Songs like For All You Give (feat. Lucy Rose) by The Paper Kites
Based on a tempo of (+/- 10%) and a similar genre
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Lucy Rose
No More
139 bpm • E min • 04:01 • -12.18db
0% Popularity • 75% Danceability • 27% Energy • 10% Liveness
36% Instrumentalness • 27% Positiveness
0% Popularity • 75% Danceability • 27% Energy • 10% Liveness
36% Instrumentalness • 27% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
52% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Richy Mitch & The Coal Miners
Lake Missoula
138 bpm • B min • 01:46 • -13.04db
75% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
75% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
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Joy Williams
The Trouble with Wanting
139 bpm • D Maj • 03:55 • -9db
55% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
55% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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AHI
Until You
140 bpm • A Maj • 03:18 • -10.18db
52% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Anna Leone
Once
138 bpm • A Maj • 03:25 • -13db
40% Popularity • 35% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
40% Popularity • 35% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
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Roo Panes
Tiger Striped Sky
140 bpm • D Maj • 04:01 • -10.32db
59% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
59% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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The Paper Kites
Till the Flame Turns Blue
139 bpm • E Maj • 04:05 • -11.16db
43% Popularity • 32% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 36% Positiveness
43% Popularity • 32% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 36% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
58% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
58% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Billianne
Simply The Best
140 bpm • B Maj • 02:53 • -11.81db
68% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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James Bay
Wild Love - Acoustic
140 bpm • B min • 03:09 • -7.68db
59% Popularity • 52% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 52% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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George Ogilvie
Foreign Hands (George's Version)
140 bpm • D# min • 04:18 • -8.74db
46% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jill Andrews
River Swimming
140 bpm • B Maj • 03:26 • -13.05db
35% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Ed Patrick
Barcelona, Babe
140 bpm • C# Maj • 02:09 • -15.82db
53% Popularity • 46% Danceability • 20% Energy • 9% Liveness
47% Instrumentalness • 41% Positiveness
53% Popularity • 46% Danceability • 20% Energy • 9% Liveness
47% Instrumentalness • 41% Positiveness
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Wild Rivers
Amsterdam
140 bpm • C# Maj • 03:33 • -9.43db
62% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Davis John Patton
Motives
138 bpm • A# Maj • 04:03 • -11.11db
41% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Tom Rosenthal
Hope - Acoustic
138 bpm • B Maj • 03:43 • -13.44db
46% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Flyte
White Roses
140 bpm • A# Maj • 03:26 • -7.08db
52% Popularity • 53% Danceability • 63% Energy • 14% Liveness
2% Instrumentalness • 60% Positiveness
52% Popularity • 53% Danceability • 63% Energy • 14% Liveness
2% Instrumentalness • 60% Positiveness
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Anna Leone
Still I Wait
138 bpm • G Maj • 03:49 • -13.98db
45% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
45% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
76% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
76% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Wild Rivers
Thinking 'Bout Love - Acoustic
138 bpm • F Maj • 03:04 • -13.54db
54% Popularity • 68% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 68% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Joshua Burnside
Driving Alone in the City at Night - Dem...
138 bpm • D# Maj • 03:24 • -18.22db
48% Popularity • 52% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 52% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Tom Rosenthal
Have We Met Before?
140 bpm • G# Maj • 02:39 • -19db
53% Popularity • 49% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
53% Popularity • 49% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Lord Huron
Love Like Ghosts
137 bpm • A Maj • 03:44 • -7.23db
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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S. Carey
More I See
141 bpm • E Maj • 04:03 • -11db
45% Popularity • 47% Danceability • 46% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
45% Popularity • 47% Danceability • 46% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
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Billie Marten
This Is How We Move
141 bpm • C# Maj • 03:06 • -11.64db
36% Popularity • 50% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
36% Popularity • 50% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
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Ira Wolf
Sunscreen
137 bpm • G min • 02:58 • -14db
55% Popularity • 58% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 58% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lucy Rose
Question It All
141 bpm • C Maj • 04:02 • -11.91db
42% Popularity • 42% Danceability • 40% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
42% Popularity • 42% Danceability • 40% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
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PJ Harding
The Best Of You
142 bpm • E Maj • 01:11 • -12.56db
44% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
69% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
69% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Hailaker
Famous
136 bpm • C# Maj • 03:53 • -12.56db
45% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
45% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Wild Rivers
Thinking 'Bout Love
142 bpm • F Maj • 03:19 • -8.12db
74% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
74% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Henry Jamison
I Forget Myself
142 bpm • A Maj • 03:32 • -12.14db
50% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Lucy Rose
Life's Too Short
142 bpm • G Maj • 03:39 • -7.8db
0% Popularity • 77% Danceability • 42% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
0% Popularity • 77% Danceability • 42% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
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Flyte
Losing You
142 bpm • C# Maj • 03:18 • -7.85db
45% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
45% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Caamp
Vagabond
142 bpm • E Maj • 02:09 • -11.92db
73% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
73% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Lizzy McAlpine
Pancakes for Dinner
142 bpm • B Maj • 03:55 • -11.45db
64% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
64% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Aaron Espe
Only Time
136 bpm • A min • 02:58 • -12.11db
53% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Head And The Heart
Honeybee
136 bpm • A Maj • 03:16 • -7.89db
65% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
65% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Ocie Elliott
Wait for You
136 bpm • C# Maj • 03:13 • -12db
61% Popularity • 65% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
61% Popularity • 65% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Roo Panes
Remember Fall In Montreal
136 bpm • C Maj • 05:00 • -12db
48% Popularity • 45% Danceability • 31% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
48% Popularity • 45% Danceability • 31% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
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Gretta Ray
Re: Stacks
136 bpm • F Maj • 04:25 • -16.29db
38% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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The Lumineers
Sleep On The Floor
142 bpm • G Maj • 03:31 • -8.06db
73% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
73% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Lucy Rose
Sail Away
136 bpm • E min • 03:30 • -8.74db
0% Popularity • 36% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
0% Popularity • 36% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Blanco White
Sol
143 bpm • E Maj • 06:22 • -18.25db
41% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Mt. Joy
Bathroom Light
135 bpm • D# Maj • 03:08 • -10.82db
64% Popularity • 65% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
64% Popularity • 65% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Flyte
Everyone's A Winner
143 bpm • A Maj • 03:29 • -9.15db
48% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
48% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
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Amos Lee
Hang On, Hang On
135 bpm • F# Maj • 04:10 • -17.03db
47% Popularity • 55% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
47% Popularity • 55% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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The Avett Brothers
Victory
135 bpm • A# Maj • 03:53 • -11.14db
51% Popularity • 62% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
51% Popularity • 62% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Edwin Raphael
Isle Of Strawberries
135 bpm • C# min • 03:35 • -5.5db
47% Popularity • 62% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 62% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Fenne Lily
Berlin
143 bpm • G# Maj • 03:39 • -9.88db
40% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
40% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Novo Amor
Repeat Until Death
144 bpm • C# Maj • 03:54 • -11.74db
69% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
69% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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Ocie Elliott
Know the Night
144 bpm • D# Maj • 03:10 • -12.57db
60% Popularity • 65% Danceability • 31% Energy • 11% Liveness
63% Instrumentalness • 30% Positiveness
60% Popularity • 65% Danceability • 31% Energy • 11% Liveness
63% Instrumentalness • 30% Positiveness
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Wild Child
Going In
144 bpm • E Maj • 02:41 • -12db
61% Popularity • 68% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 68% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Bear's Den
Sophie
144 bpm • B min • 05:04 • -13db
32% Popularity • 59% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 59% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Jordy Searcy
Fire
144 bpm • A Maj • 03:09 • -9.39db
49% Popularity • 66% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
49% Popularity • 66% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Noah Kahan
Anyway
134 bpm • G Maj • 05:12 • -10.69db
64% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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The Paper Kites
How Long
134 bpm • B min • 03:36 • -21.01db
25% Popularity • 62% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
25% Popularity • 62% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
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Aisha Badru
Waiting Around - Acoustic
145 bpm • C Maj • 02:32 • -15db
52% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
52% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
73% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
73% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Ed Patrick
You In My Life
132 bpm • B Maj • 03:37 • -16.57db
44% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
44% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Foy Vance
Guiding Light
132 bpm • C# Maj • 05:52 • -12.17db
43% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Bahamas
Half Your Love
132 bpm • A min • 02:24 • -9.89db
52% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Paper Kites
Lonely
145 bpm • A# Maj • 03:42 • -13.56db
25% Popularity • 49% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 49% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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James Vincent McMorrow
I Should Go - Solo Version
132 bpm • F# min • 02:31 • -10.37db
54% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Ghostpoet
Sorry My Love, It's You Not Me - Ghost C...
132 bpm • A# min • 06:20 • -6.88db
3% Popularity • 70% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
3% Popularity • 70% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Young Mister
Everything Has Its Place
132 bpm • A Maj • 04:12 • -12db
43% Popularity • 39% Danceability • 25% Energy • 9% Liveness
12% Instrumentalness • 30% Positiveness
43% Popularity • 39% Danceability • 25% Energy • 9% Liveness
12% Instrumentalness • 30% Positiveness
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Hazlett
Part Time Lovers
132 bpm • C Maj • 03:10 • -16.3db
55% Popularity • 54% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
55% Popularity • 54% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Lewis Watson
slumber
132 bpm • C Maj • 05:06 • -12db
39% Popularity • 54% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 54% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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The Staves
Mexico
132 bpm • F Maj • 04:06 • -15db
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
65% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
65% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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John Vincent III
The Days That Are to Come
147 bpm • G# Maj • 05:52 • -14.7db
41% Popularity • 39% Danceability • 17% Energy • 11% Liveness
19% Instrumentalness • 9% Positiveness
41% Popularity • 39% Danceability • 17% Energy • 11% Liveness
19% Instrumentalness • 9% Positiveness
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Tomo
Coffee Cups and Cigarettes
132 bpm • G# Maj • 03:27 • -14db
57% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
57% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
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Chance Peña
Up, Up & Away
132 bpm • A min • 02:00 • -12.33db
58% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Ed Patrick
Minute Of Your Love
132 bpm • F Maj • 02:16 • -17.97db
50% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
50% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
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Jamestown Revival
Who Hung the Moon
131 bpm • G# Maj • 05:02 • -12.96db
42% Popularity • 51% Danceability • 37% Energy • 12% Liveness
5% Instrumentalness • 24% Positiveness
42% Popularity • 51% Danceability • 37% Energy • 12% Liveness
5% Instrumentalness • 24% Positiveness
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Roo Panes
There's A Place
131 bpm • D Maj • 06:08 • -13.95db
48% Popularity • 41% Danceability • 36% Energy • 9% Liveness
5% Instrumentalness • 21% Positiveness
48% Popularity • 41% Danceability • 36% Energy • 9% Liveness
5% Instrumentalness • 21% Positiveness
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Ben Abraham
If I Didn’t Love You
147 bpm • A# Maj • 04:06 • -11.62db
45% Popularity • 57% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 57% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Caamp
So Long, Honey
131 bpm • E Maj • 04:51 • -13db
56% Popularity • 57% Danceability • 26% Energy • 16% Liveness
8% Instrumentalness • 8% Positiveness
56% Popularity • 57% Danceability • 26% Energy • 16% Liveness
8% Instrumentalness • 8% Positiveness
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Marc Scibilia
Seed of Joy
148 bpm • A Maj • 03:30 • -10db
41% Popularity • 59% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 59% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Wild Rivers
Long Time
148 bpm • A# Maj • 03:16 • -11db
53% Popularity • 55% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 55% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Oh Wonder
Don't You Worry
130 bpm • A Maj • 03:39 • -11.18db
50% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Blanco White
Papillon
130 bpm • E min • 03:59 • -15.9db
43% Popularity • 37% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
43% Popularity • 37% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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S. Carey
Fool's Gold
130 bpm • A Maj • 04:14 • -13db
40% Popularity • 50% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
40% Popularity • 50% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
52% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Fenne Lily
For a While
130 bpm • D Maj • 03:54 • -12db
40% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Foy Vance
Sapling
130 bpm • A# min • 04:17 • -8.53db
46% Popularity • 45% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 45% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Hazlett
Please Don't Be
130 bpm • A Maj • 02:55 • -11db
69% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
69% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Blanco White
Olalla
130 bpm • C min • 04:08 • -11.95db
66% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
66% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Ocie Elliott
Baby, You Know
129 bpm • F Maj • 03:02 • -10db
54% Popularity • 70% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
54% Popularity • 70% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Eleni Drake
King Street
150 bpm • E Maj • 03:38 • -11.58db
47% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
48% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
48% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Lucas Laufen
Weathering
150 bpm • D# Maj • 04:11 • -15.07db
35% Popularity • 60% Danceability • 21% Energy • 12% Liveness
56% Instrumentalness • 20% Positiveness
35% Popularity • 60% Danceability • 21% Energy • 12% Liveness
56% Instrumentalness • 20% Positiveness
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Freyr
You Want Love
150 bpm • F Maj • 03:35 • -17db
43% Popularity • 42% Danceability • 30% Energy • 14% Liveness
86% Instrumentalness • 20% Positiveness
43% Popularity • 42% Danceability • 30% Energy • 14% Liveness
86% Instrumentalness • 20% Positiveness
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Bess Atwell
Nobody
129 bpm • A min • 02:28 • -13.41db
50% Popularity • 61% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 61% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ocie Elliott
I Got You, Honey
150 bpm • C Maj • 02:41 • -16.08db
63% Popularity • 55% Danceability • 23% Energy • 10% Liveness
52% Instrumentalness • 8% Positiveness
63% Popularity • 55% Danceability • 23% Energy • 10% Liveness
52% Instrumentalness • 8% Positiveness
