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Falling Down
Songs like
Falling Down
by
Harrison Storm
Based on a tempo of (+/- 10%) and a similar genre
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
50% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Benjamin Francis Leftwich
Elephant
130 bpm • D# Maj • 03:24 • -7db
30% Popularity • 49% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Harrison Storm
Falling Down - SYML Remix
130 bpm • D Maj • 04:21 • -6.73db
19% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Axel Flóvent
Slow & Steady
130 bpm • D# Maj • 03:03 • -12.92db
24% Popularity • 55% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Aquilo
Who Are You
130 bpm • C# Maj • 03:04 • -10db
43% Popularity • 37% Danceability • 49% Energy • 15% Liveness
23% Instrumentalness • 20% Positiveness
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isaac gracie
when you go
130 bpm • B Maj • 03:43 • -12.85db
32% Popularity • 54% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Matt Walden
Milestone
130 bpm • E Maj • 04:23 • -14.98db
43% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Jon Bryant
Light
130 bpm • A Maj • 04:27 • -12db
46% Popularity • 51% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Harrison Storm
Falling Down
130 bpm • B min • 03:45 • -7.43db
47% Popularity • 38% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Axel Flóvent
Indefinite
130 bpm • D# Maj • 03:52 • -10.93db
33% Popularity • 54% Danceability • 35% Energy • 10% Liveness
39% Instrumentalness • 21% Positiveness
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Charlie Cunningham
While You Are Young
130 bpm • C Maj • 02:41 • -11.22db
38% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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George Ogilvie
Tremosine
130 bpm • F# Maj • 05:43 • -11.82db
21% Popularity • 32% Danceability • 30% Energy • 39% Liveness
46% Instrumentalness • 14% Positiveness
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Plested
Lost for Words
129 bpm • A# Maj • 03:21 • -8db
32% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jon Bryant
I Shall Not Fear
130 bpm • B min • 03:29 • -12db
41% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Hayden Calnin
Let's Dance
129 bpm • F# Maj • 04:01 • -8db
34% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Harrison Storm
Falling Down - Acoustic
130 bpm • C Maj • 03:42 • -8.71db
24% Popularity • 63% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Axel Flóvent
No One's Gonna Love You
129 bpm • C# Maj • 03:52 • -14db
39% Popularity • 41% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Dan Owen
Hand That You Hold
129 bpm • G Maj • 03:17 • -6.44db
39% Popularity • 38% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Chance Peña
Up, Up & Away
132 bpm • A min • 02:00 • -12.33db
60% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Hazlett
Part Time Lovers
132 bpm • C Maj • 03:10 • -16.3db
57% Popularity • 54% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Salt Tree
Rising Again
128 bpm • C# Maj • 03:23 • -12db
48% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Harrison Storm
The Words You Say
132 bpm • B Maj • 03:30 • -11.99db
52% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
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sød ven
reborn
132 bpm • C min • 03:44 • -16.35db
34% Popularity • 52% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Axel Flóvent
Beach
128 bpm • D Maj • 04:48 • -13db
40% Popularity • 52% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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George Ogilvie
Nowhere
132 bpm • D Maj • 04:39 • -11.01db
28% Popularity • 63% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ed Patrick
You In My Life
132 bpm • B Maj • 03:37 • -16.57db
49% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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ASKYA
Stay Here
132 bpm • A# Maj • 03:41 • -10.28db
30% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Old Sea Brigade
Feel You
128 bpm • D Maj • 03:54 • -14db
50% Popularity • 82% Danceability • 22% Energy • 10% Liveness
59% Instrumentalness • 36% Positiveness
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Isaac Butler
Moon Song
132 bpm • A# Maj • 03:44 • -9.43db
35% Popularity • 60% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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sød ven
catacombs
128 bpm • G# min • 03:27 • -17db
40% Popularity • 28% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Blanco White
Outsider
128 bpm • E Maj • 04:44 • -11.19db
41% Popularity • 50% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Jon Bryant
I Saw You
132 bpm • G Maj • 05:04 • -15db
32% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Dan Owen
Hand That You Hold - Acoustic Demo
128 bpm • G Maj • 03:12 • -12.55db
14% Popularity • 42% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Oh Wonder
In And Out Of Love
127 bpm • C Maj • 02:57 • -14db
41% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Old Sea Brigade
Caroline - Acoustic
127 bpm • E min • 03:57 • -12db
49% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Hayden Calnin
Coward - Rework
133 bpm • D# Maj • 03:54 • -11.38db
16% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Blakey
Prism of Love - Piano Acoustic
133 bpm • D# Maj • 03:05 • -9db
43% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jordan Hart
Only Pieces of the Truth
127 bpm • F Maj • 04:22 • -10db
30% Popularity • 49% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Tom Walker
Fade Away
133 bpm • C min • 04:43 • -9.58db
35% Popularity • 41% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Axel Flóvent
Tourist
133 bpm • F# min • 03:44 • -12.15db
36% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Boundary Run
Make It Out
134 bpm • D Maj • 03:41 • -11.44db
47% Popularity • 25% Danceability • 29% Energy • 8% Liveness
42% Instrumentalness • 22% Positiveness
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Harrison Storm
Falling Down - Piano
126 bpm • D Maj • 03:48 • -21.04db
15% Popularity • 72% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 26% Positiveness
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Hazlett
Fireworks
134 bpm • A Maj • 04:02 • -11.33db
49% Popularity • 69% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Ed Patrick
Mexico
127 bpm • D Maj • 02:52 • -15.18db
44% Popularity • 53% Danceability • 26% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Nathan Ball
Right Place
134 bpm • E Maj • 03:45 • -14.9db
27% Popularity • 64% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Amistat
Still Alive
126 bpm • C# Maj • 02:58 • -12.98db
43% Popularity • 65% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Boundary Run
Fly Away
134 bpm • F# Maj • 02:38 • -10.26db
37% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Axel Flóvent
Lighthouse
126 bpm • F Maj • 03:55 • -10.79db
37% Popularity • 56% Danceability • 22% Energy • 9% Liveness
15% Instrumentalness • 28% Positiveness
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Joshua Hyslop
Such Bitter Ends
134 bpm • E Maj • 04:04 • -15db
37% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Novo Amor
Birthplace
126 bpm • C# Maj • 03:10 • -9.87db
55% Popularity • 74% Danceability • 33% Energy • 10% Liveness
59% Instrumentalness • 39% Positiveness
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Jordan Hart
She Goes
135 bpm • C Maj • 03:51 • -12.37db
43% Popularity • 63% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
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John Lingard
We're Almost Home
125 bpm • A# Maj • 03:27 • -13db
30% Popularity • 60% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Hayden Calnin
Unfortunate Love
135 bpm • C# min • 03:46 • -11db
47% Popularity • 47% Danceability • 42% Energy • 17% Liveness
25% Instrumentalness • 16% Positiveness
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Harrison Storm
Be Yourself
135 bpm • C# Maj • 04:10 • -15.39db
38% Popularity • 59% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 12% Positiveness
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Joshua Hyslop
Long Way Down
125 bpm • D Maj • 04:17 • -13.03db
48% Popularity • 71% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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sød ven
capsized
125 bpm • C# min • 03:00 • -11.23db
32% Popularity • 44% Danceability • 28% Energy • 8% Liveness
33% Instrumentalness • 4% Positiveness
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Nathan Ball
Waste of Time - Acoustic
135 bpm • D Maj • 03:39 • -14.74db
29% Popularity • 60% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The Beach
Our Favourite Song
125 bpm • C# Maj • 04:05 • -6.51db
24% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Hayden Calnin
Mountain Steeps
125 bpm • G# Maj • 04:03 • -13.18db
39% Popularity • 62% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
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Harrison Storm
Feeling You (Mahogany Sessions)
135 bpm • C# min • 03:03 • -11.84db
29% Popularity • 43% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Adam Barnes
Electron
125 bpm • A Maj • 03:40 • -7.68db
28% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Novo Amor
Oh, Round Lake
125 bpm • C# Maj • 02:55 • -15db
62% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Gretta Ray
Re: Stacks
136 bpm • F Maj • 04:25 • -16.29db
40% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Andrew Belle
Dive Deep (Hushed)
136 bpm • A Maj • 03:38 • -9db
49% Popularity • 51% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Hayden Calnin
Unfortunate Love - Orchestral
125 bpm • C Maj • 04:32 • -12db
27% Popularity • 30% Danceability • 35% Energy • 6% Liveness
85% Instrumentalness • 12% Positiveness
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James Bay
Peer Pressure (Acoustic)
136 bpm • E Maj • 02:56 • -6.84db
53% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Dan Owen
Made to Love You - Edit
136 bpm • C Maj • 03:18 • -7.71db
21% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Ocie Elliott
Wait for You
136 bpm • C# Maj • 03:13 • -12db
61% Popularity • 65% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Harrison Storm
My Way Home
124 bpm • G Maj • 03:37 • -11.11db
47% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Tom Walker
Leave a Light On - Sony Bravia Version
136 bpm • F Maj • 03:38 • -8.79db
32% Popularity • 34% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jack Curley
Wait for Me
136 bpm • A# min • 03:41 • -7.56db
42% Popularity • 73% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Nathan Ball
Alone
124 bpm • F Maj • 04:15 • -13.73db
32% Popularity • 49% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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James New
All Eyes on You
137 bpm • D Maj • 03:54 • -8.91db
24% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Plested
Beautiful & Brutal
137 bpm • G Maj • 03:31 • -6.39db
35% Popularity • 52% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Hazlett
Lowdown, Lay It On
137 bpm • D Maj • 03:54 • -13db
35% Popularity • 46% Danceability • 27% Energy • 66% Liveness
1% Instrumentalness • 4% Positiveness
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Tom Walker
Leave a Light On - Acoustic
137 bpm • F Maj • 03:37 • -6.76db
61% Popularity • 38% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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St. Lundi
You've Got the Wrong Guy
137 bpm • D Maj • 03:28 • -5.36db
31% Popularity • 46% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Nick Wilson
Not Like Falling Out Of Love
137 bpm • C# Maj • 03:48 • -11.05db
30% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Aisha Badru
Prisoners & Guards
123 bpm • F Maj • 04:50 • -16db
37% Popularity • 45% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Nathan Ball
All Comes Back To You
138 bpm • G Maj • 04:09 • -16.89db
15% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Hazlett
Sugarcane
123 bpm • C min • 03:41 • -13.22db
36% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
59% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Rhys Lewis
End Like This
123 bpm • G# min • 03:21 • -5.94db
42% Popularity • 75% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Dolman
Drag You Down (Acoustic)
138 bpm • G# Maj • 03:08 • -10.95db
18% Popularity • 65% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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sød ven
carry me home
138 bpm • C Maj • 04:26 • -12.05db
41% Popularity • 54% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Davis John Patton
Motives
138 bpm • A# Maj • 04:03 • -11.11db
43% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Old Sea Brigade
Resistance - Acoustic
138 bpm • B Maj • 04:27 • -15.27db
36% Popularity • 66% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 54% Positiveness
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Dean Lewis
Need You Now - Acoustic
138 bpm • A# Maj • 03:23 • -8.95db
60% Popularity • 60% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Blakey
Prism of Love
138 bpm • D# Maj • 03:00 • -11db
46% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Riley Pearce
Free Coffee
122 bpm • D# Maj • 03:39 • -10.04db
37% Popularity • 70% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Sleeping Lion
Stop It - Stripped
138 bpm • G# Maj • 03:30 • -11.06db
30% Popularity • 55% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Nachbi
I'll Be Better Soon
138 bpm • C# Maj • 01:52 • -14.23db
36% Popularity • 48% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Old Sea Brigade
Day by Day - Acoustic
138 bpm • F# min • 03:29 • -14db
56% Popularity • 60% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Corey Harper
Blind
122 bpm • D Maj • 03:42 • -6.92db
35% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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St. Lundi
Lost in Love
122 bpm • B Maj • 03:27 • -8db
47% Popularity • 58% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Riley Pearce
Breathe & Release
122 bpm • E Maj • 03:35 • -7db
39% Popularity • 66% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Andrew Belle
The Enemy
122 bpm • C# Maj • 04:46 • -5.22db
55% Popularity • 54% Danceability • 89% Energy • 13% Liveness
2% Instrumentalness • 27% Positiveness
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Salt Tree
Hold You Now
122 bpm • C min • 02:51 • -13db
49% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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isaac gracie
hollow crown
122 bpm • D# Maj • 04:21 • -12.72db
35% Popularity • 49% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Woodlock
We Gotta Go
122 bpm • D# Maj • 04:12 • -10db
51% Popularity • 53% Danceability • 44% Energy • 16% Liveness
6% Instrumentalness • 23% Positiveness
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Falling Down