Songs like Fever Dream by Jillian Rossi
Based on a tempo of (+/- 10%) and a similar genre
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Laila Mach
In Secret
120 bpm • D# Maj • 02:38 • -5.84db
47% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Alex Warren
Chasing Shadows
120 bpm • C# min • 02:44 • -8.04db
70% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
70% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Chandler Leighton
A Letter To Everyone Who's Hurt Me
120 bpm • D Maj • 03:47 • -13db
46% Popularity • 56% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 56% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Chord Overstreet
I Love You More
120 bpm • G Maj • 03:18 • -9db
35% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Austin Giorgio
Somebody To Love
120 bpm • A Maj • 02:49 • -6db
47% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Britton
DECLINED
120 bpm • G# min • 04:16 • -9db
48% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Thomas Day
VICIOUS
120 bpm • A Maj • 02:12 • -5.87db
54% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Frawley
No One Can Fix Me
120 bpm • G Maj • 03:26 • -8.82db
53% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
53% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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maryjo
Carpet
120 bpm • D# Maj • 02:58 • -6db
37% Popularity • 72% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 72% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
51% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Haley Joelle
Memory Lane
120 bpm • C# Maj • 02:34 • -12db
66% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
66% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Rosie Darling
Witness - Rajiv Dhall
120 bpm • D Maj • 03:33 • -10.46db
43% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Abe Parker
Self Sabotage
121 bpm • A# Maj • 03:03 • -5.33db
45% Popularity • 45% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 45% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Frawley
Ain't Nobody's Baby
121 bpm • B Maj • 02:29 • -5.12db
35% Popularity • 86% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 86% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Savannah Sgro
Until We Drink
121 bpm • E Maj • 03:15 • -7.2db
46% Popularity • 71% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 71% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Mimi Webb
Goodbye
119 bpm • C Maj • 03:04 • -6db
54% Popularity • 50% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 50% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Kate Vogel
Reasons to Stay
122 bpm • A Maj • 03:18 • -13db
40% Popularity • 54% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 54% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Reagan Beem
Kid In My 20s
118 bpm • D Maj • 02:46 • -6.67db
44% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Matt Hansen
LET EM GO
118 bpm • B min • 03:01 • -9.12db
76% Popularity • 36% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
76% Popularity • 36% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Alex Warren
Chasing Shadows - Acoustic
122 bpm • C# Maj • 02:42 • -10.14db
41% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
51% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
51% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Munn
Empty Eyes
122 bpm • G# Maj • 03:07 • -8db
50% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Anson Seabra
Unloving You
122 bpm • F# Maj • 02:33 • -9.62db
60% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Zoe Clark
Ruin My Life
122 bpm • B Maj • 03:10 • -8.03db
29% Popularity • 70% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 70% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Camylio
ghost me
122 bpm • C Maj • 03:22 • -12.31db
40% Popularity • 72% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 72% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Kyd the Band
Real Problems
122 bpm • A# Maj • 03:13 • -5db
31% Popularity • 79% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 79% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Bellah Mae
On Purpose (For My Future Daughter)
122 bpm • D Maj • 03:06 • -7.43db
56% Popularity • 61% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 61% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Munn
i'm fucked, i know
122 bpm • C# Maj • 02:25 • -9.04db
50% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Bickett
QUARTER LIFE CRISIS
118 bpm • F Maj • 03:18 • -4db
60% Popularity • 82% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 82% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Hanniou
Angel
118 bpm • D# Maj • 04:03 • -8.56db
27% Popularity • 58% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 58% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
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Chord Overstreet
What's Left of You
118 bpm • C Maj • 02:58 • -6db
63% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Zach Hood
daphne
118 bpm • B Maj • 02:24 • -7.06db
35% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Sara Kays
Watching TV
118 bpm • A Maj • 02:40 • -7db
39% Popularity • 58% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 58% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Dylan Brady
Still Into You
118 bpm • A Maj • 04:20 • -6.52db
45% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Mimi Webb
I'll Break My Heart Again
118 bpm • G# Maj • 03:35 • -8.53db
46% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Suriel Hess
About Love
118 bpm • C# Maj • 02:36 • -5.34db
49% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
49% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Jake Clark
give you away
123 bpm • C# Maj • 03:38 • -9.85db
33% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Cole Norton
Nobody Else
123 bpm • D Maj • 03:32 • -10db
43% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sara Kays
Show Me Off
123 bpm • G# Maj • 02:55 • -9.48db
46% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Thomas Day
Bonnie & Clyde
123 bpm • F Maj • 02:32 • -4.29db
40% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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vaultboy
aftermath
117 bpm • A Maj • 02:46 • -9.28db
60% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
60% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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ROSIE
Next Life
117 bpm • F# Maj • 03:07 • -7db
36% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Jake Clark
give you away
123 bpm • C# Maj • 03:22 • -10db
30% Popularity • 62% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 62% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Haley Joelle
Things You Don't Know
123 bpm • F Maj • 02:08 • -11db
50% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Rachel Grae
Hope You're Proud
116 bpm • D Maj • 03:08 • -10.84db
55% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
55% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Jenny Baker
The Things You Saw
124 bpm • D Maj • 03:07 • -11.98db
18% Popularity • 68% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 68% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
76% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
76% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Austin Giorgio
She's an Actor
124 bpm • D Maj • 03:08 • -10.07db
50% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
50% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Mimi Webb
Little Bit Louder
116 bpm • D Maj • 02:35 • -5db
57% Popularity • 72% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
57% Popularity • 72% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Rosie Darling
Golden Age
124 bpm • C Maj • 03:31 • -8db
44% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Jessie Murph
If I Died Last Night
124 bpm • C# min • 02:44 • -8.02db
65% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
65% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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maryjo
Traffic
124 bpm • E Maj • 02:30 • -6.61db
41% Popularity • 70% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 70% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
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Sara Kays
I’m Okay Though
124 bpm • C Maj • 03:02 • -6.68db
41% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Frawley
Kiss And Tell
116 bpm • D min • 02:32 • -7db
44% Popularity • 85% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 85% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Zoe Clark
Last One Standing - Acoustic
125 bpm • C Maj • 02:17 • -4.2db
34% Popularity • 77% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 77% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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JESSIA
First Call
125 bpm • C Maj • 02:21 • -12db
32% Popularity • 58% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 58% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
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Matt Hansen
lifejacket
125 bpm • D Maj • 03:23 • -6.43db
61% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
61% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Camylio
love and hate
125 bpm • C min • 03:10 • -8.05db
53% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Sara Kays
Remember That Night? - Acoustic
124 bpm • G min • 03:42 • -13db
40% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Alex Warren
How Could You (Be OK)
125 bpm • C Maj • 03:17 • -5.36db
53% Popularity • 73% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 73% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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maryjo
Love Fools
125 bpm • F Maj • 03:10 • -5.93db
35% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Andrea Russett
Get Out Alive
115 bpm • F# min • 02:35 • -6.09db
45% Popularity • 85% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 85% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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ellie d.
Is It Even Real?
115 bpm • C# min • 01:53 • -8db
22% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Camylio
strangers
125 bpm • C Maj • 02:52 • -10.08db
53% Popularity • 48% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
53% Popularity • 48% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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gavn!
lift you up (someone else)
126 bpm • B min • 02:40 • -12.19db
47% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Jamie Miller
Hold You 'Til We’re Old
126 bpm • A# Maj • 03:02 • -5.21db
49% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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maryjo
Control
115 bpm • C# min • 03:48 • -7.05db
31% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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JESSIA
Nobody Hates You
114 bpm • E Maj • 02:46 • -7.17db
47% Popularity • 66% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 66% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Anson Seabra
It's Raining, It's Pouring
114 bpm • D min • 03:03 • -9db
52% Popularity • 60% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 60% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Kiran + Nivi
8 billion people
126 bpm • F min • 03:37 • -7db
55% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
55% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Andi
Think You Do
114 bpm • A# Maj • 03:09 • -7.33db
29% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Mckenna Grace
do all my friends hate me?
114 bpm • D# Maj • 03:24 • -6.93db
52% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
52% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Cate
Funny Story
114 bpm • F# Maj • 02:55 • -5.76db
41% Popularity • 67% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 67% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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maryjo
Don’t Call Me
127 bpm • A# Maj • 02:48 • -6.81db
43% Popularity • 62% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 62% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Zach Hood
dopamine
127 bpm • A# Maj • 02:59 • -5.76db
49% Popularity • 66% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 66% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Hanniou
heartbeats
113 bpm • A min • 02:31 • -11db
57% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Rosie Darling
Reruns
128 bpm • C# Maj • 02:26 • -11db
58% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Caroline Kole
Ex Best Friend
128 bpm • E Maj • 02:56 • -9db
30% Popularity • 71% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 71% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Jon Mullins
In a Second
128 bpm • D Maj • 02:41 • -6.49db
44% Popularity • 68% Danceability • 51% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 68% Danceability • 51% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
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Munn
I Lost Myself
128 bpm • D Maj • 03:11 • -6.23db
56% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
56% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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KINGS
ur a good bye
128 bpm • E Maj • 03:21 • -6.63db
38% Popularity • 77% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 77% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Zoe Clark
Last One Standing
128 bpm • G Maj • 02:17 • -6db
49% Popularity • 93% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
49% Popularity • 93% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Grey Zeigler
Sensitive Subject
128 bpm • G Maj • 02:22 • -5.92db
41% Popularity • 58% Danceability • 71% Energy • 46% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 58% Danceability • 71% Energy • 46% Liveness
0% Instrumentalness • 39% Positiveness
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Rosie Darling
Say Less
128 bpm • A# Maj • 01:36 • -9db
59% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
59% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Alex Sampson
Let There Be Light
128 bpm • D Maj • 03:43 • -6db
37% Popularity • 57% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 57% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Jade LeMac
Same Place
112 bpm • C# Maj • 03:42 • -6db
40% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sody
Bitch (I Said It)
112 bpm • C min • 03:11 • -6.07db
46% Popularity • 76% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 76% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Munn
belongs with you
111 bpm • A# Maj • 02:32 • -6.88db
46% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Zach Hood
13 Missed Calls
130 bpm • G Maj • 03:29 • -6.35db
51% Popularity • 64% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 64% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Dylan Brady
Nobody's You
112 bpm • A# Maj • 02:36 • -8.74db
52% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Natalie Jane
Kind of Love
130 bpm • B Maj • 03:38 • -6db
47% Popularity • 52% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 52% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Sara Kays
When You Look at Me
130 bpm • D Maj • 02:50 • -10.71db
41% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Casey Baer
never have i ever
130 bpm • F Maj • 02:28 • -9.61db
44% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Zoe Clark
So Single It Hurts
130 bpm • A Maj • 03:23 • -10.82db
33% Popularity • 79% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 79% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jordana Bryant
Penniless & Broke
130 bpm • F Maj • 03:39 • -4.44db
40% Popularity • 66% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 66% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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Munn
LOVE ME OR LEAVE ME
130 bpm • F# Maj • 02:26 • -8.03db
49% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Reagan Beem
It's Okay - Acoustic
130 bpm • D Maj • 02:52 • -6.14db
37% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Camylio
unbreak
130 bpm • B min • 03:18 • -7.35db
46% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
46% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
