Songs like Faux Guernica by Christian Kjellvander
Based on a tempo of (+/- 10%) and a similar genre
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Minor Majority
Lucy
113 bpm • F# min • 04:56 • -12.18db
9% Popularity • 51% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 51% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Weeping Willows
Tombstones
113 bpm • B Maj • 04:00 • -7.7db
14% Popularity • 51% Danceability • 61% Energy • 31% Liveness
12% Instrumentalness • 42% Positiveness
14% Popularity • 51% Danceability • 61% Energy • 31% Liveness
12% Instrumentalness • 42% Positiveness
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The Walkabouts
Forgiveness Song
113 bpm • C Maj • 07:22 • -10.59db
15% Popularity • 39% Danceability • 41% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
15% Popularity • 39% Danceability • 41% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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Anna Ternheim
Just As Friends
113 bpm • D Maj • 03:04 • -15db
20% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Christian Kjellvander
Faux Guernica
113 bpm • G# min • 04:45 • -11.38db
16% Popularity • 56% Danceability • 28% Energy • 11% Liveness
56% Instrumentalness • 13% Positiveness
16% Popularity • 56% Danceability • 28% Energy • 11% Liveness
56% Instrumentalness • 13% Positiveness
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Exit North
Bested Bones
112 bpm • A min • 05:20 • -17.74db
18% Popularity • 47% Danceability • 15% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
18% Popularity • 47% Danceability • 15% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Great Lake Swimmers
Alone but Not Alone - Acoustic
114 bpm • G Maj • 03:17 • -12.01db
18% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Slow Show
Testing
114 bpm • B Maj • 03:53 • -9.43db
19% Popularity • 33% Danceability • 49% Energy • 11% Liveness
52% Instrumentalness • 12% Positiveness
19% Popularity • 33% Danceability • 49% Energy • 11% Liveness
52% Instrumentalness • 12% Positiveness
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Chris Eckman
Nothing Left to Hate
112 bpm • G# min • 04:50 • -11.41db
16% Popularity • 61% Danceability • 40% Energy • 34% Liveness
36% Instrumentalness • 35% Positiveness
16% Popularity • 61% Danceability • 40% Energy • 34% Liveness
36% Instrumentalness • 35% Positiveness
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Greg Dulli
It Falls Apart
112 bpm • G Maj • 04:23 • -3.96db
15% Popularity • 49% Danceability • 83% Energy • 26% Liveness
44% Instrumentalness • 34% Positiveness
15% Popularity • 49% Danceability • 83% Energy • 26% Liveness
44% Instrumentalness • 34% Positiveness
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Minor Majority
The Dark Half
112 bpm • G min • 03:32 • -10db
33% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sophie Zelmani
Giving God A Plan
112 bpm • C min • 03:38 • -15.81db
16% Popularity • 82% Danceability • 41% Energy • 10% Liveness
59% Instrumentalness • 91% Positiveness
16% Popularity • 82% Danceability • 41% Energy • 10% Liveness
59% Instrumentalness • 91% Positiveness
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Matt Berninger
Take Me Out of Town
114 bpm • A# Maj • 04:11 • -9.32db
30% Popularity • 56% Danceability • 40% Energy • 12% Liveness
53% Instrumentalness • 45% Positiveness
30% Popularity • 56% Danceability • 40% Energy • 12% Liveness
53% Instrumentalness • 45% Positiveness
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Joshua James
Broken Tongue
114 bpm • C min • 03:13 • -9db
35% Popularity • 64% Danceability • 55% Energy • 58% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 64% Danceability • 55% Energy • 58% Liveness
0% Instrumentalness • 45% Positiveness
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Thomas Feiner
Encounters at the End of the World
112 bpm • G min • 03:40 • -7.99db
18% Popularity • 57% Danceability • 45% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
18% Popularity • 57% Danceability • 45% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
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Great Lake Swimmers
Mouth of Flames
112 bpm • D min • 04:09 • -14.65db
20% Popularity • 28% Danceability • 23% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
20% Popularity • 28% Danceability • 23% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
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The Felice Brothers
Inferno
114 bpm • A Maj • 03:41 • -9.69db
32% Popularity • 51% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 51% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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El Rojo Adios
Baby Blue
112 bpm • A Maj • 05:47 • -11db
28% Popularity • 40% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
28% Popularity • 40% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Albert af Ekenstam
Made of Gold
114 bpm • F min • 03:49 • -10db
33% Popularity • 42% Danceability • 31% Energy • 11% Liveness
77% Instrumentalness • 9% Positiveness
33% Popularity • 42% Danceability • 31% Energy • 11% Liveness
77% Instrumentalness • 9% Positiveness
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Daniel Norgren
I Waited for You
112 bpm • B Maj • 03:24 • -15db
48% Popularity • 50% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
48% Popularity • 50% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Minor Majority
Wish You Knew
115 bpm • E min • 03:59 • -9.73db
22% Popularity • 54% Danceability • 56% Energy • 15% Liveness
1% Instrumentalness • 45% Positiveness
22% Popularity • 54% Danceability • 56% Energy • 15% Liveness
1% Instrumentalness • 45% Positiveness
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John Grant
Is He Strange
115 bpm • G# Maj • 05:17 • -6.03db
15% Popularity • 62% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
15% Popularity • 62% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
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Father John Misty
Everything Is Free - Recorded at Spotify...
111 bpm • G Maj • 04:25 • -13.51db
45% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Albin Lee Meldau
Try - The Purgatory Sessions
115 bpm • E min • 02:58 • -10.16db
11% Popularity • 48% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 48% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Big Fox
Sad Eyes
111 bpm • C Maj • 03:30 • -12db
8% Popularity • 34% Danceability • 24% Energy • 10% Liveness
13% Instrumentalness • 6% Positiveness
8% Popularity • 34% Danceability • 24% Energy • 10% Liveness
13% Instrumentalness • 6% Positiveness
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Augustifamiljen
The River
115 bpm • B Maj • 02:42 • -8.78db
17% Popularity • 41% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 41% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Slowgold
Detta Är Dagen
111 bpm • E min • 05:22 • -10.01db
10% Popularity • 46% Danceability • 38% Energy • 9% Liveness
3% Instrumentalness • 25% Positiveness
10% Popularity • 46% Danceability • 38% Energy • 9% Liveness
3% Instrumentalness • 25% Positiveness
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Jarle Skavhellen
Coming Home
115 bpm • C Maj • 04:39 • -11.49db
38% Popularity • 33% Danceability • 44% Energy • 14% Liveness
74% Instrumentalness • 11% Positiveness
38% Popularity • 33% Danceability • 44% Energy • 14% Liveness
74% Instrumentalness • 11% Positiveness
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5 Billion In Diamonds
Gravity Rules
115 bpm • A# Maj • 05:15 • -7.43db
19% Popularity • 62% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 62% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Marissa Nadler
I Can't Listen to Gene Clark Anymore
115 bpm • B Maj • 02:53 • -9.75db
11% Popularity • 28% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Anna Ternheim
Oh Mary
115 bpm • C Maj • 02:39 • -8.68db
13% Popularity • 80% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
13% Popularity • 80% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
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Feist
Don't Give Up
111 bpm • B Maj • 05:35 • -13db
27% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Glen Hansard
Good Life Of Song
111 bpm • A min • 07:36 • -10.51db
14% Popularity • 37% Danceability • 36% Energy • 6% Liveness
73% Instrumentalness • 15% Positiveness
14% Popularity • 37% Danceability • 36% Energy • 6% Liveness
73% Instrumentalness • 15% Positiveness
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Torgeir Waldemar
Souls on a String
115 bpm • F# min • 06:31 • -12.87db
9% Popularity • 20% Danceability • 31% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
9% Popularity • 20% Danceability • 31% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
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Arbirk
Summer Nights
115 bpm • E Maj • 03:21 • -10.24db
10% Popularity • 30% Danceability • 34% Energy • 29% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 34% Energy • 29% Liveness
82% Instrumentalness • 4% Positiveness
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Arvid Nero
Primitivo Bar
110 bpm • F# min • 05:36 • -8.59db
16% Popularity • 47% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 47% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Frøkedal
The Man Who Isn't Here
110 bpm • C min • 03:50 • -9.81db
26% Popularity • 33% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
26% Popularity • 33% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Dylan LeBlanc
If the Creek Don't Rise
116 bpm • C Maj • 03:24 • -15.87db
38% Popularity • 63% Danceability • 12% Energy • 15% Liveness
3% Instrumentalness • 9% Positiveness
38% Popularity • 63% Danceability • 12% Energy • 15% Liveness
3% Instrumentalness • 9% Positiveness
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Minor Majority
Wish You'd Hold That Smile
116 bpm • B min • 03:22 • -13db
36% Popularity • 71% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 71% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Death Machine
Isle of Mine
116 bpm • A# min • 03:52 • -9.33db
20% Popularity • 49% Danceability • 39% Energy • 14% Liveness
34% Instrumentalness • 34% Positiveness
20% Popularity • 49% Danceability • 39% Energy • 14% Liveness
34% Instrumentalness • 34% Positiveness
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Finn Andrews
Hollywood Forever
110 bpm • G Maj • 03:29 • -12.98db
2% Popularity • 49% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
2% Popularity • 49% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Glen Hansard
The Closing Door
116 bpm • E min • 04:27 • -8.76db
17% Popularity • 53% Danceability • 74% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
17% Popularity • 53% Danceability • 74% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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The Walkabouts
The Light Will Stay On
110 bpm • G# Maj • 05:26 • -10.09db
36% Popularity • 33% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
36% Popularity • 33% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
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The Veils
Iodine & Iron
117 bpm • C# Maj • 04:35 • -8db
33% Popularity • 44% Danceability • 44% Energy • 7% Liveness
1% Instrumentalness • 12% Positiveness
33% Popularity • 44% Danceability • 44% Energy • 7% Liveness
1% Instrumentalness • 12% Positiveness
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Christian Kjellvander
The Mariner
117 bpm • A Maj • 05:30 • -11.55db
9% Popularity • 43% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 19% Positiveness
9% Popularity • 43% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 19% Positiveness
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Midnight Choir
Long Hard Ride
117 bpm • A min • 03:12 • -9.99db
31% Popularity • 63% Danceability • 44% Energy • 10% Liveness
10% Instrumentalness • 15% Positiveness
31% Popularity • 63% Danceability • 44% Energy • 10% Liveness
10% Instrumentalness • 15% Positiveness
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A.A. Williams
Lovesong
117 bpm • A min • 04:09 • -15.15db
22% Popularity • 50% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 50% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Glen Hansard
Weight Of The World
109 bpm • D Maj • 07:28 • -17.86db
14% Popularity • 30% Danceability • 21% Energy • 10% Liveness
69% Instrumentalness • 19% Positiveness
14% Popularity • 30% Danceability • 21% Energy • 10% Liveness
69% Instrumentalness • 19% Positiveness
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Stuart A. Staples
That Leaving Feeling
109 bpm • F# min • 04:02 • -9db
35% Popularity • 36% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 36% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Blanco White
Desert Days
117 bpm • E min • 03:31 • -9.52db
42% Popularity • 66% Danceability • 56% Energy • 10% Liveness
42% Instrumentalness • 68% Positiveness
42% Popularity • 66% Danceability • 56% Energy • 10% Liveness
42% Instrumentalness • 68% Positiveness
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Sort Sol
...Like A Trance Like...
109 bpm • A# min • 04:41 • -10db
29% Popularity • 52% Danceability • 52% Energy • 11% Liveness
76% Instrumentalness • 30% Positiveness
29% Popularity • 52% Danceability • 52% Energy • 11% Liveness
76% Instrumentalness • 30% Positiveness
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Rosanne Cash
The Only Thing Worth Fighting For
117 bpm • G min • 04:19 • -9.47db
26% Popularity • 64% Danceability • 62% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
26% Popularity • 64% Danceability • 62% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
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Lightning Dust
A Pretty Picture
118 bpm • G Maj • 02:56 • -8.2db
10% Popularity • 61% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 61% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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The National
Maybe Not - Recorded at Spotify Studios ...
118 bpm • A min • 04:07 • -16.23db
24% Popularity • 48% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
24% Popularity • 48% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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047
Bad Blood
118 bpm • G Maj • 03:36 • -14.65db
4% Popularity • 70% Danceability • 38% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
4% Popularity • 70% Danceability • 38% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Luke Sital-Singh
Harvest Moon
118 bpm • C# Maj • 04:55 • -12.52db
21% Popularity • 53% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 53% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Nick Cave & The Bad Seeds
Galleon Ship
118 bpm • A# Maj • 04:14 • -10.18db
39% Popularity • 24% Danceability • 36% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 36% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
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The Slow Show
Dresden
118 bpm • C Maj • 05:03 • -8.25db
35% Popularity • 54% Danceability • 68% Energy • 36% Liveness
78% Instrumentalness • 12% Positiveness
35% Popularity • 54% Danceability • 68% Energy • 36% Liveness
78% Instrumentalness • 12% Positiveness
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Strand of Oaks
Visions
108 bpm • A min • 05:29 • -6.49db
14% Popularity • 47% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 47% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Midnight Choir
October 8
118 bpm • C Maj • 04:25 • -8.74db
29% Popularity • 54% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
29% Popularity • 54% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Jacob & Drinkwater
There's a Shadow on the Sun
118 bpm • A min • 03:35 • -13.55db
22% Popularity • 66% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
22% Popularity • 66% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Finn Andrews
Wide Winged Bird
108 bpm • D Maj • 02:57 • -12.24db
4% Popularity • 48% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
4% Popularity • 48% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
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Leonard Cohen
The Hills
108 bpm • B min • 04:17 • -14.82db
32% Popularity • 50% Danceability • 23% Energy • 21% Liveness
2% Instrumentalness • 20% Positiveness
32% Popularity • 50% Danceability • 23% Energy • 21% Liveness
2% Instrumentalness • 20% Positiveness
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Christian Kjellvander
Actually Country Gentle
118 bpm • A min • 04:33 • -13.31db
11% Popularity • 57% Danceability • 27% Energy • 8% Liveness
73% Instrumentalness • 8% Positiveness
11% Popularity • 57% Danceability • 27% Energy • 8% Liveness
73% Instrumentalness • 8% Positiveness
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Arvid Nero
Bored With Clay
108 bpm • G# Maj • 03:15 • -9.4db
23% Popularity • 60% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 60% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Sophie Zelmani
This Prison
107 bpm • G Maj • 02:54 • -14.21db
12% Popularity • 69% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 13% Positiveness
12% Popularity • 69% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 13% Positiveness
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Karen Elson
Wonder Blind
108 bpm • D Maj • 03:52 • -11.17db
27% Popularity • 42% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 42% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mick Flannery
I'm On Your Side
119 bpm • G min • 03:19 • -14.03db
21% Popularity • 42% Danceability • 26% Energy • 10% Liveness
43% Instrumentalness • 24% Positiveness
21% Popularity • 42% Danceability • 26% Energy • 10% Liveness
43% Instrumentalness • 24% Positiveness
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The National
Peggy-O
119 bpm • A Maj • 05:35 • -14db
35% Popularity • 50% Danceability • 54% Energy • 14% Liveness
87% Instrumentalness • 22% Positiveness
35% Popularity • 50% Danceability • 54% Energy • 14% Liveness
87% Instrumentalness • 22% Positiveness
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Christian Kjellvander
Stiegga
108 bpm • B Maj • 04:25 • -22.1db
9% Popularity • 27% Danceability • 6% Energy • 11% Liveness
38% Instrumentalness • 15% Positiveness
9% Popularity • 27% Danceability • 6% Energy • 11% Liveness
38% Instrumentalness • 15% Positiveness
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Daniel Norgren
Are We Running Out of Love?
107 bpm • A min • 04:15 • -18.22db
34% Popularity • 26% Danceability • 12% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
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Torgeir Waldemar
Insomnia
119 bpm • D Maj • 08:51 • -10.93db
10% Popularity • 38% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 38% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Sixth Sense
El Nino
107 bpm • G# Maj • 06:38 • -20.86db
16% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Delines
Calling In
107 bpm • G Maj • 05:11 • -14.49db
7% Popularity • 39% Danceability • 23% Energy • 13% Liveness
18% Instrumentalness • 7% Positiveness
7% Popularity • 39% Danceability • 23% Energy • 13% Liveness
18% Instrumentalness • 7% Positiveness
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Damien Jurado
1973
119 bpm • G# min • 02:52 • -12.9db
25% Popularity • 51% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 51% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Christian Kjellvander
Transatlantic
119 bpm • F# min • 04:00 • -16.4db
6% Popularity • 63% Danceability • 12% Energy • 17% Liveness
2% Instrumentalness • 21% Positiveness
6% Popularity • 63% Danceability • 12% Energy • 17% Liveness
2% Instrumentalness • 21% Positiveness
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Franska Trion
Rouge
119 bpm • A# min • 02:05 • -15.2db
35% Popularity • 38% Danceability • 10% Energy • 13% Liveness
1% Instrumentalness • 23% Positiveness
35% Popularity • 38% Danceability • 10% Energy • 13% Liveness
1% Instrumentalness • 23% Positiveness
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Anna Ternheim
When You Were Mine (Naked Version)
107 bpm • D min • 03:18 • -10.69db
11% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
11% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Moa Holmsten
Tougher Than the Rest - Radio Edit
120 bpm • F Maj • 04:02 • -9db
18% Popularity • 42% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 53% Positiveness
18% Popularity • 42% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 53% Positiveness
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Steve Gunn
Stonehurst Cowboy
120 bpm • G min • 03:41 • -7.15db
19% Popularity • 59% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
19% Popularity • 59% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Amanda Bergman
Golden
120 bpm • A Maj • 04:04 • -10db
36% Popularity • 72% Danceability • 60% Energy • 8% Liveness
44% Instrumentalness • 46% Positiveness
36% Popularity • 72% Danceability • 60% Energy • 8% Liveness
44% Instrumentalness • 46% Positiveness
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Christian Kjellvander
Poppies and Peonies
107 bpm • A# Maj • 04:28 • -12db
30% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Unnveig Aas
Bright Lights
120 bpm • B Maj • 03:19 • -8.88db
13% Popularity • 71% Danceability • 57% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
13% Popularity • 71% Danceability • 57% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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Anna Ternheim
Lost Times
120 bpm • A min • 03:24 • -7.31db
14% Popularity • 67% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 67% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Fink
Once You Get A Taste
120 bpm • F# min • 05:58 • -13.42db
20% Popularity • 76% Danceability • 48% Energy • 28% Liveness
3% Instrumentalness • 40% Positiveness
20% Popularity • 76% Danceability • 48% Energy • 28% Liveness
3% Instrumentalness • 40% Positiveness
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Finn Andrews
A Shot Through The Heart (Then Down In F...
120 bpm • A# Maj • 03:30 • -8.98db
5% Popularity • 57% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
5% Popularity • 57% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Midnight Choir
Violence of the World
120 bpm • F# min • 04:14 • -10.52db
20% Popularity • 64% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
20% Popularity • 64% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Christian Kjellvander
No Grace
120 bpm • C# min • 06:50 • -10.86db
10% Popularity • 45% Danceability • 34% Energy • 10% Liveness
70% Instrumentalness • 19% Positiveness
10% Popularity • 45% Danceability • 34% Energy • 10% Liveness
70% Instrumentalness • 19% Positiveness
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Albin Lee Meldau
Black Is the Colour - The Quarantine Ses...
120 bpm • A min • 02:51 • -13.47db
23% Popularity • 53% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 53% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Tallest Man On Earth
The Running Styles of New York
106 bpm • G Maj • 05:11 • -8.66db
30% Popularity • 28% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 28% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Damien Jurado
The Last Great Washington State
106 bpm • D# Maj • 06:19 • -12.1db
31% Popularity • 63% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 63% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Glen Hansard
Race To The Bottom
121 bpm • F# min • 06:15 • -6.89db
18% Popularity • 66% Danceability • 78% Energy • 58% Liveness
14% Instrumentalness • 70% Positiveness
18% Popularity • 66% Danceability • 78% Energy • 58% Liveness
14% Instrumentalness • 70% Positiveness
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Midnight Choir
Double Blank
106 bpm • D Maj • 06:12 • -11.71db
13% Popularity • 55% Danceability • 27% Energy • 12% Liveness
4% Instrumentalness • 13% Positiveness
13% Popularity • 55% Danceability • 27% Energy • 12% Liveness
4% Instrumentalness • 13% Positiveness
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Christian Kjellvander
We Are Gathered
121 bpm • E min • 09:03 • -13.7db
20% Popularity • 58% Danceability • 27% Energy • 10% Liveness
70% Instrumentalness • 8% Positiveness
20% Popularity • 58% Danceability • 27% Energy • 10% Liveness
70% Instrumentalness • 8% Positiveness
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Sophie Zelmani
How To Look At Life
121 bpm • A Maj • 02:51 • -18.47db
8% Popularity • 72% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
8% Popularity • 72% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
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UNKLE
The First Time Ever I Saw Your Face
106 bpm • C Maj • 05:15 • -13.89db
19% Popularity • 24% Danceability • 10% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
19% Popularity • 24% Danceability • 10% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Signe Marie Rustad
Something Easier
105 bpm • C# Maj • 03:06 • -12db
8% Popularity • 51% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 51% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Eskobar
Cold Night
105 bpm • A# min • 03:44 • -16.88db
33% Popularity • 38% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
33% Popularity • 38% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
