Songs like For Ross by Thad Fiscella
Based on a tempo of (+/- 10%) and a similar genre
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Thad Fiscella
For Ross
97 bpm • E Maj • 04:58 • -22db
32% Popularity • 37% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 15% Positiveness
32% Popularity • 37% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 15% Positiveness
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Michael Dulin
Bedtime For Little John
97 bpm • D Maj • 05:11 • -17.12db
14% Popularity • 60% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
14% Popularity • 60% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Joseph Akins
A Southern Sun
97 bpm • C Maj • 04:16 • -16.14db
29% Popularity • 37% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
29% Popularity • 37% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Janie Becker
Castles In The Air
97 bpm • B Maj • 02:40 • -23.51db
46% Popularity • 37% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
46% Popularity • 37% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Robin Spielberg
I Dream of You
97 bpm • F Maj • 02:24 • -19.7db
27% Popularity • 52% Danceability • 7% Energy • 10% Liveness
69% Instrumentalness • 20% Positiveness
27% Popularity • 52% Danceability • 7% Energy • 10% Liveness
69% Instrumentalness • 20% Positiveness
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David Lanz
Improvisation: Gli Uccelli Di Carpi (The...
96 bpm • D Maj • 02:39 • -28.12db
40% Popularity • 35% Danceability • 2% Energy • 16% Liveness
82% Instrumentalness • 41% Positiveness
40% Popularity • 35% Danceability • 2% Energy • 16% Liveness
82% Instrumentalness • 41% Positiveness
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Pianoramix
Legends of the Fall Theme (The Ludlows)
96 bpm • D Maj • 02:31 • -19.81db
42% Popularity • 43% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
42% Popularity • 43% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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David Hicken
Celeste
98 bpm • D Maj • 04:30 • -23db
21% Popularity • 47% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
21% Popularity • 47% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Charlie Key
For the Loved Ones
98 bpm • A min • 03:14 • -25.02db
28% Popularity • 55% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
28% Popularity • 55% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Janie Becker
The Dance
98 bpm • D Maj • 03:14 • -20db
49% Popularity • 42% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
49% Popularity • 42% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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George Nascimento
A Sense of Freedom
98 bpm • D# Maj • 04:55 • -24.46db
21% Popularity • 44% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
21% Popularity • 44% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Ronald Emery
Say You Wont Let Go
96 bpm • B Maj • 03:50 • -20.25db
54% Popularity • 51% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
54% Popularity • 51% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Rachel Currea
New Beginnings
96 bpm • B min • 04:14 • -19.06db
10% Popularity • 31% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
10% Popularity • 31% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Thad Fiscella
Hope Remains (Piano)
98 bpm • C Maj • 03:59 • -17.92db
13% Popularity • 45% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
13% Popularity • 45% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Jane Leslie
Cherished Times
96 bpm • F# min • 03:08 • -24.68db
42% Popularity • 36% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
42% Popularity • 36% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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Robin Spielberg
Another Time, Another Place
98 bpm • D min • 05:56 • -11.8db
12% Popularity • 41% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
12% Popularity • 41% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Brad Jacobsen
Autumn Walk
98 bpm • D# Maj • 03:44 • -23.42db
29% Popularity • 40% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
29% Popularity • 40% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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David Lanz
Before The Last Leaf Falls
96 bpm • D Maj • 03:28 • -23.23db
36% Popularity • 57% Danceability • 8% Energy • 6% Liveness
85% Instrumentalness • 12% Positiveness
36% Popularity • 57% Danceability • 8% Energy • 6% Liveness
85% Instrumentalness • 12% Positiveness
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Karen FitzGerald
Winter's Flight
99 bpm • D Maj • 06:14 • -20.62db
14% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
14% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Daniele Leoni
Rincorrere un sogno
99 bpm • C Maj • 02:36 • -23.68db
43% Popularity • 38% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
43% Popularity • 38% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Jane Leslie
Peaceful Dawn
95 bpm • G Maj • 03:18 • -24.4db
30% Popularity • 55% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
30% Popularity • 55% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
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Louis Landon
Good Fortune
99 bpm • G Maj • 04:47 • -19.73db
24% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
24% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Joe Bongiorno
Melancholy Morning
95 bpm • D min • 06:23 • -22.81db
30% Popularity • 31% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
30% Popularity • 31% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Thad Fiscella
Never Goodbye
99 bpm • F# Maj • 04:40 • -18.17db
15% Popularity • 47% Danceability • 6% Energy • 18% Liveness
94% Instrumentalness • 42% Positiveness
15% Popularity • 47% Danceability • 6% Energy • 18% Liveness
94% Instrumentalness • 42% Positiveness
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George Nascimento
A Peaceful Soak
95 bpm • E min • 04:50 • -25.08db
29% Popularity • 34% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
29% Popularity • 34% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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Janie Becker
Evening Whispers
100 bpm • F Maj • 02:09 • -22.53db
53% Popularity • 45% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
53% Popularity • 45% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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David Lanz
Painting the Sun
94 bpm • A# Maj • 05:24 • -17db
28% Popularity • 43% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
28% Popularity • 43% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Robin Spielberg
The Orange Fox Waits
94 bpm • D Maj • 03:05 • -21.63db
31% Popularity • 44% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
31% Popularity • 44% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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Kevin Kern
Sundial Dreams
100 bpm • F# Maj • 04:45 • -18.02db
48% Popularity • 59% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 45% Positiveness
48% Popularity • 59% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 45% Positiveness
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Thad Fiscella
Evening Song
100 bpm • F# Maj • 06:02 • -18.93db
14% Popularity • 38% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
14% Popularity • 38% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Louis Landon
Seattle Morning
100 bpm • D Maj • 03:44 • -23.69db
39% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
39% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
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James Todd
New Day
93 bpm • C Maj • 07:11 • -13.98db
13% Popularity • 21% Danceability • 19% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
13% Popularity • 21% Danceability • 19% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
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James Spiteri
Blossom
93 bpm • F# min • 04:57 • -20db
27% Popularity • 29% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
27% Popularity • 29% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Robin Spielberg
O Mio Babbino Caro
101 bpm • G# Maj • 04:27 • -21db
35% Popularity • 39% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
35% Popularity • 39% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Chad Lawson
Nocturne in a Minor
101 bpm • A min • 06:02 • -27.42db
50% Popularity • 19% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
50% Popularity • 19% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Thad Fiscella
When You Said I Do
100 bpm • E Maj • 03:00 • -17db
24% Popularity • 47% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 34% Positiveness
24% Popularity • 47% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 34% Positiveness
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Maurizio Lucchetti
Night of Dreams
93 bpm • D min • 06:41 • -26.95db
32% Popularity • 28% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
32% Popularity • 28% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
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Roberto Cacciapaglia
Endless Time
102 bpm • F Maj • 03:14 • -16.78db
43% Popularity • 33% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
43% Popularity • 33% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Doug Hammer
The Dance
92 bpm • F Maj • 05:15 • -24db
23% Popularity • 35% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
23% Popularity • 35% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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David Lanz
Return To The Heart
92 bpm • A Maj • 03:20 • -21db
40% Popularity • 47% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 14% Positiveness
40% Popularity • 47% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 14% Positiveness
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William Joseph
Bella's Lullaby
92 bpm • G Maj • 02:38 • -11.87db
39% Popularity • 34% Danceability • 27% Energy • 12% Liveness
18% Instrumentalness • 9% Positiveness
39% Popularity • 34% Danceability • 27% Energy • 12% Liveness
18% Instrumentalness • 9% Positiveness
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Kyri Beau
Celeste
102 bpm • A# Maj • 05:08 • -21.39db
18% Popularity • 34% Danceability • 8% Energy • 16% Liveness
96% Instrumentalness • 9% Positiveness
18% Popularity • 34% Danceability • 8% Energy • 16% Liveness
96% Instrumentalness • 9% Positiveness
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Robin Spielberg
Unchained Melody
92 bpm • G Maj • 04:15 • -20.11db
28% Popularity • 39% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
28% Popularity • 39% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Greg Maroney
Breathe
92 bpm • C# min • 05:42 • -16db
40% Popularity • 21% Danceability • 24% Energy • 14% Liveness
86% Instrumentalness • 18% Positiveness
40% Popularity • 21% Danceability • 24% Energy • 14% Liveness
86% Instrumentalness • 18% Positiveness
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Charles Bolt
Above the Clouds
92 bpm • G min • 02:27 • -20.13db
36% Popularity • 63% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
36% Popularity • 63% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Neil Patton
Water of Life
92 bpm • D min • 06:04 • -18db
21% Popularity • 23% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Sarah Modene
Possibility
92 bpm • F Maj • 05:35 • -22db
19% Popularity • 20% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
19% Popularity • 20% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Joseph Akins
Finding Grace
91 bpm • C Maj • 08:35 • -18.46db
20% Popularity • 41% Danceability • 10% Energy • 27% Liveness
92% Instrumentalness • 8% Positiveness
20% Popularity • 41% Danceability • 10% Energy • 27% Liveness
92% Instrumentalness • 8% Positiveness
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Gian Marco La Serra
Prelude
91 bpm • G# Maj • 04:31 • -18.5db
30% Popularity • 30% Danceability • 13% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
30% Popularity • 30% Danceability • 13% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
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Fiona Joy Hawkins
Love Forever (Remastered)
91 bpm • D Maj • 04:26 • -15.85db
29% Popularity • 26% Danceability • 11% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
29% Popularity • 26% Danceability • 11% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
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Janie Becker
When I Dream Of You
91 bpm • A# Maj • 02:26 • -20db
50% Popularity • 47% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
50% Popularity • 47% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
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Amy Lauren
Waterline
104 bpm • F# min • 03:30 • -17.3db
32% Popularity • 46% Danceability • 40% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
32% Popularity • 46% Danceability • 40% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Sarah Modene
Crossing the Trail
91 bpm • D min • 04:38 • -24db
13% Popularity • 22% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
13% Popularity • 22% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Joseph Akins
Joy of Being
103 bpm • D# Maj • 05:23 • -17.97db
25% Popularity • 40% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
25% Popularity • 40% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Jennifer Thomas
The Red Aspens
104 bpm • C Maj • 03:56 • -18.92db
20% Popularity • 32% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
20% Popularity • 32% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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Anne Trenning
The Welcome Song
104 bpm • D Maj • 03:35 • -15.49db
37% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
37% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
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Rhonda Mackert
Solus
104 bpm • D min • 04:06 • -25.17db
21% Popularity • 38% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
21% Popularity • 38% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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Amy Lauren
Bed of Stars
105 bpm • G# Maj • 02:41 • -26.57db
42% Popularity • 48% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 21% Positiveness
42% Popularity • 48% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 21% Positiveness
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Thad Fiscella
New Rain
105 bpm • B Maj • 04:59 • -17.76db
14% Popularity • 39% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
14% Popularity • 39% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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Sarah Modene
On the Edge
91 bpm • G Maj • 04:35 • -24db
34% Popularity • 22% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
34% Popularity • 22% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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William Joseph
A Mother's Heart
105 bpm • A Maj • 03:39 • -19db
33% Popularity • 50% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 20% Positiveness
33% Popularity • 50% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 20% Positiveness
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Igor Longhi
Erouq
105 bpm • F Maj • 04:42 • -12.06db
22% Popularity • 30% Danceability • 42% Energy • 17% Liveness
94% Instrumentalness • 26% Positiveness
22% Popularity • 30% Danceability • 42% Energy • 17% Liveness
94% Instrumentalness • 26% Positiveness
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Michael Forster
Forces of Attraction
105 bpm • G Maj • 01:58 • -24db
33% Popularity • 41% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
33% Popularity • 41% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Chad Lawson
I Wandered Lonely as a Cloud
106 bpm • G min • 04:24 • -25.77db
26% Popularity • 26% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
26% Popularity • 26% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
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Joseph Akins
Watertank Hill
106 bpm • G Maj • 04:43 • -18db
31% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
31% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Sarah Modene
Forgetting Yesterday
90 bpm • D# Maj • 03:28 • -25.04db
23% Popularity • 21% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
23% Popularity • 21% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Fiona Joy Hawkins
Thinking of You (Remastered)
89 bpm • C Maj • 03:39 • -15.46db
35% Popularity • 29% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
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Danny Wright
Hayden's Spirit
89 bpm • F Maj • 04:13 • -15.1db
27% Popularity • 34% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
27% Popularity • 34% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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James Todd
Quiet Beauty
89 bpm • G Maj • 06:25 • -15.96db
29% Popularity • 14% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
29% Popularity • 14% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
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Mélanie Laurent
Fin
106 bpm • F# Maj • 02:11 • -26.42db
47% Popularity • 34% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
47% Popularity • 34% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Joe Bongiorno
I'll See You Again
88 bpm • A Maj • 04:29 • -17.59db
21% Popularity • 40% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
21% Popularity • 40% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Rachel Currea
Desert Night
107 bpm • B min • 03:41 • -21.28db
19% Popularity • 35% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
19% Popularity • 35% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Doug Hammer
Sunrise
88 bpm • G Maj • 05:27 • -22.33db
36% Popularity • 49% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 13% Positiveness
36% Popularity • 49% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 13% Positiveness
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Steven Sharp Nelson
Gabriel's Oboe
87 bpm • D Maj • 02:27 • -6.22db
37% Popularity • 14% Danceability • 41% Energy • 11% Liveness
71% Instrumentalness • 23% Positiveness
37% Popularity • 14% Danceability • 41% Energy • 11% Liveness
71% Instrumentalness • 23% Positiveness
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Jon Dahlander
Lost Maples
108 bpm • F# Maj • 04:03 • -18.61db
19% Popularity • 37% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Charlie Key
Northern Leafs
108 bpm • D# Maj • 02:35 • -18.31db
31% Popularity • 42% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
31% Popularity • 42% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
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Sarah Modene
In the Distance
88 bpm • A min • 03:58 • -23.6db
12% Popularity • 17% Danceability • 15% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
12% Popularity • 17% Danceability • 15% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
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Louis Landon
Walking the Plains
87 bpm • C min • 04:49 • -20.56db
29% Popularity • 34% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
29% Popularity • 34% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Denise Young
Above the Clouds
109 bpm • C min • 04:31 • -21.64db
31% Popularity • 32% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
31% Popularity • 32% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
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Lynn Yew Evers
The Dancing Doll
87 bpm • D min • 03:17 • -18.86db
19% Popularity • 35% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
19% Popularity • 35% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
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Robin Spielberg
Walk With Me (Piano / Cello Version)
87 bpm • D# Maj • 03:29 • -16.12db
40% Popularity • 39% Danceability • 15% Energy • 12% Liveness
82% Instrumentalness • 18% Positiveness
40% Popularity • 39% Danceability • 15% Energy • 12% Liveness
82% Instrumentalness • 18% Positiveness
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Jane Leslie
Flowing Waters
109 bpm • D# Maj • 03:49 • -23.23db
32% Popularity • 36% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
32% Popularity • 36% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
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Sarah Modene
Searching
86 bpm • G min • 02:59 • -24db
27% Popularity • 23% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
27% Popularity • 23% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Solomon Keal
Surrender
109 bpm • A min • 05:48 • -19db
32% Popularity • 45% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
32% Popularity • 45% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Fiona Joy Hawkins
Escarpment Dreaming
110 bpm • E min • 03:25 • -21db
34% Popularity • 35% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
34% Popularity • 35% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
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Thad Fiscella
Orchard Skies
110 bpm • C# min • 04:50 • -20.01db
16% Popularity • 46% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
16% Popularity • 46% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Wayne Gratz
A Silent Wind
86 bpm • C min • 04:23 • -21.59db
22% Popularity • 15% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
22% Popularity • 15% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Jane Leslie
Southampton Sunset
109 bpm • D# Maj • 03:24 • -24db
41% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
41% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Danny Wright
Brahms's Lullaby
86 bpm • G Maj • 04:06 • -26.15db
36% Popularity • 33% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
36% Popularity • 33% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
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Charles Bolt
Seasons Changing
110 bpm • D Maj • 02:19 • -24.33db
41% Popularity • 56% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
41% Popularity • 56% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
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Kevin Kern
And the Light is Forever
110 bpm • D# Maj • 03:23 • -19.75db
35% Popularity • 47% Danceability • 5% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
35% Popularity • 47% Danceability • 5% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
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Chris Snelling
Vladimir's Blues
110 bpm • A Maj • 01:24 • -25.79db
28% Popularity • 46% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
28% Popularity • 46% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
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Michael Dulin
Prelude
110 bpm • C Maj • 05:12 • -16.25db
20% Popularity • 37% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
20% Popularity • 37% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Fabrizio Paterlini
Soffia la notte
110 bpm • E min • 03:24 • -16.08db
52% Popularity • 30% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 21% Positiveness
52% Popularity • 30% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 21% Positiveness
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Danny Wright
Hope For The World (Erin's Theme)
111 bpm • C Maj • 03:37 • -19.33db
26% Popularity • 50% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
26% Popularity • 50% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Joe Bongiorno
Once a Child
111 bpm • C Maj • 03:01 • -26.19db
28% Popularity • 44% Danceability • 2% Energy • 22% Liveness
92% Instrumentalness • 18% Positiveness
28% Popularity • 44% Danceability • 2% Energy • 22% Liveness
92% Instrumentalness • 18% Positiveness
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Kevin Kern
Straw Hats
110 bpm • D min • 04:14 • -19.16db
37% Popularity • 52% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
37% Popularity • 52% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
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Black Elk
Intro
111 bpm • F min • 01:38 • -19.64db
48% Popularity • 40% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
48% Popularity • 40% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
