Songs like Fickle Game by Amber Run
Based on a tempo of (+/- 10%) and a similar genre
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Young Summer
Propeller
172 bpm • F min • 03:39 • -7.81db
28% Popularity • 48% Danceability • 59% Energy • 12% Liveness
27% Instrumentalness • 36% Positiveness
28% Popularity • 48% Danceability • 59% Energy • 12% Liveness
27% Instrumentalness • 36% Positiveness
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Amber Run
Fickle Game
172 bpm • E min • 04:23 • -9.36db
48% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
48% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Plested
Habits
174 bpm • B min • 04:15 • -8.4db
29% Popularity • 24% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 24% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Phoria
Evolve
174 bpm • A Maj • 05:13 • -9db
31% Popularity • 50% Danceability • 64% Energy • 7% Liveness
27% Instrumentalness • 40% Positiveness
31% Popularity • 50% Danceability • 64% Energy • 7% Liveness
27% Instrumentalness • 40% Positiveness
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RITUAL
Josephine
174 bpm • E min • 04:05 • -7.63db
46% Popularity • 64% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 8% Positiveness
46% Popularity • 64% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 8% Positiveness
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Charlie Cunningham
Force of Habit
170 bpm • G# Maj • 05:10 • -15.84db
36% Popularity • 45% Danceability • 35% Energy • 9% Liveness
18% Instrumentalness • 28% Positiveness
36% Popularity • 45% Danceability • 35% Energy • 9% Liveness
18% Instrumentalness • 28% Positiveness
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Trills
Speak Loud
174 bpm • G min • 03:46 • -8db
37% Popularity • 57% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 42% Positiveness
37% Popularity • 57% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 42% Positiveness
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Amber Run
I Found - Acoustic
171 bpm • G min • 04:19 • -11.17db
51% Popularity • 39% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 39% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Moon Taxi
Good As Gold
174 bpm • B min • 03:12 • -4.03db
41% Popularity • 60% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 60% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Kiwanuka
Love & Hate
170 bpm • G min • 07:07 • -7.85db
65% Popularity • 28% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
65% Popularity • 28% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Aquilo
Sorry
175 bpm • D Maj • 04:15 • -11.36db
46% Popularity • 32% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 32% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Ursine Vulpine
Wicked Game
169 bpm • E Maj • 04:44 • -10.35db
53% Popularity • 13% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
53% Popularity • 13% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Fink
Looking Too Closely
175 bpm • D Maj • 05:10 • -12.46db
63% Popularity • 48% Danceability • 52% Energy • 9% Liveness
75% Instrumentalness • 10% Positiveness
63% Popularity • 48% Danceability • 52% Energy • 9% Liveness
75% Instrumentalness • 10% Positiveness
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Amber Run
No Answers
174 bpm • B min • 03:51 • -5.95db
28% Popularity • 36% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 36% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Kodaline
Follow Your Fire
176 bpm • B min • 03:58 • -6.69db
52% Popularity • 45% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 45% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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The Donnies The Amys
Bright Lines
168 bpm • E min • 04:13 • -8.34db
17% Popularity • 42% Danceability • 67% Energy • 16% Liveness
55% Instrumentalness • 18% Positiveness
17% Popularity • 42% Danceability • 67% Energy • 16% Liveness
55% Instrumentalness • 18% Positiveness
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Aron Wright
Heartbeats
176 bpm • G Maj • 03:28 • -12.18db
36% Popularity • 43% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 43% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Talos
See Me
168 bpm • C Maj • 03:50 • -6.03db
33% Popularity • 44% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 44% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Vancouver Sleep Clinic
Killing Me To Love You
168 bpm • A Maj • 03:22 • -9db
44% Popularity • 38% Danceability • 61% Energy • 13% Liveness
8% Instrumentalness • 23% Positiveness
44% Popularity • 38% Danceability • 61% Energy • 13% Liveness
8% Instrumentalness • 23% Positiveness
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Amber Run
Island
170 bpm • A Maj • 03:54 • -7.02db
19% Popularity • 30% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 31% Positiveness
19% Popularity • 30% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 31% Positiveness
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Hozier
Arsonist's Lullabye
178 bpm • F# min • 04:26 • -9.07db
61% Popularity • 28% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 18% Positiveness
61% Popularity • 28% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 18% Positiveness
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Charlie Cunningham
Minimum
178 bpm • C min • 03:14 • -9.18db
60% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Haux
Arrows
179 bpm • A# Maj • 02:29 • -19.67db
45% Popularity • 33% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
45% Popularity • 33% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Seafret
Be There
180 bpm • D# min • 03:15 • -9.44db
45% Popularity • 38% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 38% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Michael Kiwanuka
Love & Hate - Alternative Radio Mix
165 bpm • F Maj • 03:34 • -5db
38% Popularity • 26% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 26% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Amber Run
Honeylight
168 bpm • B min • 03:21 • -6.7db
27% Popularity • 34% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 34% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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My Jerusalem
Death Valley
164 bpm • G# min • 03:56 • -8db
32% Popularity • 24% Danceability • 79% Energy • 10% Liveness
7% Instrumentalness • 60% Positiveness
32% Popularity • 24% Danceability • 79% Energy • 10% Liveness
7% Instrumentalness • 60% Positiveness
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KALEO
Way down We Go
163 bpm • A# min • 03:33 • -8.02db
84% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
84% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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X Ambassadors
Torches
181 bpm • F min • 03:27 • -6.02db
48% Popularity • 27% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 27% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Angus Stone
Broken Brights
160 bpm • D# min • 04:12 • -11.55db
43% Popularity • 69% Danceability • 33% Energy • 10% Liveness
46% Instrumentalness • 46% Positiveness
43% Popularity • 69% Danceability • 33% Energy • 10% Liveness
46% Instrumentalness • 46% Positiveness
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Michael Logen
Darkness Within
160 bpm • A min • 04:12 • -7db
34% Popularity • 46% Danceability • 72% Energy • 8% Liveness
5% Instrumentalness • 20% Positiveness
34% Popularity • 46% Danceability • 72% Energy • 8% Liveness
5% Instrumentalness • 20% Positiveness
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Amber Run
The Darkness Has a Voice
178 bpm • A min • 03:30 • -3.92db
21% Popularity • 25% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 25% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Young Summer
Waves That Rolled You Under
160 bpm • G# Maj • 04:17 • -9.31db
38% Popularity • 58% Danceability • 49% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
38% Popularity • 58% Danceability • 49% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
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Haux
Touch
160 bpm • D# min • 03:31 • -10.97db
38% Popularity • 62% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
38% Popularity • 62% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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No Mono
Violence Broken
160 bpm • G min • 05:19 • -14.1db
29% Popularity • 67% Danceability • 35% Energy • 12% Liveness
36% Instrumentalness • 56% Positiveness
29% Popularity • 67% Danceability • 35% Energy • 12% Liveness
36% Instrumentalness • 56% Positiveness
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Jack Garratt
Surprise Yourself
159 bpm • G# Maj • 04:20 • -12.19db
49% Popularity • 35% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
49% Popularity • 35% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Autograf
Nobody Knows
185 bpm • E min • 03:31 • -9db
50% Popularity • 58% Danceability • 62% Energy • 11% Liveness
28% Instrumentalness • 6% Positiveness
50% Popularity • 58% Danceability • 62% Energy • 11% Liveness
28% Instrumentalness • 6% Positiveness
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Amber Run
Wastelands
160 bpm • D# Maj • 05:34 • -9.79db
26% Popularity • 22% Danceability • 43% Energy • 24% Liveness
5% Instrumentalness • 4% Positiveness
26% Popularity • 22% Danceability • 43% Energy • 24% Liveness
5% Instrumentalness • 4% Positiveness
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Belle Mt.
Hollow
186 bpm • B Maj • 03:38 • -6.94db
38% Popularity • 41% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 41% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Sam Tinnesz
Far From Home (The Raven)
187 bpm • D# min • 04:24 • -10.39db
49% Popularity • 17% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
49% Popularity • 17% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Keaton Henson
You
158 bpm • G# min • 04:42 • -14.48db
47% Popularity • 30% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
47% Popularity • 30% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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isaac gracie
that was then
158 bpm • D# Maj • 04:08 • -7.64db
34% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Kodaline
All I Want
187 bpm • C Maj • 05:05 • -9.73db
80% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
80% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
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Amber Run
Medicine
160 bpm • A min • 04:29 • -6.27db
15% Popularity • 21% Danceability • 70% Energy • 7% Liveness
2% Instrumentalness • 8% Positiveness
15% Popularity • 21% Danceability • 70% Energy • 7% Liveness
2% Instrumentalness • 8% Positiveness
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Mountains of the Moon
Bayou
158 bpm • A# min • 07:23 • -16db
40% Popularity • 34% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
40% Popularity • 34% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Blanco White
The Lily
158 bpm • D min • 04:14 • -10.15db
48% Popularity • 46% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
48% Popularity • 46% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Mumford & Sons
Woman
157 bpm • C# min • 04:34 • -10.5db
58% Popularity • 59% Danceability • 56% Energy • 11% Liveness
45% Instrumentalness • 14% Positiveness
58% Popularity • 59% Danceability • 56% Energy • 11% Liveness
45% Instrumentalness • 14% Positiveness
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Ben Howard
Promise
157 bpm • D Maj • 06:24 • -15.74db
61% Popularity • 37% Danceability • 19% Energy • 36% Liveness
43% Instrumentalness • 18% Positiveness
61% Popularity • 37% Danceability • 19% Energy • 36% Liveness
43% Instrumentalness • 18% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:42 • -6db
50% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
50% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
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Amber Run
Kites
157 bpm • E Maj • 04:25 • -7.01db
26% Popularity • 25% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 25% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Dean Lewis
Waves
157 bpm • B min • 04:00 • -7.19db
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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isaac gracie
reverie
155 bpm • G# Maj • 05:43 • -11.17db
47% Popularity • 22% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
47% Popularity • 22% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
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Zayde Wølf
Save Tonight
154 bpm • D Maj • 02:26 • -9db
39% Popularity • 38% Danceability • 63% Energy • 8% Liveness
20% Instrumentalness • 16% Positiveness
39% Popularity • 38% Danceability • 63% Energy • 8% Liveness
20% Instrumentalness • 16% Positiveness
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Jaymes Young
Stoned on You
154 bpm • F min • 03:24 • -9db
42% Popularity • 69% Danceability • 51% Energy • 10% Liveness
16% Instrumentalness • 77% Positiveness
42% Popularity • 69% Danceability • 51% Energy • 10% Liveness
16% Instrumentalness • 77% Positiveness
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of Verona
Miracles
154 bpm • A# Maj • 05:54 • -6.76db
18% Popularity • 23% Danceability • 61% Energy • 12% Liveness
82% Instrumentalness • 18% Positiveness
18% Popularity • 23% Danceability • 61% Energy • 12% Liveness
82% Instrumentalness • 18% Positiveness
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Katie Garfield
Not Mine
154 bpm • A min • 03:12 • -11.25db
27% Popularity • 34% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
27% Popularity • 34% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Moon & Pollution
Darkroom Double
153 bpm • G# min • 04:12 • -7db
24% Popularity • 43% Danceability • 74% Energy • 13% Liveness
52% Instrumentalness • 18% Positiveness
24% Popularity • 43% Danceability • 74% Energy • 13% Liveness
52% Instrumentalness • 18% Positiveness
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Amber Run
Heaven
152 bpm • C min • 03:27 • -6.78db
30% Popularity • 41% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 41% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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BANNERS
Shine A Light
195 bpm • C Maj • 03:45 • -4.25db
57% Popularity • 32% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
57% Popularity • 32% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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isaac gracie
terrified
151 bpm • F min • 04:34 • -8.4db
34% Popularity • 39% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
34% Popularity • 39% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Twin Caverns
Undiscover
150 bpm • G Maj • 03:05 • -10.28db
24% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Ruelle
Where Do We Go From Here
150 bpm • A min • 03:16 • -7.9db
45% Popularity • 26% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 26% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Fink
Pilgrim
150 bpm • F# min • 07:02 • -10.77db
40% Popularity • 54% Danceability • 48% Energy • 8% Liveness
56% Instrumentalness • 7% Positiveness
40% Popularity • 54% Danceability • 48% Energy • 8% Liveness
56% Instrumentalness • 7% Positiveness
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James Vincent McMorrow
Get Low
150 bpm • F Maj • 04:10 • -12.91db
33% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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BANNERS
Half Light
152 bpm • A# Maj • 03:05 • -7.5db
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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James Gillespie
What You Do
150 bpm • C min • 03:35 • -10db
45% Popularity • 58% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 58% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Manchester Orchestra
I Know How To Speak
150 bpm • B Maj • 06:00 • -8.64db
52% Popularity • 50% Danceability • 62% Energy • 9% Liveness
28% Instrumentalness • 26% Positiveness
52% Popularity • 50% Danceability • 62% Energy • 9% Liveness
28% Instrumentalness • 26% Positiveness
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Bear's Den
Agape
150 bpm • E Maj • 04:17 • -8.01db
35% Popularity • 47% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 47% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Allman Brown
Rivers
150 bpm • C min • 03:31 • -15.04db
33% Popularity • 45% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 45% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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George Ogilvie
Count Your Blessings
150 bpm • G# min • 04:05 • -9db
38% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Human Touch
Promise Not to Fall
149 bpm • A min • 03:25 • -6.72db
38% Popularity • 47% Danceability • 58% Energy • 7% Liveness
4% Instrumentalness • 11% Positiveness
38% Popularity • 47% Danceability • 58% Energy • 7% Liveness
4% Instrumentalness • 11% Positiveness
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Racing Glaciers
Carry It On
149 bpm • F min • 05:32 • -8.39db
37% Popularity • 26% Danceability • 80% Energy • 10% Liveness
54% Instrumentalness • 43% Positiveness
37% Popularity • 26% Danceability • 80% Energy • 10% Liveness
54% Instrumentalness • 43% Positiveness
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Amber Run
Machine
149 bpm • E Maj • 04:36 • -12.39db
23% Popularity • 28% Danceability • 20% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
23% Popularity • 28% Danceability • 20% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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The Cinematic Orchestra
To Build A Home
149 bpm • A Maj • 06:11 • -15.4db
75% Popularity • 26% Danceability • 12% Energy • 9% Liveness
35% Instrumentalness • 7% Positiveness
75% Popularity • 26% Danceability • 12% Energy • 9% Liveness
35% Instrumentalness • 7% Positiveness
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Allman Brown
Sons and Daughters
148 bpm • F min • 03:36 • -9.47db
46% Popularity • 51% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 51% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Jaymes Young
Moondust
148 bpm • F# min • 03:45 • -10.51db
53% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
53% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Rhye
Sinful
148 bpm • D min • 04:03 • -11db
32% Popularity • 56% Danceability • 48% Energy • 7% Liveness
16% Instrumentalness • 36% Positiveness
32% Popularity • 56% Danceability • 48% Energy • 7% Liveness
16% Instrumentalness • 36% Positiveness
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Racing Glaciers
Carry It On
148 bpm • F min • 04:58 • -10.28db
25% Popularity • 49% Danceability • 56% Energy • 11% Liveness
18% Instrumentalness • 35% Positiveness
25% Popularity • 49% Danceability • 56% Energy • 11% Liveness
18% Instrumentalness • 35% Positiveness
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Aisha Badru
Splintered
147 bpm • C# min • 04:10 • -12db
39% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Amber Run
Where Do We Go from Here
147 bpm • C Maj • 03:19 • -5.58db
24% Popularity • 49% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 49% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ruelle
Deep End
147 bpm • A min • 05:00 • -8.65db
49% Popularity • 42% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 42% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Bob Moses
Writing On The Wall
146 bpm • G Maj • 04:14 • -11.62db
30% Popularity • 55% Danceability • 37% Energy • 11% Liveness
58% Instrumentalness • 16% Positiveness
30% Popularity • 55% Danceability • 37% Energy • 11% Liveness
58% Instrumentalness • 16% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
64% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
64% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
