Songs like Fool's Gold by Lucy Dacus
Based on a tempo of (+/- 10%) and a similar genre
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Field Medic
i want you so bad it hurts
138 bpm • E Maj • 03:03 • -6.82db
34% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Harrison Whitford
Secret Garden
138 bpm • F# Maj • 02:51 • -11.51db
28% Popularity • 48% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 48% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Kevin Atwater
Ribcage
138 bpm • B Maj • 02:57 • -10.69db
42% Popularity • 64% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 64% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Lucy Dacus
The Shell
138 bpm • D Maj • 04:37 • -9.61db
43% Popularity • 55% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
43% Popularity • 55% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Ethel Cain
Crush - Stripped
138 bpm • E Maj • 03:49 • -10db
47% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Tomberlin
Seventeen
138 bpm • G Maj • 04:31 • -9.95db
38% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Leith Ross
Guts
139 bpm • G Maj • 05:04 • -10.13db
40% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Christian Lee Hutson
Northsiders
137 bpm • A Maj • 03:43 • -14.45db
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Lucy Dacus
Fool's Gold
138 bpm • F min • 03:18 • -15.9db
46% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Adrianne Lenker
Ringing Bells
139 bpm • C Maj • 03:49 • -17db
40% Popularity • 53% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
40% Popularity • 53% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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The Army, The Navy
Persimmon
139 bpm • G min • 02:49 • -11.03db
48% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Lomelda
It's Infinite
137 bpm • C Maj • 02:54 • -17db
45% Popularity • 56% Danceability • 24% Energy • 11% Liveness
28% Instrumentalness • 45% Positiveness
45% Popularity • 56% Danceability • 24% Energy • 11% Liveness
28% Instrumentalness • 45% Positiveness
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Rosie Tucker
Ambrosia
140 bpm • C# Maj • 03:45 • -7db
36% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Christian Lee Hutson
Lose This Number
137 bpm • B Maj • 03:56 • -11.73db
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
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Lucy Dacus
Strange Torpedo
139 bpm • B min • 04:24 • -6db
37% Popularity • 54% Danceability • 75% Energy • 7% Liveness
64% Instrumentalness • 24% Positiveness
37% Popularity • 54% Danceability • 75% Energy • 7% Liveness
64% Instrumentalness • 24% Positiveness
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Adrianne Lenker
I Still Hear You
139 bpm • A Maj • 03:26 • -16db
47% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Maya Hawke
South Elroy
136 bpm • C Maj • 03:13 • -9.61db
36% Popularity • 55% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 55% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Phoebe Bridgers
Chinese Satellite (Copycat Killer Versio...
136 bpm • A# Maj • 03:30 • -13.67db
40% Popularity • 56% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
40% Popularity • 56% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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quinnie
security question
140 bpm • A# Maj • 04:16 • -7.33db
30% Popularity • 55% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 55% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Christian Lee Hutson
Keep You Down
139 bpm • A Maj • 04:22 • -9.4db
26% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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boygenius
Revolution 0
136 bpm • C Maj • 04:17 • -14.22db
58% Popularity • 26% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
58% Popularity • 26% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Adrianne Lenker
Jonathan
137 bpm • B Maj • 02:08 • -14.24db
60% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Allison Keeley
Richie
140 bpm • C Maj • 03:34 • -17.68db
28% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Lucy Dacus
Timefighter
140 bpm • G min • 05:48 • -8db
45% Popularity • 48% Danceability • 46% Energy • 11% Liveness
26% Instrumentalness • 37% Positiveness
45% Popularity • 48% Danceability • 46% Energy • 11% Liveness
26% Instrumentalness • 37% Positiveness
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Sydney Ross Mitchell
Next Time
140 bpm • D Maj • 02:58 • -10.08db
40% Popularity • 52% Danceability • 34% Energy • 13% Liveness
5% Instrumentalness • 10% Positiveness
40% Popularity • 52% Danceability • 34% Energy • 13% Liveness
5% Instrumentalness • 10% Positiveness
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Better Oblivion Community Center
Sleepwalkin' - Daydreamin' Version
136 bpm • B Maj • 03:42 • -4.93db
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
49% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Miel
Columbus Day
140 bpm • F Maj • 02:03 • -13.33db
26% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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runo plum
foreign language
136 bpm • E Maj • 03:55 • -10.15db
32% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Lucy Dacus
Kissing Lessons
140 bpm • C# Maj • 01:54 • -7.07db
53% Popularity • 55% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
53% Popularity • 55% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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Eliza McLamb
Doing Fine
140 bpm • G# Maj • 03:30 • -7.87db
37% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Maya Hawke
Backup Plan
140 bpm • C Maj • 03:17 • -12.87db
43% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Searows
End Of The World
136 bpm • G Maj • 03:54 • -12.78db
55% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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boygenius
Emily I'm Sorry
136 bpm • B Maj • 03:34 • -12.16db
66% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
66% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
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Shallow Alcove
Old Bones
140 bpm • D Maj • 03:30 • -11.23db
27% Popularity • 46% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 46% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Lucy Dacus
Direct Address
140 bpm • D Maj • 03:19 • -8db
41% Popularity • 40% Danceability • 40% Energy • 15% Liveness
18% Instrumentalness • 15% Positiveness
41% Popularity • 40% Danceability • 40% Energy • 15% Liveness
18% Instrumentalness • 15% Positiveness
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Etta Marcus
Theatre
140 bpm • C# Maj • 02:59 • -5.55db
49% Popularity • 50% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
49% Popularity • 50% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Snail Mail
Deep Sea
140 bpm • C# Maj • 04:42 • -6.01db
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
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Leith Ross
Ask First
140 bpm • G Maj • 04:23 • -13.32db
42% Popularity • 38% Danceability • 33% Energy • 15% Liveness
6% Instrumentalness • 25% Positiveness
42% Popularity • 38% Danceability • 33% Energy • 15% Liveness
6% Instrumentalness • 25% Positiveness
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Bella Porter
Cynicism
140 bpm • E Maj • 03:52 • -21.98db
33% Popularity • 32% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 32% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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FIZZ
Lights Out
136 bpm • G Maj • 03:46 • -15.25db
34% Popularity • 33% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
34% Popularity • 33% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Lucy Dacus
Home Again
140 bpm • G Maj • 02:33 • -14db
37% Popularity • 58% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 58% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Maya Hawke
Hiatus
141 bpm • D Maj • 03:37 • -11.48db
34% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Lomelda
Columbia River
135 bpm • A min • 04:42 • -13db
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Leith Ross
Everyone I've Never Met
135 bpm • A Maj • 03:11 • -12.98db
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Searows
Older
141 bpm • C Maj • 06:55 • -12.99db
49% Popularity • 37% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
49% Popularity • 37% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Squirrel Flower
So Hot You're Hurting My Feelings
141 bpm • F Maj • 03:29 • -7db
52% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Lucy Dacus
Green Eyes, Red Face
135 bpm • A Maj • 03:38 • -9db
38% Popularity • 54% Danceability • 28% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
38% Popularity • 54% Danceability • 28% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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The Japanese House
Morning Pages
135 bpm • A Maj • 03:47 • -10.41db
51% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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quinnie
jake's car
135 bpm • D Maj • 01:33 • -10.43db
31% Popularity • 48% Danceability • 34% Energy • 54% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 48% Danceability • 34% Energy • 54% Liveness
0% Instrumentalness • 17% Positiveness
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Grace Gardner
Scorpions Don't Live Forever
135 bpm • F Maj • 04:32 • -8db
30% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Better Oblivion Community Center
Didn't Know What I Was In For
141 bpm • D Maj • 04:03 • -11db
47% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Kevin Atwater
christopher street
141 bpm • D# Maj • 03:09 • -12.83db
31% Popularity • 45% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 45% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lucy Dacus
Hot & Heavy
135 bpm • C Maj • 04:10 • -6.66db
60% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
60% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Searows
Villain
142 bpm • G# Maj • 04:49 • -14.25db
43% Popularity • 46% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
43% Popularity • 46% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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Katy Kirby
Tap Twice
134 bpm • F Maj • 02:37 • -13.54db
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Better Oblivion Community Center
Little Trouble
142 bpm • F Maj • 02:54 • -5.42db
42% Popularity • 57% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 57% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
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Eliza McLamb
Salt Circle
142 bpm • A# Maj • 04:20 • -11db
37% Popularity • 62% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 62% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Lucy Dacus
Addictions
135 bpm • A# Maj • 03:24 • -7.13db
48% Popularity • 64% Danceability • 56% Energy • 14% Liveness
5% Instrumentalness • 32% Positiveness
48% Popularity • 64% Danceability • 56% Energy • 14% Liveness
5% Instrumentalness • 32% Positiveness
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Lizzy McAlpine
firearm
134 bpm • D Maj • 03:02 • -7.73db
51% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
51% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Maya Hawke
Dark
134 bpm • D# Maj • 03:13 • -11.63db
49% Popularity • 71% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 71% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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The Japanese House
You always get what you want
142 bpm • A# Maj • 02:48 • -9.14db
45% Popularity • 63% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
45% Popularity • 63% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
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Phoebe Bridgers
ICU
134 bpm • D Maj • 03:10 • -8.08db
62% Popularity • 51% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
62% Popularity • 51% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Claud
Crumbs
134 bpm • G Maj • 02:10 • -12.66db
27% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Lucy Dacus
I Don't Wanna Be Funny Anymore
135 bpm • G# Maj • 02:43 • -8.03db
55% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
55% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
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The Army, The Navy
Alexandra
134 bpm • A# min • 03:04 • -11.59db
42% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Dora Jar
Spell
143 bpm • E min • 04:07 • -15db
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
40% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Phoebe Bridgers
Summer's End - Spotify Singles
134 bpm • C# Maj • 03:54 • -13.72db
55% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Nolune
Tangerine
133 bpm • B Maj • 06:52 • -18.26db
37% Popularity • 44% Danceability • 10% Energy • 15% Liveness
7% Instrumentalness • 20% Positiveness
37% Popularity • 44% Danceability • 10% Energy • 15% Liveness
7% Instrumentalness • 20% Positiveness
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Lucy Dacus
Christine
142 bpm • C Maj • 02:33 • -10.84db
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Leith Ross
Monogamy
133 bpm • C# Maj • 03:16 • -13.93db
40% Popularity • 52% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 52% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Olivia Barton
Fun
143 bpm • C# Maj • 04:36 • -10.96db
14% Popularity • 43% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 43% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Fenne Lily
Berlin
143 bpm • G# Maj • 03:39 • -9.88db
39% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
39% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Phoebe Bridgers
Savior Complex (Copycat Killer Version)
143 bpm • E Maj • 03:24 • -12.29db
39% Popularity • 22% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 35% Positiveness
39% Popularity • 22% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 35% Positiveness
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Adrianne Lenker
Angels
133 bpm • E Maj • 04:08 • -10.42db
49% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lucy Dacus
Partner in Crime - Spotify Singles
134 bpm • A Maj • 03:53 • -14.78db
36% Popularity • 67% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 67% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Tommy Lefroy
The Mess
144 bpm • B Maj • 01:08 • -10.21db
57% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
57% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Theo Bleak
I Look Like A Fool To You
144 bpm • F# Maj • 03:08 • -12.92db
30% Popularity • 47% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 47% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Suki Waterhouse
Wild Side
144 bpm • E Maj • 03:55 • -9db
48% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Better Oblivion Community Center
Exception To The Rule
144 bpm • D Maj • 02:51 • -7.1db
38% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Haley Heynderickx
Worth It
132 bpm • E Maj • 07:53 • -10db
43% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
43% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Lucy Dacus
Partner in Crime
143 bpm • C Maj • 04:38 • -6.19db
44% Popularity • 44% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 44% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Molly Payton
I'm Too Smart
144 bpm • D Maj • 05:04 • -8db
23% Popularity • 37% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 37% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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runo plum
ibuprofen
144 bpm • E min • 01:35 • -15.99db
44% Popularity • 37% Danceability • 15% Energy • 23% Liveness
1% Instrumentalness • 24% Positiveness
44% Popularity • 37% Danceability • 15% Energy • 23% Liveness
1% Instrumentalness • 24% Positiveness
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Laura Stevenson
Living Room, NY
132 bpm • F Maj • 03:22 • -7.25db
33% Popularity • 29% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 29% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Olivia Barton
Control Freak
144 bpm • B Maj • 02:40 • -18.03db
19% Popularity • 32% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 32% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Fenne Lily
Hypochondriac
132 bpm • D# Maj • 03:12 • -7db
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
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Lucy Dacus
Thumbs Again
133 bpm • A# Maj • 04:39 • -12db
32% Popularity • 53% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 53% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Searows
Keep The Rain
132 bpm • C# Maj • 04:47 • -17.66db
56% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
56% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Clairo
Blouse
145 bpm • G Maj • 03:15 • -20.33db
56% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
56% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Skullcrusher
Places/Plans
132 bpm • F Maj • 03:03 • -14db
39% Popularity • 35% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 35% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Katy Kirby
Eyelids
145 bpm • C Maj • 01:40 • -20db
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Christian Lee Hutson
Twin Soul
131 bpm • D Maj • 03:52 • -8.31db
24% Popularity • 58% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
24% Popularity • 58% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Lucy Dacus
Body to Flame
133 bpm • D Maj • 03:05 • -9.65db
46% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
46% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Searows
Funny
145 bpm • F# min • 05:02 • -12.61db
48% Popularity • 26% Danceability • 35% Energy • 16% Liveness
5% Instrumentalness • 12% Positiveness
48% Popularity • 26% Danceability • 35% Energy • 16% Liveness
5% Instrumentalness • 12% Positiveness
