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Whitacre: Five Hebrew Love Songs: Rakút (Tenderne...
Songs like
Whitacre: Five Hebrew Love Songs: Rakút (Tenderness)
by
Eric Whitacre
Based on a tempo of (+/- 10%) and a similar genre
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Z. Randall Stroope
I Am Not Yours
92 bpm • B Maj • 04:23 • -24.99db
18% Popularity • 11% Danceability • 4% Energy • 61% Liveness
5% Instrumentalness • 4% Positiveness
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Gustav Mahler
Ich bin der Welt abhanden gekommen
92 bpm • D# Maj • 05:36 • -26.94db
11% Popularity • 15% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
29% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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James Whitbourn
A Prayer of Desmond Tutu
92 bpm • D Maj • 01:37 • -21.35db
26% Popularity • 29% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
37% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Nordic Chamber Choir - Nicol Matt
Se Per Havervi, Oime
92 bpm • C# Maj • 04:26 • -29db
11% Popularity • 13% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Rakút...
92 bpm • G Maj • 02:22 • -26.67db
29% Popularity • 18% Danceability • 6% Energy • 17% Liveness
20% Instrumentalness • 3% Positiveness
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Paul Mealor
She Walks In Beauty
92 bpm • G Maj • 04:47 • -25db
19% Popularity • 11% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
The Bluebird
91 bpm • B Maj • 03:13 • -28db
27% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Johannes Brahms
Der 13. Psalm, Op. 27
93 bpm • G Maj • 05:08 • -22.07db
16% Popularity • 16% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Samuel Barber
Agnus Dei, Op. 11
93 bpm • A# min • 06:37 • -28.81db
13% Popularity • 11% Danceability • 3% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
93 bpm • A# min • 03:22 • -17.82db
14% Popularity • 44% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Henryk Górecki
Miserere, Op. 44: 2. Domine Deus noster-...
90 bpm • C Maj • 02:16 • -49.17db
24% Popularity • 15% Danceability • 0% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
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Alfred Schnittke
Three Sacred Hymns: I. Gegrüßet seist ...
90 bpm • C min • 01:35 • -30db
15% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Eric Whitacre
Whitacre: Water Night
94 bpm • A# min • 05:27 • -25.08db
27% Popularity • 12% Danceability • 4% Energy • 13% Liveness
6% Instrumentalness • 3% Positiveness
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Aaron Copland
Old American Songs I: V. I Bought me a C...
94 bpm • F Maj • 02:26 • -20.89db
16% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Cantus
Lift Thine Eyes
90 bpm • D Maj • 02:07 • -26db
11% Popularity • 14% Danceability • 7% Energy • 9% Liveness
7% Instrumentalness • 7% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
94 bpm • E Maj • 03:26 • -21db
10% Popularity • 11% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Samuel Barber
Agnus Dei, Op. 11
94 bpm • F# Maj • 05:54 • -22.72db
18% Popularity • 15% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 3% Positiveness
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The Chapel Choir of Pembroke College, Cambridge
Walford Davies: A Short Requiem - De pro...
94 bpm • D Maj • 02:09 • -34.59db
33% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Lárov...
95 bpm • G Maj • 00:58 • -21.86db
31% Popularity • 30% Danceability • 12% Energy • 36% Liveness
12% Instrumentalness • 22% Positiveness
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Francis Poulenc
Gloria: VI. Qui sedes ad dexteram Patris
89 bpm • G Maj • 06:13 • -20.4db
21% Popularity • 18% Danceability • 9% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
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Paul Aitken
Flanders Fields
89 bpm • A# min • 03:28 • -28db
14% Popularity • 13% Danceability • 4% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
Identity & The Ground
89 bpm • G# Maj • 06:13 • -26.74db
21% Popularity • 10% Danceability • 3% Energy • 20% Liveness
50% Instrumentalness • 3% Positiveness
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William Billings
David's Lamentation
89 bpm • A min • 01:48 • -21.33db
9% Popularity • 31% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 4. Full fathom ...
89 bpm • G# Maj • 02:22 • -24db
10% Popularity • 15% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
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Samuel Barber
Barber - Four songs, op. 13: Sure on thi...
89 bpm • G min • 02:17 • -19db
15% Popularity • 20% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Amy Beach
Peace I Leave With You
89 bpm • D# Maj • 01:30 • -32.18db
29% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
3 Chansons de Charles d'Orleans: Trois C...
89 bpm • B Maj • 02:17 • -31db
11% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
36% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: No. 7. Ring out...
89 bpm • C Maj • 05:13 • -19db
9% Popularity • 26% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: V. Bendecid su nombre
89 bpm • G Maj • 06:31 • -16.76db
12% Popularity • 11% Danceability • 23% Energy • 14% Liveness
63% Instrumentalness • 10% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Prologue: N...
96 bpm • E Maj • 06:55 • -17.16db
19% Popularity • 29% Danceability • 12% Energy • 15% Liveness
1% Instrumentalness • 21% Positiveness
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Franz Schubert
Mass No.2 in G Major, D.167: III. Credo
88 bpm • G Maj • 04:17 • -23.01db
13% Popularity • 14% Danceability • 11% Energy • 11% Liveness
30% Instrumentalness • 6% Positiveness
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Alexander Gretchaninov
Preserve, O Lord, for Many Years, Op. 79
96 bpm • C Maj • 01:04 • -14db
20% Popularity • 19% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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John Tavener
The Lamb - Live
88 bpm • E min • 04:27 • -32.19db
4% Popularity • 10% Danceability • 3% Energy • 68% Liveness
13% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
88 bpm • G# Maj • 02:19 • -25.25db
18% Popularity • 22% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
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Eric Whitacre
Ghost Train Triptych: II. At the Station
88 bpm • A# min • 10:56 • -27.5db
4% Popularity • 32% Danceability • 3% Energy • 10% Liveness
41% Instrumentalness • 9% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
The City
88 bpm • D# Maj • 10:40 • -20db
15% Popularity • 13% Danceability • 16% Energy • 18% Liveness
29% Instrumentalness • 4% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 3. Double, doub...
88 bpm • F# Maj • 03:28 • -16db
14% Popularity • 42% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86 / Gloria: IIa. G...
88 bpm • D Maj • 02:32 • -17.05db
12% Popularity • 16% Danceability • 23% Energy • 13% Liveness
6% Instrumentalness • 13% Positiveness
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Sergey Khvoshchinsky
Bogoroditse Devo, raduysia
87 bpm • D# Maj • 05:18 • -19db
11% Popularity • 14% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
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Francis Poulenc
Quatre petites prières de Saint Franço...
97 bpm • A# Maj • 02:33 • -29.13db
12% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Eric Whitacre
With a Lily in Your Hand (Three Flower S...
96 bpm • B Maj • 02:47 • -19.92db
10% Popularity • 22% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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The Wartburg Choir
Let My Love Be Heard
87 bpm • F Maj • 04:29 • -24.48db
18% Popularity • 9% Danceability • 3% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Hubert Parry
Music, When Soft Voices Die
87 bpm • E Maj • 02:14 • -26db
13% Popularity • 13% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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John Bennet
Weep, Oh Mine Eyes
87 bpm • A# min • 02:39 • -23db
24% Popularity • 14% Danceability • 10% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Henryk Górecki
Pieśni Maryjne, Op. 54: 4. Ach, jak smu...
97 bpm • G Maj • 04:46 • -27db
8% Popularity • 12% Danceability • 3% Energy • 18% Liveness
9% Instrumentalness • 5% Positiveness
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Nordic Chamber Choir - Nicol Matt
Veni, Sancte Spiritus
87 bpm • A Maj • 02:32 • -18.4db
15% Popularity • 20% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Eric Whitacre
The Sacred Veil: X. Dear Friends
97 bpm • C min • 03:17 • -18.39db
15% Popularity • 15% Danceability • 12% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Z. Randall Stroope
I Am Not Yours
87 bpm • B Maj • 04:52 • -24.35db
10% Popularity • 18% Danceability • 2% Energy • 9% Liveness
16% Instrumentalness • 3% Positiveness
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Georgy Sviridov
Christmas Troparion (Inexpressible Wonde...
87 bpm • C# Maj • 01:23 • -25db
31% Popularity • 20% Danceability • 8% Energy • 17% Liveness
66% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Hark I Hear the Harps Eternal
87 bpm • C Maj • 02:10 • -21db
16% Popularity • 31% Danceability • 16% Energy • 15% Liveness
5% Instrumentalness • 19% Positiveness
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Herbert Howells
Behold, O God, Our Great Defender
87 bpm • A Maj • 04:29 • -20.84db
10% Popularity • 16% Danceability • 14% Energy • 13% Liveness
68% Instrumentalness • 4% Positiveness
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George Butterworth
6 Songs from A Shropshire Lad: No. 1. Lo...
98 bpm • E Maj • 02:32 • -24db
15% Popularity • 33% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Eric Whitacre
The Sacred Veil: VIII. Delicious Times
87 bpm • C min • 05:19 • -24.85db
14% Popularity • 21% Danceability • 5% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 9. Domine Deus noster ...
86 bpm • C Maj • 04:29 • -22.53db
12% Popularity • 9% Danceability • 6% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Knut Nystedt
3 Motets, Op. 43: No. 2, Peace I Leave w...
86 bpm • C# min • 02:41 • -20.75db
14% Popularity • 16% Danceability • 3% Energy • 28% Liveness
73% Instrumentalness • 3% Positiveness
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Jan Pieterszoon Sweelinck
Psalm 96, "Chantez a Dieu chanson nouvel...
86 bpm • E min • 01:55 • -24.05db
20% Popularity • 28% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Mia Makaroff
Butterfly
98 bpm • B Maj • 04:00 • -26.03db
23% Popularity • 15% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 9% Positiveness
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Maurice Duruflé
Ubi Caritas - Live
86 bpm • D# Maj • 02:57 • -26.75db
22% Popularity • 11% Danceability • 6% Energy • 69% Liveness
0% Instrumentalness • 5% Positiveness
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Eric Whitacre
Five Hebrew Love Songs 1. Temuna
87 bpm • G Maj • 01:47 • -25.49db
22% Popularity • 11% Danceability • 6% Energy • 45% Liveness
95% Instrumentalness • 4% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
26% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
31% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Accentus
Drömmarna
99 bpm • D# Maj • 01:45 • -29.36db
32% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
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Bob Chilcott
Be thou my vision - SATB
86 bpm • G# Maj • 03:20 • -25.32db
14% Popularity • 23% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Antonio Lotti
Crucifixus (8vv)
86 bpm • C min • 03:40 • -22db
17% Popularity • 10% Danceability • 20% Energy • 25% Liveness
23% Instrumentalness • 3% Positiveness
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Steve Dobrogosz
Mass: VI. Agnus Dei
86 bpm • C Maj • 06:39 • -20.51db
12% Popularity • 18% Danceability • 6% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ubi Caritas
85 bpm • F# min • 05:22 • -25db
39% Popularity • 16% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
85 bpm • E min • 07:50 • -23.81db
34% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
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Kevin Puts
If I Were A Swan
85 bpm • C# Maj • 06:22 • -24db
11% Popularity • 16% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: III. Cred...
99 bpm • G Maj • 03:59 • -20.33db
10% Popularity • 18% Danceability • 13% Energy • 11% Liveness
71% Instrumentalness • 19% Positiveness
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Eric Whitacre
5 Hebrew Love Songs: No. 3, Lárov (Vers...
85 bpm • G Maj • 00:58 • -15.48db
18% Popularity • 25% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Wilhelm Peterson-Berger
I furuskogen
85 bpm • G# Maj • 01:12 • -28db
30% Popularity • 16% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Knut Nystedt
Cry Out and Shout
85 bpm • D min • 01:30 • -16db
23% Popularity • 28% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
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Steve Dobrogosz
Mass: II. Kyrie
85 bpm • A# Maj • 04:12 • -12.94db
15% Popularity • 28% Danceability • 24% Energy • 10% Liveness
58% Instrumentalness • 20% Positiveness
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Claude Debussy
Dieu, qu'il l'a fait bon regarder
85 bpm • G# min • 02:15 • -36db
15% Popularity • 9% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Z. Randall Stroope
In Paradisum
85 bpm • G# Maj • 03:57 • -20.69db
15% Popularity • 17% Danceability • 10% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
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John Tavener
The Lamb
100 bpm • D min • 03:39 • -34.38db
10% Popularity • 18% Danceability • 1% Energy • 8% Liveness
42% Instrumentalness • 4% Positiveness
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Henry Purcell
One Charming Night (Secrecy)
85 bpm • F# min • 02:13 • -25db
30% Popularity • 26% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Stephen Foster
Under the Willow (Arr. S. LaBarr for Cho...
100 bpm • D# Maj • 05:02 • -28.38db
9% Popularity • 19% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Eric William Barnum
Dawn
84 bpm • F Maj • 04:18 • -29db
13% Popularity • 9% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Eric Whitacre
Three Songs of Faith: I. hope, faith, li...
84 bpm • A# Maj • 04:06 • -23.28db
10% Popularity • 9% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Primus: Amabile Men's Choir
Lux Aurumque
84 bpm • C# min • 03:37 • -31.2db
3% Popularity • 9% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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John Tavener
Funeral Ikos
85 bpm • G# Maj • 08:07 • -32.54db
22% Popularity • 10% Danceability • 4% Energy • 7% Liveness
54% Instrumentalness • 4% Positiveness
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The Wartburg Choir
MLK
84 bpm • G# Maj • 02:33 • -37.74db
17% Popularity • 8% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
21% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Sven-David Sandström
To See a World
84 bpm • G min • 04:01 • -33db
14% Popularity • 8% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Requiem aeternam II
84 bpm • D Maj • 04:01 • -26db
15% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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The Concordia Choir
Create in Me a Clean Heart
84 bpm • E Maj • 01:43 • -37db
40% Popularity • 19% Danceability • 1% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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John Tavener
Song for Athene
84 bpm • F Maj • 05:42 • -30.58db
16% Popularity • 18% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: IV. Epilogue: Voici Le Soir (...
84 bpm • F# Maj • 02:26 • -38db
11% Popularity • 13% Danceability • 0% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
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John Cameron
Lux aeterna (choral arr. of Elgar's Nimr...
84 bpm • C# Maj • 03:51 • -30.09db
12% Popularity • 9% Danceability • 6% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
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Arthur Sullivan
The Long Day Closes
84 bpm • G# Maj • 03:58 • -28db
13% Popularity • 10% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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The St. Olaf Choir
Ain'a That Good News (Arr. W.L. Dawson f...
84 bpm • F# Maj • 02:08 • -22.6db
18% Popularity • 25% Danceability • 11% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
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Samuel Barber
4 Songs, Op. 13: No. 3. Sure on this shi...
101 bpm • A# Maj • 02:29 • -28.32db
21% Popularity • 16% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
83 bpm • G Maj • 04:07 • -22.57db
14% Popularity • 9% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Set Me as a Seal
101 bpm • D Maj • 02:58 • -30db
28% Popularity • 17% Danceability • 5% Energy • 14% Liveness
11% Instrumentalness • 8% Positiveness
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Eliza Gilkyson
Requiem (Arr. Johnson)
101 bpm • A# Maj • 03:44 • -23db
21% Popularity • 27% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 7% Positiveness
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Eric Whitacre
Animal Crackers Vol. 1 2. The Cow
101 bpm • D# min • 01:06 • -17.69db
15% Popularity • 25% Danceability • 18% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Whitacre: Five Hebrew Love Songs: Rakút (Tenderne...