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Flickers
Songs like
Flickers
by
Son Lux
Based on a tempo of (+/- 10%) and a similar genre
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DeVotchKa
The Winner Is
104 bpm • E min • 03:04 • -12.02db
57% Popularity • 68% Danceability • 40% Energy • 23% Liveness
92% Instrumentalness • 16% Positiveness
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Joe Wong
We Cry
104 bpm • G min • 03:54 • -16db
33% Popularity • 36% Danceability • 14% Energy • 13% Liveness
98% Instrumentalness • 12% Positiveness
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Active Child
Color Me - Julia Holter Remix
105 bpm • F# min • 04:04 • -13.68db
7% Popularity • 17% Danceability • 20% Energy • 29% Liveness
49% Instrumentalness • 4% Positiveness
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Oskar Schuster
Lumehelves
104 bpm • C# min • 04:04 • -14.35db
19% Popularity • 67% Danceability • 37% Energy • 6% Liveness
96% Instrumentalness • 6% Positiveness
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Agnes Obel
Trojan Horses
105 bpm • D# Maj • 05:33 • -15.59db
34% Popularity • 49% Danceability • 44% Energy • 10% Liveness
58% Instrumentalness • 14% Positiveness
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Cristobal Tapia De Veer
Fascinating Child
105 bpm • A min • 03:52 • -19.47db
16% Popularity • 27% Danceability • 23% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Son Lux
Flickers
105 bpm • A# min • 04:55 • -10db
37% Popularity • 32% Danceability • 33% Energy • 13% Liveness
23% Instrumentalness • 7% Positiveness
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Other Lives
No Trouble
105 bpm • D Maj • 03:46 • -9.91db
29% Popularity • 23% Danceability • 57% Energy • 18% Liveness
95% Instrumentalness • 20% Positiveness
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The Black Ghosts
Full Moon
105 bpm • G Maj • 03:51 • -8.06db
60% Popularity • 56% Danceability • 60% Energy • 16% Liveness
9% Instrumentalness • 56% Positiveness
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Apollo Sunshine
We Are Born When We Die
103 bpm • F Maj • 02:32 • -13.52db
44% Popularity • 22% Danceability • 35% Energy • 23% Liveness
98% Instrumentalness • 7% Positiveness
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Beach House
On The Sea
102 bpm • D# Maj • 05:32 • -7.72db
28% Popularity • 24% Danceability • 52% Energy • 9% Liveness
10% Instrumentalness • 16% Positiveness
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Phosphorescent
Black Moon / Silver Waves
102 bpm • G Maj • 01:16 • -13.07db
39% Popularity • 28% Danceability • 35% Energy • 14% Liveness
99% Instrumentalness • 4% Positiveness
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Son Lux
Stolen
102 bpm • D min • 04:00 • -12.95db
22% Popularity • 57% Danceability • 45% Energy • 8% Liveness
24% Instrumentalness • 36% Positiveness
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Sleep Thieves
Out of the Darkness
106 bpm • C# Maj • 02:03 • -10.77db
32% Popularity • 47% Danceability • 51% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Arthur Sharpe
Blooms
106 bpm • E min • 04:34 • -9.27db
9% Popularity • 42% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Red Mecca
I See Darkness in You
106 bpm • C Maj • 04:18 • -13.77db
31% Popularity • 55% Danceability • 65% Energy • 19% Liveness
63% Instrumentalness • 4% Positiveness
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Timber Timbre
Run From Me
102 bpm • B Maj • 04:16 • -7db
42% Popularity • 44% Danceability • 42% Energy • 11% Liveness
72% Instrumentalness • 41% Positiveness
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Labrinth
Planning Date
107 bpm • B min • 01:41 • -15.85db
45% Popularity • 42% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
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Son Lux
Ransom
102 bpm • A# Maj • 05:09 • -9.65db
26% Popularity • 61% Danceability • 64% Energy • 12% Liveness
28% Instrumentalness • 21% Positiveness
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Soap&Skin
Sugarbread
107 bpm • E min • 03:35 • -8.87db
38% Popularity • 37% Danceability • 55% Energy • 12% Liveness
48% Instrumentalness • 17% Positiveness
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Thomas Azier
Hold On Tight
107 bpm • D min • 04:54 • -11.72db
29% Popularity • 66% Danceability • 33% Energy • 7% Liveness
25% Instrumentalness • 23% Positiveness
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Cristobal Tapia De Veer
Gifted
107 bpm • E Maj • 02:58 • -16.35db
30% Popularity • 43% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Will Bates & Phil Mossman
Message To My Future Self
101 bpm • F# min • 03:35 • -12.31db
21% Popularity • 38% Danceability • 34% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
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Helena Deland
Baby
101 bpm • F Maj • 04:29 • -11db
36% Popularity • 29% Danceability • 25% Energy • 21% Liveness
6% Instrumentalness • 6% Positiveness
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Arthur Sharpe
The Brume
108 bpm • A min • 01:49 • -16.64db
9% Popularity • 39% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Silent Poets
Almost nothing - "Death Stranding" Endin...
108 bpm • E min • 04:56 • -11.32db
38% Popularity • 45% Danceability • 43% Energy • 9% Liveness
48% Instrumentalness • 8% Positiveness
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Lorn
Anvil
100 bpm • F# min • 03:29 • -10.77db
53% Popularity • 38% Danceability • 46% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Blueneck
Pneumothorax
108 bpm • G min • 04:12 • -10db
32% Popularity • 25% Danceability • 32% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Thom Yorke
Klemperer Walks
109 bpm • C min • 01:38 • -9.91db
31% Popularity • 23% Danceability • 38% Energy • 26% Liveness
5% Instrumentalness • 4% Positiveness
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Mirah
Special Death
108 bpm • D min • 02:32 • -11.8db
49% Popularity • 44% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Les Deux Love Orchestra
The Moth & The Flame
109 bpm • D min • 03:55 • -14.22db
45% Popularity • 71% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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Andy Hull and Robert McDowell
Finale
109 bpm • G# min • 02:48 • -16.16db
24% Popularity • 16% Danceability • 15% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
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Davidge
Home From Home
110 bpm • F min • 05:07 • -10.41db
0% Popularity • 57% Danceability • 38% Energy • 10% Liveness
21% Instrumentalness • 17% Positiveness
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FKA twigs
cellophane
98 bpm • D Maj • 03:24 • -11.86db
57% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Mammals
Depraved
110 bpm • C# Maj • 03:53 • -12.87db
41% Popularity • 77% Danceability • 22% Energy • 10% Liveness
36% Instrumentalness • 12% Positiveness
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Message To Bears
Mountains
110 bpm • F# Maj • 03:55 • -13.78db
53% Popularity • 56% Danceability • 51% Energy • 10% Liveness
78% Instrumentalness • 66% Positiveness
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Ex:Re
New York
110 bpm • F# min • 05:32 • -15.84db
24% Popularity • 34% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Noah Hawley
Change the World
110 bpm • D# min • 04:01 • -10.98db
23% Popularity • 48% Danceability • 45% Energy • 33% Liveness
1% Instrumentalness • 11% Positiveness
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Sisyphus
Take Me
110 bpm • E min • 05:57 • -13db
33% Popularity • 67% Danceability • 46% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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LAUREL
Come Together
110 bpm • E min • 02:56 • -10.52db
30% Popularity • 65% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Black Math
Strangelove
98 bpm • E min • 04:05 • -9db
38% Popularity • 51% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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CLANN
The Faerie Court (Under Sun)
98 bpm • C# Maj • 04:14 • -8.52db
35% Popularity • 66% Danceability • 54% Energy • 37% Liveness
23% Instrumentalness • 35% Positiveness
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Keaton Henson
Small Hands
98 bpm • F min • 03:00 • -8db
46% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Radiohead
Spectre
98 bpm • B min • 03:19 • -8.8db
59% Popularity • 25% Danceability • 45% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Daniel Blumberg
The World to Come
111 bpm • G min • 05:41 • -16db
21% Popularity • 26% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Soap&Skin
Athom
111 bpm • C# Maj • 04:02 • -13.25db
21% Popularity • 41% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Ex:Re
Where the Time Went
97 bpm • C# Maj • 04:16 • -14db
25% Popularity • 41% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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CLANN
The Faerie Court (Under Moon)
98 bpm • D# min • 06:52 • -8.47db
33% Popularity • 62% Danceability • 58% Energy • 6% Liveness
21% Instrumentalness • 14% Positiveness
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Emily Wells
Stay Up
111 bpm • F Maj • 03:47 • -10.02db
25% Popularity • 62% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Florence + The Machine
Haunted House
111 bpm • A min • 01:53 • -11.3db
46% Popularity • 52% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Oberhofer
Sea of Dreams
97 bpm • C Maj • 04:43 • -9.7db
40% Popularity • 44% Danceability • 65% Energy • 16% Liveness
53% Instrumentalness • 50% Positiveness
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Moses Sumney
Me in 20 Years
111 bpm • A Maj • 03:40 • -7db
47% Popularity • 37% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Sleep Party People
Notes to You
97 bpm • G# min • 03:11 • -9.27db
35% Popularity • 36% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Son Lux
Only
112 bpm • A# min • 04:42 • -15.72db
2% Popularity • 41% Danceability • 24% Energy • 24% Liveness
1% Instrumentalness • 21% Positiveness
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Cigarettes After Sex
Nothing's Gonna Hurt You Baby
97 bpm • E Maj • 04:46 • -14.07db
75% Popularity • 51% Danceability • 33% Energy • 11% Liveness
15% Instrumentalness • 10% Positiveness
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Koda
There
112 bpm • E Maj • 03:28 • -11db
28% Popularity • 60% Danceability • 45% Energy • 8% Liveness
61% Instrumentalness • 14% Positiveness
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SYML
Mr. Sandman
97 bpm • A min • 03:26 • -10.66db
62% Popularity • 34% Danceability • 37% Energy • 7% Liveness
26% Instrumentalness • 4% Positiveness
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Thom Yorke
Unmade
96 bpm • A min • 04:27 • -11.96db
52% Popularity • 34% Danceability • 30% Energy • 6% Liveness
94% Instrumentalness • 12% Positiveness
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Soap&Skin
Marche Funèbre
112 bpm • F Maj • 02:59 • -10.3db
24% Popularity • 52% Danceability • 45% Energy • 8% Liveness
44% Instrumentalness • 35% Positiveness
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Son Lux
Flowers
96 bpm • C# Maj • 02:55 • -11.98db
15% Popularity • 43% Danceability • 16% Energy • 12% Liveness
7% Instrumentalness • 6% Positiveness
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The xx
Together
96 bpm • C# min • 05:25 • -9db
50% Popularity • 61% Danceability • 32% Energy • 10% Liveness
74% Instrumentalness • 12% Positiveness
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Sisyphus
Calm It Down
96 bpm • B min • 06:29 • -13db
18% Popularity • 85% Danceability • 58% Energy • 15% Liveness
6% Instrumentalness • 29% Positiveness
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Evgueni Galperine
Mira Is Leaving
113 bpm • B min • 02:51 • -19db
16% Popularity • 24% Danceability • 12% Energy • 43% Liveness
16% Instrumentalness • 6% Positiveness
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St. Vincent
Smoking Section
113 bpm • F min • 03:37 • -12db
35% Popularity • 59% Danceability • 32% Energy • 10% Liveness
6% Instrumentalness • 13% Positiveness
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JFDR
White Sun
113 bpm • A min • 04:28 • -13.31db
27% Popularity • 49% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Girlyboi
Whole
95 bpm • B min • 04:58 • -12.59db
24% Popularity • 28% Danceability • 38% Energy • 11% Liveness
10% Instrumentalness • 20% Positiveness
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Cults
Bad Things
114 bpm • C# min • 03:38 • -6.87db
55% Popularity • 29% Danceability • 73% Energy • 29% Liveness
32% Instrumentalness • 29% Positiveness
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Julian Wass
Getting Off
95 bpm • D Maj • 01:04 • -12.07db
16% Popularity • 62% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Jadu Heart
Another Life
95 bpm • B min • 03:52 • -7.48db
49% Popularity • 44% Danceability • 55% Energy • 34% Liveness
86% Instrumentalness • 8% Positiveness
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Agnes Obel
The Curse
95 bpm • C min • 05:53 • -12.06db
56% Popularity • 61% Danceability • 24% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
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Wickerbird
The Fold
114 bpm • C min • 03:36 • -13.81db
46% Popularity • 31% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Keaton Henson
Initium
95 bpm • D# min • 09:33 • -22.07db
25% Popularity • 12% Danceability • 6% Energy • 25% Liveness
85% Instrumentalness • 3% Positiveness
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Flower Face
Kaleidoscope
95 bpm • F Maj • 03:08 • -10db
47% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Son Lux
Lanterns Lit
95 bpm • C# min • 02:56 • -11.08db
35% Popularity • 43% Danceability • 21% Energy • 15% Liveness
3% Instrumentalness • 3% Positiveness
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Andy Hull and Robert McDowell
Cave Ballad
115 bpm • A# Maj • 01:45 • -17.26db
28% Popularity • 29% Danceability • 7% Energy • 11% Liveness
7% Instrumentalness • 22% Positiveness
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Winter Aid
Wisp
115 bpm • C# min • 05:10 • -6.98db
28% Popularity • 34% Danceability • 52% Energy • 8% Liveness
61% Instrumentalness • 9% Positiveness
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Ólafur Arnalds
So Close
115 bpm • F# min • 03:51 • -13.45db
44% Popularity • 78% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Zola Jesus
Wiseblood
115 bpm • D# Maj • 04:38 • -11.21db
29% Popularity • 55% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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French For Rabbits
Claimed by the Sea
115 bpm • F min • 04:17 • -12.74db
38% Popularity • 44% Danceability • 19% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
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Arcade Fire
Milk & Honey #1
94 bpm • C# Maj • 01:27 • -19.16db
40% Popularity • 25% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
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Son Lux
Stay
93 bpm • G# min • 03:47 • -9.55db
15% Popularity • 49% Danceability • 35% Energy • 11% Liveness
33% Instrumentalness • 18% Positiveness
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Cristobal Tapia De Veer
I Feel Separated
115 bpm • A# Maj • 03:51 • -19.48db
17% Popularity • 30% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Gem Club
Twins
116 bpm • A min • 04:19 • -16.34db
34% Popularity • 26% Danceability • 7% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Chelou
Halfway to Nowhere
116 bpm • A min • 03:08 • -12.19db
52% Popularity • 76% Danceability • 32% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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Billie Marten
Vanilla Baby
116 bpm • E min • 04:15 • -20.19db
56% Popularity • 43% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Chromatics
Petals
116 bpm • F# min • 01:55 • -10.87db
42% Popularity • 62% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Thom Yorke
Hearing Damage
116 bpm • C# Maj • 05:03 • -6.32db
61% Popularity • 63% Danceability • 86% Energy • 11% Liveness
85% Instrumentalness • 13% Positiveness
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Jealous of the Birds
Tonight I Feel Like Kafka
116 bpm • A# min • 03:09 • -13.67db
43% Popularity • 71% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Sea Power
Want To Be Free
93 bpm • G# Maj • 03:47 • -9.78db
38% Popularity • 40% Danceability • 55% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
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Shey Baba
Born Sick
116 bpm • F# Maj • 01:54 • -11.77db
14% Popularity • 33% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Ex:Re
5AM
117 bpm • E min • 03:41 • -17.46db
17% Popularity • 31% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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SYML
Fear of the Water
93 bpm • G min • 04:05 • -17.64db
61% Popularity • 46% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
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Arcade Fire
The Suburbs (continued)
117 bpm • F# min • 01:31 • -22.32db
59% Popularity • 39% Danceability • 8% Energy • 23% Liveness
27% Instrumentalness • 5% Positiveness
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Emily Wells
Becomes The Color
92 bpm • G# min • 04:43 • -15.16db
35% Popularity • 44% Danceability • 43% Energy • 9% Liveness
39% Instrumentalness • 25% Positiveness
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Daniel Hart
History
117 bpm • A min • 02:15 • -15.53db
21% Popularity • 42% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Agar Agar
Requiem
92 bpm • C# min • 04:35 • -12.45db
33% Popularity • 75% Danceability • 36% Energy • 11% Liveness
67% Instrumentalness • 32% Positiveness
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Mree
In the Kitchen
118 bpm • C min • 03:31 • -13.8db
48% Popularity • 57% Danceability • 34% Energy • 11% Liveness
12% Instrumentalness • 27% Positiveness
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Soap&Skin
Surrounded
117 bpm • C# Maj • 04:16 • -10.51db
25% Popularity • 46% Danceability • 27% Energy • 10% Liveness
19% Instrumentalness • 17% Positiveness
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The Sei
Metroma
92 bpm • G min • 03:43 • -15db
41% Popularity • 52% Danceability • 20% Energy • 13% Liveness
44% Instrumentalness • 5% Positiveness
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Woodkid
Never Let You Down
118 bpm • B min • 04:32 • -9.7db
43% Popularity • 47% Danceability • 42% Energy • 9% Liveness
46% Instrumentalness • 20% Positiveness
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Flickers