Songs like FOOL'S GOLD by Aries
Based on a tempo of (+/- 10%) and a similar genre
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Lund
Broken
134 bpm • C Maj • 03:27 • -3.54db
44% Popularity • 76% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 76% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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fats'e
room to breathe
134 bpm • F# Maj • 02:54 • -7.32db
39% Popularity • 69% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 69% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Aries
FOOL'S GOLD
134 bpm • F# min • 02:29 • -8.55db
52% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Quadeca
Sisyphus
133 bpm • D Maj • 04:32 • -10.41db
43% Popularity • 36% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 19% Positiveness
43% Popularity • 36% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 19% Positiveness
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YNG ONE
Casket Dreaming
135 bpm • A Maj • 02:10 • -6.87db
36% Popularity • 72% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 72% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Nic D
Icee Pop
135 bpm • C Maj • 02:27 • -6.61db
46% Popularity • 91% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 91% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Lund
Red Tide
135 bpm • B Maj • 03:05 • -8db
42% Popularity • 76% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 76% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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glaive
1984
135 bpm • A Maj • 02:30 • -2.98db
48% Popularity • 66% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 66% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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YNG Martyr
Ease Off
135 bpm • G# Maj • 02:24 • -10.92db
54% Popularity • 74% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
54% Popularity • 74% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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nothing,nowhere.
buck
132 bpm • G# Maj • 02:35 • -5.79db
40% Popularity • 65% Danceability • 78% Energy • 71% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 65% Danceability • 78% Energy • 71% Liveness
0% Instrumentalness • 61% Positiveness
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Aries
CONVERSATIONS
132 bpm • G Maj • 02:44 • -6.49db
47% Popularity • 67% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 67% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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6 Dogs
Beach House
132 bpm • C# min • 02:05 • -8.28db
34% Popularity • 82% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 82% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Lund
DNA
135 bpm • A Maj • 02:40 • -7.87db
40% Popularity • 75% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 75% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Logan M
Cold Hands
132 bpm • B min • 02:44 • -14.32db
44% Popularity • 64% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 64% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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BH Global
Faith
136 bpm • F Maj • 02:39 • -6.4db
15% Popularity • 69% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 69% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Chri$tian Gate$
All In
132 bpm • F Maj • 02:11 • -9db
51% Popularity • 81% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 81% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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6VIB3Z
Runaway
132 bpm • C# min • 02:35 • -13.5db
40% Popularity • 62% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 62% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Skye
VOICES
137 bpm • C Maj • 02:35 • -5.69db
53% Popularity • 68% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 68% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Lund
Fiction
136 bpm • B min • 04:39 • -9.2db
52% Popularity • 75% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 75% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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Elroy
AIR
130 bpm • B Maj • 03:06 • -0.3db
20% Popularity • 69% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 69% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Juice WRLD
Bad Energy
138 bpm • G Maj • 03:06 • -6.36db
65% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
65% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Boy In Space
Cold
130 bpm • A Maj • 03:23 • -6.83db
56% Popularity • 71% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
56% Popularity • 71% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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Maasho
Fresh Air
130 bpm • D# Maj • 03:30 • -4.41db
46% Popularity • 76% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 76% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Ryan Librada
RENO
130 bpm • B min • 02:29 • -8.4db
38% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Brevin Kim
LAY IT ALL ON ME
130 bpm • D Maj • 02:36 • -7.92db
25% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sample God
99 Sins
130 bpm • F Maj • 02:37 • -4.68db
32% Popularity • 61% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 61% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Grady
Easier to Say
139 bpm • C# min • 02:19 • -8.04db
39% Popularity • 77% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 77% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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BabyJake
Head In The Clouds
139 bpm • G Maj • 02:27 • -6db
60% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
60% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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LIL DUSTY G
DEAD END
129 bpm • C Maj • 01:41 • -5.75db
40% Popularity • 53% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 53% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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6 Dogs
Saturn
140 bpm • F# min • 01:36 • -11db
48% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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nothing,nowhere.
nightmare
140 bpm • A min • 02:54 • -3.84db
45% Popularity • 53% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 53% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Brent de la Cruz
In the Future
140 bpm • C Maj • 02:34 • -5.14db
30% Popularity • 76% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 76% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Ryan Librada
8TEEN
140 bpm • B Maj • 02:02 • -5db
32% Popularity • 60% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 60% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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whynotcordell
Love Note
140 bpm • G# min • 03:00 • -6.29db
35% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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ericdoa
fool4love
140 bpm • G# Maj • 02:08 • -6db
49% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Nic D
Serotonin
140 bpm • C# Maj • 02:31 • -7.76db
46% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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C-Dot 416
Strange Love
140 bpm • F min • 03:04 • -8.2db
37% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Bryce Bishop
Como
140 bpm • D# Maj • 01:51 • -9.24db
50% Popularity • 74% Danceability • 58% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 74% Danceability • 58% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
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BabyJake
Cigarettes On Patios
140 bpm • E min • 03:27 • -5.47db
62% Popularity • 75% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 75% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Kid Quill
90s kids
140 bpm • F min • 03:26 • -5.13db
41% Popularity • 77% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 77% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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MILES
MOSH PIT
140 bpm • A min • 02:07 • -5.38db
44% Popularity • 79% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 79% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Juice WRLD
Life's A Mess II
140 bpm • F# Maj • 03:26 • -9.99db
65% Popularity • 53% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
65% Popularity • 53% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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347aidan
IDWK
140 bpm • A Maj • 02:03 • -10.28db
53% Popularity • 85% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 85% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Memoria XI
JUST FRIENDS
140 bpm • A# min • 02:30 • -7.72db
29% Popularity • 63% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 63% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Jay Kim
complicated
140 bpm • D# Maj • 02:11 • -4.53db
40% Popularity • 76% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 76% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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mgk
jawbreaker
128 bpm • D Maj • 01:57 • -5.67db
56% Popularity • 71% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
56% Popularity • 71% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
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Yxngxr1
WGAF
140 bpm • F# Maj • 02:05 • -11.39db
37% Popularity • 92% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 92% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Tom The Mail Man
Bad Hoe
128 bpm • E Maj • 03:27 • -4.39db
41% Popularity • 81% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 81% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Johnny 2 Phones
RESCUE
128 bpm • C# Maj • 02:37 • -9db
49% Popularity • 87% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
49% Popularity • 87% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Slippery Salazar
Misty
128 bpm • F min • 02:11 • -7.23db
31% Popularity • 79% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 79% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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Whethan
THINK YOU RIGHT
128 bpm • C Maj • 01:54 • -6db
33% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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PmBata
Ghosted Me
128 bpm • B min • 03:09 • -8.11db
26% Popularity • 65% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 65% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Yxngxr1
Rather Do
128 bpm • A Maj • 02:15 • -9.39db
52% Popularity • 86% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
52% Popularity • 86% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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brakence
dropout (w/ blackbear)
141 bpm • C# Maj • 02:46 • -11.43db
49% Popularity • 70% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
49% Popularity • 70% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Lost Kings
Feather
141 bpm • D Maj • 03:31 • -6.6db
41% Popularity • 76% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 76% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Bryce Vine
Miss You a Little
141 bpm • C Maj • 02:48 • -4.76db
58% Popularity • 64% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 64% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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gavn!
Ecstasy
141 bpm • G min • 04:51 • -15.15db
28% Popularity • 56% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 56% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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POORSTACY
lost
127 bpm • G min • 02:47 • -9.23db
46% Popularity • 79% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 79% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Marco Luka
big talk
127 bpm • F min • 02:02 • -9db
43% Popularity • 90% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 90% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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convolk
Swan Dive
142 bpm • G# Maj • 02:31 • -8db
47% Popularity • 63% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 63% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Hooligin
Jets & Cigarettes
142 bpm • C# Maj • 03:22 • -16db
34% Popularity • 72% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 72% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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ericdoa
strangers
142 bpm • F# min • 02:21 • -5db
45% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Aries
BAD NEWS
142 bpm • F min • 02:44 • -5.96db
51% Popularity • 66% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
51% Popularity • 66% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Jack Kays
MORBID MIND
126 bpm • C Maj • 02:16 • -8.37db
56% Popularity • 73% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 73% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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ROLE MODEL
notice me
126 bpm • G# min • 03:11 • -6.52db
53% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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The Kid LAROI
SO DONE
143 bpm • A Maj • 02:06 • -6.25db
70% Popularity • 72% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
70% Popularity • 72% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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SEBASTIAN PAUL
IMPATIENT
142 bpm • C# Maj • 03:09 • -5.76db
50% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Lund
Skin & Bones
126 bpm • G min • 03:37 • -11.58db
55% Popularity • 85% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
55% Popularity • 85% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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KNOWN.
My Place
126 bpm • C min • 02:48 • -10db
37% Popularity • 78% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 78% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Juice WRLD
Life's A Mess
143 bpm • C# Maj • 03:22 • -8.9db
69% Popularity • 63% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
69% Popularity • 63% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Koi
all of that
143 bpm • F min • 01:49 • -9.67db
26% Popularity • 81% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 81% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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KID BRUNSWICK
4AM
125 bpm • F# Maj • 02:45 • -7.5db
47% Popularity • 72% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 72% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Jack Kays
MY HEAD :(
125 bpm • C Maj • 01:32 • -9db
49% Popularity • 94% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 94% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Marco Luka
paradise
144 bpm • G min • 02:20 • -8.21db
51% Popularity • 63% Danceability • 53% Energy • 13% Liveness
4% Instrumentalness • 14% Positiveness
51% Popularity • 63% Danceability • 53% Energy • 13% Liveness
4% Instrumentalness • 14% Positiveness
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mgk
more than life
144 bpm • G min • 03:16 • -5.36db
58% Popularity • 50% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
58% Popularity • 50% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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nothing,nowhere.
fake friend
144 bpm • E Maj • 02:49 • -3.74db
49% Popularity • 47% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 47% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Aries
AMY'S GRAVE
144 bpm • C# Maj • 02:38 • -6.8db
43% Popularity • 62% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 62% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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sadeyes
jaded
124 bpm • F# Maj • 02:40 • -11.45db
53% Popularity • 70% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 70% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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benny mayne
THE WORST
124 bpm • C Maj • 03:19 • -6.2db
30% Popularity • 74% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 74% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Witt Lowry
Put Me First
124 bpm • D Maj • 02:38 • -7.03db
52% Popularity • 80% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 80% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Elroy
ZEBRA
124 bpm • D# Maj • 02:35 • -0.91db
20% Popularity • 55% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 55% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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nothing,nowhere.
upside down
124 bpm • C# Maj • 03:07 • -7db
45% Popularity • 70% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
45% Popularity • 70% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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CRIM
KILLING ME
145 bpm • F# Maj • 02:50 • -6db
39% Popularity • 53% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 53% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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TOKYO’S REVENGE
nothinglastsforever
124 bpm • C Maj • 02:13 • -8.82db
50% Popularity • 65% Danceability • 41% Energy • 71% Liveness
0% Instrumentalness • 45% Positiveness
50% Popularity • 65% Danceability • 41% Energy • 71% Liveness
0% Instrumentalness • 45% Positiveness
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The Kid LAROI
ERASE U
145 bpm • G min • 01:49 • -5.13db
57% Popularity • 75% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 75% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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RILEY
Lower East Side
145 bpm • G# min • 04:15 • -4.72db
31% Popularity • 65% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 65% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Skye
Social Anxiety
145 bpm • A Maj • 02:07 • -8db
37% Popularity • 62% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 62% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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916frosty
enough
146 bpm • C# min • 04:08 • -8db
54% Popularity • 59% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 59% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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contradash
Superficial
123 bpm • C# Maj • 02:30 • -8.73db
28% Popularity • 79% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 79% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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dying in designer
PTSD
146 bpm • C# Maj • 02:10 • -8.98db
40% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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LESANE
Clouds
146 bpm • D# min • 02:12 • -14db
36% Popularity • 79% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 79% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Bryce Vine
Care At All
146 bpm • C# min • 03:09 • -7.74db
39% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Aries
SANTA MONICA
146 bpm • E Maj • 02:45 • -5.85db
50% Popularity • 71% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 71% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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50landing
re:set
147 bpm • G min • 04:10 • -7.51db
28% Popularity • 57% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 57% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Anx
All American Rejects
146 bpm • B min • 03:02 • -6db
24% Popularity • 58% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 58% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Dro Kenji
VANISH
147 bpm • E min • 02:10 • -6.8db
46% Popularity • 75% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 75% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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benny mayne
mistakes
147 bpm • A# Maj • 02:53 • -4.31db
39% Popularity • 71% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 71% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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glaive
detest me
148 bpm • G Maj • 01:58 • -2db
43% Popularity • 48% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 48% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
