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Faith in Strangers
Songs like
Faith in Strangers
by
Andy Stott
Based on a tempo of (+/- 10%) and a similar genre
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Andy Stott
Faith in Strangers
137 bpm • G Maj • 06:29 • -10db
42% Popularity • 66% Danceability • 69% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Overmono
Quadraluv
136 bpm • C Maj • 06:56 • -14db
33% Popularity • 67% Danceability • 62% Energy • 9% Liveness
89% Instrumentalness • 20% Positiveness
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Gang Gang Dance
Vacuum
137 bpm • C# Maj • 04:13 • -4db
23% Popularity • 26% Danceability • 98% Energy • 8% Liveness
75% Instrumentalness • 36% Positiveness
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Barker
Cascade Effect
136 bpm • C Maj • 06:57 • -11.42db
20% Popularity • 42% Danceability • 80% Energy • 8% Liveness
73% Instrumentalness • 21% Positiveness
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Stereolab
Brakhage
139 bpm • F# min • 05:30 • -10.71db
43% Popularity • 71% Danceability • 62% Energy • 7% Liveness
42% Instrumentalness • 67% Positiveness
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Zomby
Tears in the Rain
139 bpm • F# Maj • 04:34 • -8db
27% Popularity • 61% Danceability • 76% Energy • 66% Liveness
80% Instrumentalness • 35% Positiveness
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Floating Points
Last Bloom
135 bpm • C# Maj • 05:53 • -11.71db
37% Popularity • 71% Danceability • 65% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
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Mount Kimbie
Carbonated
135 bpm • E min • 04:18 • -13.52db
44% Popularity • 55% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 78% Positiveness
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Andy Stott
Dark Details
135 bpm • D# min • 06:04 • -17.02db
14% Popularity • 78% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Barker
Posmean
138 bpm • A min • 03:54 • -13.12db
28% Popularity • 76% Danceability • 70% Energy • 13% Liveness
76% Instrumentalness • 56% Positiveness
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Nabihah Iqbal
Zone 1 to 6000
135 bpm • D Maj • 03:25 • -6.72db
43% Popularity • 54% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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John Maus
Bennington
135 bpm • C min • 03:13 • -9.95db
23% Popularity • 71% Danceability • 38% Energy • 12% Liveness
64% Instrumentalness • 79% Positiveness
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Floating Points
Anasickmodular
139 bpm • C# Maj • 03:12 • -11.63db
47% Popularity • 67% Danceability • 57% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Susumu Yokota
Tobiume
139 bpm • F# Maj • 04:38 • -17.03db
41% Popularity • 24% Danceability • 25% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Aphex Twin
Tha
135 bpm • E min • 09:07 • -19.88db
52% Popularity • 60% Danceability • 41% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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Barker
Hedonic Treadmill
135 bpm • C# Maj • 04:09 • -14.94db
32% Popularity • 43% Danceability • 56% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
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Jamie xx
Gosh
139 bpm • A# min • 04:51 • -12.29db
52% Popularity • 75% Danceability • 46% Energy • 9% Liveness
78% Instrumentalness • 38% Positiveness
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Taz & Meeks
Obviously - Mixed
140 bpm • G# Maj • 02:56 • -8db
27% Popularity • 58% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Andy Stott
Dismantle
140 bpm • C# Maj • 04:16 • -15.85db
24% Popularity • 44% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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The Dice Man
Polygon Window
134 bpm • B min • 05:12 • -16.55db
29% Popularity • 64% Danceability • 52% Energy • 6% Liveness
86% Instrumentalness • 93% Positiveness
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Vegyn
Olbass All Bass 004 (140 BPM)
140 bpm • F min • 02:21 • -16db
46% Popularity • 74% Danceability • 39% Energy • 12% Liveness
96% Instrumentalness • 63% Positiveness
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Sky H1
Air
140 bpm • C Maj • 04:02 • -8.49db
14% Popularity • 57% Danceability • 78% Energy • 6% Liveness
94% Instrumentalness • 6% Positiveness
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Barker
Utility
140 bpm • G Maj • 04:30 • -12db
35% Popularity • 76% Danceability • 77% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
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Underworld
Jumbo
140 bpm • F min • 06:57 • -11.2db
48% Popularity • 63% Danceability • 60% Energy • 12% Liveness
77% Instrumentalness • 88% Positiveness
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Andy Stott
Violence
140 bpm • C# Maj • 06:37 • -13db
35% Popularity • 36% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Daphni
Life’s What You Make It
140 bpm • G Maj • 03:51 • -12db
29% Popularity • 66% Danceability • 61% Energy • 12% Liveness
92% Instrumentalness • 84% Positiveness
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Seefeel
Time to Find Me - AFX Slow Mix
134 bpm • B min • 09:35 • -17db
18% Popularity • 79% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
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Youandewan
Be Good To Me Poly
140 bpm • F# Maj • 05:06 • -8.05db
37% Popularity • 54% Danceability • 72% Energy • 7% Liveness
97% Instrumentalness • 64% Positiveness
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Mount Kimbie
You Look Certain (I’m Not So Sure)
134 bpm • B min • 03:22 • -8.86db
40% Popularity • 67% Danceability • 86% Energy • 49% Liveness
87% Instrumentalness • 97% Positiveness
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Demdike Stare
Animal Style
140 bpm • C# Maj • 07:09 • -10.22db
13% Popularity • 72% Danceability • 49% Energy • 10% Liveness
64% Instrumentalness • 48% Positiveness
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Floating Points
Sais
134 bpm • F min • 08:03 • -13db
36% Popularity • 75% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Inwards
At Height
134 bpm • C# Maj • 03:52 • -17db
35% Popularity • 55% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 19% Positiveness
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Jacques Greene
Another Girl
134 bpm • C# Maj • 06:43 • -10db
37% Popularity • 40% Danceability • 64% Energy • 33% Liveness
68% Instrumentalness • 71% Positiveness
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Panda Bear
Boys Latin - Andy Stott remix
140 bpm • C# Maj • 06:16 • -5.83db
6% Popularity • 59% Danceability • 97% Energy • 25% Liveness
40% Instrumentalness • 11% Positiveness
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Leon Vynehall
Mothra
133 bpm • F# Maj • 05:39 • -12.85db
30% Popularity • 73% Danceability • 42% Energy • 22% Liveness
72% Instrumentalness • 13% Positiveness
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Against All Logic
Penny
141 bpm • D Maj • 06:40 • -7.95db
23% Popularity • 68% Danceability • 77% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Mount Kimbie
You Look Certain (I’m Not So Sure) - W...
142 bpm • B min • 05:34 • -8.81db
36% Popularity • 45% Danceability • 66% Energy • 41% Liveness
48% Instrumentalness • 58% Positiveness
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Drexciya
Andreaen Sand Dunes
133 bpm • F# min • 06:16 • -9db
38% Popularity • 65% Danceability • 62% Energy • 12% Liveness
75% Instrumentalness • 50% Positiveness
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Ross from Friends
The Daisy
132 bpm • G# min • 05:38 • -12db
43% Popularity • 70% Danceability • 61% Energy • 10% Liveness
16% Instrumentalness • 25% Positiveness
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Shed
Nacht, Fluss, Grille, Auto, Frosch, Eule...
132 bpm • C Maj • 05:00 • -17.68db
22% Popularity • 48% Danceability • 50% Energy • 42% Liveness
91% Instrumentalness • 4% Positiveness
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Leon Vynehall
Mothra - Edit
133 bpm • F# Maj • 03:54 • -11db
32% Popularity • 76% Danceability • 58% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
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Loraine James
Glitch Bitch
132 bpm • C Maj • 03:12 • -13db
22% Popularity • 81% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 43% Positiveness
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Aphex Twin
Fingerbib
132 bpm • A# min • 03:48 • -11db
53% Popularity • 62% Danceability • 56% Energy • 16% Liveness
93% Instrumentalness • 79% Positiveness
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Mark Pritchard
Give It Your Choir
143 bpm • D min • 04:25 • -14.1db
26% Popularity • 46% Danceability • 36% Energy • 8% Liveness
38% Instrumentalness • 11% Positiveness
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Floating Points
Falaise
143 bpm • B min • 03:54 • -14.48db
50% Popularity • 36% Danceability • 40% Energy • 18% Liveness
79% Instrumentalness • 4% Positiveness
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Locust
No-One in the World
143 bpm • A Maj • 06:41 • -11.94db
42% Popularity • 64% Danceability • 56% Energy • 51% Liveness
97% Instrumentalness • 64% Positiveness
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Leon Vynehall
Birds On The Tarmac (Footnote III)
143 bpm • D# Maj • 01:17 • -16.03db
48% Popularity • 24% Danceability • 49% Energy • 30% Liveness
90% Instrumentalness • 44% Positiveness
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Kelly Lee Owens
On
131 bpm • G Maj • 05:57 • -13db
30% Popularity • 69% Danceability • 40% Energy • 7% Liveness
72% Instrumentalness • 38% Positiveness
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Aphex Twin
Heliosphan
131 bpm • C min • 04:53 • -14.16db
51% Popularity • 34% Danceability • 61% Energy • 9% Liveness
96% Instrumentalness • 13% Positiveness
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Slowdive
Sugar for the Pill - Avalon Emerson's Gi...
131 bpm • E min • 09:18 • -11db
19% Popularity • 35% Danceability • 74% Energy • 18% Liveness
78% Instrumentalness • 12% Positiveness
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The Other People Place
Let Me Be Me
131 bpm • F# Maj • 07:46 • -11.82db
31% Popularity • 73% Danceability • 52% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Teebs
You've Changed
144 bpm • C min • 02:11 • -6db
40% Popularity • 36% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Domenique Dumont
People On Sunday
144 bpm • F# min • 03:45 • -12.93db
49% Popularity • 66% Danceability • 40% Energy • 14% Liveness
95% Instrumentalness • 28% Positiveness
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Kelly Lee Owens
Melt!
131 bpm • G Maj • 03:34 • -13db
31% Popularity • 78% Danceability • 92% Energy • 11% Liveness
92% Instrumentalness • 44% Positiveness
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Dimlite
Can't Get Used To Those (Kosi Edit) | Oh...
130 bpm • F min • 02:40 • -10.39db
35% Popularity • 43% Danceability • 59% Energy • 40% Liveness
72% Instrumentalness • 58% Positiveness
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Schneider TM
The Light 3000
130 bpm • C# min • 04:03 • -7.14db
31% Popularity • 74% Danceability • 73% Energy • 8% Liveness
54% Instrumentalness • 57% Positiveness
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Floating Points
LesAlpx
130 bpm • C Maj • 04:41 • -12db
38% Popularity • 70% Danceability • 74% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
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Barker
Die-Hards Of The Darwinian Order
130 bpm • C# Maj • 09:07 • -15.13db
20% Popularity • 40% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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Off The Meds
Karlaplan
130 bpm • G Maj • 03:38 • -9.56db
29% Popularity • 80% Danceability • 82% Energy • 12% Liveness
86% Instrumentalness • 88% Positiveness
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DjRUM
Blue Violet
130 bpm • E min • 08:40 • -11.35db
32% Popularity • 41% Danceability • 63% Energy • 13% Liveness
88% Instrumentalness • 14% Positiveness
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Kelly Lee Owens
Jeanette
130 bpm • G# min • 06:14 • -14.65db
36% Popularity • 58% Danceability • 54% Energy • 12% Liveness
88% Instrumentalness • 29% Positiveness
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Oneohtrix Point Never
I Don't Love Me Anymore
130 bpm • D# min • 02:54 • -6db
43% Popularity • 60% Danceability • 84% Energy • 13% Liveness
60% Instrumentalness • 46% Positiveness
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Overmono
Yell0w_Tail
130 bpm • D Maj • 04:45 • -13db
29% Popularity • 76% Danceability • 69% Energy • 6% Liveness
83% Instrumentalness • 47% Positiveness
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Claro Intelecto
Peace of Mind (Electrosoul)
130 bpm • G# Maj • 06:12 • -8db
32% Popularity • 74% Danceability • 92% Energy • 17% Liveness
88% Instrumentalness • 3% Positiveness
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Telefon Tel Aviv
Fahrenheit Fair Enough
130 bpm • F Maj • 06:40 • -9db
34% Popularity • 67% Danceability • 88% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Barker
Paradise Engineering
130 bpm • B min • 04:08 • -18db
38% Popularity • 28% Danceability • 45% Energy • 13% Liveness
94% Instrumentalness • 21% Positiveness
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HTRK
Give it Up
130 bpm • B min • 03:48 • -18.77db
25% Popularity • 76% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 23% Positiveness
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The Field
Silent
130 bpm • G min • 07:35 • -13.44db
23% Popularity • 71% Danceability • 50% Energy • 26% Liveness
89% Instrumentalness • 44% Positiveness
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Andy Stott
Repetitive strain
130 bpm • C Maj • 04:18 • -12.91db
20% Popularity • 65% Danceability • 68% Energy • 5% Liveness
1% Instrumentalness • 16% Positiveness
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△▃△▓
؞ৢ؞ؖ؞ৢ؞ؖ؞ৢ؞ؖ؞ৢ؞ؖ؞�...
130 bpm • C# Maj • 02:24 • -15.39db
33% Popularity • 78% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 84% Positiveness
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DjRUM
Sparrows
130 bpm • C min • 04:40 • -14.65db
25% Popularity • 24% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Oli XL
Clumsy
130 bpm • C# min • 04:29 • -9db
27% Popularity • 81% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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µ-Ziq
Goodbye, Goodbye
130 bpm • G Maj • 04:07 • -10.09db
37% Popularity • 54% Danceability • 44% Energy • 17% Liveness
89% Instrumentalness • 12% Positiveness
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Barker
Models Of Wellbeing
145 bpm • D min • 06:03 • -15.69db
24% Popularity • 47% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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The Other People Place
You Said You Want Me
129 bpm • C# Maj • 04:23 • -9.71db
24% Popularity • 70% Danceability • 50% Energy • 13% Liveness
87% Instrumentalness • 46% Positiveness
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The Field
Everyday
129 bpm • A Maj • 06:59 • -11.07db
31% Popularity • 66% Danceability • 81% Energy • 5% Liveness
93% Instrumentalness • 36% Positiveness
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Carla dal Forno
Fast Moving Cars
129 bpm • D# min • 03:31 • -16.01db
24% Popularity • 35% Danceability • 38% Energy • 10% Liveness
24% Instrumentalness • 44% Positiveness
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Seefeel
Moodswing
146 bpm • C# min • 05:47 • -19.22db
28% Popularity • 35% Danceability • 36% Energy • 38% Liveness
97% Instrumentalness • 6% Positiveness
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Hype Williams
Businessline
146 bpm • C Maj • 03:35 • -11.67db
25% Popularity • 59% Danceability • 56% Energy • 30% Liveness
83% Instrumentalness • 75% Positiveness
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µ-Ziq
Brace Yourself Jason
146 bpm • G Maj • 06:22 • -8.81db
37% Popularity • 55% Danceability • 73% Energy • 5% Liveness
93% Instrumentalness • 45% Positiveness
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Khotin
WEM Lagoon Jump
146 bpm • C min • 04:03 • -8.6db
18% Popularity • 57% Danceability • 57% Energy • 11% Liveness
88% Instrumentalness • 21% Positiveness
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The Field
A Paw In My Face
129 bpm • C Maj • 05:24 • -13db
31% Popularity • 61% Danceability • 70% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
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Floating Points
Bias
146 bpm • C# min • 05:08 • -12.03db
40% Popularity • 60% Danceability • 48% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
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Drexciya
Birth of New Life
128 bpm • G Maj • 06:22 • -7.24db
22% Popularity • 75% Danceability • 59% Energy • 4% Liveness
95% Instrumentalness • 48% Positiveness
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The Other People Place
Moonlight Rendezvous
128 bpm • C# Maj • 07:07 • -10.84db
27% Popularity • 64% Danceability • 51% Energy • 10% Liveness
86% Instrumentalness • 66% Positiveness
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Tirzah
Tectonic
146 bpm • D Maj • 04:37 • -12db
26% Popularity • 74% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Andy Stott
It Should Be Us
146 bpm • C# Maj • 05:26 • -12.12db
18% Popularity • 63% Danceability • 62% Energy • 15% Liveness
74% Instrumentalness • 60% Positiveness
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Lapalux
Earth
128 bpm • A min • 04:58 • -11.18db
30% Popularity • 54% Danceability • 67% Energy • 44% Liveness
69% Instrumentalness • 11% Positiveness
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Boards of Canada
1969
147 bpm • C# min • 04:20 • -10.05db
42% Popularity • 67% Danceability • 73% Energy • 34% Liveness
54% Instrumentalness • 21% Positiveness
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Shinichi Atobe
Butterfly Effect
127 bpm • B min • 11:52 • -14.43db
27% Popularity • 36% Danceability • 49% Energy • 9% Liveness
93% Instrumentalness • 44% Positiveness
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The Field
Over The Ice
127 bpm • E min • 06:56 • -13db
29% Popularity • 66% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Kelly Lee Owens
Night
127 bpm • G Maj • 05:10 • -13.02db
26% Popularity • 77% Danceability • 59% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Andy Stott
Fear of Heights
128 bpm • F min • 06:19 • -16.51db
11% Popularity • 60% Danceability • 40% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
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Against All Logic
Some Kind of Game
127 bpm • G# min • 06:47 • -5db
37% Popularity • 81% Danceability • 66% Energy • 11% Liveness
76% Instrumentalness • 28% Positiveness
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Mount Kimbie
Four Years and One Day
127 bpm • B Maj • 03:17 • -12db
39% Popularity • 29% Danceability • 72% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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John Tejada
Farther And Fainter
127 bpm • C# Maj • 06:19 • -11.13db
33% Popularity • 78% Danceability • 57% Energy • 11% Liveness
91% Instrumentalness • 83% Positiveness
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Inga Copeland
A&E
127 bpm • G Maj • 04:30 • -7.81db
24% Popularity • 70% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The Field
Good Things End
127 bpm • G Maj • 06:08 • -17db
24% Popularity • 62% Danceability • 64% Energy • 12% Liveness
54% Instrumentalness • 12% Positiveness
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Aphex Twin
Flim
148 bpm • C min • 02:57 • -14.93db
59% Popularity • 71% Danceability • 73% Energy • 7% Liveness
84% Instrumentalness • 40% Positiveness
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James Holden
10101
127 bpm • A# min • 06:05 • -14db
24% Popularity • 78% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
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Faith in Strangers