Songs like For Saviours by Monica Heldal
Based on a tempo of (+/- 10%) and a similar genre
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The Pines
Hanging From the Earth
93 bpm • C# Maj • 05:34 • -11.69db
14% Popularity • 47% Danceability • 62% Energy • 18% Liveness
14% Instrumentalness • 38% Positiveness
14% Popularity • 47% Danceability • 62% Energy • 18% Liveness
14% Instrumentalness • 38% Positiveness
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Monica Heldal
Silly Willy
93 bpm • C# Maj • 04:08 • -12.96db
12% Popularity • 43% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
12% Popularity • 43% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Real Ones
Call Your Girlfriend
93 bpm • G Maj • 04:08 • -11db
23% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Eddie Berman
Avalon
93 bpm • D Maj • 04:04 • -11.9db
12% Popularity • 46% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 46% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sarah Jarosz
Gone Too Soon
93 bpm • F Maj • 03:34 • -10.17db
22% Popularity • 47% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 47% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Sera Cahoone
Deer Creek Canyon
93 bpm • A# Maj • 03:18 • -12db
30% Popularity • 64% Danceability • 45% Energy • 15% Liveness
5% Instrumentalness • 33% Positiveness
30% Popularity • 64% Danceability • 45% Energy • 15% Liveness
5% Instrumentalness • 33% Positiveness
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Rose Cousins
All The Stars
92 bpm • D Maj • 03:23 • -9.33db
8% Popularity • 42% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 42% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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Monica Heldal
For Saviours
93 bpm • D Maj • 03:28 • -11.41db
16% Popularity • 44% Danceability • 50% Energy • 14% Liveness
26% Instrumentalness • 40% Positiveness
16% Popularity • 44% Danceability • 50% Energy • 14% Liveness
26% Instrumentalness • 40% Positiveness
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Torgeir Waldemar
Across the River
92 bpm • F Maj • 07:15 • -9.12db
16% Popularity • 34% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 34% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Asker
Hey You
94 bpm • A# Maj • 03:43 • -9.7db
10% Popularity • 38% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 38% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Marit Larsen
Morgan, I Might
94 bpm • B Maj • 03:17 • -9db
31% Popularity • 45% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 45% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Lone Bellow
Telluride
94 bpm • E Maj • 04:17 • -13db
18% Popularity • 44% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 44% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Comet Kid
Sail
92 bpm • D Maj • 03:19 • -7.38db
10% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Monica Heldal
Boy from the North
92 bpm • G# min • 04:44 • -10.99db
32% Popularity • 28% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 28% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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The Tallest Man On Earth
Time of the Blue
92 bpm • E Maj • 03:46 • -9.6db
28% Popularity • 59% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
28% Popularity • 59% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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JúnÃus Meyvant
Gold Laces
94 bpm • A Maj • 03:40 • -7.68db
37% Popularity • 61% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
37% Popularity • 61% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Marit Larsen
Running out of Road
92 bpm • F Maj • 02:55 • -7.41db
10% Popularity • 62% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 62% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Aoife O'Donovan
Detour Sign
92 bpm • E Maj • 03:32 • -9.59db
36% Popularity • 42% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 43% Positiveness
36% Popularity • 42% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 43% Positiveness
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Hollow Hearts
Into the City
94 bpm • C Maj • 02:49 • -13.78db
7% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Deep Dark Woods
Deep Flooding Waters
92 bpm • B Maj • 03:49 • -13.56db
11% Popularity • 51% Danceability • 20% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
11% Popularity • 51% Danceability • 20% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
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Tommy Tokyo
There Was a Boy
92 bpm • C Maj • 03:51 • -14.67db
12% Popularity • 45% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 45% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Sarah Jarosz
Early Morning Light
91 bpm • A# Maj • 02:35 • -11.13db
32% Popularity • 61% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 61% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Siv Jakobsen
Like I Used To
94 bpm • C Maj • 02:46 • -11.76db
4% Popularity • 44% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
4% Popularity • 44% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Odessa
Gather Round
95 bpm • A Maj • 03:30 • -13.29db
11% Popularity • 35% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 35% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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John Smith
Freezing Winds Of Change
95 bpm • F Maj • 03:27 • -11.53db
25% Popularity • 45% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 45% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Aoife O'Donovan
Porch Light
95 bpm • C# Maj • 03:17 • -8.49db
39% Popularity • 36% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 36% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Monica Heldal
Jimmy Got Home
95 bpm • D min • 04:46 • -9.14db
19% Popularity • 38% Danceability • 69% Energy • 11% Liveness
46% Instrumentalness • 26% Positiveness
19% Popularity • 38% Danceability • 69% Energy • 11% Liveness
46% Instrumentalness • 26% Positiveness
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Albert af Ekenstam
Angel Liz
95 bpm • G min • 05:45 • -10.99db
11% Popularity • 44% Danceability • 29% Energy • 14% Liveness
25% Instrumentalness • 10% Positiveness
11% Popularity • 44% Danceability • 29% Energy • 14% Liveness
25% Instrumentalness • 10% Positiveness
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Frøkedal
Cracks
96 bpm • C Maj • 03:41 • -10.86db
0% Popularity • 58% Danceability • 33% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
0% Popularity • 58% Danceability • 33% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
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Tift Merritt
Wait for Me
91 bpm • A# Maj • 04:32 • -12.32db
11% Popularity • 55% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
11% Popularity • 55% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Sera Cahoone
Always Turn Around
96 bpm • D Maj • 03:07 • -11.82db
14% Popularity • 63% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
14% Popularity • 63% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
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Aoife O'Donovan
I'm Alone
91 bpm • G Maj • 03:51 • -10.94db
13% Popularity • 48% Danceability • 46% Energy • 11% Liveness
11% Instrumentalness • 42% Positiveness
13% Popularity • 48% Danceability • 46% Energy • 11% Liveness
11% Instrumentalness • 42% Positiveness
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Marit Larsen
Joni Was Right
90 bpm • E Maj • 02:57 • -8.77db
12% Popularity • 41% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 41% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Monica Heldal
Warrior Child
90 bpm • B min • 05:31 • -9.38db
10% Popularity • 29% Danceability • 45% Energy • 9% Liveness
9% Instrumentalness • 27% Positiveness
10% Popularity • 29% Danceability • 45% Energy • 9% Liveness
9% Instrumentalness • 27% Positiveness
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Lucette
Able May
90 bpm • G Maj • 03:12 • -6.46db
22% Popularity • 50% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 50% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Robby Hecht
Two People
96 bpm • E Maj • 02:55 • -8db
21% Popularity • 67% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 67% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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The Stray Birds
Heavy Hands
90 bpm • D# Maj • 04:06 • -11.06db
14% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Tallest Man On Earth
There's No Leaving Now
90 bpm • G Maj • 04:29 • -11.91db
17% Popularity • 23% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 23% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Sedgewick
The World in You
90 bpm • F Maj • 03:38 • -13.95db
11% Popularity • 44% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 26% Positiveness
11% Popularity • 44% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 26% Positiveness
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Monica Heldal
Fightin' Son
96 bpm • G min • 05:05 • -8.89db
12% Popularity • 40% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 40% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Darlingside
Whippoorwill
96 bpm • B Maj • 04:38 • -9.09db
30% Popularity • 64% Danceability • 58% Energy • 9% Liveness
4% Instrumentalness • 38% Positiveness
30% Popularity • 64% Danceability • 58% Energy • 9% Liveness
4% Instrumentalness • 38% Positiveness
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Siv Jakobsen
Berry & Whythe
97 bpm • E Maj • 02:44 • -10.12db
0% Popularity • 38% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 38% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Barr Brothers
Burn Card
97 bpm • C Maj • 04:05 • -15.64db
29% Popularity • 52% Danceability • 56% Energy • 10% Liveness
43% Instrumentalness • 61% Positiveness
29% Popularity • 52% Danceability • 56% Energy • 10% Liveness
43% Instrumentalness • 61% Positiveness
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Saturday Sun
Seagull
89 bpm • D Maj • 03:56 • -11db
30% Popularity • 42% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 42% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Grant-Lee Phillips
Cry Cry
89 bpm • A Maj • 04:18 • -9.97db
13% Popularity • 53% Danceability • 63% Energy • 12% Liveness
73% Instrumentalness • 50% Positiveness
13% Popularity • 53% Danceability • 63% Energy • 12% Liveness
73% Instrumentalness • 50% Positiveness
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Brittsommar
Can't Breathe on My Own
97 bpm • D Maj • 03:51 • -13.41db
10% Popularity • 48% Danceability • 49% Energy • 12% Liveness
14% Instrumentalness • 19% Positiveness
10% Popularity • 48% Danceability • 49% Energy • 12% Liveness
14% Instrumentalness • 19% Positiveness
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Christian Kjellvander
The Island
89 bpm • E Maj • 05:03 • -14.75db
8% Popularity • 46% Danceability • 37% Energy • 11% Liveness
56% Instrumentalness • 35% Positiveness
8% Popularity • 46% Danceability • 37% Energy • 11% Liveness
56% Instrumentalness • 35% Positiveness
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Monica Heldal
Follow You Anywhere
89 bpm • E Maj • 03:52 • -10.48db
30% Popularity • 46% Danceability • 42% Energy • 10% Liveness
10% Instrumentalness • 22% Positiveness
30% Popularity • 46% Danceability • 42% Energy • 10% Liveness
10% Instrumentalness • 22% Positiveness
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Roo Panes
Corner Of My Eye
88 bpm • C Maj • 02:49 • -14db
18% Popularity • 45% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 45% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Sam Outlaw
Keep It Interesting
88 bpm • D min • 03:38 • -13.69db
21% Popularity • 62% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 62% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Anaïs Mitchell
Shepherd
88 bpm • C# Maj • 05:33 • -12.11db
22% Popularity • 60% Danceability • 31% Energy • 10% Liveness
5% Instrumentalness • 37% Positiveness
22% Popularity • 60% Danceability • 31% Energy • 10% Liveness
5% Instrumentalness • 37% Positiveness
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Kevin Presbrey
Always With Me
88 bpm • C# min • 02:44 • -9.42db
12% Popularity • 60% Danceability • 47% Energy • 26% Liveness
2% Instrumentalness • 81% Positiveness
12% Popularity • 60% Danceability • 47% Energy • 26% Liveness
2% Instrumentalness • 81% Positiveness
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Horse Feathers
What We Become
88 bpm • C Maj • 03:52 • -10.25db
18% Popularity • 37% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 10% Positiveness
18% Popularity • 37% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 10% Positiveness
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Monica Heldal
Glitter in Golden
98 bpm • C# Maj • 05:26 • -9.41db
8% Popularity • 22% Danceability • 49% Energy • 8% Liveness
74% Instrumentalness • 10% Positiveness
8% Popularity • 22% Danceability • 49% Energy • 8% Liveness
74% Instrumentalness • 10% Positiveness
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Field Report
Decision Day
88 bpm • F Maj • 04:32 • -10.03db
12% Popularity • 53% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 53% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Marit Larsen
A Stranger Song
88 bpm • C# Maj • 02:52 • -8.6db
10% Popularity • 55% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
10% Popularity • 55% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Moddi
House by the Sea
99 bpm • G# Maj • 03:38 • -17db
44% Popularity • 60% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 60% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Findlay Brown
Run Home
99 bpm • B Maj • 04:56 • -15db
15% Popularity • 38% Danceability • 27% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
15% Popularity • 38% Danceability • 27% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
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Jarle Skavhellen
The Ghost in Your Smile
88 bpm • C Maj • 03:47 • -11.14db
30% Popularity • 54% Danceability • 45% Energy • 12% Liveness
3% Instrumentalness • 44% Positiveness
30% Popularity • 54% Danceability • 45% Energy • 12% Liveness
3% Instrumentalness • 44% Positiveness
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Monica Heldal
Siren
98 bpm • C Maj • 05:24 • -8.52db
19% Popularity • 28% Danceability • 79% Energy • 20% Liveness
5% Instrumentalness • 38% Positiveness
19% Popularity • 28% Danceability • 79% Energy • 20% Liveness
5% Instrumentalness • 38% Positiveness
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El Cuero
For a Girl Like You
88 bpm • F# min • 04:01 • -9.41db
15% Popularity • 56% Danceability • 47% Energy • 12% Liveness
36% Instrumentalness • 46% Positiveness
15% Popularity • 56% Danceability • 47% Energy • 12% Liveness
36% Instrumentalness • 46% Positiveness
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Siv Jakobsen
How We Used to Love
99 bpm • G# min • 03:03 • -16db
32% Popularity • 43% Danceability • 8% Energy • 11% Liveness
25% Instrumentalness • 16% Positiveness
32% Popularity • 43% Danceability • 8% Energy • 11% Liveness
25% Instrumentalness • 16% Positiveness
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Jonas Alaska
If Only As a Ghost
99 bpm • D min • 03:08 • -11.14db
28% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jackson Browne
The Long Way Around
87 bpm • F Maj • 06:24 • -13.38db
29% Popularity • 64% Danceability • 36% Energy • 12% Liveness
5% Instrumentalness • 44% Positiveness
29% Popularity • 64% Danceability • 36% Energy • 12% Liveness
5% Instrumentalness • 44% Positiveness
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Lucette
Darkness
87 bpm • G Maj • 02:42 • -12.18db
14% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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J. Tillman
If You've Gotta Go, Go Now - Bonus Track
87 bpm • G Maj • 03:45 • -10.31db
32% Popularity • 55% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 55% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Jonah Tolchin
Low Life
99 bpm • E Maj • 03:50 • -14.42db
8% Popularity • 48% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 48% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Sean Rowe
The Great Pretender
87 bpm • G# min • 03:32 • -9.9db
12% Popularity • 39% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 39% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Lauren Shera
Stealth
87 bpm • D Maj • 04:44 • -8.72db
10% Popularity • 44% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 44% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Hurray For The Riff Raff
I'm so Lonesome I Could Cry
87 bpm • D Maj • 04:34 • -7.82db
25% Popularity • 36% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 36% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Marit Larsen
No
100 bpm • F Maj • 03:23 • -7.12db
12% Popularity • 66% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 66% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Horse Feathers
Dead End Thanks
100 bpm • E Maj • 04:00 • -8.17db
13% Popularity • 47% Danceability • 76% Energy • 8% Liveness
54% Instrumentalness • 37% Positiveness
13% Popularity • 47% Danceability • 76% Energy • 8% Liveness
54% Instrumentalness • 37% Positiveness
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The Tallest Man On Earth
Rivers
101 bpm • F Maj • 03:56 • -12db
49% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Wyvern Lingo
The Widow Knows
100 bpm • C Maj • 04:00 • -7.29db
11% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Tift Merritt
Heartache Is an Uphill Climb
101 bpm • A Maj • 03:14 • -6.3db
17% Popularity • 40% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 40% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Joe Pug
Those Thankless Years
86 bpm • E Maj • 03:05 • -11.08db
16% Popularity • 54% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 54% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Great Lake Swimmers
The Great Bear
86 bpm • A min • 04:17 • -15.36db
23% Popularity • 27% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 27% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Sara Watkins
Like New Year’s Day
86 bpm • E Maj • 04:55 • -15.64db
18% Popularity • 45% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
18% Popularity • 45% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
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Sons Of Bill
Road to Canaan
101 bpm • C Maj • 04:03 • -12.57db
13% Popularity • 47% Danceability • 34% Energy • 11% Liveness
7% Instrumentalness • 9% Positiveness
13% Popularity • 47% Danceability • 34% Energy • 11% Liveness
7% Instrumentalness • 9% Positiveness
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Caitlin Canty
Southern Man
101 bpm • A Maj • 03:43 • -17.21db
14% Popularity • 80% Danceability • 26% Energy • 9% Liveness
13% Instrumentalness • 71% Positiveness
14% Popularity • 80% Danceability • 26% Energy • 9% Liveness
13% Instrumentalness • 71% Positiveness
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Josh Ritter
Thunderbolt's Goodnight
101 bpm • C Maj • 04:05 • -12db
34% Popularity • 38% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 28% Positiveness
34% Popularity • 38% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 28% Positiveness
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The Barr Brothers
Even the Darkness Has Arms
101 bpm • B Maj • 03:50 • -13.1db
61% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
61% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
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Lindi Ortega
Something for You
101 bpm • D# Maj • 04:14 • -9.28db
0% Popularity • 39% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 39% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Luke Rathborne
Little Moment
85 bpm • E Maj • 03:10 • -13.19db
22% Popularity • 29% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 29% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Chatham County Line
Rock in the River
85 bpm • C Maj • 03:19 • -11.27db
8% Popularity • 56% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 56% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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The Lone Bellow
I Let You Go
85 bpm • G Maj • 03:25 • -13.2db
14% Popularity • 39% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 39% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Craig Cardiff
Boy Inside the Boat
85 bpm • D# Maj • 05:53 • -11.06db
13% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Mick Flannery
Up On That Hill
102 bpm • D Maj • 03:15 • -10.49db
12% Popularity • 54% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 54% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Liza Anne
Thin Ice
85 bpm • G# Maj • 03:27 • -7.62db
33% Popularity • 48% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 48% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Lera Lynn
Happy Ever After
102 bpm • A min • 02:34 • -7.24db
16% Popularity • 77% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 77% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Roo Panes
Home From Home - EP Version
102 bpm • G Maj • 03:00 • -10.18db
27% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Monica Heldal
In Flight
102 bpm • F min • 05:42 • -6.17db
19% Popularity • 45% Danceability • 77% Energy • 21% Liveness
1% Instrumentalness • 44% Positiveness
19% Popularity • 45% Danceability • 77% Energy • 21% Liveness
1% Instrumentalness • 44% Positiveness
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Stu Larsen
This Train
102 bpm • G Maj • 04:59 • -9.25db
18% Popularity • 39% Danceability • 34% Energy • 23% Liveness
9% Instrumentalness • 35% Positiveness
18% Popularity • 39% Danceability • 34% Energy • 23% Liveness
9% Instrumentalness • 35% Positiveness
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Simone Felice
Splendor in the Grass
85 bpm • D# Maj • 04:01 • -11.74db
0% Popularity • 36% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 36% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Marit Larsen
When the Morning Comes
103 bpm • E Maj • 03:30 • -7.99db
12% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jake Houlsby
Yannina
103 bpm • F Maj • 03:07 • -16.17db
8% Popularity • 69% Danceability • 6% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 69% Danceability • 6% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Twin Bandit
Zephyr
84 bpm • B min • 03:34 • -8.98db
10% Popularity • 44% Danceability • 44% Energy • 14% Liveness
10% Instrumentalness • 10% Positiveness
10% Popularity • 44% Danceability • 44% Energy • 14% Liveness
10% Instrumentalness • 10% Positiveness
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Monica Heldal
Wallowa Lake
102 bpm • B Maj • 03:44 • -10.55db
16% Popularity • 35% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
16% Popularity • 35% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
