Songs like Flow, My Tears (Arr. for Viola & Accordion) by John Dowland
Based on a tempo of (+/- 10%) and a similar genre
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Franz Schubert
Die schöne Müllerin, Op. 25, D. 795: N...
96 bpm • G Maj • 04:22 • -25.79db
35% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
35% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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John Dowland
Flow, My Tears (Arr. for Viola & Accordi...
96 bpm • C min • 04:15 • -21db
16% Popularity • 14% Danceability • 1% Energy • 11% Liveness
10% Instrumentalness • 8% Positiveness
16% Popularity • 14% Danceability • 1% Energy • 11% Liveness
10% Instrumentalness • 8% Positiveness
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Thomas Tallis
A Solfing Song
96 bpm • E Maj • 02:52 • -28.82db
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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Hopkinson Smith
Lady Rich's Galliard
96 bpm • G Maj • 01:40 • -22.46db
25% Popularity • 45% Danceability • 14% Energy • 12% Liveness
68% Instrumentalness • 38% Positiveness
25% Popularity • 45% Danceability • 14% Energy • 12% Liveness
68% Instrumentalness • 38% Positiveness
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Paolo Pandolfo
sopra l'anticho canto de La Spagna
96 bpm • D min • 09:49 • -21.21db
13% Popularity • 24% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Pierre Attaingnant
Pavane
96 bpm • G min • 02:11 • -26db
29% Popularity • 70% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 57% Positiveness
29% Popularity • 70% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 57% Positiveness
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Giovanni Girolamo Kapsberger
Canario
96 bpm • F# Maj • 02:35 • -22.17db
12% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
12% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
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John Dowland
Fortune My Foe, P. 62
96 bpm • C min • 02:51 • -30db
17% Popularity • 37% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 29% Positiveness
17% Popularity • 37% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 29% Positiveness
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Raphaël Imbert
Mass in B Minor, BWV 232: Crucifixus
96 bpm • G min • 03:37 • -15db
14% Popularity • 12% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
14% Popularity • 12% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Alessandro Piccinini
Toccata XX
96 bpm • D min • 02:39 • -22.76db
17% Popularity • 37% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
17% Popularity • 37% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
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Luis de Narváez
Fantasia
95 bpm • C min • 01:48 • -31db
26% Popularity • 42% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
26% Popularity • 42% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
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Vincenzo Capirola
Che farala che dirala
97 bpm • F min • 02:00 • -29.09db
28% Popularity • 43% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 58% Positiveness
28% Popularity • 43% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 58% Positiveness
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Leo Brouwer
Un Dia de Noviembre
97 bpm • A min • 04:26 • -18.16db
40% Popularity • 39% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
40% Popularity • 39% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
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Alberto Ginastera
Danzas Argentinas: No. 2, Danza de la mo...
97 bpm • A min • 03:05 • -28.07db
29% Popularity • 42% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
29% Popularity • 42% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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John Dowland
Mistress Winter’s Jump
95 bpm • A Maj • 00:55 • -21.96db
14% Popularity • 53% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 61% Positiveness
14% Popularity • 53% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 61% Positiveness
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François-Adrien Boieldieu
Concerto pour harpe en ut majeur: III. R...
97 bpm • C min • 06:49 • -20db
19% Popularity • 32% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 14% Positiveness
19% Popularity • 32% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 14% Positiveness
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AntonÃn Dvořák
Gypsy Songs, Op. 55: IV. Songs My Mother...
95 bpm • A min • 02:06 • -17.15db
27% Popularity • 16% Danceability • 15% Energy • 16% Liveness
84% Instrumentalness • 6% Positiveness
27% Popularity • 16% Danceability • 15% Energy • 16% Liveness
84% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Lamento della ninfa, SV 163: Amor, amor
95 bpm • A min • 04:24 • -19.28db
34% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Choral Prelude, BWV 639: "Ich ruf' zu di...
95 bpm • F min • 02:42 • -20db
10% Popularity • 21% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
10% Popularity • 21% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: I....
97 bpm • C Maj • 02:45 • -22.36db
39% Popularity • 46% Danceability • 22% Energy • 15% Liveness
86% Instrumentalness • 66% Positiveness
39% Popularity • 46% Danceability • 22% Energy • 15% Liveness
86% Instrumentalness • 66% Positiveness
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Jules Massenet
Massenet: Thaïs, Act 2: Méditation (Ar...
95 bpm • D Maj • 05:12 • -23.92db
31% Popularity • 22% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
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John Dowland
Lachrimae Antiquae from Lachrimae, or Se...
97 bpm • G min • 04:17 • -30db
16% Popularity • 12% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 12% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Maurizio Cazzati
Ciaccona, Op. 23
95 bpm • C# Maj • 03:07 • -18db
15% Popularity • 49% Danceability • 24% Energy • 10% Liveness
30% Instrumentalness • 69% Positiveness
15% Popularity • 49% Danceability • 24% Energy • 10% Liveness
30% Instrumentalness • 69% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz. 56 (Arr. A. Le...
95 bpm • A min • 01:10 • -21db
35% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 51% Positiveness
35% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 51% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: I. Arpe...
95 bpm • C# min • 02:03 • -35db
36% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
36% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: "De torrente in ...
97 bpm • C min • 03:13 • -16.64db
9% Popularity • 19% Danceability • 16% Energy • 11% Liveness
41% Instrumentalness • 3% Positiveness
9% Popularity • 19% Danceability • 16% Energy • 11% Liveness
41% Instrumentalness • 3% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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John Dowland
Lachrimae or Seven Tears: XIV. The Earl ...
97 bpm • C# min • 01:17 • -19.45db
22% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
22% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
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François Couperin
Troisième livre de pièces de clavecin:...
97 bpm • A# Maj • 02:17 • -24db
35% Popularity • 25% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
35% Popularity • 25% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Stephen Stubbs
Improvisation I on the Folia bass
95 bpm • C# min • 07:45 • -23.17db
15% Popularity • 21% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Christopher Tye
In Nomine No. 20, 'Crye'
98 bpm • C# min • 01:54 • -24.23db
30% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
30% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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Marin Marais
4e livre de viole: Muzette
94 bpm • C# Maj • 02:19 • -31.87db
27% Popularity • 12% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Andrea Falconieri
Ciaconna
94 bpm • C Maj • 03:28 • -17db
15% Popularity • 55% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 78% Positiveness
15% Popularity • 55% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 78% Positiveness
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Michael Praetorius
Terpsichore*: Ballet du Roy
98 bpm • G min • 02:09 • -22db
22% Popularity • 33% Danceability • 9% Energy • 16% Liveness
6% Instrumentalness • 75% Positiveness
22% Popularity • 33% Danceability • 9% Energy • 16% Liveness
6% Instrumentalness • 75% Positiveness
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Manuel de Falla
Nana
94 bpm • A min • 02:32 • -23.61db
28% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 10% Positiveness
28% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 10% Positiveness
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Jean-Philippe Rameau
Le Rappel des oiseaux
94 bpm • E min • 02:40 • -29.7db
20% Popularity • 42% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 53% Positiveness
20% Popularity • 42% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 53% Positiveness
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Heinrich Ignaz Franz von Biber
Harmonia Artificioso Ariosa, Partia V in...
94 bpm • F# min • 04:20 • -21.45db
27% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
27% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
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Shigeru Umebayashi
Yumeji's Theme
99 bpm • C min • 03:25 • -26.86db
31% Popularity • 24% Danceability • 3% Energy • 8% Liveness
9% Instrumentalness • 14% Positiveness
31% Popularity • 24% Danceability • 3% Energy • 8% Liveness
9% Instrumentalness • 14% Positiveness
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Aram Khachaturian
Oriental Dance
99 bpm • A min • 02:13 • -18.49db
24% Popularity • 60% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
24% Popularity • 60% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Pierre de la Rue
Jam sauche
93 bpm • F min • 01:16 • -19db
36% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
36% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
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Alexander Glazunov
2 Pieces for Cello & Orchestra, Op. 20: ...
99 bpm • D Maj • 02:49 • -19db
21% Popularity • 27% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 40% Positiveness
21% Popularity • 27% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 40% Positiveness
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Josquin des Prez
Mille regretz
93 bpm • A min • 01:56 • -30db
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Fernando Sor
Étude No. 5 (arr. of F. Sor: 24 Very Ea...
100 bpm • B min • 02:42 • -24.47db
20% Popularity • 35% Danceability • 3% Energy • 15% Liveness
69% Instrumentalness • 16% Positiveness
20% Popularity • 35% Danceability • 3% Energy • 15% Liveness
69% Instrumentalness • 16% Positiveness
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Claudio Monteverdi
Canzonette d'amore
100 bpm • B min • 02:36 • -25db
31% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Stephen Stubbs
Refrain 2
93 bpm • A min • 01:43 • -41db
27% Popularity • 42% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 19% Positiveness
27% Popularity • 42% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 19% Positiveness
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Violaine Cochard
St. Matthew Passion in E Minor, Pt. 2, B...
100 bpm • B min • 04:10 • -15.46db
13% Popularity • 36% Danceability • 26% Energy • 8% Liveness
3% Instrumentalness • 11% Positiveness
13% Popularity • 36% Danceability • 26% Energy • 8% Liveness
3% Instrumentalness • 11% Positiveness
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Pedro Iturralde
Pequeña Czarda (Arr. Harle)
92 bpm • C min • 03:28 • -7.94db
18% Popularity • 40% Danceability • 42% Energy • 52% Liveness
82% Instrumentalness • 33% Positiveness
18% Popularity • 40% Danceability • 42% Energy • 52% Liveness
82% Instrumentalness • 33% Positiveness
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Reynaldo Hahn
A Chloris (Arr. Milstein)
92 bpm • E Maj • 03:23 • -29db
17% Popularity • 19% Danceability • 3% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 3% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Passagalia in G Minor
100 bpm • F# min • 08:18 • -20db
27% Popularity • 42% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
27% Popularity • 42% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
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John Dowland
Lachrimae, or Seaven Teares: No. 1, Lach...
100 bpm • G# min • 02:51 • -16.29db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
100 bpm • C min • 03:16 • -19.13db
26% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Franz Schubert
Nacht und Träume, Op. 43 No. 2, D. 827 ...
92 bpm • G Maj • 02:46 • -27.82db
14% Popularity • 24% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
27% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
27% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Carl Orff
Musik zur Nacht: Siziliano (Carl Orff) f...
100 bpm • C Maj • 01:34 • -36.75db
33% Popularity • 20% Danceability • 1% Energy • 20% Liveness
35% Instrumentalness • 51% Positiveness
33% Popularity • 20% Danceability • 1% Energy • 20% Liveness
35% Instrumentalness • 51% Positiveness
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Manuel de Falla
Danse espagnole No. 1
100 bpm • A min • 03:41 • -20db
15% Popularity • 42% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 52% Positiveness
15% Popularity • 42% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 52% Positiveness
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Fredrik Sjölin
Naja's Waltz
92 bpm • A min • 03:19 • -20.03db
21% Popularity • 15% Danceability • 8% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
21% Popularity • 15% Danceability • 8% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
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Henry Purcell
Suite From Abdelzar: I. Rondeau
101 bpm • C# min • 01:29 • -21db
46% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
46% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
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Gidon Kremer
Milonga en re
91 bpm • D min • 04:25 • -24.3db
18% Popularity • 15% Danceability • 6% Energy • 12% Liveness
45% Instrumentalness • 6% Positiveness
18% Popularity • 15% Danceability • 6% Energy • 12% Liveness
45% Instrumentalness • 6% Positiveness
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Liu Rong Fa
Pastoral
91 bpm • E min • 03:44 • -26.67db
14% Popularity • 30% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
14% Popularity • 30% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
► Preview
Enrique Granados
Granada - Oriental, Danza española n°2
91 bpm • D min • 05:11 • -17.4db
15% Popularity • 26% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 10% Positiveness
15% Popularity • 26% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 10% Positiveness
► Preview
Johann Sebastian Bach
Toccata & Fugue in D minor, BWV565
91 bpm • E min • 08:45 • -20.66db
30% Popularity • 30% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
30% Popularity • 30% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
John Dowland
Captaine Piper his Galiard
101 bpm • F min • 02:55 • -22.55db
10% Popularity • 36% Danceability • 6% Energy • 13% Liveness
29% Instrumentalness • 25% Positiveness
10% Popularity • 36% Danceability • 6% Energy • 13% Liveness
29% Instrumentalness • 25% Positiveness
► Preview
Miguel de Fuenllana
Con que la lavare
91 bpm • C min • 02:48 • -23db
21% Popularity • 21% Danceability • 5% Energy • 12% Liveness
43% Instrumentalness • 9% Positiveness
21% Popularity • 21% Danceability • 5% Energy • 12% Liveness
43% Instrumentalness • 9% Positiveness
► Preview
Gasparo Zanetti
La Mantovana
101 bpm • A min • 02:16 • -16.84db
24% Popularity • 51% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
24% Popularity • 51% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
► Preview
Michael Praetorius
Terpsichore*: Bransle de la Torche
91 bpm • C Maj • 02:14 • -26.03db
23% Popularity • 49% Danceability • 4% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
23% Popularity • 49% Danceability • 4% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
► Preview
Enrique Granados
Danzas españolas, Op. 37 - edited by Mi...
91 bpm • E min • 06:25 • -34.12db
14% Popularity • 26% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
14% Popularity • 26% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Johann Sebastian Bach
Erbarm dich mein, O Herre Gott, BWV 721
91 bpm • B min • 04:10 • -34.54db
29% Popularity • 39% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
29% Popularity • 39% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Béla Bartók
6 Roumanian Folk Dances, BB 68, Sz. 56: ...
91 bpm • B min • 01:05 • -34.03db
36% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
36% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
John Dowland
M. Buctons his Galiard (Susanna Galliard...
101 bpm • F min • 01:31 • -26.29db
29% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
29% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
► Preview
Alessandro Marcello
Adagio
91 bpm • D min • 02:49 • -33.56db
35% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
35% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
► Preview
Paolo Pandolfo
Passemezzo … nei boschi del Re
102 bpm • D min • 06:50 • -25db
25% Popularity • 31% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
25% Popularity • 31% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
► Preview
Hopkinson Smith
Fortune My Foe
90 bpm • G min • 04:31 • -26.51db
15% Popularity • 37% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
15% Popularity • 37% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
► Preview
Jacques Offenbach
Les larmes de Jacqueline, Op. 76, No. 2
90 bpm • C Maj • 07:11 • -19.82db
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Music for a while
102 bpm • G min • 03:06 • -26db
13% Popularity • 32% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 32% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
John Dowland
Lachrimae Antiquae
91 bpm • G min • 04:33 • -22.05db
13% Popularity • 22% Danceability • 11% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
13% Popularity • 22% Danceability • 11% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Jordi Savall
Lachrimae Antiquae
90 bpm • A min • 04:41 • -21.68db
18% Popularity • 10% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
18% Popularity • 10% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Pepe Romero
Suite Espanola (arr. for guitar)
103 bpm • G Maj • 09:27 • -20.15db
15% Popularity • 42% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
15% Popularity • 42% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
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George Frideric Handel
Organ Concerto in B-Flat Major, HWV 294:...
90 bpm • F Maj • 04:28 • -23.88db
14% Popularity • 38% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 32% Positiveness
14% Popularity • 38% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 32% Positiveness
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Nino Rota
Rota: Sonata for Flute and Harp: II. And...
89 bpm • D# Maj • 04:25 • -21.84db
12% Popularity • 31% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
12% Popularity • 31% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Manuel de Falla
Nana (Bercuese) from Siete conciones pop...
89 bpm • A Maj • 02:07 • -23db
16% Popularity • 23% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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John Dowland
Now, Oh Now I Needs Must Part
103 bpm • G Maj • 03:57 • -24db
9% Popularity • 36% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 36% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Josef Hadar
Evening of Roses (Arr. Hodge for Cello, ...
103 bpm • A# Maj • 02:59 • -18db
34% Popularity • 19% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 11% Positiveness
34% Popularity • 19% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 11% Positiveness
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Josquin des Prez
VI. 1557 Retiro en San Jerónimo de Yust...
104 bpm • A min • 03:02 • -33.48db
15% Popularity • 35% Danceability • 1% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
15% Popularity • 35% Danceability • 1% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
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Tylman Susato
Danserye - Pavanen: No. 39. Mille regret...
89 bpm • A min • 08:09 • -30db
12% Popularity • 10% Danceability • 1% Energy • 13% Liveness
57% Instrumentalness • 12% Positiveness
12% Popularity • 10% Danceability • 1% Energy • 13% Liveness
57% Instrumentalness • 12% Positiveness
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Marin Marais
Pièces de viole, Livre 3 - Suite No. 7 ...
89 bpm • F# Maj • 02:27 • -26db
37% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
37% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
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Giovanni Girolamo Kapsberger
Toccata arpeggiata
104 bpm • A min • 03:07 • -31.12db
17% Popularity • 14% Danceability • 0% Energy • 15% Liveness
95% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 0% Energy • 15% Liveness
95% Instrumentalness • 3% Positiveness
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John Dowland
From Cambridge University Library, Ms. D...
89 bpm • F# min • 05:01 • -29.37db
15% Popularity • 38% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
15% Popularity • 38% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Manuel de Falla
7 Canciones populares españolas - Arran...
89 bpm • A min • 03:04 • -31.33db
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
104 bpm • C Maj • 01:25 • -29db
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Antonio Bertali
Prothimia suavissima, Book 2: Sonata No....
104 bpm • G min • 08:31 • -14.38db
14% Popularity • 31% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
14% Popularity • 31% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Friedrich Burgmüller
3 Nocturnes for Cello and Guitar: Noctur...
104 bpm • A Maj • 03:37 • -26db
24% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
24% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Michael Praetorius
Terpsichore*: a. Bransle Gay 1 b. Bransl...
105 bpm • D# Maj • 02:35 • -22.93db
20% Popularity • 52% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
20% Popularity • 52% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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John Dowland
Lachrymae Antiquae
104 bpm • A min • 03:56 • -29.36db
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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Matthew Locke
Fantasy For 2 Trebles And Bass
105 bpm • B Maj • 04:11 • -22.76db
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
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Gus Viseur
Flambée montalbanaise (Arrangements pou...
105 bpm • C min • 02:57 • -17db
20% Popularity • 39% Danceability • 32% Energy • 6% Liveness
11% Instrumentalness • 14% Positiveness
20% Popularity • 39% Danceability • 32% Energy • 6% Liveness
11% Instrumentalness • 14% Positiveness
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Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
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Giovanni Girolamo Kapsberger
Passacaglia
88 bpm • A min • 02:58 • -27db
19% Popularity • 44% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
19% Popularity • 44% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
