Songs like Fairytale (feat. Rachel Chinouriri) by Mac Wetha
Based on a tempo of (+/- 10%) and a similar genre
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Mac Wetha
Pelican Freestyle
142 bpm • C Maj • 03:19 • -4.43db
5% Popularity • 64% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 64% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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keni can fly
pritty&petty
142 bpm • A# min • 02:52 • -7.87db
20% Popularity • 64% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 64% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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NiNE8
Check Beach
142 bpm • B Maj • 02:48 • -11.09db
6% Popularity • 63% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
6% Popularity • 63% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Amindi
taste
143 bpm • D min • 02:34 • -8.3db
27% Popularity • 62% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 62% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Bakar
Yllw
141 bpm • G Maj • 01:04 • -14.32db
43% Popularity • 57% Danceability • 20% Energy • 18% Liveness
4% Instrumentalness • 20% Positiveness
43% Popularity • 57% Danceability • 20% Energy • 18% Liveness
4% Instrumentalness • 20% Positiveness
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Lava La Rue
Lift You Up
140 bpm • G min • 03:27 • -10.19db
24% Popularity • 33% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
24% Popularity • 33% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
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Mac Wetha
Fairytale
142 bpm • F# Maj • 02:45 • -8.32db
19% Popularity • 71% Danceability • 59% Energy • 22% Liveness
4% Instrumentalness • 62% Positiveness
19% Popularity • 71% Danceability • 59% Energy • 22% Liveness
4% Instrumentalness • 62% Positiveness
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Rich
Gay Face
141 bpm • A Maj • 03:01 • -7.83db
26% Popularity • 54% Danceability • 50% Energy • 52% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 54% Danceability • 50% Energy • 52% Liveness
0% Instrumentalness • 53% Positiveness
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DAISY WORLD
break it off
144 bpm • C# Maj • 03:44 • -6.39db
27% Popularity • 60% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 60% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Stacy N.K.R
Feel A Way
140 bpm • C Maj • 02:34 • -6.78db
31% Popularity • 74% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 74% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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CLUB INDGO
Show You Off
140 bpm • G# min • 02:54 • -10.09db
19% Popularity • 87% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 87% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Take Van
In My Head
140 bpm • D min • 01:44 • -6db
55% Popularity • 71% Danceability • 50% Energy • 15% Liveness
77% Instrumentalness • 65% Positiveness
55% Popularity • 71% Danceability • 50% Energy • 15% Liveness
77% Instrumentalness • 65% Positiveness
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Kojaque
CABRA DRIVE
140 bpm • G# Maj • 03:02 • -7.32db
40% Popularity • 62% Danceability • 67% Energy • 42% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 62% Danceability • 67% Energy • 42% Liveness
0% Instrumentalness • 41% Positiveness
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Bel Cobain
Came Over Me
140 bpm • F# min • 03:30 • -7.9db
26% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Dylan Atlantis
MY GIRL
140 bpm • C Maj • 02:01 • -9.93db
36% Popularity • 49% Danceability • 71% Energy • 18% Liveness
83% Instrumentalness • 40% Positiveness
36% Popularity • 49% Danceability • 71% Energy • 18% Liveness
83% Instrumentalness • 40% Positiveness
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Yaya Bey
you up?
140 bpm • D Maj • 01:14 • -10db
72% Popularity • 61% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
72% Popularity • 61% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Biig Piig
Ghosting
139 bpm • F Maj • 02:15 • -9.12db
43% Popularity • 73% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
43% Popularity • 73% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Mac Wetha
Brace
146 bpm • G# min • 01:34 • -7.86db
2% Popularity • 76% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 76% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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NiNE8
Twc
146 bpm • C# Maj • 03:49 • -9.53db
7% Popularity • 81% Danceability • 58% Energy • 93% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 81% Danceability • 58% Energy • 93% Liveness
0% Instrumentalness • 35% Positiveness
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Nina Cobham
effort in
146 bpm • C# min • 02:25 • -9.91db
50% Popularity • 48% Danceability • 36% Energy • 10% Liveness
9% Instrumentalness • 16% Positiveness
50% Popularity • 48% Danceability • 36% Energy • 10% Liveness
9% Instrumentalness • 16% Positiveness
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Paco
2PM
138 bpm • F# min • 01:53 • -6.93db
34% Popularity • 74% Danceability • 49% Energy • 17% Liveness
4% Instrumentalness • 46% Positiveness
34% Popularity • 74% Danceability • 49% Energy • 17% Liveness
4% Instrumentalness • 46% Positiveness
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Uma
Live in My Mind
138 bpm • B min • 03:44 • -7.15db
22% Popularity • 75% Danceability • 54% Energy • 20% Liveness
4% Instrumentalness • 44% Positiveness
22% Popularity • 75% Danceability • 54% Energy • 20% Liveness
4% Instrumentalness • 44% Positiveness
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@Homies
Under City Lights (Interlude)
147 bpm • A Maj • 01:18 • -10.63db
36% Popularity • 79% Danceability • 41% Energy • 12% Liveness
27% Instrumentalness • 76% Positiveness
36% Popularity • 79% Danceability • 41% Energy • 12% Liveness
27% Instrumentalness • 76% Positiveness
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Kojaque
JOHNNY MCENROE
147 bpm • G# Maj • 02:51 • -6.79db
39% Popularity • 63% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 63% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Peter Kuli
secret road
137 bpm • F min • 02:37 • -8.15db
32% Popularity • 68% Danceability • 56% Energy • 21% Liveness
33% Instrumentalness • 84% Positiveness
32% Popularity • 68% Danceability • 56% Energy • 21% Liveness
33% Instrumentalness • 84% Positiveness
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Kenny Beats
Last Words
147 bpm • F min • 01:49 • -8db
53% Popularity • 68% Danceability • 66% Energy • 41% Liveness
4% Instrumentalness • 74% Positiveness
53% Popularity • 68% Danceability • 66% Energy • 41% Liveness
4% Instrumentalness • 74% Positiveness
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Paco
FOGGY
137 bpm • C Maj • 02:29 • -6.28db
34% Popularity • 84% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 84% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Sampha
Only
137 bpm • F min • 02:49 • -10.15db
55% Popularity • 88% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
55% Popularity • 88% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Lou Val
Clementine
137 bpm • E min • 03:02 • -6.95db
37% Popularity • 68% Danceability • 62% Energy • 33% Liveness
3% Instrumentalness • 97% Positiveness
37% Popularity • 68% Danceability • 62% Energy • 33% Liveness
3% Instrumentalness • 97% Positiveness
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Moses Ideka
Cast Out
137 bpm • F min • 02:49 • -13.9db
39% Popularity • 70% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 70% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Cruza
Pulp Jam
148 bpm • G# Maj • 02:29 • -12.51db
45% Popularity • 68% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 68% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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Asiatica
Oh Darlin'
136 bpm • A Maj • 03:26 • -7.16db
30% Popularity • 35% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 35% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Femi Tahiru
It's Nearly Over
148 bpm • E min • 03:18 • -5.03db
20% Popularity • 63% Danceability • 45% Energy • 36% Liveness
6% Instrumentalness • 60% Positiveness
20% Popularity • 63% Danceability • 45% Energy • 36% Liveness
6% Instrumentalness • 60% Positiveness
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Oranj Goodman
Neon Carnival
148 bpm • C# Maj • 01:56 • -3.84db
37% Popularity • 73% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
37% Popularity • 73% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Orion Sun
concrete
148 bpm • C Maj • 03:32 • -7db
56% Popularity • 72% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
56% Popularity • 72% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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JGrrey
Sick of Me
136 bpm • A# min • 02:53 • -6.42db
31% Popularity • 72% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 72% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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F3miii
in my head
136 bpm • D Maj • 03:03 • -6.61db
24% Popularity • 79% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 79% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Lava La Rue
Magpie
148 bpm • C Maj • 03:34 • -6.44db
53% Popularity • 55% Danceability • 78% Energy • 72% Liveness
24% Instrumentalness • 56% Positiveness
53% Popularity • 55% Danceability • 78% Energy • 72% Liveness
24% Instrumentalness • 56% Positiveness
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The Silhouettes Project
Venus
136 bpm • B min • 03:22 • -10.43db
30% Popularity • 62% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 62% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Feux
WRECK
136 bpm • E min • 02:41 • -8.25db
30% Popularity • 81% Danceability • 43% Energy • 54% Liveness
1% Instrumentalness • 82% Positiveness
30% Popularity • 81% Danceability • 43% Energy • 54% Liveness
1% Instrumentalness • 82% Positiveness
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dexter in the newsagent
A While Now
148 bpm • B Maj • 02:01 • -13.08db
29% Popularity • 78% Danceability • 40% Energy • 12% Liveness
33% Instrumentalness • 42% Positiveness
29% Popularity • 78% Danceability • 40% Energy • 12% Liveness
33% Instrumentalness • 42% Positiveness
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Downtown Kayoto
Lite
136 bpm • G# Maj • 02:43 • -6.77db
38% Popularity • 68% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 68% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Amindi
dopamine
149 bpm • B Maj • 02:10 • -6.94db
33% Popularity • 68% Danceability • 51% Energy • 20% Liveness
38% Instrumentalness • 37% Positiveness
33% Popularity • 68% Danceability • 51% Energy • 20% Liveness
38% Instrumentalness • 37% Positiveness
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chlothegod
Good Guys
149 bpm • C# Maj • 02:36 • -7.51db
41% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Berhana
Going Home
135 bpm • F# min • 01:35 • -10.24db
37% Popularity • 66% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 66% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Billy Lemos
Are You There
135 bpm • F# Maj • 02:10 • -7.45db
14% Popularity • 80% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 80% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Yeek
Before I Go
135 bpm • G Maj • 02:36 • -7.49db
27% Popularity • 78% Danceability • 70% Energy • 10% Liveness
46% Instrumentalness • 42% Positiveness
27% Popularity • 78% Danceability • 70% Energy • 10% Liveness
46% Instrumentalness • 42% Positiveness
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NiNE8
Pusha
135 bpm • G# Maj • 03:04 • -8db
31% Popularity • 62% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 62% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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greek
hmu
150 bpm • D# min • 03:55 • -11.2db
50% Popularity • 42% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
50% Popularity • 42% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
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Collard
Stone
150 bpm • D# min • 02:23 • -7.45db
60% Popularity • 89% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
60% Popularity • 89% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Tommy Richman
MESSY
150 bpm • E min • 02:31 • -6.1db
44% Popularity • 80% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 80% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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lavender
3:45/buslane
134 bpm • C# Maj • 02:08 • -7.69db
38% Popularity • 51% Danceability • 53% Energy • 8% Liveness
7% Instrumentalness • 46% Positiveness
38% Popularity • 51% Danceability • 53% Energy • 8% Liveness
7% Instrumentalness • 46% Positiveness
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Mac James
Hey Baby
150 bpm • G Maj • 03:24 • -10.35db
13% Popularity • 75% Danceability • 39% Energy • 10% Liveness
26% Instrumentalness • 19% Positiveness
13% Popularity • 75% Danceability • 39% Energy • 10% Liveness
26% Instrumentalness • 19% Positiveness
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NiNE8
London Outta Luck
150 bpm • E min • 04:09 • -8.39db
10% Popularity • 68% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 68% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Nate Brazier
Patterns - Mac Wetha Remix
150 bpm • F# min • 03:09 • -9.4db
5% Popularity • 49% Danceability • 61% Energy • 66% Liveness
0% Instrumentalness • 59% Positiveness
5% Popularity • 49% Danceability • 61% Energy • 66% Liveness
0% Instrumentalness • 59% Positiveness
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SofÃa Valdés
Midnight Freak-Out
134 bpm • C Maj • 03:20 • -6.91db
32% Popularity • 42% Danceability • 69% Energy • 17% Liveness
1% Instrumentalness • 39% Positiveness
32% Popularity • 42% Danceability • 69% Energy • 17% Liveness
1% Instrumentalness • 39% Positiveness
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kid apollo
fantasise
134 bpm • F# Maj • 02:49 • -10.5db
29% Popularity • 59% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 59% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Duckwrth
007 (OG Mix)
133 bpm • G Maj • 02:33 • -10.58db
39% Popularity • 69% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 69% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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RUBII
Loner (interlude)
133 bpm • F# Maj • 01:26 • -13.12db
43% Popularity • 77% Danceability • 21% Energy • 9% Liveness
47% Instrumentalness • 45% Positiveness
43% Popularity • 77% Danceability • 21% Energy • 9% Liveness
47% Instrumentalness • 45% Positiveness
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Omar Apollo
Ice Slippin
152 bpm • C Maj • 04:15 • -8.74db
51% Popularity • 62% Danceability • 46% Energy • 14% Liveness
2% Instrumentalness • 14% Positiveness
51% Popularity • 62% Danceability • 46% Energy • 14% Liveness
2% Instrumentalness • 14% Positiveness
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Monjola
AM I TOO MUCH
133 bpm • A Maj • 03:03 • -7.33db
17% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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V V N
Ayo DJ
132 bpm • A min • 03:03 • -10.51db
17% Popularity • 56% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 56% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Souly Had
deadman
132 bpm • G# Maj • 02:10 • -6.71db
44% Popularity • 69% Danceability • 70% Energy • 51% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 69% Danceability • 70% Energy • 51% Liveness
0% Instrumentalness • 39% Positiveness
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Orion Sun
pressure
132 bpm • F# min • 03:40 • -11db
53% Popularity • 55% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 29% Positiveness
53% Popularity • 55% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 29% Positiveness
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Mysie
CTRL
153 bpm • D Maj • 02:19 • -10.45db
45% Popularity • 83% Danceability • 51% Energy • 10% Liveness
77% Instrumentalness • 38% Positiveness
45% Popularity • 83% Danceability • 51% Energy • 10% Liveness
77% Instrumentalness • 38% Positiveness
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nour
outta control
131 bpm • D Maj • 02:39 • -8.56db
30% Popularity • 62% Danceability • 57% Energy • 66% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 62% Danceability • 57% Energy • 66% Liveness
0% Instrumentalness • 44% Positiveness
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Billy Lemos
Concentrate
154 bpm • F# Maj • 02:14 • -6.46db
38% Popularity • 56% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 56% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Dominic Fike
How Much Is Weed?
154 bpm • C# Maj • 02:05 • -4.49db
69% Popularity • 69% Danceability • 81% Energy • 13% Liveness
13% Instrumentalness • 54% Positiveness
69% Popularity • 69% Danceability • 81% Energy • 13% Liveness
13% Instrumentalness • 54% Positiveness
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Mac Wetha
Blur
154 bpm • D# Maj • 03:16 • -8.49db
3% Popularity • 60% Danceability • 58% Energy • 14% Liveness
3% Instrumentalness • 19% Positiveness
3% Popularity • 60% Danceability • 58% Energy • 14% Liveness
3% Instrumentalness • 19% Positiveness
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Orion Sun
Intoxicated
154 bpm • A# Maj • 01:42 • -8.71db
53% Popularity • 56% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 56% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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RUBII
Jammin
130 bpm • G# min • 02:49 • -14.5db
56% Popularity • 86% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
56% Popularity • 86% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Yoshi T.
MAYBE NEXT YEAR
130 bpm • D min • 02:00 • -11.36db
30% Popularity • 73% Danceability • 45% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
30% Popularity • 73% Danceability • 45% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
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808vic
vic's odyssey
130 bpm • C Maj • 02:39 • -6.68db
30% Popularity • 63% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 63% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Cruza
Seltzer
130 bpm • A# min • 03:04 • -13db
40% Popularity • 71% Danceability • 40% Energy • 10% Liveness
6% Instrumentalness • 46% Positiveness
40% Popularity • 71% Danceability • 40% Energy • 10% Liveness
6% Instrumentalness • 46% Positiveness
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Mac Wetha
IDONTBELIEVEIT!!
155 bpm • G# Maj • 02:41 • -5.35db
4% Popularity • 42% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
4% Popularity • 42% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Biig Piig
Raze : Plan B
130 bpm • F min • 02:49 • -11db
30% Popularity • 93% Danceability • 26% Energy • 12% Liveness
22% Instrumentalness • 86% Positiveness
30% Popularity • 93% Danceability • 26% Energy • 12% Liveness
22% Instrumentalness • 86% Positiveness
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Jacks Haupt
Summer of 1980
130 bpm • C# Maj • 02:35 • -5.86db
33% Popularity • 83% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 83% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Walter The Producer
Since September
130 bpm • F# min • 03:02 • -2.78db
49% Popularity • 73% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 73% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Yeek
$$$$
130 bpm • F min • 02:30 • -6.2db
31% Popularity • 76% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 76% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Jean Dawson
X-RAY
130 bpm • G Maj • 03:09 • -7.56db
42% Popularity • 68% Danceability • 80% Energy • 14% Liveness
82% Instrumentalness • 45% Positiveness
42% Popularity • 68% Danceability • 80% Energy • 14% Liveness
82% Instrumentalness • 45% Positiveness
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Mac Wetha
Smokers'
130 bpm • A min • 01:58 • -11.61db
25% Popularity • 82% Danceability • 58% Energy • 69% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 82% Danceability • 58% Energy • 69% Liveness
0% Instrumentalness • 39% Positiveness
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Biig Piig
Liquorice
130 bpm • A# min • 02:36 • -8.13db
36% Popularity • 88% Danceability • 60% Energy • 9% Liveness
57% Instrumentalness • 29% Positiveness
36% Popularity • 88% Danceability • 60% Energy • 9% Liveness
57% Instrumentalness • 29% Positiveness
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Bakar
Right Here, for Now
130 bpm • C Maj • 03:00 • -5.24db
57% Popularity • 80% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 80% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Flower in Bloom
Tell Tale
155 bpm • G Maj • 01:40 • -9.74db
40% Popularity • 63% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 63% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Yeek
Up At 3
130 bpm • B min • 02:21 • -7.64db
26% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Zack Villere
2 HAND TOUCH
130 bpm • G# Maj • 03:00 • -8.25db
20% Popularity • 67% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 67% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Orion Sun
Space Jam - An Odyssey
156 bpm • C# min • 03:41 • -3.8db
50% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Biig Piig
Lie to Me
130 bpm • G# min • 02:48 • -12.24db
31% Popularity • 81% Danceability • 32% Energy • 36% Liveness
1% Instrumentalness • 38% Positiveness
31% Popularity • 81% Danceability • 32% Energy • 36% Liveness
1% Instrumentalness • 38% Positiveness
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NiNE8
Escape Artist
156 bpm • F# Maj • 03:34 • -6.12db
13% Popularity • 47% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 47% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
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Moses Ideka
Won't Be Waiting
156 bpm • C# Maj • 02:26 • -16.36db
32% Popularity • 69% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 53% Positiveness
32% Popularity • 69% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 53% Positiveness
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NAYANA IZ
GROWING PAINS
156 bpm • C Maj • 02:54 • -9.76db
38% Popularity • 76% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 76% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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The South Hill Experiment
Alright, OK
156 bpm • F# min • 03:30 • -6.34db
41% Popularity • 45% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
41% Popularity • 45% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Zack Villere
GURLZ
129 bpm • G# Maj • 02:15 • -4.27db
23% Popularity • 81% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 81% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Asha Imuno
PUSHING BUTTONS
156 bpm • E min • 02:52 • -7.36db
33% Popularity • 66% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 66% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Amindi
lady
129 bpm • C Maj • 02:32 • -7.75db
43% Popularity • 63% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 63% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
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Sister
In Bloom
128 bpm • G min • 03:36 • -8.03db
31% Popularity • 75% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 75% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Downtown Kayoto
Poison
128 bpm • F# Maj • 02:31 • -5.5db
22% Popularity • 70% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 70% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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YTK
IDKWTB
128 bpm • D Maj • 01:29 • -8.06db
48% Popularity • 82% Danceability • 38% Energy • 22% Liveness
61% Instrumentalness • 51% Positiveness
48% Popularity • 82% Danceability • 38% Energy • 22% Liveness
61% Instrumentalness • 51% Positiveness
