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Faraday Cage
Songs like
Faraday Cage
by
Elliot Moss
Based on a tempo of (+/- 10%) and a similar genre
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Allan Rayman
Repeat
136 bpm • D# min • 03:45 • -14.14db
42% Popularity • 79% Danceability • 30% Energy • 7% Liveness
47% Instrumentalness • 28% Positiveness
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Jack Garratt
Water
136 bpm • C Maj • 03:40 • -8.67db
47% Popularity • 59% Danceability • 61% Energy • 23% Liveness
40% Instrumentalness • 18% Positiveness
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Elliot Moss
Faraday Cage
136 bpm • B min • 03:42 • -10db
1% Popularity • 51% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Vök
Tension
136 bpm • F# min • 03:04 • -10.68db
35% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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LOVE SUPREME
Lonely Feelings
135 bpm • A min • 04:18 • -8.88db
42% Popularity • 41% Danceability • 24% Energy • 13% Liveness
16% Instrumentalness • 24% Positiveness
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Ben Howard
Small Things
136 bpm • G min • 05:43 • -9.83db
53% Popularity • 39% Danceability • 60% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
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Tash Sultana
Synergy
135 bpm • E min • 04:18 • -10.5db
52% Popularity • 48% Danceability • 39% Energy • 11% Liveness
19% Instrumentalness • 8% Positiveness
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Andrew Belle
Pieces
137 bpm • F# min • 04:01 • -5.86db
55% Popularity • 49% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Elliot Moss
VCR Machine
137 bpm • A min • 04:56 • -12db
1% Popularity • 27% Danceability • 35% Energy • 11% Liveness
11% Instrumentalness • 8% Positiveness
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Billie Eilish
Six Feet Under - Jerry Folk Remix
135 bpm • B min • 03:20 • -12.82db
50% Popularity • 45% Danceability • 22% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Michl
When You Loved Me Least
137 bpm • A# min • 03:36 • -9db
43% Popularity • 45% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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St. South
Better Still
138 bpm • G# min • 03:55 • -16db
33% Popularity • 48% Danceability • 32% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
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Lo-Fang
#88
134 bpm • G Maj • 06:48 • -9.49db
24% Popularity • 52% Danceability • 33% Energy • 8% Liveness
4% Instrumentalness • 34% Positiveness
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Elvis Drew
Not Enough
134 bpm • G Maj • 02:40 • -9.05db
60% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Elliot Moss
Big Bad Wolf
135 bpm • C Maj • 03:41 • -8db
2% Popularity • 62% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Bishop Briggs
Dark Side
138 bpm • A Maj • 03:28 • -5.98db
56% Popularity • 71% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Sevdaliza
Amandine Insensible
134 bpm • D# min • 04:14 • -10.99db
44% Popularity • 64% Danceability • 31% Energy • 34% Liveness
28% Instrumentalness • 26% Positiveness
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Jacob Banks
Chainsmoking
138 bpm • F# min • 03:12 • -4.05db
60% Popularity • 38% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Celeste
Lately
134 bpm • G min • 04:04 • -9.01db
60% Popularity • 64% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Patrick Watson
Turn Into the Noise
138 bpm • A min • 06:42 • -13.2db
30% Popularity • 40% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
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Elliot Moss
I'll Drive
134 bpm • F# min • 03:27 • -10.38db
26% Popularity • 73% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Elvis Drew
Where Are You?
139 bpm • G# Maj • 02:34 • -10.01db
63% Popularity • 67% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
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Tash Sultana
Gemini
140 bpm • G# Maj • 04:08 • -8.42db
45% Popularity • 32% Danceability • 44% Energy • 12% Liveness
16% Instrumentalness • 15% Positiveness
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Oliver Riot
Ivory Black
139 bpm • C Maj • 04:27 • -13db
43% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Fhin
Irreversible
140 bpm • G# min • 03:52 • -13db
42% Popularity • 50% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Human Experience
I Like You
132 bpm • C min • 03:34 • -10.79db
44% Popularity • 48% Danceability • 33% Energy • 9% Liveness
12% Instrumentalness • 7% Positiveness
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Elliot Moss
Falling Down and Getting Hurt
133 bpm • G# min • 04:51 • -10.51db
30% Popularity • 70% Danceability • 48% Energy • 7% Liveness
82% Instrumentalness • 72% Positiveness
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Stateless
Bloodstream
140 bpm • F# min • 05:13 • -7db
54% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Feng Suave
Noche Oscura
132 bpm • B min • 04:45 • -13.62db
45% Popularity • 52% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
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Myra & Johnny Ola
Vapors
140 bpm • G min • 03:34 • -8db
42% Popularity • 71% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Fhin
A River
140 bpm • C min • 03:30 • -11db
25% Popularity • 55% Danceability • 46% Energy • 10% Liveness
55% Instrumentalness • 21% Positiveness
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Nuit Oceān
Rain
140 bpm • G# min • 03:46 • -11db
30% Popularity • 56% Danceability • 32% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
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Elliot Moss
My Statue Sinking
140 bpm • C# Maj • 01:34 • -16.17db
36% Popularity • 17% Danceability • 13% Energy • 21% Liveness
97% Instrumentalness • 4% Positiveness
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Big Wild
Awaken
140 bpm • D Maj • 03:02 • -8.88db
60% Popularity • 49% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
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Chelou
Damned Eye See
132 bpm • G min • 04:01 • -9.44db
32% Popularity • 63% Danceability • 62% Energy • 55% Liveness
1% Instrumentalness • 42% Positiveness
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Sevdaliza
Ride Or Die, Pt. 2
140 bpm • F min • 02:38 • -5.99db
28% Popularity • 78% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Jordan Rakei
Hiding Place
140 bpm • A min • 03:46 • -8db
37% Popularity • 64% Danceability • 45% Energy • 11% Liveness
14% Instrumentalness • 27% Positiveness
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Luunes
Glass
132 bpm • D min • 03:26 • -8.25db
19% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Elliot Moss
Smile in the Rain - Live Blackbox Record...
132 bpm • C# Maj • 02:54 • -12.89db
7% Popularity • 36% Danceability • 30% Energy • 48% Liveness
1% Instrumentalness • 13% Positiveness
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Allan Rayman
25.22
140 bpm • G Maj • 03:09 • -10.71db
44% Popularity • 70% Danceability • 52% Energy • 30% Liveness
6% Instrumentalness • 26% Positiveness
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Glass Animals
Holiest
132 bpm • F min • 03:21 • -7.82db
52% Popularity • 50% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Woodlands
Making Love on the Mountain - Sexy Mix
132 bpm • A Maj • 03:58 • -10db
34% Popularity • 72% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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WDL
Monster vs. Angel
140 bpm • D# min • 03:25 • -5.67db
43% Popularity • 54% Danceability • 56% Energy • 15% Liveness
54% Instrumentalness • 31% Positiveness
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Twin Caverns
Swell
141 bpm • D min • 04:03 • -8.6db
35% Popularity • 58% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Elliot Moss
Lazy - Short Version
140 bpm • A# Maj • 02:47 • -13.82db
35% Popularity • 73% Danceability • 48% Energy • 11% Liveness
66% Instrumentalness • 39% Positiveness
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Ta-ku
We Were In Love
131 bpm • D# min • 03:49 • -12.79db
41% Popularity • 73% Danceability • 38% Energy • 21% Liveness
84% Instrumentalness • 34% Positiveness
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Big Words
The Art of Making Love
130 bpm • F# Maj • 02:51 • -7.16db
43% Popularity • 48% Danceability • 46% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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Haux
Caves
130 bpm • D# min • 03:53 • -13.29db
43% Popularity • 55% Danceability • 32% Energy • 12% Liveness
40% Instrumentalness • 6% Positiveness
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Russ
Cherry Hill
130 bpm • D min • 03:42 • -10.8db
68% Popularity • 68% Danceability • 47% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
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Elvis Drew
Baby
130 bpm • C Maj • 01:53 • -11.31db
58% Popularity • 70% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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Elliot Moss
Lazy
140 bpm • A# Maj • 03:29 • -14.05db
32% Popularity • 70% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 38% Positiveness
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The Palms
Breakin' up
130 bpm • D min • 03:20 • -6.34db
50% Popularity • 66% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Fhin
Feel Your Face
130 bpm • E min • 03:46 • -11.39db
35% Popularity • 51% Danceability • 23% Energy • 11% Liveness
16% Instrumentalness • 9% Positiveness
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Tash Sultana
Big Smoke
130 bpm • D Maj • 03:58 • -6.6db
47% Popularity • 67% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Charlotte Day Wilson
Work
130 bpm • C# Maj • 03:44 • -8.04db
64% Popularity • 62% Danceability • 30% Energy • 8% Liveness
21% Instrumentalness • 16% Positiveness
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Bishop Briggs
Be Your Love
130 bpm • D min • 03:14 • -8.03db
57% Popularity • 69% Danceability • 46% Energy • 72% Liveness
0% Instrumentalness • 14% Positiveness
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Elliot Moss
How I Fell
140 bpm • D Maj • 04:26 • -13db
24% Popularity • 75% Danceability • 45% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
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ORI
On the Floor
130 bpm • B min • 03:43 • -14.86db
28% Popularity • 43% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Seafret
Oceans
129 bpm • A min • 03:35 • -9.1db
62% Popularity • 37% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Terence Ryan
Sweet Alchemy
143 bpm • C Maj • 03:02 • -10.63db
40% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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BANKS
Waiting Game
129 bpm • F min • 03:27 • -10.31db
56% Popularity • 33% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Harrison Brome
Body High
129 bpm • C# Maj • 03:09 • -8db
48% Popularity • 43% Danceability • 58% Energy • 13% Liveness
7% Instrumentalness • 52% Positiveness
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Elliot Moss
Altitude
131 bpm • E min • 03:31 • -11.66db
30% Popularity • 65% Danceability • 40% Energy • 40% Liveness
5% Instrumentalness • 6% Positiveness
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Dennis Lloyd
Think About It
144 bpm • E Maj • 03:11 • -9.25db
52% Popularity • 48% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
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Delhia De France
Blank_
144 bpm • C min • 04:06 • -11db
32% Popularity • 40% Danceability • 34% Energy • 15% Liveness
22% Instrumentalness • 5% Positiveness
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Ash Riser
Thanks For Asking
128 bpm • B min • 02:51 • -9.19db
20% Popularity • 42% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Haute
U Should Know
128 bpm • G min • 04:35 • -9db
23% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Crayon
After the Tone
128 bpm • A# min • 02:33 • -13.56db
46% Popularity • 80% Danceability • 19% Energy • 10% Liveness
37% Instrumentalness • 22% Positiveness
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Elliot Moss
Altitude - Short Version
131 bpm • E min • 02:45 • -12.39db
21% Popularity • 66% Danceability • 35% Energy • 73% Liveness
2% Instrumentalness • 9% Positiveness
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Feng Suave
Honey, There's No Time
128 bpm • A Maj • 04:21 • -11.92db
53% Popularity • 61% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Fhin
A Song with My Dog
128 bpm • A min • 03:03 • -16.35db
45% Popularity • 59% Danceability • 25% Energy • 5% Liveness
52% Instrumentalness • 18% Positiveness
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SG Lewis
Yours
128 bpm • F# min • 03:50 • -11db
40% Popularity • 68% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Patrick Watson
Sit Down Beside Me
145 bpm • D# min • 04:32 • -13.01db
51% Popularity • 31% Danceability • 33% Energy • 27% Liveness
58% Instrumentalness • 27% Positiveness
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Zeds Dead
lost birds
145 bpm • D Maj • 02:47 • -8.07db
43% Popularity • 48% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Elliot Moss
Highspeeds
130 bpm • F Maj • 03:22 • -13db
6% Popularity • 54% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Brolin
Reykjavik
145 bpm • B min • 04:05 • -11.49db
33% Popularity • 76% Danceability • 33% Energy • 8% Liveness
86% Instrumentalness • 66% Positiveness
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Blue Foundation
Eyes on Fire
145 bpm • D# min • 05:02 • -10.14db
67% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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LANKS
Aurelia
127 bpm • C min • 04:04 • -10db
30% Popularity • 64% Danceability • 36% Energy • 9% Liveness
16% Instrumentalness • 12% Positiveness
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Until The Ribbon Breaks
Romeo
127 bpm • A min • 04:18 • -8db
9% Popularity • 33% Danceability • 52% Energy • 46% Liveness
11% Instrumentalness • 30% Positiveness
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Bearcubs
Underwaterfall
127 bpm • F min • 04:20 • -11.09db
49% Popularity • 83% Danceability • 24% Energy • 11% Liveness
70% Instrumentalness • 9% Positiveness
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Elliot Moss
I Heard!
130 bpm • C# min • 04:13 • -10.18db
19% Popularity • 80% Danceability • 50% Energy • 10% Liveness
8% Instrumentalness • 81% Positiveness
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The Blaze
SPARKS & ASHES
127 bpm • F Maj • 03:04 • -14.19db
56% Popularity • 68% Danceability • 32% Energy • 16% Liveness
93% Instrumentalness • 15% Positiveness
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Zachary Knowles
slow down my thoughts
127 bpm • C# min • 03:51 • -8.36db
50% Popularity • 73% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Michl
Broken Roots
146 bpm • D min • 03:46 • -6.9db
47% Popularity • 58% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Son Lux
Easy (Switch Screens)
146 bpm • G Maj • 04:22 • -6.47db
37% Popularity • 73% Danceability • 70% Energy • 8% Liveness
3% Instrumentalness • 80% Positiveness
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Bearcubs
Underwaterfall - Crayon Remix
127 bpm • F min • 02:53 • -9.71db
34% Popularity • 69% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Tash Sultana
Jungle
146 bpm • C# min • 05:15 • -6db
69% Popularity • 59% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Elliot Moss
Boomerang
130 bpm • C min • 02:56 • -18.76db
27% Popularity • 34% Danceability • 14% Energy • 71% Liveness
4% Instrumentalness • 9% Positiveness
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NoMBe
Summer's Gone
146 bpm • A Maj • 03:32 • -7.77db
59% Popularity • 60% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Chelou
Like a Dream - Demo
146 bpm • F# min • 02:54 • -13db
33% Popularity • 71% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Alpes
Dream Ocean - Remix by Kid Francescoli
126 bpm • F# min • 03:23 • -10.53db
13% Popularity • 60% Danceability • 29% Energy • 14% Liveness
11% Instrumentalness • 33% Positiveness
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St. South
Slacks
126 bpm • D# min • 03:26 • -9.58db
48% Popularity • 74% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Dennis Lloyd
Demons
126 bpm • G min • 02:57 • -9.59db
43% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Elliot Moss
Down With A Fight
143 bpm • B min • 04:20 • -12.85db
29% Popularity • 66% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 52% Positiveness
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Nuit Oceān
Nothing Like You
148 bpm • G# min • 03:29 • -10.51db
32% Popularity • 57% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Allan Rayman
Left Alone
125 bpm • G# min • 02:22 • -11db
42% Popularity • 71% Danceability • 28% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
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Michl
Die Trying
125 bpm • F# Maj • 03:29 • -8.37db
52% Popularity • 42% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Drinker
Fake It - Elliot Moss Remix
125 bpm • F min • 05:38 • -12.15db
5% Popularity • 60% Danceability • 73% Energy • 8% Liveness
42% Instrumentalness • 46% Positiveness
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The Palms
Future Love (We All Make Mistakes)
125 bpm • D min • 03:43 • -5.41db
44% Popularity • 77% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Elliot Moss
Bodyintoshapes - Elsa y Elmar Remix
126 bpm • A min • 04:10 • -8.59db
33% Popularity • 76% Danceability • 70% Energy • 15% Liveness
36% Instrumentalness • 35% Positiveness
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Faraday Cage