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Finding Katrine
Songs like
Finding Katrine
by
Marco Beltrami
Based on a tempo of (+/- 10%) and a similar genre
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Blake Neely
Senses
105 bpm • A# min • 02:37 • -27.97db
15% Popularity • 45% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 14% Positiveness
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Steve Jablonsky
Final Test
105 bpm • G Maj • 06:02 • -18.75db
33% Popularity • 49% Danceability • 59% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
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Marc Streitenfeld
Going In
105 bpm • C Maj • 02:03 • -29db
29% Popularity • 15% Danceability • 5% Energy • 15% Liveness
83% Instrumentalness • 4% Positiveness
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Pinar Toprak
Captain Marvel
105 bpm • C Maj • 02:15 • -14.81db
45% Popularity • 37% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Andrew Lockington
Journey Theme
106 bpm • G min • 01:14 • -19db
26% Popularity • 33% Danceability • 27% Energy • 14% Liveness
96% Instrumentalness • 22% Positiveness
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Alexandre Desplat
Enigma
104 bpm • A# Maj • 02:50 • -30.03db
30% Popularity • 47% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Nathan Johnson
Snooping
104 bpm • D Maj • 02:04 • -26.92db
29% Popularity • 19% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Jeff Russo
Allison’s Sit In
106 bpm • D min • 02:21 • -27.28db
7% Popularity • 15% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Harry Gregson-Williams
Mars
106 bpm • A# Maj • 02:25 • -28.93db
39% Popularity • 20% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Jon Ekstrand
A Long Way Back
104 bpm • C# Maj • 02:39 • -14db
28% Popularity • 45% Danceability • 32% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
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John Powell
Let Me Think About It
104 bpm • D Maj • 02:24 • -26.72db
34% Popularity • 21% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Dominic Lewis
Die Nebenweld
106 bpm • A Maj • 09:35 • -21.15db
8% Popularity • 16% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Marco Beltrami
Where to?
106 bpm • F# Maj • 02:25 • -15.99db
23% Popularity • 53% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Nicholas Britell
Vice - Main Title Orchestra Suite
103 bpm • G# Maj • 01:52 • -14.45db
25% Popularity • 31% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Nathan Whitehead
You're Number One
103 bpm • D Maj • 01:49 • -21.8db
17% Popularity • 39% Danceability • 18% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Dario Marianelli
The War Rooms
103 bpm • G# Maj • 02:45 • -20.91db
30% Popularity • 46% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
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Matthew Margeson
We Three Kings
107 bpm • F Maj • 03:06 • -15.24db
16% Popularity • 38% Danceability • 32% Energy • 24% Liveness
66% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Shogun's Sentence
103 bpm • C min • 02:04 • -21.92db
50% Popularity • 15% Danceability • 9% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Marco Beltrami
Zombies In Coach
108 bpm • E Maj • 03:43 • -14.05db
14% Popularity • 27% Danceability • 63% Energy • 8% Liveness
69% Instrumentalness • 7% Positiveness
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Nicholas Britell
Conclusion - The Transplant
102 bpm • G# min • 07:07 • -16.84db
20% Popularity • 26% Danceability • 30% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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AKIRA HONDA
Enigma's Pulse
108 bpm • E min • 05:23 • -21.26db
16% Popularity • 58% Danceability • 43% Energy • 12% Liveness
79% Instrumentalness • 62% Positiveness
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John Powell
At The Hairdressers
102 bpm • B min • 01:31 • -34.25db
25% Popularity • 32% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Sarah Schachner
Beyond the Great Plains
102 bpm • C Maj • 01:37 • -15.2db
32% Popularity • 25% Danceability • 32% Energy • 8% Liveness
56% Instrumentalness • 3% Positiveness
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William Ross
Overcoming the Past
109 bpm • D# Maj • 04:28 • -16db
31% Popularity • 16% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Arianne
101 bpm • F min • 01:10 • -33.02db
53% Popularity • 14% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
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David Julyan
Will's Confession
101 bpm • B min • 02:33 • -24.03db
15% Popularity • 14% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Creatures
110 bpm • A min • 02:09 • -16.29db
46% Popularity • 34% Danceability • 37% Energy • 25% Liveness
56% Instrumentalness • 6% Positiveness
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Hildur Guðnadóttir
Meeting Bruce Wayne
100 bpm • F# min • 04:35 • -14.16db
37% Popularity • 30% Danceability • 40% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Thomas Newman
Rate 2 Mechanic
110 bpm • A# min • 02:08 • -22.53db
25% Popularity • 49% Danceability • 15% Energy • 20% Liveness
84% Instrumentalness • 4% Positiveness
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Dario Marianelli
Setting Off From Kathmandu
100 bpm • A# Maj • 01:16 • -20.02db
43% Popularity • 37% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Jon Ekstrand
It's Alive
110 bpm • G# Maj • 03:54 • -22.33db
9% Popularity • 16% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Marco Beltrami
The Salvation Gates
110 bpm • D Maj • 04:24 • -14.63db
14% Popularity • 38% Danceability • 42% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Marc Streitenfeld
Pact Sworn in Blood
100 bpm • E min • 02:52 • -19db
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Ludwig Göransson
THE PROTAGONIST
100 bpm • D# min • 04:48 • -27.01db
40% Popularity • 33% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Ryan Amon
Matilda
110 bpm • G Maj • 02:53 • -27db
25% Popularity • 33% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Nicholas Britell
He Saw An Opportunity - Counterpoint In ...
100 bpm • F min • 02:19 • -17.66db
28% Popularity • 52% Danceability • 20% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
David Buckley
Every Hundred Years
110 bpm • G min • 01:42 • -21.71db
26% Popularity • 24% Danceability • 14% Energy • 14% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Marco Beltrami
Emmet's Realizations
100 bpm • C Maj • 02:06 • -17.8db
21% Popularity • 17% Danceability • 25% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
David Julyan
Closing Titles
111 bpm • C# min • 04:05 • -15.16db
9% Popularity • 16% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Ludwig Göransson
Los Alamos
100 bpm • D min • 02:38 • -21.55db
56% Popularity • 51% Danceability • 40% Energy • 14% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Thomas Newman
Engländer
100 bpm • A# min • 04:29 • -22db
30% Popularity • 27% Danceability • 29% Energy • 14% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Graeme Revell
One Speed
100 bpm • C min • 03:08 • -12db
19% Popularity • 22% Danceability • 66% Energy • 9% Liveness
96% Instrumentalness • 19% Positiveness
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David Buckley
Arkham Knight (Main Theme)
111 bpm • C min • 02:22 • -18.1db
39% Popularity • 39% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Marco Beltrami
Rising Pulse
100 bpm • C Maj • 04:14 • -14.31db
14% Popularity • 40% Danceability • 63% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Pinar Toprak
Boarding the Train
112 bpm • D min • 01:30 • -24db
36% Popularity • 32% Danceability • 13% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Ludwig Göransson
Ahsoka Lives
111 bpm • G min • 03:43 • -23db
34% Popularity • 19% Danceability • 5% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Geoff Zanelli
My Number Is 47
112 bpm • A min • 02:27 • -24.94db
13% Popularity • 36% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
Jed Kurzel
Wheat Field
112 bpm • A# Maj • 01:39 • -28.48db
24% Popularity • 18% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Howard Shore
The Story Breaks
112 bpm • A min • 01:56 • -21.88db
40% Popularity • 27% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Marco Beltrami
Walk the Track
111 bpm • A Maj • 01:57 • -16.96db
21% Popularity • 17% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
► Preview
John Ottman
Logo Mania
98 bpm • D min • 01:00 • -12.56db
32% Popularity • 45% Danceability • 59% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
► Preview
Dominic Lewis
The Door Is Open
113 bpm • C min • 01:53 • -12.18db
18% Popularity • 34% Danceability • 36% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
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Daniel Pemberton
…I Play The Orchestra
113 bpm • D min • 02:22 • -21.11db
23% Popularity • 17% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Jed Kurzel
Incubation
98 bpm • G min • 01:07 • -32.84db
33% Popularity • 22% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Hildur Guðnadóttir
Defeated Clown
97 bpm • G Maj • 02:39 • -16.53db
44% Popularity • 20% Danceability • 24% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Howard Shore
Legacy
113 bpm • G Maj • 01:28 • -24.09db
33% Popularity • 31% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Pinar Toprak
Waking Up
97 bpm • A# Maj • 01:28 • -23.58db
33% Popularity • 24% Danceability • 13% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
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Steven Price
This Is Our Planet
97 bpm • A# Maj • 03:43 • -16db
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
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Joe Kraemer
Havana to Vienna
114 bpm • G# Maj • 05:12 • -28db
20% Popularity • 46% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Alexandre Desplat
Area 51
114 bpm • C# Maj • 01:42 • -34.26db
16% Popularity • 18% Danceability • 2% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Ilan Eshkeri
Seppuku
114 bpm • F Maj • 03:44 • -15.76db
34% Popularity • 17% Danceability • 33% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Ludwig Göransson
WINDMILLS
115 bpm • D# min • 05:16 • -21.8db
43% Popularity • 39% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Harry Gregson-Williams
Emergency Launch
96 bpm • C# Maj • 03:09 • -18db
30% Popularity • 24% Danceability • 30% Energy • 8% Liveness
75% Instrumentalness • 3% Positiveness
► Preview
Marco Beltrami
Water in the Basement
115 bpm • D Maj • 03:23 • -25.96db
12% Popularity • 21% Danceability • 25% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Joe Kraemer
Good Evening, Mr. Hunt
96 bpm • G min • 02:35 • -24.55db
24% Popularity • 28% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Roque Baños
Come Back to Me
96 bpm • A# Maj • 03:01 • -23.54db
12% Popularity • 15% Danceability • 4% Energy • 15% Liveness
34% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Back to the Ocean
115 bpm • D min • 03:40 • -13.74db
16% Popularity • 18% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Where To?
95 bpm • F Maj • 02:22 • -17db
28% Popularity • 12% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Mychael Danna
Opening Day
95 bpm • E min • 01:12 • -18.1db
28% Popularity • 22% Danceability • 27% Energy • 53% Liveness
99% Instrumentalness • 3% Positiveness
► Preview
Harry Gregson-Williams
Making Water
116 bpm • A# Maj • 02:38 • -18.85db
48% Popularity • 50% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
David Julyan
Opening Titles / Blood Drips
116 bpm • C# Maj • 02:48 • -23.37db
14% Popularity • 23% Danceability • 15% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Blake Neely
Oliver Queen Suite
95 bpm • C# Maj • 09:47 • -20.88db
26% Popularity • 43% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Steven Price
April, 1945
116 bpm • A# Maj • 04:14 • -13db
34% Popularity • 43% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Flight to Compound
116 bpm • A# min • 05:07 • -22.9db
24% Popularity • 30% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Mychael Danna
One out Away
95 bpm • D min • 01:48 • -13db
32% Popularity • 32% Danceability • 28% Energy • 31% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Harry Gregson-Williams
Messages from Hermes
95 bpm • F Maj • 03:31 • -24.44db
31% Popularity • 29% Danceability • 5% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Dominic Lewis
Gewahrsam
95 bpm • A min • 04:09 • -24.32db
12% Popularity • 12% Danceability • 5% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Marco Beltrami
A Quiet Life
117 bpm • E Maj • 02:58 • -22db
38% Popularity • 18% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Matthew Margeson
The New Flock
117 bpm • F min • 02:26 • -16.42db
10% Popularity • 20% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Danny Cannon
Gotham Main Title - Extended Version
94 bpm • F Maj • 01:07 • -13db
25% Popularity • 34% Danceability • 50% Energy • 14% Liveness
95% Instrumentalness • 30% Positiveness
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Don Davis
The Power Plant
117 bpm • C min • 02:41 • -12.67db
21% Popularity • 20% Danceability • 63% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
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Jeff Beal
Forward March
117 bpm • C Maj • 02:02 • -17.37db
34% Popularity • 65% Danceability • 30% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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Jeff Russo
Lila and Diego
94 bpm • C Maj • 01:29 • -35.14db
14% Popularity • 35% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
► Preview
Roque Baños
Essex Leaving Harbor
118 bpm • G# Maj • 03:06 • -15.56db
21% Popularity • 52% Danceability • 57% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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Pinar Toprak
I'm All Fired Up
118 bpm • A# Maj • 03:20 • -17.27db
32% Popularity • 18% Danceability • 25% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Purity of Heart
118 bpm • G min • 03:34 • -16.11db
39% Popularity • 33% Danceability • 38% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Main Title
118 bpm • F Maj • 04:12 • -21.7db
36% Popularity • 17% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Jed Kurzel
Alien Covenant Theme
118 bpm • C Maj • 01:42 • -18db
30% Popularity • 25% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Jeff Russo
Molly Looks for Lester
117 bpm • G min • 02:03 • -25.1db
15% Popularity • 20% Danceability • 11% Energy • 34% Liveness
94% Instrumentalness • 8% Positiveness
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Joseph Trapanese
Return to England
118 bpm • G min • 03:09 • -23.09db
11% Popularity • 17% Danceability • 19% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Anne Nikitin
The Regime
119 bpm • D Maj • 01:37 • -22db
28% Popularity • 36% Danceability • 12% Energy • 9% Liveness
42% Instrumentalness • 7% Positiveness
► Preview
Pinar Toprak
New Clothes
93 bpm • G# Maj • 01:04 • -21.79db
39% Popularity • 18% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Hildur Guðnadóttir
Journey To Border
93 bpm • F min • 04:27 • -26.88db
14% Popularity • 12% Danceability • 6% Energy • 5% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Marco Beltrami
Dive
92 bpm • C min • 03:44 • -20.21db
7% Popularity • 29% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Jeff Beal
Roll Call
92 bpm • D# Maj • 01:43 • -25.06db
36% Popularity • 40% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
► Preview
Dario Marianelli
Charlie
92 bpm • C Maj • 03:07 • -18.95db
14% Popularity • 21% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Steven Price
Emma
120 bpm • D min • 02:35 • -15db
50% Popularity • 41% Danceability • 43% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Nicholas Britell
Song of Hal: Conclusio in C Minor
92 bpm • C min • 04:50 • -16.58db
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Steve Jablonsky
Izzy
92 bpm • E min • 04:00 • -24.26db
33% Popularity • 36% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Marco Beltrami
Building the Future
92 bpm • A min • 02:49 • -16.56db
11% Popularity • 40% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
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Finding Katrine