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Fannie Brown Got Married
Songs like
Fannie Brown Got Married
by
Roy Brown
Based on a tempo of (+/- 10%) and a similar genre
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Bull Moose Jackson
Why Don't You Haul Off And Love Me
168 bpm • D# Maj • 03:02 • -10.04db
12% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Roy Brown
Fannie Brown Got Married
168 bpm • D Maj • 02:22 • -9.67db
13% Popularity • 59% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Larry Williams
Little School Girl
168 bpm • G Maj • 01:53 • -10.36db
18% Popularity • 38% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Calvin Boze and His All Stars
Safronia B
168 bpm • G# Maj • 02:23 • -10db
28% Popularity • 55% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 88% Positiveness
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Roy Milton
You Got Me Reeling and Rocking - Remaste...
168 bpm • F Maj • 02:05 • -7.99db
22% Popularity • 59% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Don & Dewey
Justine
169 bpm • E Maj • 02:06 • -11db
13% Popularity • 53% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Wynona Carr
'Til The Well Runs Dry
167 bpm • G Maj • 02:04 • -8db
31% Popularity • 58% Danceability • 64% Energy • 80% Liveness
0% Instrumentalness • 97% Positiveness
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Roy Brown
Cadillac Baby
168 bpm • C min • 02:58 • -7db
11% Popularity • 42% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Vernon Green
Coupe De Ville Baby
169 bpm • G Maj • 02:38 • -10db
11% Popularity • 50% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Boyd Bennett
Seventeen
169 bpm • G min • 02:07 • -11db
15% Popularity • 52% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Calvin Boze and His All Stars
Safronia B
167 bpm • G# Maj • 02:23 • -11db
9% Popularity • 55% Danceability • 43% Energy • 34% Liveness
10% Instrumentalness • 83% Positiveness
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Wild Bill Moore
We're Gonna Rock. We're Gonna Roll
169 bpm • C Maj • 02:37 • -10db
23% Popularity • 48% Danceability • 45% Energy • 10% Liveness
75% Instrumentalness • 75% Positiveness
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Tiny Bradshaw
Bradshaw Boogie
167 bpm • G Maj • 01:54 • -6db
25% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Howlin' Wolf
Oh Red
166 bpm • C min • 02:44 • -8db
23% Popularity • 60% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Sid King & The Five Strings
Purr, Kitty, Purr
166 bpm • A Maj • 03:08 • -9.6db
13% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Bull Moose Jackson
Big Fat Mamas Are Back In Style Again
170 bpm • C Maj • 02:23 • -10db
13% Popularity • 56% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Jerry Reed
When I Found You
170 bpm • A Maj • 02:29 • -6.14db
20% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Wild Bill Moore
We're Gonna Rock, We're Gonna Roll
169 bpm • C Maj • 02:38 • -13db
9% Popularity • 45% Danceability • 33% Energy • 20% Liveness
87% Instrumentalness • 67% Positiveness
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H-Bomb Ferguson
Rock H-Bomb Rock
170 bpm • G# Maj • 02:07 • -3.84db
15% Popularity • 42% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Roy Milton
Hop Skip & Jump
170 bpm • G# Maj • 02:35 • -11db
10% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Five Keys
She's the Most
170 bpm • G# Maj • 02:12 • -9.92db
16% Popularity • 58% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Roy Brown
Cadillac Baby
170 bpm • C min • 02:53 • -18.87db
5% Popularity • 42% Danceability • 16% Energy • 60% Liveness
0% Instrumentalness • 85% Positiveness
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Boyd Bennett
My Boy Flat Top
166 bpm • C min • 02:30 • -9db
13% Popularity • 68% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Ella Mae Morse
Razzle Dazzle
166 bpm • G# Maj • 02:45 • -8.1db
12% Popularity • 54% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Humphrey Lyttelton
Mr. Five By Five
165 bpm • F Maj • 01:56 • -10.61db
18% Popularity • 47% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Louis Jordan & His Tympany Five
Caldonia Boogie
165 bpm • A min • 02:43 • -6.82db
32% Popularity • 48% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Clarence "Frogman" Henry
I'm in Love
165 bpm • C min • 02:31 • 2.62db
8% Popularity • 35% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 95% Positiveness
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Wynonie Harris
Wasn't That Good
165 bpm • D min • 02:26 • -6db
19% Popularity • 50% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Daddy Cleanhead
Something's Going On In My Room
165 bpm • F min • 02:13 • -13db
9% Popularity • 61% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmy Liggins and His Drops Of Joy
Drunk
164 bpm • C min • 02:30 • -14.28db
22% Popularity • 71% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Nappy Brown
Don't Be Angry
164 bpm • C Maj • 02:27 • -8.55db
34% Popularity • 37% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Louis Jordan & His Tympany Five
Choo Choo Ch'Boogie
172 bpm • F Maj • 02:44 • -11.38db
27% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Champion Jack Dupree
Shake Baby Shake
172 bpm • C# Maj • 02:25 • -11db
21% Popularity • 53% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 85% Positiveness
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Fluffy Hunter
The Walkin' Blues
164 bpm • F Maj • 02:55 • -7.13db
14% Popularity • 70% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Bull Moose Jackson
Big Ten Inch Record
172 bpm • G# Maj • 02:15 • -7db
23% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Wynonie Harris
Lollipop Mama
163 bpm • A# Maj • 02:51 • -1.03db
8% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Searchers
Wow Wow Baby
172 bpm • C Maj • 02:33 • -7db
17% Popularity • 61% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Gene
Bom Bom Lulu
163 bpm • G min • 02:36 • -6.2db
14% Popularity • 50% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Hollywood Flames
Buzz, Buzz, Buzz
173 bpm • C Maj • 02:16 • -10db
35% Popularity • 60% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Nappy Brown
Love Locks
173 bpm • G# Maj • 02:46 • -9.35db
16% Popularity • 67% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Lloyd Price
Mailman Blues
162 bpm • F min • 02:12 • -8.34db
31% Popularity • 51% Danceability • 71% Energy • 31% Liveness
8% Instrumentalness • 96% Positiveness
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Wynonie Harris
My Playful Baby's Gone
174 bpm • G# Maj • 02:28 • -8.01db
17% Popularity • 51% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Paul Gayten
You Better Believe It
162 bpm • G Maj • 02:21 • -8.76db
10% Popularity • 60% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Wynona Carr
Boppity Bop (Boogity Boog)
162 bpm • G Maj • 02:27 • -8.65db
24% Popularity • 67% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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The Flamingos
Vooit Vooit (Jump Children)
162 bpm • G# Maj • 02:34 • -4.79db
8% Popularity • 55% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Billy Lee Riley
Red Hot - Remastered 2022
174 bpm • C Maj • 02:29 • -9.34db
42% Popularity • 39% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Jimmy Rogers
Rock This House
174 bpm • C Maj • 02:50 • -6.2db
33% Popularity • 62% Danceability • 64% Energy • 18% Liveness
1% Instrumentalness • 76% Positiveness
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Wynonie Harris
Lovin' Machine
162 bpm • G# Maj • 02:30 • -2db
20% Popularity • 51% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Hollywood Fats Band
Boogie Woogie Blues
174 bpm • F min • 06:52 • -9.36db
2% Popularity • 51% Danceability • 54% Energy • 10% Liveness
78% Instrumentalness • 67% Positiveness
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Louis Jordan
Messy Bessy
161 bpm • F Maj • 02:42 • -8.93db
14% Popularity • 66% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Roy Brown
Black Diamond
175 bpm • D min • 02:31 • -9.06db
2% Popularity • 54% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Jimmy Lloyd
I Got a Rocket in My Pocket
161 bpm • C Maj • 02:20 • -4.57db
29% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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The Silhouettes
Heading for the Poorhouse
161 bpm • C Maj • 02:23 • -8.96db
10% Popularity • 64% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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Wynonie Harris
Drinkin’ Wine Spo-Dee-O-Dee
174 bpm • A# min • 02:27 • -15db
18% Popularity • 63% Danceability • 33% Energy • 49% Liveness
0% Instrumentalness • 92% Positiveness
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H-Bomb Ferguson
Good Lovin'
176 bpm • D# Maj • 02:20 • -8.24db
9% Popularity • 49% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Louis Jordan
Saturday Night Fish Fry
175 bpm • F min • 05:24 • -5.93db
30% Popularity • 63% Danceability • 61% Energy • 76% Liveness
0% Instrumentalness • 87% Positiveness
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Roy Brown
I've Got the Last Laugh Now (01-16-51)
161 bpm • G# Maj • 02:57 • -10.37db
0% Popularity • 50% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Joe Liggins
The Honeydripper
176 bpm • G Maj • 03:10 • -11.3db
18% Popularity • 66% Danceability • 39% Energy • 12% Liveness
17% Instrumentalness • 65% Positiveness
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Lucky Millinder
Adam, Come and Get Your Rib
176 bpm • G# Maj • 02:23 • -4db
18% Popularity • 53% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Johnny Otis
Good Golly
160 bpm • F min • 01:52 • -12.43db
19% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Earl Hines
Mama Don't Allow No Twistin'
160 bpm • F Maj • 02:17 • -11.92db
15% Popularity • 59% Danceability • 61% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
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Wynonie Harris
Blood Shot Eyes
177 bpm • G# Maj • 02:46 • -2db
24% Popularity • 55% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Roy Brown
Shake 'Em Up Baby
175 bpm • G min • 02:36 • -21.37db
8% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Jimmy Lloyd
I Got a Rocket in My Pocket (Alternate T...
159 bpm • F Maj • 02:22 • -7.9db
20% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
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Ray Sharpe
Monkey's Uncle
159 bpm • D Maj • 02:23 • -5db
15% Popularity • 60% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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Janis Martin
Barefoot Baby
177 bpm • C Maj • 02:14 • -3.7db
25% Popularity • 62% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Tiny Bradshaw
Breaking Up The House
177 bpm • G# Maj • 02:41 • -13.95db
11% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Smiley Lewis
Mama Don't Like It
159 bpm • G# Maj • 02:35 • -7db
14% Popularity • 52% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Roy Brown
Rock-A-Bye Baby
177 bpm • A Maj • 02:32 • -17.21db
5% Popularity • 46% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 75% Positiveness
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Bobby Day
You Made a Boo Boo
178 bpm • C Maj • 01:59 • -6.07db
11% Popularity • 62% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
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Joe Liggins
Going Back To New Orleans
178 bpm • A min • 02:50 • -13db
29% Popularity • 59% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 71% Positiveness
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The Du Droppers
Boot 'Em Up
178 bpm • F min • 02:40 • -8.42db
8% Popularity • 56% Danceability • 61% Energy • 76% Liveness
0% Instrumentalness • 81% Positiveness
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Tiny Bradshaw
Two Dry Bones On the Pantry Shelf (01-16...
178 bpm • G Maj • 01:55 • -7.24db
12% Popularity • 61% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Nappy Brown
Little By Little
179 bpm • F Maj • 02:34 • -9.81db
28% Popularity • 48% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Roy Brown
Black Diamond
178 bpm • D min • 02:26 • -16.17db
11% Popularity • 58% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Oscar McLollie
Hey Boy Hey Girl
157 bpm • C Maj • 02:41 • -10.95db
17% Popularity • 62% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Moon Mullican
Rock "N" Roll Mr. Bullfrog
180 bpm • D min • 02:46 • -10.41db
8% Popularity • 69% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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The Hollywood Fats Band
Love For Sale
180 bpm • F min • 08:15 • -12.59db
0% Popularity • 54% Danceability • 29% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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The Du Droppers
I Wanna Know
157 bpm • C min • 02:17 • -10.05db
31% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Wynona Carr
Nursery Rhyme Rock
181 bpm • C Maj • 01:56 • -9.03db
37% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Roy Brown
Boogie At Midnight
179 bpm • G min • 02:52 • -4.65db
7% Popularity • 46% Danceability • 87% Energy • 34% Liveness
17% Instrumentalness • 73% Positiveness
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Bobby Charles
See You Later Alligator
156 bpm • F Maj • 02:53 • -5db
21% Popularity • 62% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Larry Williams
Slow Down
181 bpm • D Maj • 02:46 • -13db
34% Popularity • 44% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Smiley Lewis
She's Got Me Hook, Line and Sinker
181 bpm • G# Maj • 02:24 • -7.51db
14% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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The Jewels
Pearlie Mae
181 bpm • G Maj • 02:29 • -8.69db
29% Popularity • 40% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Wynona Carr
Jump Jack Jump
181 bpm • A# min • 02:16 • -7.62db
28% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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The Treniers
Rock-A-Beatin' Boogie - 78rpm Version
156 bpm • C# Maj • 02:15 • -8.54db
9% Popularity • 53% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Roy Brown
Diddy-Y-Diddy-O
157 bpm • D# Maj • 02:17 • -10.42db
3% Popularity • 61% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Bobby Charles
Later Alligator (See You Later, Alligato...
156 bpm • C Maj • 03:45 • -11.84db
26% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Curtis Gordon
Mobile, Alabama
181 bpm • D min • 01:56 • -5.59db
14% Popularity • 48% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Young Jessie
Don't Happen No More
156 bpm • D Maj • 02:27 • -8db
13% Popularity • 56% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Lowell Fulson
Don't Leave Me Baby
155 bpm • F Maj • 03:02 • -9db
17% Popularity • 60% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Varetta Dillard
Them There Eyes
155 bpm • G min • 02:17 • -8db
19% Popularity • 57% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Roy Brown
Love Don't Love Nobody
156 bpm • C min • 02:40 • -18.28db
5% Popularity • 55% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy McCracklin
The Walk
155 bpm • F Maj • 02:42 • -8.21db
18% Popularity • 70% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Pee Wee King
Catty Town
182 bpm • B min • 02:07 • -9.91db
14% Popularity • 64% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Smiley Lewis
Shame, Shame, Shame
183 bpm • C# Maj • 01:49 • -5.93db
14% Popularity • 53% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Warren Smith
Red Cadillac And A Black Moustache
154 bpm • D Maj • 02:40 • -10.56db
21% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Roy Milton
Fools Are Getting Scarcer
184 bpm • D# Maj • 02:48 • -6.71db
11% Popularity • 52% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Roy Brown
Booie At Minight
184 bpm • F# Maj • 02:47 • -16.63db
5% Popularity • 42% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 60% Positiveness
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Fannie Brown Got Married