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Fire
Songs like
Fire
by
Waxahatchee
Based on a tempo of (+/- 10%) and a similar genre
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Better Oblivion Community Center
My City
85 bpm • A# Maj • 04:04 • -8.43db
42% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Waxahatchee
Fire
85 bpm • G Maj • 03:37 • -11.81db
53% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Fruit Bats
Cazadera
84 bpm • C min • 03:25 • -12db
50% Popularity • 68% Danceability • 31% Energy • 8% Liveness
7% Instrumentalness • 37% Positiveness
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Madi Diaz
Resentment (New Feelings Version)
86 bpm • B Maj • 02:52 • -9.89db
34% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Hiss Golden Messenger
I Need a Teacher
86 bpm • A Maj • 03:17 • -8db
47% Popularity • 50% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Bedouine
Solitary Daughter
87 bpm • A Maj • 04:20 • -17db
36% Popularity • 36% Danceability • 17% Energy • 12% Liveness
3% Instrumentalness • 30% Positiveness
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Better Oblivion Community Center
Service Road
84 bpm • C Maj • 03:44 • -10db
40% Popularity • 56% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Kevin Morby
Farewell Transmission
84 bpm • C# Maj • 06:57 • -10db
42% Popularity • 53% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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The Secret Sisters
He's Fine
87 bpm • A# Maj • 03:43 • -8.94db
45% Popularity • 56% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Maggie Rogers
Fallingwater
87 bpm • D Maj • 04:31 • -8.93db
61% Popularity • 39% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Blitzen Trapper
Magical Thinking
87 bpm • G min • 02:53 • -11db
34% Popularity • 64% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Runnner
Eggshell
87 bpm • G Maj • 03:24 • -9db
40% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Better Oblivion Community Center
Forest Lawn
83 bpm • D Maj • 03:46 • -14db
38% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Soccer Mommy
Wide Open Spaces
83 bpm • E Maj • 05:01 • -8.5db
40% Popularity • 44% Danceability • 57% Energy • 81% Liveness
0% Instrumentalness • 52% Positiveness
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Waxahatchee
Be Good
82 bpm • B min • 02:32 • -6.33db
47% Popularity • 42% Danceability • 70% Energy • 13% Liveness
57% Instrumentalness • 58% Positiveness
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Father John Misty
O I Long to Feel Your Arms Around Me
88 bpm • D Maj • 02:23 • -9db
47% Popularity • 43% Danceability • 45% Energy • 12% Liveness
10% Instrumentalness • 18% Positiveness
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Kurt Vile
Baby's Arms
82 bpm • B min • 04:44 • -6db
42% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Wild Pink
The Shining But Tropical
88 bpm • E Maj • 04:51 • -7.31db
24% Popularity • 50% Danceability • 79% Energy • 67% Liveness
0% Instrumentalness • 64% Positiveness
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Bedouine
One of These Days
82 bpm • G Maj • 02:58 • -12.57db
52% Popularity • 72% Danceability • 42% Energy • 11% Liveness
9% Instrumentalness • 74% Positiveness
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Bon Iver
AUATC
82 bpm • G Maj • 02:22 • -10.24db
51% Popularity • 60% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Lomelda
Interstate Vision
82 bpm • E min • 02:42 • -14db
48% Popularity • 61% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Jenny Lewis
Little White Dove
82 bpm • D Maj • 04:49 • -6.56db
37% Popularity • 80% Danceability • 53% Energy • 8% Liveness
6% Instrumentalness • 45% Positiveness
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Basia Bulat
Electric Roses
88 bpm • D# Maj • 04:33 • -7.16db
14% Popularity • 40% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Whitney
Valleys (My Love)
89 bpm • B Maj • 03:56 • -7.17db
49% Popularity • 57% Danceability • 61% Energy • 10% Liveness
59% Instrumentalness • 50% Positiveness
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Bedouine
Echo Park
88 bpm • E min • 02:58 • -18.86db
27% Popularity • 47% Danceability • 21% Energy • 32% Liveness
22% Instrumentalness • 24% Positiveness
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Courtney Marie Andrews
Burlap String
89 bpm • D Maj • 03:57 • -10.28db
24% Popularity • 58% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Angel Olsen
All The Good Times
81 bpm • E Maj • 04:36 • -8.72db
50% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Sharon Van Etten
Our Love
81 bpm • C# min • 03:52 • -9.87db
47% Popularity • 61% Danceability • 51% Energy • 11% Liveness
68% Instrumentalness • 40% Positiveness
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Allie Crow Buckley
Captive
81 bpm • F Maj • 04:21 • -10.1db
28% Popularity • 54% Danceability • 39% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
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Big Thief
Cattails
81 bpm • C# Maj • 04:05 • -6.93db
49% Popularity • 56% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Bedouine
Sunshine Sometimes
89 bpm • A Maj • 04:22 • -18db
34% Popularity • 53% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
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Dirty Projectors
Overlord
90 bpm • B Maj • 02:43 • -7.43db
30% Popularity • 69% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Courtney Marie Andrews
If I Told
80 bpm • A# Maj • 04:58 • -15.34db
42% Popularity • 28% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Whitney
Take Me Home, Country Roads
80 bpm • D Maj • 02:45 • -10.94db
46% Popularity • 57% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Plains
Summer Sun
90 bpm • D Maj • 02:32 • -6.28db
39% Popularity • 70% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Big Thief
Two Hands
90 bpm • F Maj • 03:52 • -8.83db
40% Popularity • 52% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Sjowgren
Now & Then
80 bpm • C Maj • 03:25 • -6db
54% Popularity • 54% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 40% Positiveness
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Waxahatchee
Streets of Philadelphia
80 bpm • F Maj • 04:09 • -9.49db
34% Popularity • 60% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Courtney Barnett
Don't Do It
80 bpm • D# Maj • 04:48 • -9.29db
21% Popularity • 54% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Andrew Bird
Olympians
80 bpm • G Maj • 03:58 • -7.95db
42% Popularity • 47% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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M. Ward
Migration of Souls
80 bpm • B Maj • 03:28 • -16.73db
31% Popularity • 50% Danceability • 34% Energy • 10% Liveness
11% Instrumentalness • 12% Positiveness
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Ratboys
Elvis is in the Freezer
80 bpm • A Maj • 02:59 • -7db
45% Popularity • 49% Danceability • 61% Energy • 11% Liveness
59% Instrumentalness • 42% Positiveness
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Whitney
Giving Up
91 bpm • F# Maj • 03:10 • -7.27db
42% Popularity • 64% Danceability • 60% Energy • 11% Liveness
53% Instrumentalness • 16% Positiveness
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Laura Marling
Held Down
80 bpm • G Maj • 04:07 • -7.87db
45% Popularity • 48% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Wye Oak
AEIOU
91 bpm • A Maj • 04:57 • -11.54db
19% Popularity • 61% Danceability • 48% Energy • 11% Liveness
42% Instrumentalness • 28% Positiveness
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Kevin Morby
Valley
80 bpm • C# min • 04:04 • -6.42db
41% Popularity • 59% Danceability • 57% Energy • 13% Liveness
7% Instrumentalness • 49% Positiveness
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Plains
Easy
91 bpm • C Maj • 02:35 • -8.03db
36% Popularity • 54% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Rostam
In a River
79 bpm • G Maj • 03:43 • -9.49db
43% Popularity • 47% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Bonny Light Horseman
Bonny Light Horseman
79 bpm • B min • 04:30 • -6db
41% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Angel Olsen
New Love Cassette
79 bpm • A Maj • 03:26 • -10db
43% Popularity • 62% Danceability • 47% Energy • 8% Liveness
88% Instrumentalness • 58% Positiveness
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Wye Oak
Its Way With Me
92 bpm • F min • 04:36 • -9.69db
20% Popularity • 31% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
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Whitney
FTA
92 bpm • F min • 02:27 • -12db
61% Popularity • 55% Danceability • 46% Energy • 28% Liveness
80% Instrumentalness • 33% Positiveness
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Plains
Line of Sight
79 bpm • D Maj • 03:37 • -5.07db
42% Popularity • 65% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Caroline Rose
Freak Like Me
92 bpm • F# min • 03:42 • -7.38db
30% Popularity • 64% Danceability • 74% Energy • 10% Liveness
18% Instrumentalness • 53% Positiveness
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Bonny Light Horseman
Mountain Rain
79 bpm • D Maj • 02:39 • -9db
35% Popularity • 57% Danceability • 34% Energy • 5% Liveness
3% Instrumentalness • 55% Positiveness
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Katy Kirby
Traffic!
92 bpm • C# Maj • 03:37 • -10db
28% Popularity • 62% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Neko Case
Calling Cards
92 bpm • F# Maj • 02:36 • -12.1db
39% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Joan Shelley
Coming Down For You
92 bpm • F min • 03:12 • -11db
25% Popularity • 53% Danceability • 34% Energy • 16% Liveness
8% Instrumentalness • 55% Positiveness
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Plains
Last 2 On Earth
79 bpm • G Maj • 02:53 • -5.3db
40% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Jess Williamson
Chasing Spirits
78 bpm • G Maj • 02:44 • -7.14db
36% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Bonny Light Horseman
Green Rocky Road
92 bpm • C Maj • 03:45 • -8.09db
33% Popularity • 69% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Rostam
Under Control
78 bpm • C# Maj • 03:17 • -11.33db
31% Popularity • 61% Danceability • 33% Energy • 11% Liveness
17% Instrumentalness • 20% Positiveness
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Anna Burch
Not So Bad
78 bpm • F# Maj • 03:15 • -7.64db
7% Popularity • 55% Danceability • 56% Energy • 12% Liveness
64% Instrumentalness • 43% Positiveness
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Tomberlin
Wasted
93 bpm • E Maj • 02:29 • -10db
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
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Lomelda
Wonder
78 bpm • C# Maj • 02:11 • -9db
42% Popularity • 50% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 70% Positiveness
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Laura Marling
Only The Strong
93 bpm • G min • 03:20 • -17db
40% Popularity • 66% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Bonny Light Horseman
Magpie's Nest
93 bpm • A Maj • 04:58 • -8.25db
30% Popularity • 48% Danceability • 34% Energy • 12% Liveness
12% Instrumentalness • 34% Positiveness
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Fleet Foxes
Can I Believe You
77 bpm • B Maj • 04:04 • -8.46db
57% Popularity • 51% Danceability • 76% Energy • 14% Liveness
7% Instrumentalness • 60% Positiveness
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Allie Crow Buckley
Cusco
77 bpm • C Maj • 04:17 • -9.53db
34% Popularity • 26% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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Katy Kirby
Bad Man
94 bpm • G Maj • 03:38 • -9db
28% Popularity • 55% Danceability • 60% Energy • 12% Liveness
20% Instrumentalness • 61% Positiveness
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Lucy Dacus
Dancing In The Dark
77 bpm • A Maj • 03:20 • -9.08db
47% Popularity • 42% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Your Smith
Bad Habit
94 bpm • C Maj • 03:54 • -10db
38% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Big Thief
Certainty
77 bpm • A Maj • 03:07 • -9db
59% Popularity • 61% Danceability • 51% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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Waxahatchee
365
77 bpm • C Maj • 03:07 • -5.54db
56% Popularity • 72% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Amen Dunes
Believe
95 bpm • A# min • 05:46 • -7.95db
21% Popularity • 55% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 60% Positiveness
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Andy Shauf
Living Room
77 bpm • F Maj • 03:05 • -9.96db
38% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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This Is The Kit
Coming to Get You Nowhere
95 bpm • G Maj • 03:20 • -11db
39% Popularity • 69% Danceability • 52% Energy • 13% Liveness
38% Instrumentalness • 86% Positiveness
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Charlotte Cornfield
You Can Have It All
95 bpm • B Maj • 03:48 • -7.77db
21% Popularity • 73% Danceability • 73% Energy • 10% Liveness
77% Instrumentalness • 85% Positiveness
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Big Thief
Shoulders
76 bpm • E Maj • 03:13 • -7.42db
41% Popularity • 46% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Arlo Parks
Hurt
95 bpm • E min • 03:36 • -9.49db
56% Popularity • 68% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Samia
Big Wheel
95 bpm • F Maj • 03:15 • -8db
27% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Japanese Breakfast
Road Head
95 bpm • E Maj • 03:15 • -8.73db
53% Popularity • 54% Danceability • 67% Energy • 15% Liveness
16% Instrumentalness • 16% Positiveness
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Wet
Old Bone
95 bpm • F min • 03:07 • -13db
44% Popularity • 62% Danceability • 41% Energy • 27% Liveness
21% Instrumentalness • 23% Positiveness
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Laura Stevenson
After Those Who Mean It
76 bpm • B Maj • 02:30 • -9.08db
21% Popularity • 24% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Big Thief
Mary
95 bpm • F Maj • 05:28 • -14.43db
52% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Atta Boy
Walden Pond
95 bpm • F Maj • 04:42 • -11.37db
45% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Waxahatchee
Fade
96 bpm • G Maj • 03:47 • -7.6db
23% Popularity • 52% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Kurt Vile
Mount Airy Hill (Way Gone)
96 bpm • A Maj • 05:32 • -9db
44% Popularity • 51% Danceability • 65% Energy • 12% Liveness
75% Instrumentalness • 33% Positiveness
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Julia Jacklin
to Perth, before the border closes
96 bpm • D Maj • 02:56 • -12.44db
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Kevin Morby
The Dark Don’t Hide It
96 bpm • C# Maj • 04:22 • -6.18db
31% Popularity • 44% Danceability • 75% Energy • 7% Liveness
4% Instrumentalness • 42% Positiveness
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Big Thief
Love In Mine
76 bpm • D# Maj • 03:18 • -11.03db
38% Popularity • 45% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
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Hurray For The Riff Raff
RHODODENDRON
75 bpm • F Maj • 03:34 • -7.88db
38% Popularity • 71% Danceability • 73% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
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Waxahatchee
Sparks Fly
95 bpm • C Maj • 03:06 • -4.87db
34% Popularity • 42% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 26% Positiveness
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Kurt Vile
Rollin With The Flow
96 bpm • D Maj • 02:59 • -7db
42% Popularity • 56% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Andrew Bird
Left Handed Kisses
97 bpm • E min • 03:14 • -9.12db
46% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Samia
Is There Something In The Movies?
75 bpm • G Maj • 03:30 • -13.97db
25% Popularity • 44% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Vagabon
In A Bind - Strings Version
97 bpm • D# min • 03:43 • -11.76db
19% Popularity • 52% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Routine
Cady Road
97 bpm • D Maj • 03:10 • -7.25db
27% Popularity • 50% Danceability • 73% Energy • 16% Liveness
5% Instrumentalness • 60% Positiveness
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Laura Marling
For You
97 bpm • C Maj • 03:57 • -16db
47% Popularity • 55% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Lucy Dacus
Thumbs
98 bpm • G min • 04:25 • -16db
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Fire