Songs like Explosion by Eli "Paperboy" Reed
Based on a tempo of (+/- 10%) and a similar genre
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Nathaniel Rateliff & The Night Sweats
Shoe Boot
80 bpm • C Maj • 04:43 • -6.95db
37% Popularity • 45% Danceability • 77% Energy • 16% Liveness
70% Instrumentalness • 73% Positiveness
37% Popularity • 45% Danceability • 77% Energy • 16% Liveness
70% Instrumentalness • 73% Positiveness
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The Excitements
Won't You Let Me Know
81 bpm • G min • 02:51 • -5db
20% Popularity • 60% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 60% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie 9V
Bout to Make Me Leave Home
81 bpm • C Maj • 03:24 • -5.66db
20% Popularity • 74% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 74% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Greyhounds
No Other Woman (OurVinyl Sessions)
81 bpm • F min • 03:22 • -8.22db
34% Popularity • 62% Danceability • 86% Energy • 9% Liveness
10% Instrumentalness • 66% Positiveness
34% Popularity • 62% Danceability • 86% Energy • 9% Liveness
10% Instrumentalness • 66% Positiveness
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Sugar Pie DeSanto
Slip-In Mules
79 bpm • B Maj • 02:47 • -8.66db
42% Popularity • 81% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 81% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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The Meltdown
How Funny Is Another Mans Pain
81 bpm • D min • 04:43 • -8.28db
30% Popularity • 61% Danceability • 52% Energy • 16% Liveness
2% Instrumentalness • 57% Positiveness
30% Popularity • 61% Danceability • 52% Energy • 16% Liveness
2% Instrumentalness • 57% Positiveness
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Jake La Botz
They're Coming for Me
81 bpm • F# min • 03:06 • -8.23db
12% Popularity • 69% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 69% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Tommy Tucker
Hi-Heel Sneakers
81 bpm • F Maj • 02:48 • -8db
38% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Terry Callier
Blues
82 bpm • G Maj • 02:58 • -6.77db
35% Popularity • 61% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 61% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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William Bell
A Smile Can't Hide (A Broken Heart)
78 bpm • A Maj • 02:31 • -14.82db
14% Popularity • 63% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 63% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Eli "Paperboy" Reed
I'd Rather Be Alone
78 bpm • C Maj • 02:39 • -2.38db
11% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Sister Sparrow
Mama Knows
82 bpm • F Maj • 03:32 • -3db
37% Popularity • 57% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 57% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Ruby Velle & The Soulphonics
Mr. Wrong
82 bpm • A# min • 03:11 • -3.02db
15% Popularity • 61% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 61% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Freddie King
Now I’ve Got a Woman - Original Federa...
83 bpm • A min • 03:04 • -12.16db
17% Popularity • 55% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 55% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Shinyribs
Don't Leave It a Lie
78 bpm • F Maj • 04:56 • -6.57db
27% Popularity • 53% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 53% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Jesse Dee
On My Mind, In My Heart
83 bpm • G Maj • 03:38 • -9.13db
18% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Eli "Paperboy" Reed
It's Easier
77 bpm • C Maj • 04:06 • -7.54db
11% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Lee Dorsey
Give It Up
83 bpm • A# min • 03:03 • -8.92db
35% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Ruby Velle & The Soulphonics
Shackles
84 bpm • A min • 04:22 • -4.54db
11% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Lukas Nelson and Promise of the Real
Little Girl
85 bpm • C# Maj • 03:59 • -10.13db
38% Popularity • 56% Danceability • 40% Energy • 10% Liveness
4% Instrumentalness • 65% Positiveness
38% Popularity • 56% Danceability • 40% Energy • 10% Liveness
4% Instrumentalness • 65% Positiveness
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Eddie 9V
Yella Aligator
86 bpm • G Maj • 03:49 • -6.57db
23% Popularity • 64% Danceability • 77% Energy • 68% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 64% Danceability • 77% Energy • 68% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Adams
Real Live Living Hurtin' Man
86 bpm • E Maj • 03:09 • -12.01db
15% Popularity • 59% Danceability • 50% Energy • 30% Liveness
3% Instrumentalness • 75% Positiveness
15% Popularity • 59% Danceability • 50% Energy • 30% Liveness
3% Instrumentalness • 75% Positiveness
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Eli "Paperboy" Reed
Let’s Straighten It Out
86 bpm • A min • 03:22 • -7.18db
13% Popularity • 66% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 66% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Booker T. Jones
Representing Memphis
87 bpm • D min • 03:29 • -6db
29% Popularity • 70% Danceability • 59% Energy • 12% Liveness
26% Instrumentalness • 59% Positiveness
29% Popularity • 70% Danceability • 59% Energy • 12% Liveness
26% Instrumentalness • 59% Positiveness
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Brian Owens
Sunday Morning Coming Down
88 bpm • G# Maj • 04:48 • -7.58db
10% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Liz Brasher
Blood of the Lamb
88 bpm • F# min • 03:02 • -6.62db
30% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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North Mississippi Allstars
Set Sail part I
88 bpm • F Maj • 04:57 • -12.93db
39% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Adams
Georgia Morning Dew
87 bpm • D Maj • 03:17 • -11.17db
32% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Eli "Paperboy" Reed
I'm Gonna Break Every Heart I Can
87 bpm • G Maj • 02:25 • -6.33db
8% Popularity • 68% Danceability • 70% Energy • 22% Liveness
2% Instrumentalness • 89% Positiveness
8% Popularity • 68% Danceability • 70% Energy • 22% Liveness
2% Instrumentalness • 89% Positiveness
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Josh Farrow
I'll Be Your Fool
88 bpm • F Maj • 03:35 • -10db
38% Popularity • 71% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 71% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Low Cut Connie
Back in School
88 bpm • F Maj • 02:06 • -2.95db
19% Popularity • 57% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 57% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Sugar Pie DeSanto
Soulful Dress
88 bpm • G min • 02:49 • -9.78db
48% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Howard Tate
Where Did My Baby Go
89 bpm • G# Maj • 02:31 • -6.08db
21% Popularity • 66% Danceability • 74% Energy • 18% Liveness
13% Instrumentalness • 86% Positiveness
21% Popularity • 66% Danceability • 74% Energy • 18% Liveness
13% Instrumentalness • 86% Positiveness
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Brian Owens
Ring Of Fire
89 bpm • D Maj • 04:46 • -9.43db
16% Popularity • 61% Danceability • 52% Energy • 13% Liveness
8% Instrumentalness • 43% Positiveness
16% Popularity • 61% Danceability • 52% Energy • 13% Liveness
8% Instrumentalness • 43% Positiveness
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Eli "Paperboy" Reed
My Way Home
73 bpm • D# Maj • 03:58 • -2.36db
15% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Pokey LaFarge
Bluebird
89 bpm • D min • 03:04 • -5.77db
36% Popularity • 59% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 59% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Tami Neilson
Holy Moses
89 bpm • G Maj • 03:10 • -2db
26% Popularity • 61% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 61% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Bobby Patterson
How Do You Spell Love
90 bpm • A# min • 02:20 • -10.61db
29% Popularity • 75% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 96% Positiveness
29% Popularity • 75% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 96% Positiveness
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Jake La Botz
How I Wish She Was Mine
71 bpm • G Maj • 03:29 • -6.71db
16% Popularity • 70% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 70% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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The Texas Gentlemen
Habbie Doobie
90 bpm • D Maj • 06:16 • -7db
33% Popularity • 51% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 51% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Eli "Paperboy" Reed
Movin'
71 bpm • F Maj • 04:06 • -3.65db
35% Popularity • 39% Danceability • 68% Energy • 55% Liveness
40% Instrumentalness • 52% Positiveness
35% Popularity • 39% Danceability • 68% Energy • 55% Liveness
40% Instrumentalness • 52% Positiveness
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R.L. Burnside
Glory Be
90 bpm • D Maj • 04:37 • -7.06db
28% Popularity • 75% Danceability • 70% Energy • 17% Liveness
14% Instrumentalness • 73% Positiveness
28% Popularity • 75% Danceability • 70% Energy • 17% Liveness
14% Instrumentalness • 73% Positiveness
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Swamp Dogg
Good, Better, Best
90 bpm • A# min • 02:50 • -11.72db
36% Popularity • 84% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
36% Popularity • 84% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
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St. Paul & The Broken Bones
Flow with It (You Got Me Feeling Like)
90 bpm • A# min • 03:16 • -5db
56% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
56% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
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Ann Peebles
I Pity the Fool
90 bpm • F Maj • 02:59 • -7.07db
30% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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L.c. Cooke
Gonna Have A Good Time
90 bpm • C Maj • 02:14 • -5.29db
14% Popularity • 65% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 65% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Eli "Paperboy" Reed
Today I Started Loving You Again
90 bpm • G# Maj • 02:36 • -8.61db
35% Popularity • 48% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 48% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Nick Waterhouse
Tracy
91 bpm • C min • 02:33 • -7.85db
26% Popularity • 62% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
26% Popularity • 62% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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The Meltdown
The Other Side
70 bpm • G Maj • 03:52 • -9.25db
33% Popularity • 49% Danceability • 43% Energy • 32% Liveness
1% Instrumentalness • 56% Positiveness
33% Popularity • 49% Danceability • 43% Energy • 32% Liveness
1% Instrumentalness • 56% Positiveness
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William Bell
Born Under A Bad Sign
91 bpm • F# min • 03:17 • -7.63db
25% Popularity • 74% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 93% Positiveness
25% Popularity • 74% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 93% Positiveness
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Charles Bradley
Slip Away
91 bpm • E Maj • 03:32 • -5.7db
34% Popularity • 66% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 66% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
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Ann Peebles
Love Played a Game
91 bpm • B min • 02:27 • -11.77db
18% Popularity • 85% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 85% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Eli "Paperboy" Reed
Workin' Man Blues
91 bpm • A Maj • 03:37 • -5.93db
33% Popularity • 71% Danceability • 78% Energy • 33% Liveness
1% Instrumentalness • 74% Positiveness
33% Popularity • 71% Danceability • 78% Energy • 33% Liveness
1% Instrumentalness • 74% Positiveness
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Ruby Velle & The Soulphonics
Feet On The Ground
91 bpm • F# min • 03:49 • -4.44db
18% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Nick Waterhouse
I Had Some Money (But I Spent It)
92 bpm • C# Maj • 03:11 • -9.86db
24% Popularity • 66% Danceability • 61% Energy • 6% Liveness
27% Instrumentalness • 88% Positiveness
24% Popularity • 66% Danceability • 61% Energy • 6% Liveness
27% Instrumentalness • 88% Positiveness
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Anderson East
Find 'Em, Fool 'Em and Forget 'Em
92 bpm • A# min • 02:34 • -6db
28% Popularity • 57% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 57% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Greyhounds
Change of Pace
92 bpm • B Maj • 03:08 • -9.42db
28% Popularity • 64% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 64% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Josh Hoyer and Soul Colossal
Gimme That Lovin
92 bpm • C Maj • 03:16 • -8.61db
17% Popularity • 72% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 72% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Lulu
Feelin' Alright - 2007 Remastered Versio...
93 bpm • C min • 03:00 • -9db
26% Popularity • 51% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 51% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 88% Positiveness
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Luke Winslow-King
Act Like You Love Me
93 bpm • B min • 03:14 • -6.42db
31% Popularity • 69% Danceability • 74% Energy • 59% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 69% Danceability • 74% Energy • 59% Liveness
0% Instrumentalness • 74% Positiveness
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Curly Moore
Get Low Down
93 bpm • F Maj • 02:29 • -6.66db
19% Popularity • 71% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 71% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Lee Dorsey
A Lover Was Born
93 bpm • A# min • 02:54 • -8.47db
19% Popularity • 77% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 77% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Karl Denson
Shake It Out
93 bpm • E min • 04:04 • -7db
28% Popularity • 73% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 73% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Lil' Bob & the Lollipops
You Know It Ain't Right
69 bpm • D min • 02:24 • -5.96db
16% Popularity • 69% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 69% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The Record Company
Bright Lights, Big City
94 bpm • A Maj • 03:39 • -8.59db
25% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Eli "Paperboy" Reed
As I Live and Breathe
94 bpm • E Maj • 03:46 • -6.88db
9% Popularity • 58% Danceability • 73% Energy • 62% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 58% Danceability • 73% Energy • 62% Liveness
0% Instrumentalness • 92% Positiveness
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Nathan Fox
I Can't Hang
94 bpm • C Maj • 03:07 • -4.77db
12% Popularity • 41% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 41% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Luke Winslow-King
As April Is to May
95 bpm • C min • 02:15 • -13.13db
24% Popularity • 76% Danceability • 33% Energy • 18% Liveness
9% Instrumentalness • 80% Positiveness
24% Popularity • 76% Danceability • 33% Energy • 18% Liveness
9% Instrumentalness • 80% Positiveness
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Gumbo Kings
Changes Somehow
94 bpm • B min • 03:27 • -7.78db
26% Popularity • 66% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
26% Popularity • 66% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
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Maxine Weldon
Like A Rolling Stone
95 bpm • F min • 03:31 • -7db
11% Popularity • 54% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 54% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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T Bird and the Breaks
The Piano Joint
95 bpm • A# min • 04:04 • -4.92db
14% Popularity • 62% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 62% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Eli "Paperboy" Reed
Help Me
94 bpm • C Maj • 03:26 • -6.48db
7% Popularity • 62% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
7% Popularity • 62% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Charles Bradley
Things We Do for Love
95 bpm • F# min • 03:28 • -8db
43% Popularity • 74% Danceability • 53% Energy • 8% Liveness
3% Instrumentalness • 78% Positiveness
43% Popularity • 74% Danceability • 53% Energy • 8% Liveness
3% Instrumentalness • 78% Positiveness
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Eric Lindell
Appaloosa
95 bpm • G# min • 03:33 • -5.25db
31% Popularity • 65% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 65% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Snooks Eaglin
Good News
95 bpm • G Maj • 02:27 • -10.31db
23% Popularity • 82% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 82% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Breakestra
Recognize
95 bpm • D Maj • 05:02 • -4.43db
29% Popularity • 72% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 72% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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The Sweetnighters Band
What I Got, I Got
95 bpm • F# Maj • 03:22 • -4.86db
0% Popularity • 56% Danceability • 82% Energy • 36% Liveness
4% Instrumentalness • 85% Positiveness
0% Popularity • 56% Danceability • 82% Energy • 36% Liveness
4% Instrumentalness • 85% Positiveness
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Robert Finley
You Make Me Want to Dance
95 bpm • B min • 03:10 • -5.16db
28% Popularity • 71% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 71% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Saun & Starr
Sunshine (You're Blowin' My Cool)
96 bpm • F min • 04:02 • -5.76db
38% Popularity • 78% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 78% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Bastards Of Soul
The Waiting Time
96 bpm • C Maj • 04:21 • -5.1db
7% Popularity • 44% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 44% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 58% Positiveness
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Hollis Brown
Hey Baby
96 bpm • A min • 03:21 • -8.35db
9% Popularity • 64% Danceability • 75% Energy • 44% Liveness
1% Instrumentalness • 96% Positiveness
9% Popularity • 64% Danceability • 75% Energy • 44% Liveness
1% Instrumentalness • 96% Positiveness
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Bosley
Baby's Wearin' Blue
96 bpm • C Maj • 06:12 • -7.12db
17% Popularity • 40% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 40% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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The Relatives
Things Are Changing
96 bpm • B Maj • 03:51 • -8.84db
29% Popularity • 73% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 73% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Lee Dorsey
Work, Work, Work
96 bpm • D# Maj • 02:27 • -10.01db
14% Popularity • 75% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 75% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Saun & Starr
Hot Shot
96 bpm • F min • 03:31 • -5.25db
46% Popularity • 74% Danceability • 91% Energy • 62% Liveness
0% Instrumentalness • 90% Positiveness
46% Popularity • 74% Danceability • 91% Energy • 62% Liveness
0% Instrumentalness • 90% Positiveness
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Charlie Whitehead
Between the Lines
97 bpm • C# Maj • 02:11 • -8.22db
26% Popularity • 68% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 68% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Valerie June
Shakedown
96 bpm • C# min • 02:46 • -6.22db
39% Popularity • 52% Danceability • 88% Energy • 20% Liveness
25% Instrumentalness • 69% Positiveness
39% Popularity • 52% Danceability • 88% Energy • 20% Liveness
25% Instrumentalness • 69% Positiveness
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T Bird and the Breaks
I Get's My Boogie On
97 bpm • A min • 04:10 • -5.67db
35% Popularity • 68% Danceability • 73% Energy • 82% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 68% Danceability • 73% Energy • 82% Liveness
0% Instrumentalness • 72% Positiveness
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Eric Lindell
All Alone
97 bpm • B Maj • 04:28 • -4.73db
31% Popularity • 51% Danceability • 51% Energy • 14% Liveness
17% Instrumentalness • 60% Positiveness
31% Popularity • 51% Danceability • 51% Energy • 14% Liveness
17% Instrumentalness • 60% Positiveness
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Luke Winslow-King
Watch Me Change
97 bpm • D Maj • 03:36 • -9db
34% Popularity • 49% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 49% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Pokey LaFarge
La La Blues
97 bpm • A Maj • 03:42 • -6.79db
32% Popularity • 58% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 58% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Willie Hightower
Walk A Mile In My Shoes
97 bpm • B Maj • 03:20 • -11.24db
21% Popularity • 64% Danceability • 60% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 64% Danceability • 60% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Ruby Velle & The Soulphonics
Heartlite
97 bpm • G Maj • 02:58 • -3.63db
15% Popularity • 60% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 60% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 68% Positiveness
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Leo "Bud" Welch
Don't Let The Devil Ride
97 bpm • E min • 02:45 • -5db
31% Popularity • 53% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 53% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The Dip
Paddle to the Stars
97 bpm • A Maj • 02:36 • -6.77db
56% Popularity • 67% Danceability • 69% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
56% Popularity • 67% Danceability • 69% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
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Booker T. Jones
Progress
97 bpm • D Maj • 03:19 • -5.87db
36% Popularity • 74% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 74% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Eli "Paperboy" Reed
Well, Alright Now
97 bpm • F# min • 03:09 • -4.03db
3% Popularity • 60% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
3% Popularity • 60% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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JC Brooks & The Uptown Sound
Howl
97 bpm • B min • 04:12 • -5.61db
20% Popularity • 60% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 60% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
