Songs like Five Shakespeare Songs: Take, O Take Those Lips Away by Roger Quilter
Based on a tempo of (+/- 10%) and a similar genre
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
40% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
40% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Roger Quilter
Five Shakespeare Songs: Take, O Take Tho...
172 bpm • C# Maj • 01:30 • -23.69db
7% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Geistliches Lied, Op. 30
172 bpm • D# Maj • 05:10 • -26.16db
29% Popularity • 8% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
29% Popularity • 8% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
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Louis Moreau Gottschalk
L’etincelle, La scintilla (The Spark),...
172 bpm • D# Maj • 03:19 • -30.06db
9% Popularity • 44% Danceability • 3% Energy • 10% Liveness
9% Instrumentalness • 16% Positiveness
9% Popularity • 44% Danceability • 3% Energy • 10% Liveness
9% Instrumentalness • 16% Positiveness
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Richard Strauss
Strauss, R: 4 Lieder, Op. 27: No. 4, Mor...
173 bpm • D Maj • 04:47 • -31db
15% Popularity • 20% Danceability • 1% Energy • 6% Liveness
26% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 1% Energy • 6% Liveness
26% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Gustav Mahler
Symphony No. 2 in C Minor "Resurrection"...
174 bpm • C# Maj • 05:29 • -28db
21% Popularity • 11% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
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Roger Quilter
5 English Love Lyrics, Op. 24: Go, lovel...
170 bpm • F# Maj • 02:56 • -24.28db
6% Popularity • 24% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 24% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
174 bpm • F Maj • 04:00 • -21db
19% Popularity • 12% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
19% Popularity • 12% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
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Georg Philipp Telemann
Ouverture in D Major, "Darmstadt": Harle...
174 bpm • C# Maj • 01:59 • -16.95db
47% Popularity • 12% Danceability • 14% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
47% Popularity • 12% Danceability • 14% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Violin Concerto In D Major, Op. 35: I. M...
175 bpm • E min • 08:39 • -19.58db
8% Popularity • 19% Danceability • 19% Energy • 10% Liveness
28% Instrumentalness • 8% Positiveness
8% Popularity • 19% Danceability • 19% Energy • 10% Liveness
28% Instrumentalness • 8% Positiveness
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Frederick Delius
Summer Evening
175 bpm • D Maj • 05:45 • -26db
8% Popularity • 8% Danceability • 3% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Roger Quilter
Summer Sunset (arr. J. Lloyd Webber for ...
174 bpm • F# Maj • 02:16 • -25.73db
21% Popularity • 8% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
21% Popularity • 8% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
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Engelbert Humperdinck
Hänsel und Gretel, EHWV 93.3, Act II: A...
169 bpm • D Maj • 03:05 • -31.67db
18% Popularity • 9% Danceability • 2% Energy • 11% Liveness
13% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 2% Energy • 11% Liveness
13% Instrumentalness • 3% Positiveness
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John Ireland
Spring Sorrow (arr. J. Lloyd Webber for ...
169 bpm • F Maj • 03:48 • -26.92db
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Libera me
175 bpm • A# Maj • 04:53 • -23.35db
21% Popularity • 10% Danceability • 6% Energy • 11% Liveness
41% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 6% Energy • 11% Liveness
41% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I: Ombra mai fu
175 bpm • E Maj • 03:04 • -18.42db
39% Popularity • 13% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
168 bpm • D# Maj • 05:43 • -25.03db
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Roger Quilter
4 Songs, Op. 14: Autumn evening
174 bpm • A# min • 03:03 • -22.05db
2% Popularity • 25% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 25% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Repentir (O Divine Redeemer)
176 bpm • C Maj • 06:34 • -22.02db
15% Popularity • 16% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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Max Reger
Variation 2: Poco agitato
176 bpm • F Maj • 01:39 • -24db
35% Popularity • 8% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
35% Popularity • 8% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Franz Lehár
Lehár: Die lustige Witwe, Act 2: Vilja-...
176 bpm • G Maj • 04:53 • -19.67db
21% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37B: IV. April. Snowdro...
177 bpm • A# Maj • 03:27 • -35.51db
10% Popularity • 9% Danceability • 1% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 1% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Zaide, K. 344/336b, Act 1 Scene ...
166 bpm • G Maj • 06:21 • -22.48db
42% Popularity • 23% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
42% Popularity • 23% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
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Roger Quilter
Music, When Soft Voices Die
169 bpm • G# Maj • 01:37 • -22db
5% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
5% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Fauré: 3 Songs, Op. 7: No. 1, Après un...
166 bpm • G min • 02:43 • -16.74db
25% Popularity • 25% Danceability • 8% Energy • 6% Liveness
16% Instrumentalness • 5% Positiveness
25% Popularity • 25% Danceability • 8% Energy • 6% Liveness
16% Instrumentalness • 5% Positiveness
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Amy Beach
3 Compositions, Op. 40 (version for cell...
168 bpm • D Maj • 03:15 • -33db
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
71% Instrumentalness • 13% Positiveness
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
71% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Clarinet Sonata in E-Flat Major, Op. 167...
165 bpm • D# Maj • 04:25 • -29db
29% Popularity • 15% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
29% Popularity • 15% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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George Butterworth
6 Songs from A Shropshire Lad: No. 2. Wh...
165 bpm • B min • 01:14 • -21.49db
19% Popularity • 42% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 42% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Clara Schumann
Piano Trio in G minor, Op. 17: 3. Andant...
180 bpm • G Maj • 04:45 • -25db
16% Popularity • 15% Danceability • 4% Energy • 8% Liveness
74% Instrumentalness • 7% Positiveness
16% Popularity • 15% Danceability • 4% Energy • 8% Liveness
74% Instrumentalness • 7% Positiveness
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Roger Quilter
Five Shakespeare Songs: Under the Greenw...
180 bpm • D Maj • 01:06 • -17.47db
3% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
3% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
164 bpm • D Maj • 08:45 • -17db
24% Popularity • 19% Danceability • 15% Energy • 22% Liveness
56% Instrumentalness • 21% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 22% Liveness
56% Instrumentalness • 21% Positiveness
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Reynaldo Hahn
À Chloris
185 bpm • E Maj • 03:02 • -25.61db
24% Popularity • 26% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
24% Popularity • 26% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
160 bpm • A# Maj • 06:53 • -16db
28% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
28% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Peter Warlock
Capriol Suite: 4. Bransles
156 bpm • G Maj • 01:59 • -19.75db
30% Popularity • 40% Danceability • 22% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
30% Popularity • 40% Danceability • 22% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
151 bpm • D Maj • 02:19 • -20.77db
36% Popularity • 28% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
36% Popularity • 28% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
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Roger Quilter
O Mistress Mine
159 bpm • D# Maj • 01:36 • -17.45db
5% Popularity • 40% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
5% Popularity • 40% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
149 bpm • G# Maj • 09:53 • -24.78db
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Reynaldo Hahn
L’heure Exquise
150 bpm • D Maj • 02:26 • -31db
18% Popularity • 26% Danceability • 1% Energy • 7% Liveness
44% Instrumentalness • 7% Positiveness
18% Popularity • 26% Danceability • 1% Energy • 7% Liveness
44% Instrumentalness • 7% Positiveness
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Peter Warlock
I. Basse-Danse
191 bpm • D min • 01:12 • -19.82db
25% Popularity • 37% Danceability • 29% Energy • 10% Liveness
94% Instrumentalness • 57% Positiveness
25% Popularity • 37% Danceability • 29% Energy • 10% Liveness
94% Instrumentalness • 57% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
197 bpm • B min • 02:47 • -35.32db
55% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
55% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
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Dame Ethel Smyth
Serenade in D Major: II. Scherzo. Allegr...
148 bpm • G Maj • 06:09 • -25db
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
