Songs like Flute Sonata, Op. 14: III. Andante by Robert Muczynski
Based on a tempo of (+/- 10%) and a similar genre
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Robert Muczynski
Movements, Op. 16: IV. Adagio
77 bpm • F min • 01:15 • -30.43db
0% Popularity • 14% Danceability • 3% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 3% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ma Mere l'Oye M.60: III. Laideronnette. ...
77 bpm • D# min • 03:29 • -25.14db
9% Popularity • 17% Danceability • 9% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
9% Popularity • 17% Danceability • 9% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Morceau de concours
77 bpm • F Maj • 03:45 • -26.5db
11% Popularity • 17% Danceability • 2% Energy • 8% Liveness
78% Instrumentalness • 11% Positiveness
11% Popularity • 17% Danceability • 2% Energy • 8% Liveness
78% Instrumentalness • 11% Positiveness
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Ross Edwards
Ulpirra
77 bpm • G Maj • 01:33 • -26.4db
11% Popularity • 64% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 75% Positiveness
11% Popularity • 64% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 75% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51 (arr. Rogal-Levitsky): ...
77 bpm • D# Maj • 03:56 • -37db
16% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
16% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Magne Amdahl
Astrognosia: Interludium I
77 bpm • G# Maj • 01:04 • -36.79db
12% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
12% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Cello Concerto in B Minor, Op. 104: III....
77 bpm • B Maj • 01:31 • -22.02db
17% Popularity • 12% Danceability • 3% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 3% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Muczynski
Alto Saxophone Sonata, Op. 29: I. Andant...
78 bpm • F# min • 04:19 • -17.99db
0% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
0% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Heitor Villa-Lobos
Cello Concerto No. 2, W516: I. Allegro n...
76 bpm • D min • 10:05 • -23.38db
10% Popularity • 16% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
10% Popularity • 16% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
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Rolf Wallin
Whirld: III. Citrinitas
76 bpm • G Maj • 05:34 • -30.18db
10% Popularity • 16% Danceability • 3% Energy • 63% Liveness
4% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 63% Liveness
4% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Sextet for Piano and Winds, FP ...
76 bpm • E min • 07:20 • -15.76db
10% Popularity • 29% Danceability • 15% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 29% Danceability • 15% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Radoslaw Pallarz
Dornröschenschlaf
76 bpm • F min • 03:29 • -22.24db
8% Popularity • 10% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
8% Popularity • 10% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Sergei Prokofiev
Five Melodies, Op. 35b: IV. Allegretto l...
78 bpm • D Maj • 01:30 • -19.63db
12% Popularity • 44% Danceability • 24% Energy • 9% Liveness
55% Instrumentalness • 11% Positiveness
12% Popularity • 44% Danceability • 24% Energy • 9% Liveness
55% Instrumentalness • 11% Positiveness
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Robert Muczynski
Sonata for Flute & Piano, Op. 14
76 bpm • B min • 03:33 • -30.42db
1% Popularity • 20% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Paul Taffanel
Wind Quintet in G Minor: II. Andante
76 bpm • D# Maj • 05:27 • -31db
7% Popularity • 20% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Gerald Finzi
5 Bagatelles, Op. 23 (Arr. for Clarinet ...
76 bpm • A# Maj • 02:00 • -33.22db
22% Popularity • 19% Danceability • 1% Energy • 35% Liveness
13% Instrumentalness • 24% Positiveness
22% Popularity • 19% Danceability • 1% Energy • 35% Liveness
13% Instrumentalness • 24% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
78 bpm • B Maj • 04:42 • -38.56db
31% Popularity • 14% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
31% Popularity • 14% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Thomas Adès
Alchymia: II. The Woods So Wild
78 bpm • C Maj • 03:10 • -28.77db
12% Popularity • 28% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
12% Popularity • 28% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Sergei Prokofiev
I. Allegro moderato - 2004 Remastered Ve...
78 bpm • D min • 09:02 • -19.57db
7% Popularity • 23% Danceability • 18% Energy • 9% Liveness
56% Instrumentalness • 18% Positiveness
7% Popularity • 23% Danceability • 18% Energy • 9% Liveness
56% Instrumentalness • 18% Positiveness
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Francis Poulenc
Mélancolie, FP 105 (Arr. Haginomori for...
78 bpm • C# Maj • 05:46 • -22.99db
11% Popularity • 15% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
11% Popularity • 15% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Richard Strauss
Don Quixote, Op. 35 (Fantastic Variation...
75 bpm • D min • 00:58 • -32.78db
11% Popularity • 12% Danceability • 1% Energy • 18% Liveness
66% Instrumentalness • 10% Positiveness
11% Popularity • 12% Danceability • 1% Energy • 18% Liveness
66% Instrumentalness • 10% Positiveness
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Frédéric Chopin
Waltzes, Op. 64: No. 1 in D-Flat Major, ...
75 bpm • C# Maj • 02:16 • -24db
12% Popularity • 20% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 33% Positiveness
12% Popularity • 20% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 33% Positiveness
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Selena Ivanova
Synthesis
79 bpm • C min • 02:04 • -39.42db
14% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
14% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Christian Lindberg
Alcazaba II
75 bpm • D min • 01:04 • -30db
14% Popularity • 50% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 50% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Veljo Tormis
Reminiscentia / Autumn Landscapes: II. C...
75 bpm • E min • 01:34 • -28.03db
10% Popularity • 20% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
10% Popularity • 20% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33b, T...
75 bpm • G min • 02:32 • -27.96db
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
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Nino Rota
5 Pezzi facili: No. 1. La passeggiata de...
75 bpm • C Maj • 01:59 • -29.95db
14% Popularity • 27% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
14% Popularity • 27% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Igor Stravinsky
Suite No.2, K. 038: I. Marche. Crotchet ...
79 bpm • G Maj • 01:19 • -23.21db
8% Popularity • 62% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 62% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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George Gershwin
Ten songs: Embraceable you
75 bpm • D# Maj • 02:20 • -32.12db
11% Popularity • 18% Danceability • 0% Energy • 8% Liveness
16% Instrumentalness • 12% Positiveness
11% Popularity • 18% Danceability • 0% Energy • 8% Liveness
16% Instrumentalness • 12% Positiveness
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Robert Muczynski
Sonata, Op.16
79 bpm • C Maj • 04:28 • -23.64db
1% Popularity • 21% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
1% Popularity • 21% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Radoslaw Pallarz
Rotkäppchen
79 bpm • D Maj • 03:30 • -23.65db
8% Popularity • 23% Danceability • 11% Energy • 8% Liveness
85% Instrumentalness • 28% Positiveness
8% Popularity • 23% Danceability • 11% Energy • 8% Liveness
85% Instrumentalness • 28% Positiveness
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Maurice Ravel
Valses nobles et sentimentales M 61b III...
75 bpm • G Maj • 01:53 • -30.1db
8% Popularity • 21% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
8% Popularity • 21% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
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Arthur Bliss
Clarinet Quintet: I. Moderato
79 bpm • F# min • 05:27 • -20.78db
7% Popularity • 12% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 7% Positiveness
7% Popularity • 12% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 7% Positiveness
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Robert Schumann
Bilder aus Osten, Op. 66 (Arr. for Strin...
79 bpm • D Maj • 03:43 • -26.62db
10% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
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John Corigliano
Sonata for Violin and Piano: II. Andanti...
79 bpm • D Maj • 06:58 • -22.02db
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Robert Muczynski
Sonata for Flute & Piano, Op. 14
79 bpm • G# Maj • 03:06 • -21.76db
1% Popularity • 53% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
1% Popularity • 53% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
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Heitor Villa-Lobos
Cello Concerto No. 2, W516: IV. Allegro ...
80 bpm • C min • 03:40 • -22.38db
12% Popularity • 31% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
12% Popularity • 31% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
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Irving Fine
Notturno for Strings and Harp: Lento
75 bpm • D Maj • 02:17 • -22.69db
9% Popularity • 43% Danceability • 14% Energy • 22% Liveness
37% Instrumentalness • 24% Positiveness
9% Popularity • 43% Danceability • 14% Energy • 22% Liveness
37% Instrumentalness • 24% Positiveness
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Ralph Vaughan Williams
Six Studies in English Folk Song: No. 1,...
80 bpm • E min • 01:30 • -36.28db
8% Popularity • 11% Danceability • 0% Energy • 6% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 11% Danceability • 0% Energy • 6% Liveness
1% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
String Quartet No. 8 in C Minor, Op. 110...
74 bpm • C Maj • 03:18 • -26.45db
8% Popularity • 10% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Pulcinella Suite: IV. Tarantella
80 bpm • G min • 01:55 • -18.03db
16% Popularity • 53% Danceability • 41% Energy • 33% Liveness
94% Instrumentalness • 96% Positiveness
16% Popularity • 53% Danceability • 41% Energy • 33% Liveness
94% Instrumentalness • 96% Positiveness
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Franz Schreker
Schubert / Orch. Mahler: String Quartet ...
80 bpm • A Maj • 06:33 • -27db
10% Popularity • 9% Danceability • 3% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 3% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Sextet in D Minor, Op. 70, TH 118 "Souve...
80 bpm • D min • 06:47 • -18.03db
21% Popularity • 44% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
21% Popularity • 44% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
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Jean Sibelius
String Quartet, Op. 56 "Voces intimae": ...
80 bpm • D Maj • 02:32 • -21.25db
8% Popularity • 32% Danceability • 14% Energy • 10% Liveness
83% Instrumentalness • 23% Positiveness
8% Popularity • 32% Danceability • 14% Energy • 10% Liveness
83% Instrumentalness • 23% Positiveness
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Georg Philipp Telemann
Bassoon Sonata in F Minor, TWV 41:f1 (Ar...
74 bpm • G# Maj • 01:30 • -27.19db
20% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
20% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
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George Gershwin
Ten songs: The man I love
80 bpm • F min • 03:01 • -26.95db
7% Popularity • 18% Danceability • 2% Energy • 8% Liveness
17% Instrumentalness • 5% Positiveness
7% Popularity • 18% Danceability • 2% Energy • 8% Liveness
17% Instrumentalness • 5% Positiveness
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Jörgen Dafgård
Iridescence
80 bpm • D Maj • 03:45 • -16.76db
12% Popularity • 40% Danceability • 6% Energy • 9% Liveness
78% Instrumentalness • 59% Positiveness
12% Popularity • 40% Danceability • 6% Energy • 9% Liveness
78% Instrumentalness • 59% Positiveness
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Paul Creston
Saxophone Concerto, Op. 26 (Version for ...
80 bpm • F# Maj • 07:28 • -27.36db
7% Popularity • 12% Danceability • 3% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 3% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
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Edward Burlingame Hill
Flute Sonata, Op. 31: I. Allegro moderat...
80 bpm • D# Maj • 04:24 • -24.86db
10% Popularity • 31% Danceability • 5% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
10% Popularity • 31% Danceability • 5% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
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Ottorino Respighi
3 Corali, P. 167: No. 2, Andante con mot...
74 bpm • G Maj • 01:08 • -38.9db
20% Popularity • 38% Danceability • 0% Energy • 6% Liveness
39% Instrumentalness • 30% Positiveness
20% Popularity • 38% Danceability • 0% Energy • 6% Liveness
39% Instrumentalness • 30% Positiveness
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Robert Muczynski
Alto Saxophone Sonata, Op. 29: I. Andant...
80 bpm • C# min • 03:47 • -16.17db
2% Popularity • 30% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
2% Popularity • 30% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Stanford Woodwind Quintet
Quintet For Winds, Op. 45: III. Moderato...
74 bpm • A# Maj • 06:03 • -24.12db
0% Popularity • 15% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
0% Popularity • 15% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Henri Dutilleux
Dutilleux: The Shadows of Time: I. Les h...
74 bpm • C# min • 03:13 • -21.18db
5% Popularity • 17% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Philippe Gaubert
Fantaisie for Clarinet & Piano
74 bpm • A# Maj • 07:24 • -21.28db
9% Popularity • 27% Danceability • 7% Energy • 7% Liveness
86% Instrumentalness • 6% Positiveness
9% Popularity • 27% Danceability • 7% Energy • 7% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Suite from Pique Dame (Arr....
81 bpm • C# min • 01:17 • -18.14db
10% Popularity • 34% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
10% Popularity • 34% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
► Preview
Paul Hindemith
Hindemith: Flute Sonata: I. Heiter beweg...
73 bpm • A# min • 05:02 • -22db
10% Popularity • 22% Danceability • 7% Energy • 13% Liveness
85% Instrumentalness • 6% Positiveness
10% Popularity • 22% Danceability • 7% Energy • 13% Liveness
85% Instrumentalness • 6% Positiveness
► Preview
Robert Muczynski
Alto Saxophone Concerto (arr. T. Kynasto...
81 bpm • E min • 05:32 • -28.96db
0% Popularity • 15% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Peter Kiesewetter
Reineke Fuchs (Arr. H. Ruhmann for Narra...
81 bpm • C# Maj • 01:00 • -13.29db
9% Popularity • 56% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
9% Popularity • 56% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
► Preview
Gisle Kverndokk
The Silk Road, Suite in 10 movements: No...
81 bpm • C Maj • 01:50 • -22.56db
8% Popularity • 16% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
8% Popularity • 16% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Criticalx47
Rozhaki Bad
81 bpm • A Maj • 01:28 • -30.67db
16% Popularity • 22% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
16% Popularity • 22% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
► Preview
György Ligeti
Concerto pour violon et orchestre: III. ...
81 bpm • C min • 02:16 • -19.62db
17% Popularity • 16% Danceability • 15% Energy • 74% Liveness
33% Instrumentalness • 11% Positiveness
17% Popularity • 16% Danceability • 15% Energy • 74% Liveness
33% Instrumentalness • 11% Positiveness
► Preview
Paul Hindemith
Flute Sonata: I. Heiter bewegt
81 bpm • A# min • 05:14 • -22.38db
7% Popularity • 36% Danceability • 6% Energy • 20% Liveness
86% Instrumentalness • 8% Positiveness
7% Popularity • 36% Danceability • 6% Energy • 20% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
![Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Canon a 2 quaerendo invenietis [2] - Remastered 2024 cover art](https://i.scdn.co/image/ab67616d00001e0286609dd6fd33089a4cba3797)
Johann Sebastian Bach
Musikalisches Opfer, BWV 1079 (Arr. for ...
81 bpm • D Maj • 00:56 • -28.85db
9% Popularity • 31% Danceability • 7% Energy • 21% Liveness
94% Instrumentalness • 17% Positiveness
9% Popularity • 31% Danceability • 7% Energy • 21% Liveness
94% Instrumentalness • 17% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
73 bpm • C Maj • 01:59 • -26.68db
13% Popularity • 17% Danceability • 1% Energy • 33% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 33% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Niccolò Paganini
24 Caprices, Op. 1: No. 11 in C Major, A...
81 bpm • C Maj • 04:39 • -22.94db
14% Popularity • 42% Danceability • 8% Energy • 27% Liveness
82% Instrumentalness • 82% Positiveness
14% Popularity • 42% Danceability • 8% Energy • 27% Liveness
82% Instrumentalness • 82% Positiveness
► Preview
Paule Maurice
Tableaux de Provence (arr. for saxophone...
73 bpm • G Maj • 01:55 • -34db
11% Popularity • 14% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Rebecca Clarke
Viola Sonata: I. Impetuoso
81 bpm • F Maj • 07:31 • -19.88db
9% Popularity • 21% Danceability • 12% Energy • 32% Liveness
9% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 12% Energy • 32% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Robert Muczynski
Alto Saxophone Concerto (arr. T. Kynasto...
81 bpm • C# min • 05:07 • -24.02db
1% Popularity • 26% Danceability • 12% Energy • 20% Liveness
90% Instrumentalness • 8% Positiveness
1% Popularity • 26% Danceability • 12% Energy • 20% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Traditional
Deep River (Arr. J. Lenehan for Clarinet...
82 bpm • F Maj • 02:15 • -34.95db
10% Popularity • 12% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
10% Popularity • 12% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
► Preview
Erwin Schulhoff
5 Pieces for String Quartet: No. 4, Alla...
73 bpm • G Maj • 03:52 • -20.83db
17% Popularity • 20% Danceability • 10% Energy • 8% Liveness
66% Instrumentalness • 24% Positiveness
17% Popularity • 20% Danceability • 10% Energy • 8% Liveness
66% Instrumentalness • 24% Positiveness
► Preview
Vitezslava Kaprálová
Piano Concerto in D Minor, Op. 7: I. All...
82 bpm • A min • 10:10 • -18.87db
16% Popularity • 19% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
The Tempest Suite No. 1, Op. 109, No. 2:...
82 bpm • A# Maj • 03:06 • -38.37db
16% Popularity • 8% Danceability • 0% Energy • 10% Liveness
7% Instrumentalness • 2% Positiveness
16% Popularity • 8% Danceability • 0% Energy • 10% Liveness
7% Instrumentalness • 2% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: III. Anit...
82 bpm • F Maj • 02:06 • -43.11db
3% Popularity • 36% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
3% Popularity • 36% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Robert Muczynski
Duos for Flute and Clarinet, Op. 24: No....
82 bpm • G min • 01:02 • -22.08db
14% Popularity • 18% Danceability • 2% Energy • 15% Liveness
58% Instrumentalness • 5% Positiveness
14% Popularity • 18% Danceability • 2% Energy • 15% Liveness
58% Instrumentalness • 5% Positiveness
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Paul Hindemith
Hindemith: Flute Sonata: III. Sehr lebha...
82 bpm • A# min • 04:33 • -20db
8% Popularity • 32% Danceability • 12% Energy • 14% Liveness
84% Instrumentalness • 20% Positiveness
8% Popularity • 32% Danceability • 12% Energy • 14% Liveness
84% Instrumentalness • 20% Positiveness
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Claude Debussy
Petite pièce, L. 120
72 bpm • E min • 01:13 • -28.69db
14% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
14% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Winfred Jeremiah
The Stormy Weather
82 bpm • C Maj • 02:07 • -20.58db
10% Popularity • 21% Danceability • 9% Energy • 21% Liveness
77% Instrumentalness • 15% Positiveness
10% Popularity • 21% Danceability • 9% Energy • 21% Liveness
77% Instrumentalness • 15% Positiveness
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Carl Maria von Weber
Bassoon Concerto in F Major, Op. 75, J. ...
82 bpm • A# Maj • 04:33 • -34db
9% Popularity • 8% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Sigfrid Karg-Elert
30 Capricien, Op. 107, "Gradus ad Parnas...
82 bpm • F min • 00:54 • -25.01db
16% Popularity • 33% Danceability • 5% Energy • 30% Liveness
86% Instrumentalness • 77% Positiveness
16% Popularity • 33% Danceability • 5% Energy • 30% Liveness
86% Instrumentalness • 77% Positiveness
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Erwin Schulhoff
5 Pieces: No. 1. Alla Valse Viennese
82 bpm • C Maj • 02:05 • -19db
11% Popularity • 57% Danceability • 21% Energy • 12% Liveness
15% Instrumentalness • 21% Positiveness
11% Popularity • 57% Danceability • 21% Energy • 12% Liveness
15% Instrumentalness • 21% Positiveness
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Jean Sibelius
Lemminkäinen, Op. 22: II. The Swan of T...
82 bpm • E min • 09:48 • -37.69db
12% Popularity • 8% Danceability • 1% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Suite italienne (Arranged for String Orc...
72 bpm • C min • 02:55 • -27.03db
7% Popularity • 25% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
7% Popularity • 25% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
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Leonard Bernstein
Sonata for Clarinet and Piano: I. Grazio...
72 bpm • G Maj • 04:11 • -24db
11% Popularity • 23% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
11% Popularity • 23% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
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Nikolai Rimsky-Korsakov
Concert Phantasy on 'Le coq d'or': The T...
72 bpm • G# Maj • 01:11 • -22db
15% Popularity • 32% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness
15% Popularity • 32% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness
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Vitezslava Kaprálová
Tales of a Small Flute for Piccolo & Pia...
72 bpm • G Maj • 01:08 • -27db
22% Popularity • 17% Danceability • 3% Energy • 35% Liveness
10% Instrumentalness • 7% Positiveness
22% Popularity • 17% Danceability • 3% Energy • 35% Liveness
10% Instrumentalness • 7% Positiveness
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Unsuk Chin
Violin Concerto No. 1: IV.
83 bpm • E min • 05:52 • -18.78db
23% Popularity • 22% Danceability • 26% Energy • 27% Liveness
59% Instrumentalness • 7% Positiveness
23% Popularity • 22% Danceability • 26% Energy • 27% Liveness
59% Instrumentalness • 7% Positiveness
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Charles Koechlin
3 Pieces, Op. 34: No. 1. Lent
72 bpm • B min • 04:15 • -35.42db
8% Popularity • 21% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
8% Popularity • 21% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
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Igor Stravinsky
Suite No.1, K. 045: III. Española. Dott...
72 bpm • A min • 01:09 • -21.95db
9% Popularity • 41% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
9% Popularity • 41% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
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Nino Rota
5 Pezzi facili: No. 3. Pavana
71 bpm • G min • 02:11 • -29.87db
20% Popularity • 25% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
20% Popularity • 25% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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George Gershwin
Ten songs: Let’s call the whole thing ...
83 bpm • G Maj • 03:28 • -22.41db
11% Popularity • 30% Danceability • 6% Energy • 8% Liveness
19% Instrumentalness • 36% Positiveness
11% Popularity • 30% Danceability • 6% Energy • 8% Liveness
19% Instrumentalness • 36% Positiveness
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Gustav Mahler
Symphony No. 9: IVe. Stets sehr gehalten...
83 bpm • D Maj • 01:55 • -30.19db
9% Popularity • 17% Danceability • 2% Energy • 77% Liveness
95% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 2% Energy • 77% Liveness
95% Instrumentalness • 7% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: III. ...
83 bpm • F# Maj • 06:16 • -25.49db
16% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto in G M...
71 bpm • F# Maj • 03:20 • -29.39db
2% Popularity • 42% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
2% Popularity • 42% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Igor Stravinsky
Violin Concerto in D Major, K. 053: II. ...
83 bpm • D min • 04:21 • -23.35db
12% Popularity • 27% Danceability • 10% Energy • 6% Liveness
32% Instrumentalness • 14% Positiveness
12% Popularity • 27% Danceability • 10% Energy • 6% Liveness
32% Instrumentalness • 14% Positiveness
► Preview
Francis Poulenc
Hommage à Edith Piaf, FP 176 (Arr. Hagi...
71 bpm • C min • 03:36 • -22.22db
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
88% Instrumentalness • 9% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
88% Instrumentalness • 9% Positiveness
► Preview
Eugène Ysaÿe
Violin Concerto in E Minor: II. Andante
84 bpm • B min • 07:49 • -29.9db
13% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
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Gabriel Yared
As Far as Florence
84 bpm • G Maj • 04:31 • -25.96db
24% Popularity • 12% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
24% Popularity • 12% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Nino Rota
5 Pezzi facili: No. 2. Serenata
84 bpm • A# Maj • 01:41 • -26.46db
14% Popularity • 32% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
14% Popularity • 32% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
