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False True Piya
Songs like
False True Piya
by
Yorkston/Thorne/Khan
Based on a tempo of (+/- 10%) and a similar genre
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Yorkston/Thorne/Khan
False True Piya - Edit
148 bpm • A min • 03:23 • -14.15db
0% Popularity • 28% Danceability • 43% Energy • 12% Liveness
8% Instrumentalness • 50% Positiveness
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Shirley Collins
Wondrous Love
148 bpm • F min • 02:21 • -11.83db
10% Popularity • 38% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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This Is The Kit
We Need Our Knees
147 bpm • G Maj • 02:40 • -17.69db
36% Popularity • 37% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 21% Positiveness
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Max Ochs
Hooray For Another Day
149 bpm • D Maj • 07:15 • -14.6db
9% Popularity • 44% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 25% Positiveness
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Ballaké Sissoko
Mande Tabolo
146 bpm • G# Maj • 06:14 • -13.95db
14% Popularity • 33% Danceability • 40% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Erland Cooper
First of the Tide
147 bpm • C Maj • 03:36 • -17.01db
33% Popularity • 47% Danceability • 27% Energy • 42% Liveness
84% Instrumentalness • 20% Positiveness
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Yorkston/Thorne/Khan
False True Piya
148 bpm • E min • 06:18 • -15.6db
2% Popularity • 34% Danceability • 35% Energy • 18% Liveness
1% Instrumentalness • 42% Positiveness
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Chassol
Dosidomifa, Pt. I
150 bpm • D Maj • 04:48 • -10.76db
23% Popularity • 45% Danceability • 51% Energy • 20% Liveness
80% Instrumentalness • 8% Positiveness
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Rónán Ó Snodaigh
Ar Ár Son
146 bpm • C Maj • 05:42 • -16.64db
20% Popularity • 63% Danceability • 33% Energy • 11% Liveness
47% Instrumentalness • 22% Positiveness
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Daisy Rickman
Haven
150 bpm • G Maj • 03:18 • -18db
26% Popularity • 34% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Lisa O'Neill
Goodnight World
150 bpm • D Maj • 03:45 • -15db
28% Popularity • 32% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Kacy & Clayton
The Siren's Song
146 bpm • A Maj • 03:45 • -10.36db
26% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Yorkston/Thorne/Khan
Sukhe Phool
149 bpm • E Maj • 05:16 • -18.86db
9% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Nathan Salsburg
Timoney’s
145 bpm • G# Maj • 03:03 • -10.65db
24% Popularity • 32% Danceability • 43% Energy • 12% Liveness
86% Instrumentalness • 83% Positiveness
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This Is The Kit
Krülle Bol
145 bpm • G# Maj • 02:44 • -8.89db
18% Popularity • 41% Danceability • 37% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
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Penguin Cafe
Landau
151 bpm • A# Maj • 04:55 • -12db
15% Popularity • 45% Danceability • 47% Energy • 12% Liveness
68% Instrumentalness • 63% Positiveness
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Six Organs Of Admittance
Reservoir
145 bpm • A# Maj • 02:33 • -11.8db
32% Popularity • 49% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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Susheela Raman
Annabel
151 bpm • G Maj • 04:32 • -9.68db
13% Popularity • 46% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Yorkston/Thorne/Khan
Song for Thirza
145 bpm • C Maj • 06:07 • -13.3db
3% Popularity • 28% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Number Man
144 bpm • G# Maj • 03:23 • -9.65db
16% Popularity • 48% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Woo
It's Love
152 bpm • F min • 03:06 • -17.52db
36% Popularity • 44% Danceability • 28% Energy • 8% Liveness
82% Instrumentalness • 39% Positiveness
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Tinariwen
Tenere Maloulat
152 bpm • G# Maj • 03:42 • -9.88db
23% Popularity • 44% Danceability • 42% Energy • 20% Liveness
2% Instrumentalness • 27% Positiveness
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La Force
Mama Papa
144 bpm • D# min • 04:45 • -14.13db
27% Popularity • 66% Danceability • 45% Energy • 10% Liveness
4% Instrumentalness • 26% Positiveness
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James Yorkston
Struggle
144 bpm • C Maj • 06:35 • -13.03db
10% Popularity • 52% Danceability • 61% Energy • 10% Liveness
53% Instrumentalness • 51% Positiveness
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Yorkston/Thorne/Khan
The North Carr
144 bpm • E Maj • 06:53 • -16.22db
4% Popularity • 29% Danceability • 23% Energy • 10% Liveness
19% Instrumentalness • 9% Positiveness
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Benedicte Maurseth
Heilo
153 bpm • G Maj • 07:32 • -14.3db
13% Popularity • 31% Danceability • 39% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
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Sir Richard Bishop
Celerity
153 bpm • F Maj • 03:44 • -7.55db
10% Popularity • 29% Danceability • 46% Energy • 10% Liveness
97% Instrumentalness • 17% Positiveness
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Bill Callahan
Small Dub
154 bpm • A Maj • 04:02 • -20.44db
13% Popularity • 50% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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The Gloaming
The Weight of Things
142 bpm • D Maj • 07:46 • -10.86db
19% Popularity • 43% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Mdou Moctar
Allagh N-Tarha
142 bpm • A min • 06:32 • -16.25db
12% Popularity • 39% Danceability • 19% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Yorkston/Thorne/Khan
Westlin Winds
154 bpm • D min • 09:52 • -16.52db
21% Popularity • 24% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Alabaster DePlume
If You're Sure You Want To
142 bpm • A min • 03:51 • -14.53db
23% Popularity • 32% Danceability • 19% Energy • 18% Liveness
86% Instrumentalness • 6% Positiveness
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Six Organs Of Admittance
When You Finally Return
141 bpm • F min • 02:30 • -15.4db
29% Popularity • 39% Danceability • 32% Energy • 12% Liveness
95% Instrumentalness • 86% Positiveness
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Keeley Forsyth
It's Raining
140 bpm • G Maj • 04:27 • -21.14db
17% Popularity • 45% Danceability • 1% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Robbie Basho
Venus In Cancer
140 bpm • A Maj • 09:31 • -16.19db
30% Popularity • 28% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Africa Express
See The World
140 bpm • C Maj • 03:01 • -10.15db
26% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Yorkston/Thorne/Khan
Song for Oddur
142 bpm • A Maj • 03:47 • -26.9db
4% Popularity • 28% Danceability • 4% Energy • 14% Liveness
16% Instrumentalness • 27% Positiveness
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Yasmin Williams
Guitka
140 bpm • A min • 03:29 • -12.24db
15% Popularity • 34% Danceability • 36% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Six Organs Of Admittance
When You Finally Return (2019 Remaster)
140 bpm • G min • 02:32 • -18.07db
24% Popularity • 44% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 88% Positiveness
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Rachael Dadd
I Am Your Home
140 bpm • G# Maj • 03:56 • -15.41db
15% Popularity • 45% Danceability • 27% Energy • 8% Liveness
20% Instrumentalness • 33% Positiveness
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Benny Goeran Bror Andersson
Lay All Your Love On Me
140 bpm • A min • 04:32 • -15db
30% Popularity • 39% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Meg Baird
In Cedars
158 bpm • C Maj • 06:52 • -16db
8% Popularity • 25% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Yorkston/Thorne/Khan
Westlin Winds - Edit
157 bpm • F Maj • 04:21 • -17db
2% Popularity • 26% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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This Is The Kit
Birchwood Beaker
139 bpm • G# min • 03:42 • -15db
36% Popularity • 50% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Arushi Jain
Richer Than Blood
139 bpm • A# Maj • 03:35 • -12.37db
23% Popularity • 16% Danceability • 32% Energy • 15% Liveness
49% Instrumentalness • 34% Positiveness
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Smog
Rock Bottom Riser
158 bpm • B Maj • 05:44 • -16db
36% Popularity • 54% Danceability • 22% Energy • 10% Liveness
55% Instrumentalness • 10% Positiveness
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Abdullah Ibrahim
Earth Bird
158 bpm • D# Maj • 03:03 • -29.79db
36% Popularity • 52% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 30% Positiveness
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Bonnie Prince Billy
Banks Of Red Roses
138 bpm • C Maj • 05:54 • -21.57db
8% Popularity • 21% Danceability • 2% Energy • 14% Liveness
20% Instrumentalness • 11% Positiveness
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Yorkston/Thorne/Khan
Chori Chori - Seamus Fogarty Remix
158 bpm • G Maj • 04:47 • -7.95db
3% Popularity • 27% Danceability • 60% Energy • 13% Liveness
55% Instrumentalness • 11% Positiveness
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CARM
Soft Night
138 bpm • C Maj • 03:59 • -10.98db
22% Popularity • 38% Danceability • 38% Energy • 27% Liveness
91% Instrumentalness • 13% Positiveness
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Jim Ghedi
Cwm Elan
159 bpm • F# Maj • 02:48 • -16.03db
12% Popularity • 35% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 45% Positiveness
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Erland Cooper
Longhope
138 bpm • C# Maj • 04:47 • -13.78db
17% Popularity • 31% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Smog
Palimpsest
138 bpm • D# min • 02:52 • -17.2db
38% Popularity • 56% Danceability • 19% Energy • 16% Liveness
19% Instrumentalness • 29% Positiveness
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Chris Merrick Hughes
Slow Motion Blackbird
137 bpm • E min • 05:46 • -17db
21% Popularity • 26% Danceability • 6% Energy • 31% Liveness
43% Instrumentalness • 4% Positiveness
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Yorkston/Thorne/Khan
Thumri Bhairavi
139 bpm • A Maj • 04:07 • -19.52db
5% Popularity • 18% Danceability • 10% Energy • 37% Liveness
76% Instrumentalness • 6% Positiveness
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Henri Texier
Amir
137 bpm • D min • 04:22 • -19.27db
31% Popularity • 50% Danceability • 31% Energy • 9% Liveness
95% Instrumentalness • 52% Positiveness
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John Francis Flynn
Shallow Brown
137 bpm • F Maj • 07:56 • -14.1db
19% Popularity • 21% Danceability • 13% Energy • 6% Liveness
7% Instrumentalness • 15% Positiveness
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Bonnie Prince Billy
Beast For Thee
160 bpm • B Maj • 05:24 • -17.87db
29% Popularity • 32% Danceability • 18% Energy • 8% Liveness
67% Instrumentalness • 35% Positiveness
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Sandro Perri
Everybody's Paris, Pt. II
160 bpm • B Maj • 05:14 • -13.04db
8% Popularity • 42% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Mdou Moctar
Tala Tannam
137 bpm • D Maj • 05:38 • -9.6db
36% Popularity • 39% Danceability • 64% Energy • 24% Liveness
94% Instrumentalness • 58% Positiveness
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The Innocence Mission
Green Bus
161 bpm • C# Maj • 04:28 • -12.63db
23% Popularity • 37% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
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Shannon Lay
July
161 bpm • G min • 02:55 • -7.65db
11% Popularity • 31% Danceability • 39% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
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Gwenifer Raymond
Off to See the Hangman, Pt. II
136 bpm • G# Maj • 04:44 • -12.03db
9% Popularity • 29% Danceability • 30% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
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Catrin Finch
Ceffylau
136 bpm • F Maj • 05:23 • -16.07db
31% Popularity • 57% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 50% Positiveness
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The Rheingans Sisters
The Yellow of the Flowers
136 bpm • G Maj • 05:05 • -16.35db
13% Popularity • 38% Danceability • 14% Energy • 7% Liveness
30% Instrumentalness • 4% Positiveness
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Daisy Rickman
Alice
136 bpm • D Maj • 04:03 • -16.29db
27% Popularity • 38% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
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Peter Broderick
The Niece
136 bpm • B min • 04:46 • -6.85db
12% Popularity • 36% Danceability • 42% Energy • 35% Liveness
19% Instrumentalness • 11% Positiveness
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Les Filles de Illighadad
Eghass Malan
136 bpm • A# min • 04:49 • -8db
29% Popularity • 51% Danceability • 82% Energy • 11% Liveness
57% Instrumentalness • 23% Positiveness
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Sam Amidon
Juma Mountain
162 bpm • B min • 03:38 • -12.45db
27% Popularity • 48% Danceability • 47% Energy • 29% Liveness
60% Instrumentalness • 24% Positiveness
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Hypnotic Brass Ensemble
Soon It Will Be Fire
135 bpm • B min • 09:29 • -13.74db
31% Popularity • 35% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 15% Positiveness
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Yorkston/Thorne/Khan
The Blues You Sang
135 bpm • D Maj • 07:12 • -24.19db
2% Popularity • 34% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Keeley Forsyth
Photograph
134 bpm • A# Maj • 03:50 • -21.52db
24% Popularity • 21% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Bill MacKay
The Grand Old Trout
134 bpm • G Maj • 03:42 • -14db
23% Popularity • 54% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
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Cameron Knowler
Strawberry Milk
164 bpm • C Maj • 03:14 • -11db
8% Popularity • 34% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Alabaster DePlume
Is It Enough
134 bpm • C Maj • 04:05 • -10db
31% Popularity • 41% Danceability • 47% Energy • 11% Liveness
12% Instrumentalness • 42% Positiveness
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Robbie Basho
Roses And Snow - Vocal
133 bpm • C Maj • 07:49 • -14db
9% Popularity • 36% Danceability • 45% Energy • 15% Liveness
90% Instrumentalness • 23% Positiveness
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Yorkston/Thorne/Khan
Broken Wave - Live
133 bpm • B Maj • 05:48 • -13.43db
0% Popularity • 32% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Brightblack Morning Light
Miwok Shapes
133 bpm • G# Maj • 05:49 • -19db
24% Popularity • 49% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Tonbruket
Music for the Sun King
133 bpm • A# Maj • 05:43 • -19.7db
22% Popularity • 46% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Tinariwen
Taqkal Tarha
133 bpm • F# Maj • 03:59 • -8.76db
15% Popularity • 69% Danceability • 83% Energy • 10% Liveness
22% Instrumentalness • 57% Positiveness
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Erland Cooper
Linga Holm
165 bpm • G# min • 02:56 • -9.47db
13% Popularity • 50% Danceability • 52% Energy • 28% Liveness
97% Instrumentalness • 45% Positiveness
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This Is The Kit
Krülle Bol
132 bpm • G# Maj • 02:51 • -8.36db
35% Popularity • 58% Danceability • 42% Energy • 11% Liveness
9% Instrumentalness • 29% Positiveness
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Siti Muharam
Mashozi Ya Huba
166 bpm • G Maj • 04:39 • -11.61db
14% Popularity • 71% Danceability • 56% Energy • 11% Liveness
90% Instrumentalness • 60% Positiveness
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Ballaké Sissoko
Oscarine
166 bpm • D Maj • 05:41 • -22db
34% Popularity • 45% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 41% Positiveness
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Yasmin Williams
Sunshowers
132 bpm • F# Maj • 04:14 • -14db
29% Popularity • 34% Danceability • 31% Energy • 9% Liveness
93% Instrumentalness • 25% Positiveness
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O/Modernt Chamber Orchestra
Within You Without You (arr. Johannes Ma...
132 bpm • C Maj • 07:03 • -17db
22% Popularity • 42% Danceability • 49% Energy • 36% Liveness
84% Instrumentalness • 31% Positiveness
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Erland Cooper
Sillocks
133 bpm • C Maj • 03:27 • -17.84db
20% Popularity • 21% Danceability • 8% Energy • 26% Liveness
63% Instrumentalness • 14% Positiveness
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Soundwalk Collective
Song Of The Highest Tower
166 bpm • A min • 04:38 • -12.05db
11% Popularity • 44% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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Anna Mieke
Creature
132 bpm • F Maj • 04:45 • -18.31db
16% Popularity • 38% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Loma
I Fix My Gaze
131 bpm • A min • 03:10 • -25db
19% Popularity • 23% Danceability • 6% Energy • 61% Liveness
0% Instrumentalness • 5% Positiveness
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Yasmin Williams
Urban Driftwood
166 bpm • D min • 05:01 • -14.23db
23% Popularity • 50% Danceability • 64% Energy • 10% Liveness
87% Instrumentalness • 79% Positiveness
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Rónán Ó Snodaigh
Tá'n T'ádh Liom
131 bpm • D Maj • 04:34 • -15.47db
30% Popularity • 49% Danceability • 29% Energy • 7% Liveness
40% Instrumentalness • 50% Positiveness
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Alabaster DePlume
Song of the Foundling
131 bpm • C Maj • 02:55 • -9.76db
31% Popularity • 32% Danceability • 37% Energy • 10% Liveness
43% Instrumentalness • 41% Positiveness
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Marianne Faithfull
She Walks in Beauty
168 bpm • C Maj • 02:37 • -12.75db
19% Popularity • 24% Danceability • 37% Energy • 24% Liveness
15% Instrumentalness • 20% Positiveness
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Les Filles de Illighadad
Telillite
168 bpm • D# min • 08:43 • -7.15db
15% Popularity • 41% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Molly Lewis
The Forgotten Edge
131 bpm • D min • 02:18 • -14db
30% Popularity • 36% Danceability • 34% Energy • 34% Liveness
68% Instrumentalness • 17% Positiveness
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Kronos Quartet
Gongs and Bells Sing
168 bpm • C# min • 02:32 • -11.43db
28% Popularity • 30% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Rónán Ó Snodaigh
Tá'n t'Áth Liom
131 bpm • D Maj • 04:27 • -13.76db
21% Popularity • 53% Danceability • 24% Energy • 8% Liveness
26% Instrumentalness • 48% Positiveness
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Tinariwen
Wartilla - Dan Carey Dub
169 bpm • G# Maj • 04:02 • -14db
15% Popularity • 40% Danceability • 48% Energy • 7% Liveness
88% Instrumentalness • 17% Positiveness
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friendships
Knochentanz - friendships edit
130 bpm • G Maj • 11:37 • -7.47db
0% Popularity • 52% Danceability • 63% Energy • 10% Liveness
49% Instrumentalness • 9% Positiveness
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False True Piya