Songs like Fire and Rain by Diesel
Based on a tempo of (+/- 10%) and a similar genre
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Jenny Morris
You're Gonna Get Hurt
144 bpm • E Maj • 03:39 • -4db
28% Popularity • 59% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 59% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Nick Barker & The Reptiles
Make Me Smile (Come Up and See Me)
143 bpm • D Maj • 03:50 • -11.03db
20% Popularity • 55% Danceability • 77% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 55% Danceability • 77% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
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Pete Murray
Free
145 bpm • C Maj • 03:35 • -6db
43% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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The Radiators
17 (I Wish I Was)
145 bpm • D Maj • 05:13 • -12.57db
31% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Chocolate Starfish
Head
145 bpm • D Maj • 04:05 • -6.86db
13% Popularity • 57% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 57% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Powderfinger
Since You've Been Gone
143 bpm • G# Maj • 04:12 • -5db
40% Popularity • 24% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 24% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Kate Ceberano
Bedroom Eyes
142 bpm • C Maj • 03:54 • -14db
35% Popularity • 79% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 79% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Jenny Morris
Jackson
142 bpm • A Maj • 03:39 • -7.26db
18% Popularity • 68% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 68% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Pete Murray
Don't Change
142 bpm • D Maj • 03:36 • -14.38db
31% Popularity • 31% Danceability • 24% Energy • 18% Liveness
4% Instrumentalness • 26% Positiveness
31% Popularity • 31% Danceability • 24% Energy • 18% Liveness
4% Instrumentalness • 26% Positiveness
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The Black Sorrows
Wednesday’s Child
142 bpm • G Maj • 03:23 • -7.01db
20% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Choirboys
Hey St Peter
146 bpm • B Maj • 03:24 • -10.65db
24% Popularity • 66% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 66% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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the feelers
Fishing for Lisa
146 bpm • D Maj • 02:57 • -5.09db
31% Popularity • 48% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 48% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Powderfinger
(Baby I've Got You) On My Mind
147 bpm • D# Maj • 03:20 • -3.36db
56% Popularity • 37% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
56% Popularity • 37% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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THE SPORTS
Who Listens to the Radio
141 bpm • A Maj • 03:15 • -15db
38% Popularity • 59% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 59% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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1927
Compulsory Hero
141 bpm • F Maj • 04:37 • -5db
39% Popularity • 50% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 50% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Clapton
I Am an Island - Original
141 bpm • B min • 05:03 • -11.58db
30% Popularity • 57% Danceability • 78% Energy • 10% Liveness
2% Instrumentalness • 67% Positiveness
30% Popularity • 57% Danceability • 78% Energy • 10% Liveness
2% Instrumentalness • 67% Positiveness
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The Black Sorrows
Brown Eyed Girl
141 bpm • G Maj • 03:32 • -12.65db
22% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Australian Crawl
Hoochie Gucci Fiorucci Mama - Remastered
141 bpm • A min • 02:30 • -10.34db
44% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Sunnyboys
Alone With You
148 bpm • E min • 03:58 • -16db
17% Popularity • 45% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 45% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Skyhooks
Horror Movie - 2009 Remaster
141 bpm • A Maj • 03:47 • -6.65db
44% Popularity • 69% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 69% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Thirsty Merc
The Hard Way
140 bpm • G Maj • 04:22 • -5db
29% Popularity • 41% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 41% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Evermore
Running
140 bpm • F# Maj • 04:23 • -4.7db
49% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
49% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
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Powderfinger
Sail The Wildest Stretch
140 bpm • A# Maj • 04:08 • -6.79db
34% Popularity • 43% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 43% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Eurogliders
We Will Together
140 bpm • B Maj • 04:32 • -18db
33% Popularity • 66% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 66% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Split Enz
History Never Repeats
140 bpm • D Maj • 02:58 • -7db
38% Popularity • 30% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 30% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Richard Clapton
Down in the Lucky Country - 2009 Remaste...
149 bpm • G Maj • 03:43 • -4.99db
27% Popularity • 58% Danceability • 87% Energy • 6% Liveness
4% Instrumentalness • 79% Positiveness
27% Popularity • 58% Danceability • 87% Energy • 6% Liveness
4% Instrumentalness • 79% Positiveness
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Divinyls
I'll Make You Happy
149 bpm • B min • 03:18 • -13.36db
31% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Goanna
Solid Rock - Remastered Version
149 bpm • A min • 04:35 • -7.39db
58% Popularity • 55% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 55% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
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Dave Dobbyn
Beside You
139 bpm • C# Maj • 03:42 • -6.96db
19% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Paul Kelly
Forty Miles To Saturday Night
139 bpm • D Maj • 03:11 • -5.73db
31% Popularity • 48% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 48% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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The Whitlams
No Aphrodisiac
150 bpm • D min • 04:19 • -8.27db
48% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Things Of Stone and Wood
Happy Birthday Helen
138 bpm • F Maj • 03:48 • -9db
39% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Mi-Sex
Blue Day
138 bpm • G Maj • 04:11 • -16.05db
36% Popularity • 52% Danceability • 36% Energy • 25% Liveness
12% Instrumentalness • 42% Positiveness
36% Popularity • 52% Danceability • 36% Energy • 25% Liveness
12% Instrumentalness • 42% Positiveness
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Goanna
Borderline - Remastered Version
149 bpm • E Maj • 04:46 • -6.75db
20% Popularity • 44% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 44% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Deborah Conway
Its Only the Beginning
138 bpm • E Maj • 04:41 • -10db
40% Popularity • 56% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 56% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Paul Kelly
From St Kilda To Kings Cross
138 bpm • G Maj • 02:55 • -8db
39% Popularity • 61% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 61% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Uncanny X-Men
Party
151 bpm • A Maj • 03:03 • -10.85db
21% Popularity • 51% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 51% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Things Of Stone and Wood
Happy Birthday Helen
138 bpm • F Maj • 04:02 • -3.25db
14% Popularity • 41% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 41% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Mi-Sex
But You Don't Care
138 bpm • B min • 04:33 • -16db
30% Popularity • 53% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 53% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Goanna
Four Weeks Gone - Remastered Version
138 bpm • A Maj • 05:47 • -5.98db
17% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Mondo Rock
A Touch Of Paradise - Digitally Remaster...
137 bpm • A Maj • 04:05 • -5.04db
16% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Johnny Diesel & The Injectors
Never Last
137 bpm • D Maj • 03:34 • -15.26db
17% Popularity • 57% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 57% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Chocolate Starfish
Mountain
151 bpm • G Maj • 04:57 • -6.36db
35% Popularity • 48% Danceability • 79% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 48% Danceability • 79% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
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The Angels
After the Rain
137 bpm • A Maj • 03:09 • -14.6db
33% Popularity • 56% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 56% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Company Of Strangers
Sweet Love
152 bpm • A# min • 04:35 • -3.84db
20% Popularity • 46% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 46% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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The Black Sorrows
Ain't Love The Strangest Thing
152 bpm • C# min • 05:48 • -7db
19% Popularity • 44% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 44% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 52% Positiveness
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Warumpi Band
Blackfella/Whitefella
136 bpm • A# Maj • 03:29 • -15.22db
45% Popularity • 66% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
45% Popularity • 66% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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Divinyls
Pleasure And Pain
136 bpm • D min • 03:54 • -10.28db
49% Popularity • 65% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 65% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Chocolate Starfish
Ten Feet Tall
137 bpm • D Maj • 04:15 • -6.49db
19% Popularity • 43% Danceability • 81% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 43% Danceability • 81% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
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Taxiride
Everywhere You Go
135 bpm • D Maj • 03:32 • -5.04db
37% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Choirboys
Boys Will Be Boys
135 bpm • B Maj • 03:41 • -8.76db
27% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Kate Ceberano
Pash
135 bpm • F min • 04:20 • -5db
36% Popularity • 70% Danceability • 91% Energy • 7% Liveness
2% Instrumentalness • 95% Positiveness
36% Popularity • 70% Danceability • 91% Energy • 7% Liveness
2% Instrumentalness • 95% Positiveness
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Eskimo Joe
Love Is a Drug
135 bpm • E Maj • 03:43 • -3.56db
31% Popularity • 57% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 57% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Johnny Diesel & The Injectors
Don't Need Love
135 bpm • D Maj • 04:12 • -5.77db
37% Popularity • 46% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 46% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Killing Heidi
Live Without It
135 bpm • G Maj • 03:11 • -5.67db
31% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Grinspoon
Chemical Heart
154 bpm • C Maj • 04:39 • -7.41db
54% Popularity • 47% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 47% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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1927
All The People
154 bpm • D Maj • 03:53 • -3.07db
26% Popularity • 51% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 51% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Paul Kelly
Dumb Things
154 bpm • C Maj • 02:31 • -5.61db
57% Popularity • 37% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
57% Popularity • 37% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Skyhooks
Balwyn Calling - 2009 Remaster
155 bpm • G Maj • 03:42 • -7.69db
29% Popularity • 60% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 60% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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The Radiators
Gimme Head
134 bpm • D Maj • 02:40 • -6.03db
40% Popularity • 90% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
40% Popularity • 90% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Diesel & The Injectors
Get Ya Love
134 bpm • F Maj • 03:18 • -12.15db
22% Popularity • 58% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 58% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Whitlams
Thankyou (For Loving Me At My Worst)
134 bpm • F Maj • 04:12 • -5.65db
33% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Killing Heidi
Mascara
134 bpm • D Maj • 04:50 • -4.49db
44% Popularity • 41% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 41% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Australian Crawl
Shut Down - Remastered
134 bpm • C# min • 04:07 • -4.38db
39% Popularity • 48% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 48% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Paul Kelly
Before Too Long
134 bpm • D Maj • 03:22 • -4.35db
51% Popularity • 56% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 56% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Divinyls
Only Lonely
133 bpm • G Maj • 03:16 • -13.1db
34% Popularity • 51% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 51% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Johnny Diesel & The Injectors
Lookin' For Love
134 bpm • E Maj • 03:31 • -6.13db
32% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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The Angels
Marseilles
134 bpm • A Maj • 04:50 • -11.85db
38% Popularity • 51% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 51% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Ian Moss
Tucker's Daughter
133 bpm • A# min • 04:34 • -11.31db
53% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Killing Heidi
Weir
156 bpm • D Maj • 04:04 • -6.62db
50% Popularity • 33% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 33% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Thirsty Merc
In the Summertime
156 bpm • A Maj • 04:00 • -4.42db
45% Popularity • 50% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 50% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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1927
Give The Kid A Break
157 bpm • G Maj • 03:37 • -4.19db
27% Popularity • 57% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 57% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Johnny Diesel & The Injectors
Since I Fell For You
156 bpm • A Maj • 05:37 • -9.42db
22% Popularity • 36% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 36% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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The Angels
Shadow Boxer
157 bpm • G Maj • 02:40 • -14.68db
38% Popularity • 31% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 31% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Goanna
Common Ground (Remastered)
157 bpm • D Maj • 04:40 • -8.58db
26% Popularity • 49% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 49% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Choirboys
Run To Paradise
132 bpm • G# Maj • 04:50 • -8db
40% Popularity • 67% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 67% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Thirsty Merc
In the Summertime - Single Version
157 bpm • A Maj • 03:48 • -4db
51% Popularity • 49% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 49% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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1927
You'll Never Know
158 bpm • D Maj • 03:40 • -3.8db
40% Popularity • 52% Danceability • 90% Energy • 30% Liveness
3% Instrumentalness • 84% Positiveness
40% Popularity • 52% Danceability • 90% Energy • 30% Liveness
3% Instrumentalness • 84% Positiveness
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Johnny Diesel & The Injectors
Soul Revival
132 bpm • A Maj • 04:03 • -11.52db
35% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Hoodoo Gurus
Miss Freelove '69 - 2005 Remaster
131 bpm • A min • 04:12 • -3db
43% Popularity • 52% Danceability • 98% Energy • 14% Liveness
1% Instrumentalness • 67% Positiveness
43% Popularity • 52% Danceability • 98% Energy • 14% Liveness
1% Instrumentalness • 67% Positiveness
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Deborah Conway
Alive and Brilliant
158 bpm • A Maj • 04:04 • -9.09db
24% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Daddy Cool
Hi Honey Ho
131 bpm • D Maj • 03:35 • -10db
27% Popularity • 57% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 57% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Divinyls
Boys In Town
158 bpm • C# min • 02:51 • -14db
51% Popularity • 49% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 49% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Boom Crash Opera
Her Charity
131 bpm • D Maj • 05:00 • -3.6db
21% Popularity • 54% Danceability • 91% Energy • 9% Liveness
11% Instrumentalness • 40% Positiveness
21% Popularity • 54% Danceability • 91% Energy • 9% Liveness
11% Instrumentalness • 40% Positiveness
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Chocolate Starfish
Sway Up
159 bpm • A# Maj • 03:17 • -6.94db
10% Popularity • 42% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 42% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Paul Kelly
Darling It Hurts
131 bpm • A Maj • 03:17 • -4.8db
37% Popularity • 42% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 42% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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GANGgajang
Sounds Of Then (This Is Australia)
130 bpm • B min • 03:51 • -11.31db
57% Popularity • 70% Danceability • 70% Energy • 28% Liveness
4% Instrumentalness • 92% Positiveness
57% Popularity • 70% Danceability • 70% Energy • 28% Liveness
4% Instrumentalness • 92% Positiveness
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Uncanny X-Men
Work
159 bpm • D Maj • 03:12 • -10db
29% Popularity • 50% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 50% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Kate Ceberano
Everythings Alright
130 bpm • E Maj • 04:49 • -5.63db
26% Popularity • 46% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 46% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Powderfinger
My Kind Of Scene
160 bpm • C Maj • 04:37 • -8.22db
50% Popularity • 46% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 14% Positiveness
50% Popularity • 46% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 14% Positiveness
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Eskimo Joe
From The Sea
130 bpm • A# min • 03:22 • -7db
52% Popularity • 59% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 59% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Dave Dobbyn
Devil You Know - 2009 Version
130 bpm • A Maj • 03:33 • -4.31db
20% Popularity • 49% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 49% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 70% Positiveness
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Bernard Fanning
Wasting Time
130 bpm • A Maj • 03:15 • -5db
38% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Shane Nicholson
Always Be On Your Side
130 bpm • G Maj • 02:47 • -4.81db
2% Popularity • 51% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 51% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Roachford
Only to Be with You
130 bpm • B min • 04:21 • -11db
44% Popularity • 64% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 64% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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Johnny Diesel & The Injectors
Comin' Home
129 bpm • D Maj • 04:35 • -15.08db
22% Popularity • 48% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 48% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Goanna
Cheatin' Man - Remastered Version
130 bpm • G min • 04:52 • -7db
24% Popularity • 60% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 60% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Badloves
Tell Me
129 bpm • A Maj • 03:20 • -12.69db
18% Popularity • 64% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 64% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
