popularity • 17% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Lacus Somniorum
Tideshaper
126 bpm • D Maj • 06:54 • -14.58db
13% Popularity • 23% Danceability • 61% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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Lamia Vox
Enemy of Heaven
126 bpm • D Maj • 05:36 • -9db
9% Popularity • 26% Danceability • 72% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Metatron Omega
Chalice of Eternity
127 bpm • E min • 09:37 • -27.23db
26% Popularity • 17% Danceability • 20% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Ugasanie
Absorbed by Ice
126 bpm • C# Maj • 03:46 • -23.18db
13% Popularity • 19% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Dead Melodies
On Devil's Hill
126 bpm • A Maj • 04:43 • -24.47db
18% Popularity • 17% Danceability • 21% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
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Halgrath
Acceptance of Inner Self
144 bpm • E Maj • 07:28 • -16.34db
12% Popularity • 14% Danceability • 18% Energy • 13% Liveness
99% Instrumentalness • 3% Positiveness
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Abandoned Toys
Where Red Shadows Slumber
125 bpm • C# min • 03:13 • -20.82db
10% Popularity • 26% Danceability • 33% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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Northaunt
A Shadow Among Shadows
144 bpm • G Maj • 04:25 • -21db
16% Popularity • 19% Danceability • 34% Energy • 22% Liveness
75% Instrumentalness • 4% Positiveness
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Metatron Omega
Sacrum Noctis
142 bpm • F# Maj • 09:14 • -27db
17% Popularity • 14% Danceability • 16% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Sephiroth
Uthul Khulture
125 bpm • E min • 04:18 • -8.55db
11% Popularity • 42% Danceability • 85% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Paleowolf
Earthcall
145 bpm • D Maj • 03:10 • -14.66db
11% Popularity • 14% Danceability • 45% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Evil Comes from the North