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Father & Son
Songs like
Father & Son
by
Rod Stewart
Based on a tempo of (+/- 10%) and a similar genre
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Samuel Rodriguez
You Are Still The One
132 bpm • G Maj • 03:23 • -12db
25% Popularity • 51% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Rod Stewart
Father & Son
132 bpm • F# Maj • 03:36 • -7.79db
49% Popularity • 58% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Mary MacGregor
Torn Between Two Lovers
132 bpm • A# Maj • 03:39 • -7.08db
52% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Dionne Warwick
I'll Never Love This Way Again
132 bpm • B min • 03:31 • -10.54db
65% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Rita Coolidge
I'd Rather Leave While I'm In Love
132 bpm • G# Maj • 03:25 • -9db
51% Popularity • 46% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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John Lennon
Jealous Guy - Remastered 2010
131 bpm • E min • 04:17 • -11.65db
67% Popularity • 49% Danceability • 39% Energy • 10% Liveness
32% Instrumentalness • 25% Positiveness
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Louie Smith
Can't Live If Living Is Without You
132 bpm • E Maj • 03:10 • -7.46db
55% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Don McLean
Birthday Song - Live/1973
133 bpm • A Maj • 02:45 • -19.28db
24% Popularity • 45% Danceability • 28% Energy • 58% Liveness
34% Instrumentalness • 63% Positiveness
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Eagles
Lyin' Eyes - 2013 Remaster
133 bpm • G Maj • 06:21 • -9.75db
68% Popularity • 67% Danceability • 67% Energy • 16% Liveness
3% Instrumentalness • 87% Positiveness
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Christopher Cross
All Right
133 bpm • F# min • 04:13 • -5.23db
60% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Bon Jovi
Thank You For Loving Me
133 bpm • D Maj • 05:08 • -7.75db
66% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Natalie Cole
Miss You Like Crazy
131 bpm • D Maj • 03:54 • -6.25db
65% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Elvis Costello
She
131 bpm • C# Maj • 03:07 • -12.87db
69% Popularity • 33% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Commodores
Easy
133 bpm • A# min • 04:16 • -15.08db
80% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Yusuf / Cat Stevens
Morning Has Broken - Remastered 2021
133 bpm • G Maj • 03:19 • -11.83db
72% Popularity • 44% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Seals and Crofts
First Love
133 bpm • F# Maj • 03:47 • -14db
52% Popularity • 49% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Rita Coolidge
The Hungry Years
131 bpm • D Maj • 04:22 • -9db
33% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Dan Fogelberg
Believe In Me
131 bpm • A Maj • 04:34 • -16db
42% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Linda Ronstadt
Don't Know Much
130 bpm • B Maj • 03:31 • -11.01db
67% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Shania Twain
You're Still The One - Remastered 2023
134 bpm • D# Maj • 03:17 • -3.7db
59% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
74% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Bob Seger
We've Got Tonight
130 bpm • B Maj • 04:41 • -6.42db
59% Popularity • 52% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Michael Johnson
Bluer Than Blue
134 bpm • G Maj • 03:05 • -15.21db
49% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Christopher Cross
All Right
130 bpm • E Maj • 04:21 • -7.73db
26% Popularity • 80% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Roxette
Vulnerable
134 bpm • C# Maj • 05:00 • -6db
58% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Shania Twain
You're Still The One - Live
134 bpm • D Maj • 03:35 • -4.47db
45% Popularity • 54% Danceability • 84% Energy • 70% Liveness
0% Instrumentalness • 68% Positiveness
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America
I Need You
134 bpm • G Maj • 03:03 • -10db
61% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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David Gates
Part Time Love
130 bpm • A Maj • 02:26 • -15.78db
40% Popularity • 40% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Daywind
Have I Told You Lately That I Love You
134 bpm • G Maj • 04:04 • -9.22db
23% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Glenn Frey
I Did It For Your Love
134 bpm • C Maj • 04:00 • -16.88db
21% Popularity • 57% Danceability • 24% Energy • 12% Liveness
39% Instrumentalness • 19% Positiveness
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Journey
Faithfully (2023 Remaster)
130 bpm • B Maj • 04:26 • -7.33db
71% Popularity • 42% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Billy Ocean
Suddenly
129 bpm • A# min • 03:54 • -9.51db
62% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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America
I Need You
135 bpm • G Maj • 03:41 • -10.67db
20% Popularity • 53% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Dan Fogelberg
Leader of the Band
135 bpm • G# Maj • 04:16 • -14.36db
63% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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a-ha
Take On Me - MTV Unplugged / Edit
129 bpm • A Maj • 03:42 • -12.87db
50% Popularity • 50% Danceability • 12% Energy • 70% Liveness
0% Instrumentalness • 20% Positiveness
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Rod Stewart
I Don't Want to Talk About It - 2008 Rem...
135 bpm • D# Maj • 04:48 • -12.98db
67% Popularity • 47% Danceability • 37% Energy • 15% Liveness
21% Instrumentalness • 46% Positiveness
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Helen Reddy
I Can't Say Goodbye To You
135 bpm • G Maj • 03:50 • -15.14db
48% Popularity • 47% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Rita Coolidge
Fool That I Am
136 bpm • G# Maj • 03:08 • -10db
37% Popularity • 58% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Arthur John
Between the Moon and New York City
136 bpm • B min • 03:52 • -10db
50% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Dan Fogelberg
Leader of the Band / Washington Post Mar...
135 bpm • G# Maj • 04:48 • -21db
37% Popularity • 61% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Paul Young
Oh Girl
136 bpm • A Maj • 03:36 • -7db
55% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Rod Stewart
I Don't Want to Talk About It - 1989 Ver...
135 bpm • A# Maj • 04:50 • -10.68db
60% Popularity • 48% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Bad English
When I See You Smile
136 bpm • G Maj • 04:17 • -9.9db
65% Popularity • 50% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Mick Jagger
Hard Woman
128 bpm • D# Maj • 04:27 • -7.95db
49% Popularity • 52% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Annie B.
Is It OK If I Call You Mine
136 bpm • A Maj • 03:12 • -18.73db
28% Popularity • 46% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Christopher Cross
I Will (Take You Forever)
128 bpm • A Maj • 03:59 • -10.02db
59% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Rita Coolidge
We're All Alone
128 bpm • G Maj • 03:40 • -8.38db
63% Popularity • 33% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Rod Stewart
Tonight's the Night (Gonna Be Alright)
136 bpm • B Maj • 03:32 • -10.76db
44% Popularity • 56% Danceability • 60% Energy • 65% Liveness
1% Instrumentalness • 61% Positiveness
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Roxette
It Must Have Been Love - L.A. Version 19...
136 bpm • C Maj • 04:45 • -7.64db
32% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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England Dan & John Ford Coley
It's Sad to Belong - Single Version
136 bpm • D# Maj • 02:53 • -16.46db
67% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Andy Gibb
Flowing Rivers
128 bpm • D Maj • 03:36 • -9.13db
36% Popularity • 69% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Irene Cara
Out Here On My Own
136 bpm • G Maj • 03:13 • -15.07db
49% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Rita Coolidge
Rainy Blue
136 bpm • F Maj • 04:27 • -14.07db
39% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Yusuf / Cat Stevens
Father And Son
136 bpm • G Maj • 03:41 • -12.29db
77% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Rolling Stones
Angie - Remastered 2009
136 bpm • A min • 04:32 • -6.13db
74% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Roger Hodgson
Lovers In The Wind
128 bpm • F min • 04:13 • -18.79db
50% Popularity • 46% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 13% Positiveness
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John Denver
Rhymes and Reasons - "Greatest Hits" Ver...
136 bpm • F Maj • 03:15 • -12.08db
50% Popularity • 37% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Heart
Secret
128 bpm • A min • 04:14 • -8.76db
49% Popularity • 50% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Starship
Set the Night to Music
128 bpm • F# Maj • 04:47 • -8db
38% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
73% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Rod Stewart
Tonight's the Night (Gonna Be Alright) -...
137 bpm • B Maj • 03:57 • -12.62db
57% Popularity • 55% Danceability • 51% Energy • 38% Liveness
12% Instrumentalness • 72% Positiveness
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Jim Capaldi
Old Photographs
127 bpm • F# Maj • 04:50 • -13db
50% Popularity • 31% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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John Denver
I'm Sorry
128 bpm • G Maj • 03:31 • -15db
52% Popularity • 45% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Heart
Alone - Live At The Backstage, Seattle, ...
137 bpm • F# Maj • 04:50 • -12.66db
29% Popularity • 36% Danceability • 28% Energy • 70% Liveness
0% Instrumentalness • 26% Positiveness
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Eric Carmen
I'm Through With Love
127 bpm • A# Maj • 04:04 • -14db
32% Popularity • 29% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Glenn Frey
Part Of Me, Part Of You
127 bpm • A Maj • 05:58 • -8.33db
44% Popularity • 66% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Barbra Streisand
All I Ask Of You
127 bpm • B Maj • 04:01 • -20.25db
46% Popularity • 26% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Rita Coolidge
Don't Cry Out Loud
137 bpm • A Maj • 03:33 • -10.22db
26% Popularity • 48% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Laura Branigan
Power of Love
137 bpm • G Maj • 05:25 • -7.93db
52% Popularity • 41% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Boz Scaggs
Heart of Mine
127 bpm • D Maj • 04:11 • -13.78db
53% Popularity • 63% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Leo Sayer
Orchard Road
127 bpm • C Maj • 04:29 • -13db
28% Popularity • 66% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 35% Positiveness
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Bread
Aubrey
138 bpm • G Maj • 03:39 • -20.59db
64% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Glenn Frey
Lover's Moon
138 bpm • G Maj • 04:11 • -19.64db
60% Popularity • 64% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
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Bette Midler
From a Distance
138 bpm • G Maj • 04:36 • -11.72db
56% Popularity • 54% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Michael Johnson
Bluer Than Blue
138 bpm • G# Maj • 02:59 • -14.24db
64% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Barbra Streisand
The Way We Were
138 bpm • A Maj • 03:31 • -11.72db
63% Popularity • 26% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Gilbert O'Sullivan
I Guess I'll Always Love You - Remix
126 bpm • C Maj • 03:37 • -7.49db
32% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Boston
Amanda
125 bpm • G Maj • 04:16 • -14.06db
63% Popularity • 45% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Yusuf / Cat Stevens
How Can I Tell You - Remastered 2021
125 bpm • D Maj • 04:26 • -14.65db
58% Popularity • 55% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
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Dan Hill
Why Do We Always Hurt the Ones We Love
139 bpm • D Maj • 03:52 • -11db
43% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Andy Gibb
An Everlasting Love
125 bpm • A Maj • 04:10 • -6.54db
55% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Sheena Easton
Almost Over You
139 bpm • G# Maj • 03:41 • -10.67db
58% Popularity • 34% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Laura Branigan
How Am I Supposed to Live without You
139 bpm • A# Maj • 04:23 • -8.26db
41% Popularity • 56% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Christopher Cross
Never Be the Same
125 bpm • A Maj • 04:09 • -10db
60% Popularity • 76% Danceability • 67% Energy • 50% Liveness
0% Instrumentalness • 83% Positiveness
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George Harrison
Here Comes the Sun (Live in Japan, 1991)
125 bpm • A Maj • 03:31 • -11.93db
49% Popularity • 61% Danceability • 56% Energy • 88% Liveness
0% Instrumentalness • 64% Positiveness
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Boz Scaggs
We're All Alone (2023 Remaster)
125 bpm • G Maj • 04:12 • -11.61db
55% Popularity • 35% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
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Jim Diamond
Should Have Known Better
139 bpm • F Maj • 04:43 • -7.57db
24% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Mary MacGregor
This Girl (Has Turned into a Woman)
124 bpm • A Maj • 03:26 • -9.38db
52% Popularity • 54% Danceability • 44% Energy • 14% Liveness
78% Instrumentalness • 44% Positiveness
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John Denver
Let It Be
125 bpm • B Maj • 03:38 • -12.61db
50% Popularity • 52% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Pretenders
Forever Young
140 bpm • G Maj • 05:04 • -10.08db
40% Popularity • 45% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
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Rod Stewart
So Far Away
140 bpm • D Maj • 04:20 • -11.39db
40% Popularity • 58% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Wet Wet Wet
Somewhere Somehow
140 bpm • A Maj • 03:51 • -8.76db
38% Popularity • 53% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Rita Coolidge
It's Only Words
140 bpm • C# Maj • 02:56 • -13db
38% Popularity • 38% Danceability • 31% Energy • 74% Liveness
0% Instrumentalness • 14% Positiveness
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Christopher Cross
Never Be The Same
124 bpm • C Maj • 04:57 • -7.62db
31% Popularity • 80% Danceability • 65% Energy • 8% Liveness
4% Instrumentalness • 78% Positiveness
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TOTO
Lea
141 bpm • E Maj • 04:29 • -20.38db
55% Popularity • 67% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 63% Positiveness
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Chris Thompson
If You Remember Me
124 bpm • D Maj • 03:04 • -10db
40% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Don McLean
Crying
141 bpm • C Maj • 03:50 • -12db
47% Popularity • 30% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Van Morrison
Someone Like You
141 bpm • G Maj • 04:09 • -8.3db
64% Popularity • 47% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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The Hollies
Don't Let Me Down - 2008 Remaster
141 bpm • G Maj • 04:21 • -8.66db
45% Popularity • 50% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Father & Son