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Explosions in the Sky
Songs like
Explosions in the Sky
by
Maxwell Winters
Based on a tempo of (+/- 10%) and a similar genre
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Landon Pigg
Sailed On
148 bpm • F Maj • 04:18 • -8db
8% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Whitley
Lost In Time
148 bpm • G Maj • 03:10 • -8.23db
23% Popularity • 40% Danceability • 70% Energy • 45% Liveness
8% Instrumentalness • 7% Positiveness
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Maxwell Winters
Explosions in the Sky
148 bpm • C# Maj • 02:05 • -13.9db
2% Popularity • 52% Danceability • 22% Energy • 13% Liveness
2% Instrumentalness • 21% Positiveness
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jeremy messersmith
Beautiful Children
147 bpm • E min • 03:55 • -14.73db
9% Popularity • 48% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Laurena Segura
Permafrost
148 bpm • A# Maj • 04:34 • -15.05db
16% Popularity • 47% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Peter Bradley Adams
Be Still My Heart
149 bpm • B Maj • 04:31 • -14.75db
17% Popularity • 58% Danceability • 31% Energy • 11% Liveness
25% Instrumentalness • 30% Positiveness
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Blackchords
Sinking Like Stone
147 bpm • G# Maj • 03:58 • -8.5db
15% Popularity • 46% Danceability • 44% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
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Andrew James & The Steady Tiger
Under the Umbrella
147 bpm • F Maj • 04:36 • -15.74db
23% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Jose Vanders
Blue Notes
147 bpm • C Maj • 03:37 • -14db
18% Popularity • 48% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Big Scary
Spring
147 bpm • C Maj • 02:10 • -15.33db
10% Popularity • 41% Danceability • 29% Energy • 40% Liveness
68% Instrumentalness • 61% Positiveness
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Cary Pierce
Speed
150 bpm • F Maj • 04:01 • -14.85db
22% Popularity • 66% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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The Jepettos
Something in the Air
150 bpm • C Maj • 03:53 • -10.6db
11% Popularity • 44% Danceability • 54% Energy • 14% Liveness
8% Instrumentalness • 12% Positiveness
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Ryan Miller
Big Machine
150 bpm • D Maj • 03:52 • -6.49db
14% Popularity • 50% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Ron Pope
Snow Song
150 bpm • C# Maj • 02:40 • -12.67db
17% Popularity • 57% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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S. Carey
In the Dirt
150 bpm • G# Maj • 05:21 • -12db
29% Popularity • 45% Danceability • 44% Energy • 12% Liveness
76% Instrumentalness • 17% Positiveness
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Andrew Belle
Open Your Eyes
150 bpm • D Maj • 05:33 • -9.38db
30% Popularity • 46% Danceability • 54% Energy • 14% Liveness
20% Instrumentalness • 22% Positiveness
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The Honey Trees
To Be With You
146 bpm • C# Maj • 04:00 • -6.87db
25% Popularity • 45% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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The Civil Wars
C'est La Mort
150 bpm • D Maj • 02:29 • -12.83db
17% Popularity • 46% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Fort Atlantic
My Love Is With You
150 bpm • D# Maj • 03:54 • -8.16db
15% Popularity • 57% Danceability • 47% Energy • 11% Liveness
10% Instrumentalness • 26% Positiveness
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Rees Shad
The Mrs. & Me
146 bpm • D Maj • 04:04 • -13.64db
20% Popularity • 57% Danceability • 32% Energy • 12% Liveness
19% Instrumentalness • 26% Positiveness
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Aqualung
Thin Air
151 bpm • G Maj • 04:23 • -15db
13% Popularity • 32% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Doug Burr
Do You Hear Wedding Bells (Low Down Vers...
145 bpm • C Maj • 03:55 • -14.36db
8% Popularity • 52% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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The Honey Trees
Don't Fear
146 bpm • G Maj • 03:15 • -6.16db
10% Popularity • 36% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Iko
Dazed & Confused
151 bpm • A Maj • 04:07 • -8.89db
11% Popularity • 55% Danceability • 58% Energy • 9% Liveness
49% Instrumentalness • 49% Positiveness
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Dan Wilson
Disappearing
145 bpm • E Maj • 03:33 • -8db
16% Popularity • 31% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Peter Bradley Adams
Under My Skin
145 bpm • D# Maj • 03:33 • -13.3db
31% Popularity • 55% Danceability • 33% Energy • 11% Liveness
5% Instrumentalness • 28% Positiveness
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Andrew Whitman
Sinner's Sonnet
152 bpm • C# Maj • 02:30 • -12.38db
18% Popularity • 49% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Merriment
Tremendous Love
152 bpm • D# Maj • 03:32 • -6.57db
9% Popularity • 57% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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The Honey Trees
Love & Loss
145 bpm • C Maj • 03:33 • -7.9db
16% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Amos The Transparent
After All That, It's Come to This
152 bpm • D# Maj • 03:45 • -8.01db
13% Popularity • 50% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Andrew Belle
Static Waves
144 bpm • F Maj • 03:40 • -9db
37% Popularity • 62% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ok Sweetheart
We've Got Love
144 bpm • A min • 03:56 • -11.7db
10% Popularity • 62% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Kevin Andrew Prchal
Terrified!
144 bpm • F# Maj • 03:47 • -5.42db
8% Popularity • 43% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Rue Royale
Lunacy
152 bpm • C# Maj • 03:21 • -11.06db
27% Popularity • 48% Danceability • 47% Energy • 13% Liveness
12% Instrumentalness • 36% Positiveness
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Ian Britt
The Shape Of Us
143 bpm • A Maj • 04:16 • -12db
30% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Peter Bradley Adams
Be Still My Heart
154 bpm • F min • 04:21 • -11.46db
21% Popularity • 64% Danceability • 56% Energy • 11% Liveness
48% Instrumentalness • 61% Positiveness
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Lucy Schwartz
Keep Me
142 bpm • D Maj • 04:08 • -9.28db
11% Popularity • 44% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 50% Positiveness
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Andrew Belle
My Oldest Friend
142 bpm • G Maj • 04:59 • -8db
26% Popularity • 53% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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J Minus
Anna Rose
155 bpm • F# Maj • 03:53 • -11.95db
20% Popularity • 42% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lily & Madeleine
In the Middle
155 bpm • D Maj • 02:38 • -11.14db
17% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Benton Paul
I Only See You
141 bpm • F# Maj • 03:39 • -14.98db
23% Popularity • 41% Danceability • 5% Energy • 45% Liveness
0% Instrumentalness • 19% Positiveness
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Peter Bradley Adams
Bring You Home
154 bpm • F Maj • 03:16 • -13.81db
24% Popularity • 59% Danceability • 39% Energy • 11% Liveness
14% Instrumentalness • 38% Positiveness
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The Honey Trees
Find Home
156 bpm • G Maj • 03:43 • -6.47db
10% Popularity • 44% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Quiet Arrows
Dare the Night
141 bpm • C Maj • 03:38 • -10.81db
14% Popularity • 56% Danceability • 32% Energy • 10% Liveness
9% Instrumentalness • 43% Positiveness
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Anna Scouten
All Out
140 bpm • F Maj • 03:14 • -9.09db
12% Popularity • 60% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Evan McHugh
Serenade the Moon
140 bpm • D Maj • 03:34 • -10.12db
14% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Spencer Combs
You Are Mine
156 bpm • D Maj • 03:55 • -10db
29% Popularity • 21% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Walters
Elephant in the Room
140 bpm • A Maj • 03:47 • -8.54db
14% Popularity • 49% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Ben Hartley
Time With You
140 bpm • D Maj • 02:43 • -13.86db
10% Popularity • 51% Danceability • 18% Energy • 10% Liveness
23% Instrumentalness • 8% Positiveness
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Parlour Steps
What the Lonely Say
140 bpm • E Maj • 04:11 • -9db
13% Popularity • 56% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
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Blake Stratton
I'm Gonna Be (500 Miles)
140 bpm • A# Maj • 04:54 • -12.93db
12% Popularity • 46% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Peter and Kerry
Knees
140 bpm • B Maj • 03:39 • -11db
18% Popularity • 40% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Mree
Atmosphere
140 bpm • B Maj • 04:32 • -21.35db
17% Popularity • 56% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Cider Sky
Where to Now
140 bpm • C# Maj • 03:12 • -9db
18% Popularity • 43% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Broken Anchor
Dear Diary
157 bpm • F# Maj • 03:43 • -9.56db
13% Popularity • 68% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 63% Positiveness
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Nathan Reich
The Dream Song
139 bpm • D# Maj • 04:15 • -15.58db
32% Popularity • 69% Danceability • 16% Energy • 8% Liveness
50% Instrumentalness • 8% Positiveness
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The Narrative
The Moment That It Stops
139 bpm • D Maj • 04:56 • -6.93db
11% Popularity • 54% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Dinner and a Suit
Where We Started
158 bpm • C# Maj • 03:12 • -6db
13% Popularity • 25% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Layla
The Only One
139 bpm • C# Maj • 04:17 • -15db
15% Popularity • 50% Danceability • 12% Energy • 8% Liveness
3% Instrumentalness • 20% Positiveness
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The Civil Wars
Dust to Dust - Acoustic
138 bpm • C# Maj • 03:43 • -17.11db
24% Popularity • 68% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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The New Frontiers
The Day You Fell Apart
138 bpm • B Maj • 04:36 • -6.87db
8% Popularity • 40% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Holley Maher
Rest of My Life
159 bpm • C# Maj • 03:05 • -10.17db
20% Popularity • 54% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Denison Witmer
Constant Muse
137 bpm • E Maj • 03:50 • -14.97db
17% Popularity • 50% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Right Away, Great Captain!
I Am Aware
137 bpm • C Maj • 03:10 • -18db
28% Popularity • 52% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Gossling
Oh Darling
137 bpm • E Maj • 04:01 • -11.35db
3% Popularity • 44% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Dean Fields
Next in Line
137 bpm • A Maj • 02:53 • -14.37db
10% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Dry the River
No Rest - Acoustic
137 bpm • F# Maj • 03:25 • -9.4db
17% Popularity • 28% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Jordan Klassen
Call and Answer
137 bpm • G Maj • 03:57 • -9.1db
8% Popularity • 60% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Fort Atlantic
No One Will Know
160 bpm • G Maj • 04:25 • -8.4db
14% Popularity • 40% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Sea Wolf
Young Bodies
137 bpm • F Maj • 03:29 • -16db
37% Popularity • 69% Danceability • 24% Energy • 11% Liveness
30% Instrumentalness • 33% Positiveness
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David Beats Goliath
Maisie & Neville
136 bpm • A Maj • 03:40 • -13db
24% Popularity • 67% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Radical Face
Always Gold - Acoustic
161 bpm • D# Maj • 03:38 • -17.86db
23% Popularity • 46% Danceability • 11% Energy • 10% Liveness
9% Instrumentalness • 17% Positiveness
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Ford Turrell
The Heaviest Stars
136 bpm • F Maj • 03:58 • -15.57db
19% Popularity • 54% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Sam Pinkerton
Seattle
136 bpm • C Maj • 05:59 • -13.76db
9% Popularity • 50% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jose Vanders
The Magician
136 bpm • F# Maj • 05:29 • -16db
12% Popularity • 40% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
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Milo Greene
Perfectly Aligned
136 bpm • E Maj • 03:00 • -9.47db
26% Popularity • 44% Danceability • 38% Energy • 12% Liveness
66% Instrumentalness • 16% Positiveness
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Josh Record
House
136 bpm • G Maj • 03:25 • -10db
8% Popularity • 49% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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The Honey Trees
The Seaside
135 bpm • G# Maj • 05:05 • -9.83db
9% Popularity • 44% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Scattered Trees
Where You Came From
135 bpm • C Maj • 04:14 • -16.84db
10% Popularity • 55% Danceability • 17% Energy • 12% Liveness
11% Instrumentalness • 25% Positiveness
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Perrin Lamb
Pins and Needles
162 bpm • C# min • 02:55 • -15.59db
10% Popularity • 45% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Luke Sital-Singh
You Love, You Love
135 bpm • F Maj • 03:58 • -13.03db
13% Popularity • 47% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Jillian Edwards
Daydream
135 bpm • F Maj • 03:29 • -8.57db
16% Popularity • 45% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Tor Miller
Hold the Phone
135 bpm • C Maj • 04:21 • -7.55db
11% Popularity • 39% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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S. Carey
In the Stream - Alt. Version
134 bpm • D# Maj • 04:40 • -17.46db
9% Popularity • 22% Danceability • 9% Energy • 12% Liveness
23% Instrumentalness • 15% Positiveness
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Ivan & Alyosha
All the Times We Had
134 bpm • C Maj • 03:28 • -11.74db
8% Popularity • 51% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Matt Walters
I Would Die For You
134 bpm • A min • 06:26 • -13db
5% Popularity • 51% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Andrew Belle
All Those Pretty Lights (Alternate Unive...
134 bpm • F Maj • 05:52 • -9.27db
21% Popularity • 66% Danceability • 71% Energy • 20% Liveness
75% Instrumentalness • 48% Positiveness
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Dave Thomas Junior
Run Forever
134 bpm • D# Maj • 04:41 • -7.38db
10% Popularity • 57% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Dry the River
Bible Belt - Acoustic
134 bpm • D Maj • 05:26 • -12.81db
20% Popularity • 25% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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S. Carey
Neverending Fountain - Alt. Version
134 bpm • F# Maj • 04:34 • -17.83db
22% Popularity • 27% Danceability • 10% Energy • 11% Liveness
33% Instrumentalness • 10% Positiveness
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Death Vessel
Ilsa Drown
164 bpm • A Maj • 04:35 • -12.66db
10% Popularity • 41% Danceability • 47% Energy • 16% Liveness
20% Instrumentalness • 33% Positiveness
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Matthew Perryman Jones
Beneath the Silver Moon
133 bpm • G Maj • 06:20 • -15.39db
9% Popularity • 42% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Joshua Radin
Sundrenched World - In-store Play Versio...
165 bpm • D Maj • 04:28 • -14.6db
23% Popularity • 26% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Talain Rayne
Twinkle Lightly (Reprise)
133 bpm • C Maj • 03:28 • -10.08db
11% Popularity • 25% Danceability • 40% Energy • 11% Liveness
24% Instrumentalness • 12% Positiveness
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jeremy messersmith
Love You to Pieces
133 bpm • D min • 03:55 • -10.7db
14% Popularity • 38% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Michelle Featherstone
I'm There Too
133 bpm • D Maj • 06:10 • -14.13db
18% Popularity • 45% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Peter Morland
Drag It
133 bpm • A Maj • 02:18 • -8.54db
12% Popularity • 38% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Stars
The 400
165 bpm • G# Maj • 03:28 • -12.7db
1% Popularity • 22% Danceability • 28% Energy • 80% Liveness
0% Instrumentalness • 28% Positiveness
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The Honey Trees
Wild Winds
132 bpm • B min • 04:02 • -14.16db
9% Popularity • 31% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Chris and Thomas
Incarnation Song
166 bpm • C min • 03:32 • -13.75db
25% Popularity • 26% Danceability • 37% Energy • 11% Liveness
3% Instrumentalness • 9% Positiveness
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Explosions in the Sky