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Feel Like Going Home
Songs like
Feel Like Going Home
by
Miko Marks
Based on a tempo of (+/- 10%) and a similar genre
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Miko Marks
Feel Like Going Home
155 bpm • D# Maj • 04:35 • -4db
28% Popularity • 51% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Adia Victoria
You Was Born To Die
155 bpm • D min • 03:01 • -9.42db
26% Popularity • 37% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Railroad Earth
Runnin' Wild
155 bpm • D Maj • 04:18 • -6.44db
18% Popularity • 44% Danceability • 83% Energy • 12% Liveness
5% Instrumentalness • 72% Positiveness
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Nathaniel Rateliff & The Night Sweats
The Future
155 bpm • C Maj • 03:41 • -4db
41% Popularity • 44% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Marcus King
Can't You Hear Me Knocking
154 bpm • C Maj • 05:17 • -4.86db
27% Popularity • 31% Danceability • 92% Energy • 15% Liveness
55% Instrumentalness • 70% Positiveness
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Slaid Cleaves
Through the Dark
154 bpm • A Maj • 03:03 • -8.16db
18% Popularity • 57% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Jason Isbell
Hurricanes and Hand Grenades
154 bpm • A Maj • 05:11 • -9.49db
29% Popularity • 42% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
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Hayes Carll
The Way I Love You
154 bpm • F# Maj • 03:56 • -7.67db
13% Popularity • 67% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Miko Marks
Whiskey River
156 bpm • F Maj • 04:31 • -8.37db
22% Popularity • 44% Danceability • 58% Energy • 28% Liveness
3% Instrumentalness • 86% Positiveness
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Logan Ledger
Electric Fantasy
156 bpm • B min • 03:43 • -6.74db
13% Popularity • 36% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Dead Horses
Days Grow Longer
154 bpm • C Maj • 02:51 • -6.97db
14% Popularity • 50% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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The Local Honeys
Better Than I Deserve
153 bpm • D# Maj • 04:52 • -7.34db
19% Popularity • 49% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Delbert McClinton
Two Step Too
157 bpm • F Maj • 03:06 • -8.61db
24% Popularity • 62% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Miss Tess
Gamblin' man
157 bpm • C Maj • 02:35 • -7.99db
20% Popularity • 73% Danceability • 65% Energy • 7% Liveness
1% Instrumentalness • 97% Positiveness
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Amythyst Kiah
Black Myself
153 bpm • A Maj • 03:21 • -4db
42% Popularity • 56% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Vince Herman
Lost Lover's Eyes
158 bpm • D Maj • 03:23 • -10.9db
19% Popularity • 47% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Miko Marks
One More Night
152 bpm • A Maj • 03:47 • -5db
21% Popularity • 56% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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The Resurrectors
Crossings
158 bpm • G Maj • 04:30 • -10.24db
0% Popularity • 81% Danceability • 28% Energy • 7% Liveness
84% Instrumentalness • 90% Positiveness
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Rissi Palmer
Still Here
152 bpm • F min • 03:41 • -8.12db
29% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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The Dirty Guv'nahs
Don't Do It
158 bpm • D Maj • 03:49 • -4.15db
18% Popularity • 60% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Trigger Hippy
Pretty Mess
158 bpm • A Maj • 03:12 • -5.72db
29% Popularity • 57% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Forest Sun
Will You Come Me Where I Go
152 bpm • G Maj • 03:04 • -8.44db
19% Popularity • 58% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Charley Crockett
Tom Turkey - Alternate Version
152 bpm • A Maj • 03:54 • -7.3db
39% Popularity • 67% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Sarah Jarosz
I’ll Be Gone
152 bpm • F# min • 03:35 • -6.71db
30% Popularity • 60% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Tedeschi Trucks Band
Rainy Day
152 bpm • F Maj • 04:47 • -7.13db
23% Popularity • 42% Danceability • 72% Energy • 6% Liveness
20% Instrumentalness • 45% Positiveness
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Tommy Prine
Ships in the Harbor
151 bpm • D Maj • 03:32 • -15db
34% Popularity • 48% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Amanda Anne Platt & the Honeycutters
New York
159 bpm • E Maj • 04:17 • -10.59db
12% Popularity • 59% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Miko Marks
River
160 bpm • F Maj • 03:48 • -8.25db
0% Popularity • 53% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 66% Positiveness
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James McMurtry
Vaquero
160 bpm • F Maj • 04:41 • -8.33db
21% Popularity • 56% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Jonah Tolchin
Black Hole
160 bpm • E Maj • 04:02 • -6.67db
23% Popularity • 52% Danceability • 83% Energy • 16% Liveness
10% Instrumentalness • 78% Positiveness
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Melissa Carper
Ramblin' Soul
150 bpm • D Maj • 02:52 • -9.32db
25% Popularity • 67% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Margo Price
Prisoner Of The Highway
150 bpm • C Maj • 03:44 • -4.97db
22% Popularity • 40% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Whitehorse
If the Loneliness Don't Kill Me
150 bpm • B Maj • 03:03 • -7.1db
17% Popularity • 60% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Kelsey Waldon
Mississippi Goddam
150 bpm • G min • 04:54 • -5.94db
10% Popularity • 55% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Bruce Cockburn
Avalon, My Hometown
160 bpm • C Maj • 04:20 • -8.04db
6% Popularity • 38% Danceability • 66% Energy • 12% Liveness
25% Instrumentalness • 53% Positiveness
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Steve Earle
Gettin’ By
161 bpm • C Maj • 03:59 • -5.04db
11% Popularity • 38% Danceability • 72% Energy • 20% Liveness
4% Instrumentalness • 90% Positiveness
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Joshua Ray Walker
Cuz I Love You
149 bpm • A Maj • 03:11 • -10.13db
26% Popularity • 48% Danceability • 42% Energy • 27% Liveness
1% Instrumentalness • 24% Positiveness
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Margo Cilker
Broken Arm In Oregon
162 bpm • G Maj • 03:47 • -9.01db
2% Popularity • 53% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Miko Marks
Hold It Together
162 bpm • D Maj • 03:52 • -7.14db
10% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Taylor Rae
Home on the Road
162 bpm • F Maj • 03:36 • -12.08db
31% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Parker Millsap
Front Porchin'
148 bpm • E Maj • 03:53 • -9.89db
20% Popularity • 76% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Michaela Anne
Chasing Days
148 bpm • C# Maj • 04:08 • -6.61db
18% Popularity • 45% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
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Molly Tuttle
Side Saddle
163 bpm • G Maj • 02:44 • -7.55db
27% Popularity • 59% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Marcus King
No One Above You
163 bpm • F Maj • 05:12 • -5.29db
22% Popularity • 32% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Blackie & The Rodeo Kings
North
147 bpm • E Maj • 03:20 • -7db
34% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Miko Marks
The Other Side
147 bpm • C Maj • 04:48 • -5.06db
7% Popularity • 53% Danceability • 60% Energy • 13% Liveness
23% Instrumentalness • 33% Positiveness
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Tedeschi Trucks Band
Last Night In The Rain
147 bpm • A Maj • 04:53 • -7.23db
28% Popularity • 57% Danceability • 64% Energy • 26% Liveness
2% Instrumentalness • 32% Positiveness
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Donna The Buffalo
Motor
164 bpm • D# Maj • 02:43 • -5.42db
32% Popularity • 65% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Molly Tuttle
She'll Change
148 bpm • B Maj • 02:41 • -7.91db
29% Popularity • 37% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Serena Ryder
River of Tears
164 bpm • E Maj • 03:03 • -11.84db
33% Popularity • 55% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Cordovas
I'ma Be Me
164 bpm • D Maj • 03:10 • -6.77db
8% Popularity • 62% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Sam Morrow
Wicked Woman
164 bpm • A Maj • 03:52 • -7.24db
22% Popularity • 56% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Aaron Raitiere
Single Wide Dreamer
146 bpm • F# Maj • 03:32 • -7.56db
20% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Bella White
Break My Heart
146 bpm • G Maj • 04:12 • -4.4db
32% Popularity • 41% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Shinyribs
Drivin' My Life Away
146 bpm • D# Maj • 04:38 • -5.76db
19% Popularity • 37% Danceability • 54% Energy • 12% Liveness
4% Instrumentalness • 43% Positiveness
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Meg McRee
Gone as It Gets
146 bpm • G Maj • 03:44 • -7.64db
47% Popularity • 57% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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The Flatlanders
Sittin' on Top of the World
165 bpm • G Maj • 04:24 • -5.17db
15% Popularity • 49% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Miko Marks
Feel Like Going Home (OurVinyl Sessions)
165 bpm • G# Maj • 04:41 • -9.19db
17% Popularity • 52% Danceability • 67% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
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Luke Winslow-King
Honeycomb
165 bpm • F Maj • 02:57 • -9.42db
44% Popularity • 46% Danceability • 55% Energy • 5% Liveness
6% Instrumentalness • 91% Positiveness
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Sunny War
Age of a Man
145 bpm • D# Maj • 03:39 • -6.05db
29% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Tedeschi Trucks Band
Soul Sweet Song
165 bpm • A Maj • 03:55 • -7.48db
46% Popularity • 40% Danceability • 77% Energy • 15% Liveness
1% Instrumentalness • 77% Positiveness
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The Marcus King Band
Sorry ‘Bout Your Lover
166 bpm • C Maj • 03:26 • -8db
49% Popularity • 48% Danceability • 60% Energy • 34% Liveness
45% Instrumentalness • 59% Positiveness
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Sam Morrow
Quick Fix
144 bpm • G Maj • 03:32 • -8db
33% Popularity • 70% Danceability • 55% Energy • 8% Liveness
2% Instrumentalness • 91% Positiveness
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Blackie & The Rodeo Kings
O Glory Lost Those Blues Again
144 bpm • D min • 03:23 • -7.38db
9% Popularity • 57% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Resurrectors
Coal Pusher
144 bpm • D# Maj • 03:09 • -7.92db
0% Popularity • 87% Danceability • 70% Energy • 11% Liveness
94% Instrumentalness • 97% Positiveness
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Caitlin Canty
Odds of Getting Even
167 bpm • F# Maj • 03:15 • -10.13db
31% Popularity • 38% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Watson Twins
The Palace
144 bpm • G# Maj • 03:11 • -4.81db
16% Popularity • 42% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Margo Price
Shotgun Willie
167 bpm • D Maj • 02:35 • -6.65db
20% Popularity • 47% Danceability • 83% Energy • 50% Liveness
2% Instrumentalness • 89% Positiveness
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Miko Marks
Jubilee
144 bpm • D# Maj • 03:34 • -10.19db
4% Popularity • 55% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Phoebe Hunt
Lint Head Gal
167 bpm • D Maj • 02:49 • -5.18db
28% Popularity • 44% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Ida Mae
Learn to Love You Better
168 bpm • E Maj • 03:34 • -6.13db
18% Popularity • 58% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Jonathan Terrell
Place Out Back
143 bpm • F Maj • 03:28 • -8.69db
12% Popularity • 66% Danceability • 57% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
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Shinyribs
Simply Belong To You
168 bpm • G Maj • 03:02 • -3.09db
24% Popularity • 55% Danceability • 79% Energy • 17% Liveness
25% Instrumentalness • 46% Positiveness
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Eric Lindell
Bruce Cafe
168 bpm • E min • 03:03 • -9.88db
27% Popularity • 80% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Margo Cilker
Tehachapi
168 bpm • A Maj • 03:07 • -8db
13% Popularity • 51% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Amanda Anne Platt & the Honeycutters
The Devil
168 bpm • C Maj • 05:02 • -10.76db
12% Popularity • 55% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Mary Gauthier
Fall Apart World
143 bpm • A Maj • 04:37 • -9db
21% Popularity • 45% Danceability • 55% Energy • 11% Liveness
42% Instrumentalness • 71% Positiveness
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Mike Campbell & The Dirty Knobs
State Of Mind
142 bpm • G# Maj • 04:18 • -8.76db
22% Popularity • 54% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Melissa Carper
Hit or Miss
168 bpm • G Maj • 03:49 • -10db
12% Popularity • 52% Danceability • 53% Energy • 20% Liveness
5% Instrumentalness • 57% Positiveness
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Molly Tuttle
Dire Wolf - Bonus Track
142 bpm • E Maj • 03:32 • -7.71db
29% Popularity • 55% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Lilly Hiatt
The Last Tear
142 bpm • E Maj • 03:31 • -7.64db
10% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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John Fullbright
Safe to Say
142 bpm • C Maj • 05:00 • -18.46db
10% Popularity • 36% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Old Crow Medicine Show
Honey Chile
142 bpm • G Maj • 03:49 • -7.79db
17% Popularity • 33% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Charley Crockett
Trinity River
170 bpm • G# min • 04:29 • -9db
49% Popularity • 58% Danceability • 52% Energy • 6% Liveness
12% Instrumentalness • 92% Positiveness
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Melissa Carper
Ain't a Day Goes By
170 bpm • G Maj • 03:32 • -10db
27% Popularity • 38% Danceability • 29% Energy • 15% Liveness
21% Instrumentalness • 42% Positiveness
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Griffin Anthony
On the Level
170 bpm • F# Maj • 03:16 • -9.64db
33% Popularity • 63% Danceability • 56% Energy • 10% Liveness
5% Instrumentalness • 85% Positiveness
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Tommy Prine
Mirror and a Kitchen Sink
170 bpm • D Maj • 02:35 • -3.65db
32% Popularity • 55% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Logan Ledger
(I’m Gonna Get Over This) Some Day
171 bpm • F Maj • 02:52 • -7db
44% Popularity • 46% Danceability • 76% Energy • 9% Liveness
28% Instrumentalness • 79% Positiveness
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Lyle Lovett
Pig Meat Man
140 bpm • F Maj • 04:43 • -9.44db
13% Popularity • 79% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The California Honeydrops
Get Real High
140 bpm • E Maj • 04:07 • -14db
49% Popularity • 70% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Will Hoge
John Prine's Cadillac
140 bpm • A Maj • 03:21 • -6.63db
15% Popularity • 53% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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The Resurrectors
Rocking Chair
140 bpm • B min • 04:17 • -6.83db
0% Popularity • 62% Danceability • 56% Energy • 12% Liveness
89% Instrumentalness • 76% Positiveness
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Dr. John
End Of The Line
140 bpm • F Maj • 04:12 • -8.04db
14% Popularity • 69% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Sunny Sweeney
Easy as Hello
140 bpm • F min • 04:39 • -4.82db
26% Popularity • 55% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Miko Marks
Jubilee
140 bpm • D# Maj • 03:44 • -9.57db
5% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jason Isbell and the 400 Unit
Honeysuckle Blue
172 bpm • D Maj • 05:16 • -5.98db
31% Popularity • 26% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Samantha Fish
I'll Be Here In The Morning
139 bpm • D Maj • 04:04 • -12.03db
13% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Amy Helm
Cotton And The Cane
139 bpm • D Maj • 04:10 • -9.17db
10% Popularity • 39% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 16% Positiveness
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Molly Tuttle
Big Backyard
139 bpm • A Maj • 03:17 • -6db
29% Popularity • 54% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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James McMurtry
If It Don’t Bleed
173 bpm • G Maj • 03:50 • -6.53db
28% Popularity • 53% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Feel Like Going Home