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For No One
Songs like
For No One
by
Anne Sofie von Otter
Based on a tempo of (+/- 10%) and a similar genre
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Rebecka Törnqvist
Angel Eyes
163 bpm • A# min • 05:54 • -8.86db
27% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Anne Sofie von Otter
For No One
163 bpm • G min • 01:58 • -15.97db
31% Popularity • 47% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Alan Price
In My Dreams
159 bpm • E min • 04:42 • -13.89db
24% Popularity • 65% Danceability • 58% Energy • 11% Liveness
7% Instrumentalness • 92% Positiveness
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Térez Montcalm
Parce que y a toi…
165 bpm • A Maj • 04:28 • -8.17db
16% Popularity • 50% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jesse Winchester
Sham-a-Ling-Dong-Ding
168 bpm • E Maj • 04:03 • -14.06db
31% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Sinéad Lohan
To Ramona
158 bpm • G Maj • 03:43 • -11db
40% Popularity • 58% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Lisa Bassenge
All the Good Girls Go to Hell
168 bpm • G# min • 04:47 • -9.41db
32% Popularity • 58% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Catherine Russell
Aged And Mellow
157 bpm • F# Maj • 04:40 • -12db
34% Popularity • 47% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Natalie Merchant
The Man in the Wilderness
157 bpm • E min • 03:44 • -12.96db
23% Popularity • 57% Danceability • 29% Energy • 11% Liveness
27% Instrumentalness • 27% Positiveness
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Carole King
You've Got a Friend
169 bpm • G# Maj • 05:08 • -10.68db
65% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Rodrigo Leão
The Long Run
170 bpm • F min • 03:34 • -9.23db
21% Popularity • 36% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
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Magna Carta
Airport Song
155 bpm • E Maj • 03:42 • -17.65db
31% Popularity • 46% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 76% Positiveness
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Dusty Springfield
If You Go Away
171 bpm • F# min • 03:50 • -13db
47% Popularity • 26% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Henry Purcell
Dido and Aeneas / Act III: "Thy Hand, Be...
174 bpm • B min • 04:21 • -25.56db
19% Popularity • 16% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
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Tim Ries
No Expectation
172 bpm • E Maj • 04:29 • -12.18db
5% Popularity • 36% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Ane Brun
From Me To You
152 bpm • F Maj • 01:57 • -11db
38% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Spooky Men's Chorale
Crossing the Bar
175 bpm • A Maj • 04:38 • -18db
24% Popularity • 15% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
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Wende
Beautiful Song
151 bpm • C# Maj • 01:41 • -18.25db
32% Popularity • 34% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Dutronc
Love - Live in Cusset / 2018
176 bpm • D Maj • 05:50 • -14.34db
23% Popularity • 36% Danceability • 20% Energy • 97% Liveness
0% Instrumentalness • 13% Positiveness
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Heather Nova
Norwegian Wood
177 bpm • D Maj • 02:23 • -10.4db
41% Popularity • 28% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Ainhoa Arteta
Annie's Song
150 bpm • D Maj • 03:12 • -10.82db
28% Popularity • 65% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Natalie Merchant
Equestrienne
149 bpm • G Maj • 04:38 • -12.48db
16% Popularity • 42% Danceability • 21% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Emmylou Harris
Here, There and Everywhere
148 bpm • A# Maj • 03:41 • -13db
40% Popularity • 29% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Emilie-Claire Barlow
Will You (Still) Love Me Tomorrow?
179 bpm • G Maj • 03:48 • -16.26db
20% Popularity • 22% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Ana Moura
A Case Of You
179 bpm • A# Maj • 05:03 • -10db
37% Popularity • 43% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Mary Coughlan
Ancient Rain
180 bpm • G Maj • 04:33 • -12.1db
27% Popularity • 27% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Jacqui Naylor
Me & Mr. Jones - 1
180 bpm • D# Maj • 05:01 • -14db
19% Popularity • 46% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Roberta Flack
Hey, That's No Way to Say Goodbye
148 bpm • G# Maj • 04:08 • -16db
40% Popularity • 41% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Brothers Four
Come to My Bedside, My Darlin'
147 bpm • D Maj • 03:00 • -23.37db
32% Popularity • 41% Danceability • 7% Energy • 11% Liveness
7% Instrumentalness • 39% Positiveness
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Jacintha
Light My Fire
181 bpm • A# Maj • 04:03 • -17.4db
32% Popularity • 49% Danceability • 16% Energy • 8% Liveness
2% Instrumentalness • 25% Positiveness
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Suzanne Vega
New York Is My Destination
182 bpm • C# min • 03:09 • -13db
28% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Carla Bruni
Perfect Day
182 bpm • G Maj • 02:58 • -12db
42% Popularity • 60% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Shelby Lynne
Pretend
146 bpm • B min • 03:06 • -16.86db
42% Popularity • 59% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Swingle Singers
Libertango
146 bpm • A min • 03:14 • -8db
30% Popularity • 62% Danceability • 60% Energy • 13% Liveness
75% Instrumentalness • 71% Positiveness
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Nellie McKay
How About You
146 bpm • A# Maj • 02:07 • -11.97db
35% Popularity • 59% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Kristina Train
Everloving Arms
146 bpm • G# Maj • 03:34 • -13.92db
35% Popularity • 46% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Tuck & Patti
Honey Pie
183 bpm • B min • 02:34 • -22db
15% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Peter Sarstedt
Where Do You Go To (My Lovely) - Re-Reco...
183 bpm • D min • 04:47 • -8db
47% Popularity • 56% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Eddi Reader
Dragonflies
145 bpm • G Maj • 05:26 • -11.33db
18% Popularity • 41% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Halie Loren
A Whiter Shade of Pale
145 bpm • A min • 04:43 • -11.12db
44% Popularity • 54% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Suzanne Vega
New York Is a Woman
144 bpm • G# Maj • 03:16 • -15.65db
15% Popularity • 33% Danceability • 23% Energy • 68% Liveness
0% Instrumentalness • 23% Positiveness
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Chris Rea
Gone Fishing
144 bpm • C Maj • 04:42 • -13db
43% Popularity • 46% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Bill Fay
The Healing Day
144 bpm • C# Maj • 05:14 • -13db
36% Popularity • 38% Danceability • 36% Energy • 12% Liveness
64% Instrumentalness • 14% Positiveness
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Keith Jarrett
Country
144 bpm • D# Maj • 05:00 • -14.83db
43% Popularity • 52% Danceability • 32% Energy • 10% Liveness
33% Instrumentalness • 48% Positiveness
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Natalie Merchant
One Fine Day - Remastered
185 bpm • D Maj • 02:47 • -14db
49% Popularity • 52% Danceability • 15% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Helen Merrill
I Love Paris
187 bpm • G Maj • 01:49 • -22.89db
30% Popularity • 34% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Shelby Lynne
Breakfast In Bed
142 bpm • G Maj • 03:21 • -13db
44% Popularity • 70% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
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Harrison Kennedy
What's Going On
142 bpm • F# Maj • 04:14 • -17.69db
21% Popularity • 59% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Alexander von Zemlinsky
6 Songs Op. 13: No. 3 Lied der Jungfrau
141 bpm • G# min • 02:39 • -29.82db
7% Popularity • 16% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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Mark Knopfler
Monteleone
141 bpm • E Maj • 03:39 • -16.97db
46% Popularity • 49% Danceability • 17% Energy • 10% Liveness
68% Instrumentalness • 35% Positiveness
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Sara Gazarek
Junk
189 bpm • B Maj • 03:27 • -15.57db
24% Popularity • 25% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Susan Wong
Windmills of My Mind
140 bpm • C min • 03:26 • -12.52db
33% Popularity • 63% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Shelby Lynne
I Don't Want To Hear It Anymore
140 bpm • C# Maj • 04:36 • -15db
35% Popularity • 73% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Benny Andersson
After the rain
140 bpm • E Maj • 02:54 • -16.7db
9% Popularity • 39% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Richard Hawley
Nothing Like a Friend
140 bpm • A# Maj • 05:04 • -16.72db
28% Popularity • 33% Danceability • 17% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
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Gianmaria Testa
Seminatori di grano
140 bpm • D# min • 03:11 • -14db
24% Popularity • 34% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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AntonÃn Dvořák
Going Home
140 bpm • A Maj • 05:31 • -14.29db
22% Popularity • 20% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Habib Koité
Send Us Brighter Days
194 bpm • G Maj • 03:58 • -13.25db
23% Popularity • 42% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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For No One