Songs like For All We Know by Steve Tyrell
Based on a tempo of (+/- 10%) and a similar genre
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Lara Louise
Blue Velvet
82 bpm • C Maj • 03:51 • -14.1db
46% Popularity • 51% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 51% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Suss von Ahn
Alone Again, Naturally
82 bpm • G min • 03:07 • -10db
42% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Steve Tyrell
For All We Know
82 bpm • F min • 04:03 • -13.53db
15% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Vera Lynn
A Kiss to Build a Dream On - 2016 Remast...
82 bpm • G Maj • 03:13 • -14.17db
37% Popularity • 50% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 50% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Kat Edmonson
Oh My Love
82 bpm • B min • 02:46 • -11.56db
48% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Lyambiko
I Got Rhythm
82 bpm • G# Maj • 03:25 • -10.21db
20% Popularity • 67% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 67% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Anthony Strong
My Foolish Heart
81 bpm • A# Maj • 04:13 • -17.66db
32% Popularity • 46% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 46% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Morgana King
Bill
83 bpm • G Maj • 02:47 • -18.36db
31% Popularity • 39% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 39% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Dinah Shore
It Had To Be You
83 bpm • G min • 03:23 • -15.36db
27% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lisa Bassenge
Three Cigarettes in an Ashtray
83 bpm • F Maj • 03:07 • -11db
52% Popularity • 45% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
52% Popularity • 45% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
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Malene Mortensen
Que Sera Sera
81 bpm • A Maj • 03:14 • -8db
45% Popularity • 40% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 40% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Rachael & Vilray
I've Drawn Your Face
81 bpm • D# Maj • 03:41 • -13.37db
41% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Jean Frye Sidwell
Smile - Charlie Chaplin, Turner & Parson...
81 bpm • C Maj • 04:31 • -16.65db
8% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Peter Grant
Walk Away
81 bpm • B Maj • 03:28 • -8.59db
10% Popularity • 36% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 36% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Fred Astaire
Change Partners
81 bpm • F Maj • 03:13 • -22.8db
22% Popularity • 51% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
22% Popularity • 51% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Ray Charles
It Had to Be You
83 bpm • D# Maj • 02:44 • -13db
51% Popularity • 50% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 50% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Nils Landgren
They Say It's Wonderful
83 bpm • D# Maj • 04:23 • -7.82db
34% Popularity • 41% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 41% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Bria Skonberg
Dance Me to the End of Love
81 bpm • E min • 05:36 • -17.72db
42% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Kevin Mahogany
Pretty Blue
83 bpm • D min • 03:57 • -14db
36% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Jimmy Durante
A Way of Life
81 bpm • C Maj • 03:09 • -9db
23% Popularity • 26% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
23% Popularity • 26% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Cheryl Bentyne
Take 5/Drinks on the Patio
81 bpm • A Maj • 05:12 • -8db
10% Popularity • 58% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 58% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Malene Mortensen
Another Day
83 bpm • G min • 04:09 • -13db
39% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Paul Anka
Farewell, Angelina
81 bpm • G# Maj • 05:42 • -14.14db
19% Popularity • 24% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
19% Popularity • 24% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Anita O'Day
Waiter, Make Mine Blues
81 bpm • G# Maj • 03:20 • -17db
39% Popularity • 56% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 56% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Anthony Strong
L-O-V-E-
80 bpm • C Maj • 03:11 • -14db
31% Popularity • 55% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 55% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Jimmy Durante
As Time Goes By
80 bpm • D Maj • 02:28 • -11.19db
44% Popularity • 41% Danceability • 23% Energy • 35% Liveness
1% Instrumentalness • 25% Positiveness
44% Popularity • 41% Danceability • 23% Energy • 35% Liveness
1% Instrumentalness • 25% Positiveness
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Susannah McCorkle
Goodbye Little Dream, Goodbye
80 bpm • D min • 03:09 • -20.67db
20% Popularity • 51% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 51% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jeri Southern
When I Fall In Love
80 bpm • A Maj • 03:07 • -16db
35% Popularity • 27% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 27% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Kandace Springs
The Nearness Of You
80 bpm • C Maj • 03:36 • -12db
38% Popularity • 44% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 44% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Anita O'Day
I Love You
81 bpm • B min • 01:59 • -10.79db
38% Popularity • 38% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 38% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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John Stevens
I Only Have Eyes for You
80 bpm • A# Maj • 04:05 • -13db
14% Popularity • 30% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 30% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Sylvia Bennett
C’est magnifique
80 bpm • C Maj • 02:53 • -8.61db
19% Popularity • 73% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 73% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Steve Tyrell
Love Is Here To Stay
80 bpm • F Maj • 04:03 • -11.55db
9% Popularity • 38% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 38% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Erin Boheme
Someone To Love
80 bpm • B Maj • 04:05 • -17.12db
33% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Renee Olstead
What a Difference a Day Makes
84 bpm • C Maj • 03:28 • -13.28db
48% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Steve Lawrence
That Sunday, That Summer
80 bpm • C Maj • 03:23 • -6.23db
15% Popularity • 35% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 35% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Barbara Morrison
I Was Doing All Right
80 bpm • C Maj • 02:06 • -11.12db
17% Popularity • 54% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 54% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Heather Rigdon
I Miss You Like Paris
80 bpm • A Maj • 03:55 • -14.6db
52% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
52% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Kathleen Saadat
Ev'ry Time We Say Goodbye
79 bpm • D# Maj • 03:54 • -13.96db
31% Popularity • 40% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 40% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Jimmy Durante
If I Had You
85 bpm • B min • 02:43 • -11.01db
23% Popularity • 37% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 37% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Malene Mortensen
The Look of Love
79 bpm • G Maj • 03:55 • -13db
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Steve Tyrell
I've Got a Crush On You
79 bpm • G Maj • 02:32 • -9.17db
54% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Roberta Gambarini
Porgy, I's Your Woman Now/I Loves You , ...
85 bpm • C min • 07:24 • -15.44db
11% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Kevin Mahogany
Wild Honey
78 bpm • D Maj • 04:49 • -14.45db
18% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Heather Rigdon
My Mother Would Like You
78 bpm • B min • 04:05 • -12.05db
49% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
49% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Billy Eckstine
Days of Wine and Roses
86 bpm • G# Maj • 02:50 • -15db
31% Popularity • 37% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 37% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Lyambiko
Some Day My Price Will Come
78 bpm • A# Maj • 03:51 • -15db
16% Popularity • 47% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 47% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Steve Tyrell
Groovy Kind of Love
86 bpm • G min • 03:18 • -12.9db
17% Popularity • 68% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 68% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Silje Nergaard
Bewitched, Bothered And Bewildered
78 bpm • A Maj • 05:23 • -12.24db
23% Popularity • 27% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 27% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Kay Starr
My Kinda Love - 2002 - Remastered; 24 Bi...
86 bpm • G Maj • 02:40 • -12db
38% Popularity • 70% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 70% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Heather Rigdon
Sunday Morning With You
87 bpm • G# Maj • 03:02 • -10.34db
55% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Madeleine Peyroux
Smile
87 bpm • B Maj • 03:57 • -15.59db
51% Popularity • 64% Danceability • 20% Energy • 10% Liveness
24% Instrumentalness • 14% Positiveness
51% Popularity • 64% Danceability • 20% Energy • 10% Liveness
24% Instrumentalness • 14% Positiveness
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Hailey Tuck
Polkadots & Moonbeams
87 bpm • A# Maj • 05:06 • -11.12db
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Tony Bennett
'S Wonderful
77 bpm • G min • 02:50 • -12.52db
51% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Shelby Lynne
The Look Of Love
87 bpm • C Maj • 03:21 • -16db
47% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
47% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
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Steve Tyrell
(I Love You) For Sentimental Reasons
77 bpm • B min • 03:33 • -8.93db
18% Popularity • 36% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 36% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Bria Skonberg
L.O.V.E.
77 bpm • G min • 02:34 • -5.41db
28% Popularity • 62% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 62% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Lady Gaga
Ev'ry Time We Say Goodbye
88 bpm • G Maj • 03:10 • -13.32db
37% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Ruth Cameron
The Night We Called It A Day - Live
87 bpm • G min • 03:07 • -21.87db
13% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Ellen Andersson
Once Upon a Summertime
88 bpm • B Maj • 04:39 • -16.83db
32% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Louis Armstrong
A Kiss To Build A Dream On - Single Vers...
88 bpm • C Maj • 03:01 • -14.11db
63% Popularity • 72% Danceability • 8% Energy • 51% Liveness
0% Instrumentalness • 36% Positiveness
63% Popularity • 72% Danceability • 8% Energy • 51% Liveness
0% Instrumentalness • 36% Positiveness
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Steve Tyrell
The Very Thought of You
88 bpm • G Maj • 03:32 • -11.31db
24% Popularity • 63% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 63% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Anita O'Day
You're The Top
76 bpm • F# min • 02:25 • -13db
40% Popularity • 76% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 76% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Natalie Cole
The Very Thought Of You
76 bpm • C min • 04:16 • -16db
46% Popularity • 17% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 17% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Madeleine Peyroux
Lovesick Blues
88 bpm • A Maj • 02:17 • -14.11db
43% Popularity • 73% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 73% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Susannah McCorkle
I Don't Want To Set The World On Fire
89 bpm • A# min • 03:27 • -14db
31% Popularity • 75% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 75% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Jill Barber
Be My Man
76 bpm • A Maj • 03:00 • -11db
55% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Steve Tyrell
The Nearness Of You
88 bpm • F Maj • 04:00 • -10.54db
24% Popularity • 60% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 60% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Malene Mortensen
You Belong to Me
75 bpm • F Maj • 03:48 • -11.97db
35% Popularity • 53% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 53% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Erin Boheme
Teach Me Tonight
75 bpm • G Maj • 04:40 • -14.85db
31% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Madeleine Peyroux
To Love You All Over Again
89 bpm • B Maj • 03:57 • -12db
50% Popularity • 65% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 65% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Peter Grant
We've Only Just Begun
75 bpm • C# Maj • 03:12 • -9.68db
17% Popularity • 27% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 27% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Lizz Wright
Stars Fell On Alabama
90 bpm • D Maj • 03:52 • -14.39db
50% Popularity • 49% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
50% Popularity • 49% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Steve Tyrell
All The Way
76 bpm • G# Maj • 03:41 • -11.3db
18% Popularity • 19% Danceability • 27% Energy • 30% Liveness
1% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 27% Energy • 30% Liveness
1% Instrumentalness • 14% Positiveness
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Jeri Southern
Smoke Gets In Your Eyes
75 bpm • G Maj • 03:51 • -16.27db
30% Popularity • 26% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 26% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Kay Starr
It Had To Be You - Remastered 2002
75 bpm • F Maj • 02:52 • -15db
27% Popularity • 57% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 57% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Renee Olstead
Sentimental Journey
90 bpm • F Maj • 03:32 • -12db
29% Popularity • 68% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 68% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Mel Torme & the Mel-Tones
Heart & Soul
90 bpm • D# Maj • 02:58 • -22.44db
25% Popularity • 50% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
25% Popularity • 50% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
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Mandy Barnett
You've Changed
74 bpm • G min • 03:54 • -7.98db
9% Popularity • 32% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 32% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Steve Tyrell
Smile
89 bpm • A min • 02:53 • -10db
26% Popularity • 44% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 44% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Lyambiko
Can't Get out of This Mood
74 bpm • D Maj • 04:00 • -13.13db
33% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Dakota Staton
Say It Ain't So, Joe
91 bpm • A# min • 02:16 • -10.44db
37% Popularity • 67% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 67% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Anthony Strong
Overjoyed
91 bpm • F Maj • 03:28 • -14db
37% Popularity • 40% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 40% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Abbey Lincoln
Do Nothing 'Til You Hear From Me
74 bpm • G Maj • 02:16 • -10db
40% Popularity • 42% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 42% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Jeri Southern
It's De-Lovely
74 bpm • A# Maj • 02:09 • -15.52db
44% Popularity • 77% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 77% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Steve Tyrell
I'll Be Seeing You
75 bpm • C# Maj • 04:22 • -11.93db
18% Popularity • 48% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 48% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Dionne Warwick
This Guy/This Girl's In Love With You
91 bpm • A Maj • 03:34 • -9db
40% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Ray Charles
Hey Girl
74 bpm • G min • 05:15 • -10.03db
35% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Manhattan Jazz Quartett
Autumn Leaves
91 bpm • A min • 03:58 • -10.38db
39% Popularity • 49% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 49% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Connie Lansberg
What'll I Do
91 bpm • A# Maj • 04:05 • -14db
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Jeri Southern
Weren't We Fools
91 bpm • C Maj • 02:49 • -12.57db
32% Popularity • 25% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 25% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 11% Positiveness
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Steve Tyrell
This Guy's In Love With You
91 bpm • C Maj • 03:43 • -11db
48% Popularity • 58% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 58% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Roberta Gambarini
You Are There
73 bpm • C Maj • 02:48 • -17.59db
28% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Delicatessen
I'm through with love
92 bpm • A# Maj • 06:11 • -15.25db
27% Popularity • 60% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
27% Popularity • 60% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
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Peter Grant
On Days Like These
93 bpm • G min • 03:38 • -10db
15% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Connie Lansberg
You Hit the Spot
92 bpm • C Maj • 02:14 • -11db
45% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Simone Kopmajer
How Deep Is Your Love
93 bpm • A# Maj • 04:15 • -9.92db
33% Popularity • 70% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 70% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Steve Tyrell
Come Live with Me
90 bpm • C Maj • 04:07 • -14.52db
21% Popularity • 30% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 30% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
