Songs like Far from the Home I Love by Jerry Bock
Based on a tempo of (+/- 10%) and a similar genre
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Sam Shepard
Chapter 5 - True West
76 bpm • G# Maj • 03:31 • -19.72db
0% Popularity • 66% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 66% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Jerry Bock
Far from the Home I Love
76 bpm • G min • 03:57 • -18db
20% Popularity • 30% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 30% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Perfect Strangers
76 bpm • A Maj • 02:30 • -11.8db
15% Popularity • 27% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 27% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Lee Remick
There Won't Be Trumpets
76 bpm • F Maj • 02:37 • -10.14db
21% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Alexander Gemignani
When The Children Are Asleep
76 bpm • F Maj • 04:54 • -11.52db
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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William Shakespeare
Chapter 11 - Romeo and Juliet
76 bpm • D Maj • 03:09 • -12.12db
2% Popularity • 62% Danceability • 35% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
2% Popularity • 62% Danceability • 35% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Jerry Bock
Fiddler on the Roof (Sung in Hungarian):...
76 bpm • C Maj • 03:10 • -23.44db
1% Popularity • 36% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 36% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Emma
Once Upon a Dream
75 bpm • B Maj • 02:49 • -17db
29% Popularity • 27% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Kate McAll
Chapter 20 - The Murder on the Links
77 bpm • D# Maj • 03:20 • -15.66db
0% Popularity • 62% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 62% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Danny Burstein
If I Were a Rich Man
77 bpm • C# Maj • 04:39 • -8db
28% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Audra McDonald
Your Daddy's Son
77 bpm • G# min • 03:42 • -12.81db
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Mindi Dickstein
Small Umbrella in the Rain
77 bpm • G Maj • 04:22 • -12.13db
26% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Jerry Bock
Do You Love Me
76 bpm • D# Maj • 03:11 • -20.9db
11% Popularity • 48% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 48% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Rose
Everything's Coming Up Roses
75 bpm • A# Maj • 02:51 • -4db
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Kate McAll
Chapter 24 - The Murder on the Links
75 bpm • C# min • 03:03 • -15.65db
0% Popularity • 70% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 70% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 48% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Sam Shepard
Chapter 11 - True West
75 bpm • G# Maj • 03:30 • -20.31db
0% Popularity • 70% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 70% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
30% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Jerry Bock
Anatevka: Tevjes Traum (Tevje, Golde, Om...
76 bpm • C Maj • 07:20 • -12.39db
6% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
6% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
28% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
28% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Kate McAll
Chapter 7 - The Murder on the Links
77 bpm • A min • 03:04 • -17.79db
0% Popularity • 74% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 74% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Mel Brooks
The King of Broadway
78 bpm • C# Maj • 05:09 • -11.4db
10% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Cody Green
Cool
78 bpm • C Maj • 04:31 • -14.22db
21% Popularity • 55% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 55% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Joshua Henry
If I Loved You
78 bpm • C# Maj • 09:07 • -14db
33% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Jerry Bock
The Rothschilds: A Musical: I'm in Love!...
75 bpm • B Maj • 00:55 • -14.25db
1% Popularity • 75% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 75% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Kate McAll
Chapter 16 - The Murder on the Links
74 bpm • F# Maj • 03:04 • -15.88db
0% Popularity • 62% Danceability • 33% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 62% Danceability • 33% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
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Broadway Cast Recording
I Hate Men
74 bpm • B Maj • 03:26 • -12.02db
22% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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John Logan
Chapter 1 - Red
74 bpm • A# Maj • 03:03 • -17.38db
1% Popularity • 59% Danceability • 20% Energy • 57% Liveness
0% Instrumentalness • 23% Positiveness
1% Popularity • 59% Danceability • 20% Energy • 57% Liveness
0% Instrumentalness • 23% Positiveness
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The Original Broadway Cast Of 'Curtains'
I Miss The Music
74 bpm • F Maj • 05:08 • -20.17db
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Jerry Bock
Sabbath Prayer
77 bpm • F Maj • 02:47 • -15.3db
18% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Kate Baldwin
I Couldn't Be with Anyone but You (Live)
79 bpm • D Maj • 03:31 • -13.96db
2% Popularity • 35% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 12% Positiveness
2% Popularity • 35% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 12% Positiveness
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Barbra Streisand
Don't Rain On My Parade
79 bpm • A# Maj • 02:44 • -7.71db
37% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Roger Allam
Javert's Suicide: Soliloquy
79 bpm • F Maj • 03:39 • -10.31db
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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John Logan
Chapter 10 - Red
74 bpm • C Maj • 03:01 • -15.9db
1% Popularity • 69% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
1% Popularity • 69% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Jerry Bock
Wedding Dance
78 bpm • G Maj • 04:13 • -7.82db
15% Popularity • 42% Danceability • 51% Energy • 25% Liveness
11% Instrumentalness • 41% Positiveness
15% Popularity • 42% Danceability • 51% Energy • 25% Liveness
11% Instrumentalness • 41% Positiveness
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Megan McGinnis
I Couldn't Know Someone Less
79 bpm • E Maj • 03:08 • -8db
25% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Marin Mazzie
Carrie - Reprise
79 bpm • D# Maj • 01:25 • -18db
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Bebe Neuwirth
Finale
79 bpm • A# Maj • 01:05 • -10.82db
28% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Tryouts
73 bpm • G Maj • 01:01 • -5db
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Kate McAll
Chapter 8 - The Murder on the Links
73 bpm • F# Maj • 03:01 • -16.45db
0% Popularity • 68% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 68% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 43% Positiveness
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Jerry Bock
Matchmaker
78 bpm • E Maj • 04:21 • -11.8db
24% Popularity • 52% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 52% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Derek Klena
Everything to Win
80 bpm • F Maj • 02:47 • -12db
40% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Marcia Lewis
Class
80 bpm • A Maj • 03:08 • -14.93db
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Margo Seibert
I'm Done - Rocky Broadway Cast Recording
80 bpm • A Maj • 01:58 • -7.87db
26% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Sam Shepard
Chapter 2 - True West
72 bpm • C# Maj • 03:02 • -21.27db
1% Popularity • 57% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
1% Popularity • 57% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Jerry Bock
Tradition
78 bpm • C Maj • 07:33 • -9.27db
25% Popularity • 66% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 66% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Ilkka Kuusisto
The Land of Music
80 bpm • G Maj • 03:59 • -25.63db
1% Popularity • 14% Danceability • 4% Energy • 20% Liveness
17% Instrumentalness • 8% Positiveness
1% Popularity • 14% Danceability • 4% Energy • 20% Liveness
17% Instrumentalness • 8% Positiveness
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Christy Altomare
Once You See
80 bpm • E Maj • 01:32 • -12db
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Julie Atherton
Wait A Bit
81 bpm • A Maj • 04:06 • -14.62db
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Jerry Bock
Ilona
78 bpm • D Maj • 03:02 • -10.29db
7% Popularity • 24% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 24% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Bryce Pinkham
Poison in My Pocket
81 bpm • C# Maj • 03:38 • -11.05db
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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William Shakespeare
Chapter 10 - Romeo and Juliet
81 bpm • D Maj • 03:43 • -9.94db
2% Popularity • 66% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
2% Popularity • 66% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Nicholas Barasch
Somewhere
81 bpm • D# Maj • 06:49 • -16db
23% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Mindi Dickstein
Sometimes When You Dream - Reprise
81 bpm • D Maj • 00:57 • -10db
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Jerry Bock
Perspective
78 bpm • D Maj • 02:51 • -12.13db
4% Popularity • 49% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
4% Popularity • 49% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Oscar Wilde
Chapter 2 - An Ideal Husband
82 bpm • D Maj • 03:24 • -18.6db
3% Popularity • 56% Danceability • 42% Energy • 73% Liveness
0% Instrumentalness • 80% Positiveness
3% Popularity • 56% Danceability • 42% Energy • 73% Liveness
0% Instrumentalness • 80% Positiveness
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Sherie Rene Scott as Ursula
I Want the Good Times Back
82 bpm • G Maj • 04:57 • -14.85db
35% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Kate Baldwin
Ribbons Down My Back
71 bpm • D min • 03:08 • -14db
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Gary Beach
Keep It Gay
82 bpm • C# Maj • 05:07 • -13.2db
33% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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Jerry Bock
If I Were a Rich Man
74 bpm • C# Maj • 05:13 • -14db
29% Popularity • 57% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 57% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Oscar Wilde
Chapter 5 - An Ideal Husband
82 bpm • A Maj • 03:21 • -14.47db
1% Popularity • 74% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 74% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Mark Jacoby
New Music
82 bpm • F Maj • 04:03 • -11.74db
24% Popularity • 23% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 23% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Burke Moses
Me
82 bpm • F# min • 02:48 • -17.3db
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
37% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Nathan Lane
'Til Him
82 bpm • F Maj • 03:42 • -15.21db
21% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
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Lewis Cleale
Yesterday I Loved You
83 bpm • A# Maj • 02:33 • -14.31db
18% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Jerry Bock
Fiddler on the Roof (Sung in Hungarian):...
79 bpm • G Maj • 04:32 • -26.32db
2% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Sheldon Harnick
Ef ég væri rÃkur - lagasyrpa úr sön...
82 bpm • C min • 06:42 • -15.32db
1% Popularity • 50% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
1% Popularity • 50% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
23% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Lindsay Mendez
Pretty Funny
70 bpm • G Maj • 04:49 • -10db
39% Popularity • 44% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 44% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Jerry Bock
Tevye's Dream
79 bpm • D Maj • 06:30 • -9.15db
17% Popularity • 60% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 60% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Sheldon Harnick
Spoken Commentary: The appeal of the sho...
70 bpm • F# Maj • 01:04 • -25.46db
1% Popularity • 72% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 72% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
42% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Utterson, Jekyll, Emma, Sir Danvers
Your Work--And Nothing More
83 bpm • G min • 02:47 • -9.98db
25% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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William Shakespeare
Chapter 13 - Romeo and Juliet
83 bpm • F# min • 03:05 • -15.93db
2% Popularity • 60% Danceability • 42% Energy • 72% Liveness
0% Instrumentalness • 43% Positiveness
2% Popularity • 60% Danceability • 42% Energy • 72% Liveness
0% Instrumentalness • 43% Positiveness
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Jonathan Pryce
Reviewing the Situation - Reprise
83 bpm • F min • 01:03 • -17.08db
24% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Jerry Bock
Bock / Arr Terry: She Loves Me, Acte 1: ...
79 bpm • G Maj • 04:00 • -16.55db
4% Popularity • 26% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
4% Popularity • 26% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Andrea Burns
I'm Not Afraid of Anything
84 bpm • A Maj • 04:37 • -12.52db
28% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Mindi Dickstein
Some Things Are Meant to Be
84 bpm • G Maj • 04:25 • -10.6db
36% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Dr. Henry Jekyll
Lost in the Darkness
83 bpm • C# min • 01:56 • -18db
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
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Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
39% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Jerry Bock
Tonight At Eight
80 bpm • F# min • 01:51 • -10.58db
6% Popularity • 65% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
6% Popularity • 65% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Ramin Karimloo
Still
84 bpm • F min • 02:36 • -10.59db
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
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Terrence Mann
If I Can't Love Her (Reprise)
84 bpm • D Maj • 01:34 • -26.39db
33% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
33% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Sheldon Harnick
A Butchers Soul
84 bpm • C Maj • 01:57 • -11.45db
1% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Heidi Blickenstaff
Right Hand Man - Reprise
68 bpm • C# Maj • 01:21 • -14db
34% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness