Songs like Fascinating Ribbons by Joan Tower
Based on a tempo of (+/- 10%) and a similar genre
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Joan Tower
Fascinating Ribbons
73 bpm • G Maj • 05:46 • -11.6db
2% Popularity • 29% Danceability • 41% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
2% Popularity • 29% Danceability • 41% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Kurt Weill
Lady in the Dark - Symphonic Nocturne (a...
73 bpm • C Maj • 02:39 • -22.76db
12% Popularity • 17% Danceability • 4% Energy • 57% Liveness
89% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 57% Liveness
89% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
73 bpm • C Maj • 01:59 • -26.68db
13% Popularity • 17% Danceability • 1% Energy • 33% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 33% Liveness
92% Instrumentalness • 7% Positiveness
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Erwin Schulhoff
5 Pieces for String Quartet: No. 4, Alla...
73 bpm • G Maj • 03:52 • -20.83db
10% Popularity • 20% Danceability • 10% Energy • 8% Liveness
66% Instrumentalness • 24% Positiveness
10% Popularity • 20% Danceability • 10% Energy • 8% Liveness
66% Instrumentalness • 24% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
73 bpm • F min • 05:37 • -23.11db
8% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 27% Positiveness
8% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 27% Positiveness
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Return Of Dream
Mother Nature
73 bpm • A min • 02:03 • -50.02db
9% Popularity • 22% Danceability • 0% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 0% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Richard Strauss
Eine Alpensinfonie, Op. 64, TrV 233: VII...
74 bpm • F# Maj • 00:57 • -27.73db
9% Popularity • 20% Danceability • 7% Energy • 21% Liveness
70% Instrumentalness • 22% Positiveness
9% Popularity • 20% Danceability • 7% Energy • 21% Liveness
70% Instrumentalness • 22% Positiveness
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Sir Adrian Boult
First Movement Molto Moderato
74 bpm • D Maj • 09:41 • -19.09db
12% Popularity • 7% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
12% Popularity • 7% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Béla Bartók
Bartók / Arr. Székely: 3 Hungarian Fol...
73 bpm • D min • 01:36 • -24db
10% Popularity • 19% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Alexander Scriabin
Symphony No. 2 in C minor, Op. 29: II. A...
72 bpm • D# Maj • 09:55 • -13.24db
14% Popularity • 9% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Moritz Moszkowski
Piano Concerto in E Major, Op. 59: III. ...
74 bpm • C# min • 06:31 • -27.5db
11% Popularity • 23% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 20% Positiveness
11% Popularity • 23% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 20% Positiveness
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Paul Hindemith
Die Harmonie der Welt Symphony: II. Musi...
74 bpm • C# Maj • 09:47 • -30.41db
19% Popularity • 7% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
19% Popularity • 7% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Josef Bohuslav Foerster
From Shakespeare, Op. 76: I. Introductio...
74 bpm • G# Maj • 01:04 • -34.28db
20% Popularity • 17% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
String Quartet No. 8 in C Minor, Op. 110...
74 bpm • C Maj • 03:18 • -26.45db
9% Popularity • 10% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
71 bpm • E Maj • 03:45 • -31.92db
8% Popularity • 13% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
8% Popularity • 13% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Irving Fine
Notturno for Strings and Harp: Lento
75 bpm • D Maj • 02:17 • -22.69db
9% Popularity • 43% Danceability • 14% Energy • 22% Liveness
37% Instrumentalness • 24% Positiveness
9% Popularity • 43% Danceability • 14% Energy • 22% Liveness
37% Instrumentalness • 24% Positiveness
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Frank Bridge
The Sea: No. 2 Sea-foam
71 bpm • D# Maj • 02:34 • -29.08db
15% Popularity • 30% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Charles Ives
3 Places in New England: No. 1 The "St. ...
75 bpm • A min • 09:00 • -34.51db
8% Popularity • 7% Danceability • 1% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 1% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
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Joan Tower
Fascinating Ribbons
75 bpm • A# min • 05:55 • -17.64db
0% Popularity • 24% Danceability • 33% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 33% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
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Luca Schettino
Hornpipe for Orchestra Extended Version
75 bpm • C# min • 03:56 • -18.37db
11% Popularity • 52% Danceability • 19% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
11% Popularity • 52% Danceability • 19% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
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Igor Stravinsky
Petrushka, K12 (1947 Version): II. Petru...
75 bpm • G Maj • 04:20 • -19.69db
16% Popularity • 30% Danceability • 16% Energy • 10% Liveness
69% Instrumentalness • 5% Positiveness
16% Popularity • 30% Danceability • 16% Energy • 10% Liveness
69% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33b, T...
75 bpm • G min • 02:32 • -27.96db
16% Popularity • 12% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
16% Popularity • 12% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
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Richard Strauss
Josephs-Legende, Op. 63, TrV 231: Der Sh...
71 bpm • G Maj • 03:25 • -28.86db
10% Popularity • 7% Danceability • 3% Energy • 33% Liveness
91% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 3% Energy • 33% Liveness
91% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Tosca, SC 69, Act I: Perché chiuso? - Q...
71 bpm • G# Maj • 07:43 • -25.28db
4% Popularity • 15% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
4% Popularity • 15% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Joan Tower
No Longer Very Clear: Vast Antique Cubes
71 bpm • A# min • 02:51 • -33.17db
0% Popularity • 52% Danceability • 1% Energy • 9% Liveness
58% Instrumentalness • 9% Positiveness
0% Popularity • 52% Danceability • 1% Energy • 9% Liveness
58% Instrumentalness • 9% Positiveness
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Veljo Tormis
Reminiscentia / Autumn Landscapes: II. C...
75 bpm • E min • 01:34 • -28.03db
10% Popularity • 20% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
10% Popularity • 20% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Christian Lindberg
Alcazaba II
75 bpm • D min • 01:04 • -30db
15% Popularity • 50% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 50% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Einojuhani Rautavaara
Piano Concerto No. 1, Op. 45: III. Molto...
76 bpm • C min • 03:06 • -19db
14% Popularity • 26% Danceability • 29% Energy • 17% Liveness
84% Instrumentalness • 19% Positiveness
14% Popularity • 26% Danceability • 29% Energy • 17% Liveness
84% Instrumentalness • 19% Positiveness
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Richard Strauss
Don Quixote, Op. 35 (Fantastic Variation...
75 bpm • D min • 00:58 • -32.78db
10% Popularity • 12% Danceability • 1% Energy • 18% Liveness
66% Instrumentalness • 10% Positiveness
10% Popularity • 12% Danceability • 1% Energy • 18% Liveness
66% Instrumentalness • 10% Positiveness
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Gerald Finzi
5 Bagatelles, Op. 23 (Arr. for Clarinet ...
76 bpm • A# Maj • 02:00 • -33.22db
22% Popularity • 19% Danceability • 1% Energy • 35% Liveness
13% Instrumentalness • 24% Positiveness
22% Popularity • 19% Danceability • 1% Energy • 35% Liveness
13% Instrumentalness • 24% Positiveness
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Joan Tower
Wings
71 bpm • C Maj • 09:18 • -17.09db
0% Popularity • 26% Danceability • 3% Energy • 17% Liveness
20% Instrumentalness • 18% Positiveness
0% Popularity • 26% Danceability • 3% Energy • 17% Liveness
20% Instrumentalness • 18% Positiveness
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Henri Dutilleux
Tout un monde lointain…: I. Énigme
76 bpm • G Maj • 06:34 • -25.15db
8% Popularity • 31% Danceability • 14% Energy • 87% Liveness
81% Instrumentalness • 5% Positiveness
8% Popularity • 31% Danceability • 14% Energy • 87% Liveness
81% Instrumentalness • 5% Positiveness
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Heinz Roemheld
Sonatina for Violin & Piano, Op. 6: II. ...
76 bpm • C# min • 03:52 • -27.65db
9% Popularity • 11% Danceability • 1% Energy • 14% Liveness
11% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 1% Energy • 14% Liveness
11% Instrumentalness • 4% Positiveness
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George Lloyd
Symphony No. 6: II. Adagio
70 bpm • F min • 06:16 • -35.52db
9% Popularity • 7% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation for female ...
76 bpm • B Maj • 02:44 • -27.1db
12% Popularity • 18% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Jan Sandström
Ecos de Eternidad: I Saludos II
70 bpm • G Maj • 01:00 • -34.3db
20% Popularity • 16% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Vagn Holmboe
Trombone Concerto No. 12, Op. 52: Allegr...
76 bpm • E min • 05:29 • -23.38db
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
73% Instrumentalness • 10% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
73% Instrumentalness • 10% Positiveness
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Ørjan Matre
Four Pieces from a Distance: No. 4, Chil...
70 bpm • C Maj • 03:33 • -36.56db
15% Popularity • 7% Danceability • 0% Energy • 10% Liveness
4% Instrumentalness • 9% Positiveness
15% Popularity • 7% Danceability • 0% Energy • 10% Liveness
4% Instrumentalness • 9% Positiveness
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Joan Tower
Wings
70 bpm • E min • 08:50 • -13.94db
0% Popularity • 36% Danceability • 7% Energy • 16% Liveness
80% Instrumentalness • 14% Positiveness
0% Popularity • 36% Danceability • 7% Energy • 16% Liveness
80% Instrumentalness • 14% Positiveness
► Preview
Heitor Villa-Lobos
Cello Concerto No. 2, W516: I. Allegro n...
76 bpm • D min • 10:05 • -23.38db
11% Popularity • 16% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
11% Popularity • 16% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
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Adolphe Adam
La jolie fille de Gand: No. 1 Andantino ...
70 bpm • D Maj • 00:57 • -34.05db
18% Popularity • 33% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 21% Positiveness
18% Popularity • 33% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 21% Positiveness
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Shiuan Chang
Nursery rhyme: Hold on, I'm coming for y...
77 bpm • C min • 01:04 • -31.53db
8% Popularity • 68% Danceability • 33% Energy • 7% Liveness
69% Instrumentalness • 52% Positiveness
8% Popularity • 68% Danceability • 33% Energy • 7% Liveness
69% Instrumentalness • 52% Positiveness
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Antonín Dvořák
Cello Concerto in B Minor, Op. 104: III....
77 bpm • B Maj • 01:31 • -22.02db
22% Popularity • 12% Danceability • 3% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 3% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
70 bpm • C Maj • 02:30 • -26.62db
10% Popularity • 18% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Magne Amdahl
Astrognosia: Interludium I
77 bpm • G# Maj • 01:04 • -36.79db
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
► Preview
Dmitri Shostakovich
Symphony No. 9 in E-Flat Major, Op. 70: ...
77 bpm • G Maj • 06:47 • -29.09db
8% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Sinfonia antartica "Symphony No. 7": I. ...
69 bpm • C Maj • 10:10 • -16.16db
9% Popularity • 9% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: I....
69 bpm • A# min • 08:09 • -25.75db
9% Popularity • 9% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
9% Popularity • 9% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Dorothy Howell
Divertissements: III. Three Divertisseme...
69 bpm • C Maj • 03:38 • -14.93db
9% Popularity • 22% Danceability • 23% Energy • 21% Liveness
86% Instrumentalness • 12% Positiveness
9% Popularity • 22% Danceability • 23% Energy • 21% Liveness
86% Instrumentalness • 12% Positiveness
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César Guerra-Peixe
Symphonic Suite No. 2 "Pernambucana": IV...
69 bpm • F# Maj • 03:01 • -16db
11% Popularity • 37% Danceability • 41% Energy • 12% Liveness
33% Instrumentalness • 38% Positiveness
11% Popularity • 37% Danceability • 41% Energy • 12% Liveness
33% Instrumentalness • 38% Positiveness
► Preview
Henri Dutilleux
Tout un monde lointain…: V. Hymne
77 bpm • D Maj • 04:48 • -22.09db
9% Popularity • 26% Danceability • 20% Energy • 33% Liveness
86% Instrumentalness • 28% Positiveness
9% Popularity • 26% Danceability • 20% Energy • 33% Liveness
86% Instrumentalness • 28% Positiveness
► Preview
Walter Piston
The Incredible Flutist Suite: IX. Spanis...
77 bpm • B Maj • 01:17 • -19.93db
19% Popularity • 34% Danceability • 47% Energy • 18% Liveness
90% Instrumentalness • 12% Positiveness
19% Popularity • 34% Danceability • 47% Energy • 18% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Karol Szymanowski
Violin Concerto No. 2 in D Minor, Op. 61...
77 bpm • E min • 06:17 • -22db
2% Popularity • 18% Danceability • 13% Energy • 14% Liveness
23% Instrumentalness • 5% Positiveness
2% Popularity • 18% Danceability • 13% Energy • 14% Liveness
23% Instrumentalness • 5% Positiveness
► Preview
Alexander Scriabin
4 Pieces, Op. 51 (arr. Rogal-Levitsky): ...
77 bpm • D# Maj • 03:56 • -37db
15% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Joan Tower
Fifth Fanfare for the Uncommon Woman
69 bpm • E min • 03:33 • -23.1db
1% Popularity • 27% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
1% Popularity • 27% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Jean Sibelius
The Tempest: Suite No. 2, Op. 109: VIII....
77 bpm • A Maj • 02:28 • -31.18db
8% Popularity • 27% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
8% Popularity • 27% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
Strauss, R: Der Bürger als Edelmann Sui...
77 bpm • G# Maj • 03:26 • -30.05db
10% Popularity • 19% Danceability • 2% Energy • 9% Liveness
28% Instrumentalness • 9% Positiveness
10% Popularity • 19% Danceability • 2% Energy • 9% Liveness
28% Instrumentalness • 9% Positiveness
► Preview
Ottorino Respighi
I Fontani di Roma, P. 106: II. La fontan...
77 bpm • C Maj • 02:17 • -13.35db
9% Popularity • 36% Danceability • 22% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
9% Popularity • 36% Danceability • 22% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
► Preview
Paule Maurice
Tableaux de Provence: V. Lou Cabridan
69 bpm • G Maj • 03:44 • -22.74db
8% Popularity • 36% Danceability • 16% Energy • 22% Liveness
81% Instrumentalness • 20% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 22% Liveness
81% Instrumentalness • 20% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
69 bpm • F min • 01:08 • -36.69db
13% Popularity • 9% Danceability • 1% Energy • 19% Liveness
39% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 1% Energy • 19% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
Olivier Messiaen
Messiaen: Éclairs sur l'au-delà...: II...
69 bpm • G Maj • 05:52 • -26.17db
13% Popularity • 20% Danceability • 9% Energy • 9% Liveness
61% Instrumentalness • 3% Positiveness
13% Popularity • 20% Danceability • 9% Energy • 9% Liveness
61% Instrumentalness • 3% Positiveness
► Preview
Alexander Scriabin
Symphony No. 2 in C minor, Op. 29: V. Ma...
78 bpm • C Maj • 08:28 • -12.36db
14% Popularity • 12% Danceability • 25% Energy • 14% Liveness
84% Instrumentalness • 6% Positiveness
14% Popularity • 12% Danceability • 25% Energy • 14% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Joan Tower
Island Prelude
78 bpm • D Maj • 11:12 • -20.53db
2% Popularity • 13% Danceability • 7% Energy • 19% Liveness
66% Instrumentalness • 3% Positiveness
2% Popularity • 13% Danceability • 7% Energy • 19% Liveness
66% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
The Music Makers, Op. 69: I. Introductio...
78 bpm • D# Maj • 03:30 • -22.53db
11% Popularity • 7% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 7% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Andre Caplet
Children's Corner (arr. A. Caplet for or...
78 bpm • D Maj • 02:59 • -34db
21% Popularity • 22% Danceability • 2% Energy • 13% Liveness
57% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 2% Energy • 13% Liveness
57% Instrumentalness • 4% Positiveness
► Preview
Celso Garrido-Lecca
Danzas Populares Andinas: No. 4, Andante
78 bpm • E min • 03:29 • -31.12db
12% Popularity • 8% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Michael Zev Gordon
Bohortha, Seven Pieces for Orchestra: I....
78 bpm • G Maj • 03:10 • -15.05db
8% Popularity • 14% Danceability • 27% Energy • 18% Liveness
31% Instrumentalness • 6% Positiveness
8% Popularity • 14% Danceability • 27% Energy • 18% Liveness
31% Instrumentalness • 6% Positiveness
► Preview
Enjott Schneider
Dunkelwelt Untersberg, 7. Sinfonie: I. M...
78 bpm • C Maj • 07:34 • -29.31db
8% Popularity • 7% Danceability • 7% Energy • 29% Liveness
93% Instrumentalness • 6% Positiveness
8% Popularity • 7% Danceability • 7% Energy • 29% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Joan Tower
Fifth Fanfare for the Uncommon Woman
69 bpm • F Maj • 03:39 • -24.36db
0% Popularity • 34% Danceability • 5% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 34% Danceability • 5% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Symphony in C: I. Moderato alla breve
78 bpm • C Maj • 09:43 • -20.66db
32% Popularity • 50% Danceability • 7% Energy • 30% Liveness
89% Instrumentalness • 27% Positiveness
32% Popularity • 50% Danceability • 7% Energy • 30% Liveness
89% Instrumentalness • 27% Positiveness
► Preview
Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
78 bpm • C Maj • 01:44 • -40db
13% Popularity • 21% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 19% Positiveness
13% Popularity • 21% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 19% Positiveness
► Preview
Thomas Adès
Alchymia: II. The Woods So Wild
78 bpm • C Maj • 03:10 • -28.77db
12% Popularity • 28% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
12% Popularity • 28% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
► Preview
Benjamin Britten
Sinfonia da Requiem, Op. 20: II. Dies ir...
79 bpm • A# Maj • 05:18 • -19.69db
12% Popularity • 33% Danceability • 35% Energy • 11% Liveness
61% Instrumentalness • 15% Positiveness
12% Popularity • 33% Danceability • 35% Energy • 11% Liveness
61% Instrumentalness • 15% Positiveness
► Preview
Joaquín Turina
Danzas fantásticas, Op. 22: II. Ensueñ...
79 bpm • G Maj • 05:37 • -29.13db
8% Popularity • 8% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Selena Ivanova
Synthesis
79 bpm • C min • 02:04 • -39.42db
15% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
15% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
► Preview
Richard Strauss
Strauss, R: Der Bürger als Edelmann Sui...
79 bpm • G Maj • 02:13 • -25.92db
12% Popularity • 18% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Maya Badian
Concerto for Marimba and Vibraphone, "Mi...
68 bpm • F min • 03:47 • -30db
11% Popularity • 30% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
11% Popularity • 30% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
Sapho: Solitude
79 bpm • F Maj • 02:10 • -27.54db
9% Popularity • 14% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Leoš Janáček
Katya Kabanova, JW I/8, Act II Scene 2: ...
79 bpm • G# Maj • 01:20 • -30.96db
11% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
11% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: IV. A...
67 bpm • F Maj • 01:50 • -26.57db
12% Popularity • 20% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Thomas Hyde
Symphony, Op. 20: VII. Temps suspendu
79 bpm • G# min • 00:57 • -45.42db
13% Popularity • 17% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Eine Alpensinfonie, Op. 64, TrV 233: XI....
79 bpm • D min • 01:10 • -15.44db
8% Popularity • 27% Danceability • 38% Energy • 35% Liveness
97% Instrumentalness • 13% Positiveness
8% Popularity • 27% Danceability • 38% Energy • 35% Liveness
97% Instrumentalness • 13% Positiveness
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Edvard Grieg
Lyric Suite, Op. 54: II. Gangar (Norwegi...
79 bpm • D Maj • 04:08 • -24.05db
10% Popularity • 23% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
10% Popularity • 23% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
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Robert Schumann
Bilder aus Osten, Op. 66 (Arr. for Strin...
79 bpm • D Maj • 03:43 • -26.62db
13% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
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George Templeton Strong
Suite No. 3: "Le Livre d’Images": II. ...
79 bpm • A min • 05:03 • -25.74db
9% Popularity • 10% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Heitor Villa-Lobos
Cello Concerto No. 2, W516: IV. Allegro ...
80 bpm • C min • 03:40 • -22.38db
12% Popularity • 31% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
12% Popularity • 31% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
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Alexander Scriabin
Symphony No. 2 in C minor, Op. 29: I. An...
80 bpm • G# Maj • 06:05 • -18.49db
25% Popularity • 16% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
25% Popularity • 16% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Igor Stravinsky
Pulcinella Suite: IV. Tarantella
80 bpm • G min • 01:55 • -18.03db
13% Popularity • 53% Danceability • 41% Energy • 33% Liveness
94% Instrumentalness • 96% Positiveness
13% Popularity • 53% Danceability • 41% Energy • 33% Liveness
94% Instrumentalness • 96% Positiveness
► Preview
Anton Bruckner
Symphony No. 7 in E Major, WAB 107 (Ed. ...
80 bpm • F Maj • 09:31 • -15.29db
8% Popularity • 34% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
8% Popularity • 34% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Florence Beatrice Price
String Quartet No. 2 in A Minor: II. And...
80 bpm • A Maj • 06:39 • -24.42db
11% Popularity • 8% Danceability • 5% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 5% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
Dvořák: Symphonic Variations in C Majo...
80 bpm • C Maj • 00:52 • -25.22db
10% Popularity • 27% Danceability • 14% Energy • 28% Liveness
91% Instrumentalness • 22% Positiveness
10% Popularity • 27% Danceability • 14% Energy • 28% Liveness
91% Instrumentalness • 22% Positiveness
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Franz Schreker
Schubert / Orch. Mahler: String Quartet ...
80 bpm • A Maj • 06:33 • -27db
10% Popularity • 9% Danceability • 3% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 3% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: VI. Ge...
67 bpm • D Maj • 09:24 • -24.65db
9% Popularity • 6% Danceability • 6% Energy • 74% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 6% Danceability • 6% Energy • 74% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
John Adams
City Noir: II. The Song Is for You
67 bpm • F Maj • 08:47 • -20.21db
10% Popularity • 8% Danceability • 8% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 8% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Franz Waxman
Four Scenes of Childhood: IV. Bedtime St...
66 bpm • C# Maj • 03:57 • -28.89db
9% Popularity • 15% Danceability • 2% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 2% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Natko Devcic
Natko Devčić: Istrian Suite: II. Leapi...
80 bpm • F min • 02:23 • -17.37db
14% Popularity • 44% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 44% Positiveness
14% Popularity • 44% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 44% Positiveness
► Preview
Rihards Dubra
Lux Aeterna: I. Andante misterioso
66 bpm • G Maj • 02:36 • -31db
9% Popularity • 30% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 63% Positiveness
9% Popularity • 30% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 63% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: Tuba Concerto in F Min...
80 bpm • C# Maj • 03:03 • -20.6db
9% Popularity • 27% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
9% Popularity • 27% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
