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for the people in the back
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for the people in the back
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ROLE MODEL
Based on a tempo of (+/- 10%) and a similar genre
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ROLE MODEL
for the people in the back
156 bpm • D# min • 02:34 • -4.43db
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Anna Sofia
Self Aware Bitch
156 bpm • C Maj • 02:49 • -8.72db
35% Popularity • 79% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Ant Saunders
Pedestrian
156 bpm • G min • 02:45 • -7.5db
21% Popularity • 76% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Hadji Gaviota
Tech Deck
155 bpm • F Maj • 03:24 • -8.53db
15% Popularity • 64% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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BENEE
If I Get To Meet You
157 bpm • D Maj • 03:02 • -7.1db
51% Popularity • 68% Danceability • 68% Energy • 8% Liveness
6% Instrumentalness • 80% Positiveness
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Julia Wolf
Hoops
157 bpm • C Maj • 03:19 • -9.18db
42% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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ROLE MODEL
never give up
156 bpm • C Maj • 03:29 • -10.25db
25% Popularity • 70% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Social House
Love Me Back
158 bpm • D# Maj • 02:35 • -10.27db
35% Popularity • 56% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Ant Saunders
Effortless
156 bpm • G min • 02:41 • -5.98db
24% Popularity • 72% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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SEBASTIAN PAUL
BACK AND FORTH
154 bpm • D# Maj • 03:00 • -7.05db
50% Popularity • 58% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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khai dreams
Sunkissed
154 bpm • F# Maj • 02:06 • -9.49db
65% Popularity • 77% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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carobae
dance around
159 bpm • A# Maj • 02:27 • -7db
35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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ROLE MODEL
better the first time
154 bpm • C Maj • 03:09 • -3.51db
36% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Christian Leave
Your Life Your Time
159 bpm • B Maj • 02:40 • -5.95db
51% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
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Aidan Bissett
Worst Girls of All Time
159 bpm • F# Maj • 02:53 • -5.97db
35% Popularity • 45% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Weston Estate
Hypnotized
160 bpm • G Maj • 03:29 • -6.46db
45% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Jelani Aryeh
The Garden
160 bpm • F# min • 03:07 • -6.1db
24% Popularity • 62% Danceability • 54% Energy • 19% Liveness
1% Instrumentalness • 36% Positiveness
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Lauv
Sweatpants
160 bpm • A# Maj • 03:16 • -8.44db
41% Popularity • 72% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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ROLE MODEL
alive
158 bpm • F# min • 03:02 • -5.45db
34% Popularity • 54% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 30% Positiveness
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Lance Redeker
Truman
160 bpm • C Maj • 03:28 • -7.31db
30% Popularity • 58% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
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Aidan Bissett
Different
160 bpm • B min • 03:20 • -5.51db
41% Popularity • 52% Danceability • 62% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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RIZ LA VIE
Saturn
160 bpm • C# min • 03:27 • -8.18db
43% Popularity • 72% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Tucker Rivera
Ex
160 bpm • F# Maj • 03:13 • -16.75db
14% Popularity • 76% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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COIN
Valentine
160 bpm • A Maj • 03:13 • -7db
50% Popularity • 52% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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ROLE MODEL
if jesus saves, she's my type
153 bpm • G Maj • 03:37 • -8.34db
44% Popularity • 76% Danceability • 55% Energy • 12% Liveness
2% Instrumentalness • 81% Positiveness
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Jany Green
Drippin
160 bpm • E min • 02:01 • -7.34db
14% Popularity • 81% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Aidan Bissett
More Than Friends
160 bpm • F# Maj • 03:03 • -6.79db
66% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Zachary Knowles
cold winter
160 bpm • G min • 03:30 • -11db
33% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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AQVOL
Dirty
160 bpm • C# min • 03:15 • -7.63db
34% Popularity • 83% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Valley
hiccup
160 bpm • A Maj • 02:44 • -8.96db
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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ROLE MODEL
save a seat
152 bpm • C min • 03:07 • -11.22db
33% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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sam.sts
Boy Who Cries
151 bpm • E min • 03:09 • -6.86db
24% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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DWLLRS
Fiction
161 bpm • F# Maj • 03:16 • -4.62db
23% Popularity • 52% Danceability • 75% Energy • 58% Liveness
0% Instrumentalness • 38% Positiveness
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Social House
At Least We Can Say That We Tried
151 bpm • D# Maj • 02:36 • -7.8db
34% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Houston Kendrick
R U D Y
162 bpm • A# Maj • 03:03 • -8.79db
24% Popularity • 57% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Still Woozy
Foolsong
151 bpm • F# Maj • 02:53 • -11.44db
51% Popularity • 69% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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ROLE MODEL
gucci chair
150 bpm • C# min • 03:07 • -7.8db
34% Popularity • 37% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Jarren Blair
Space Jam
150 bpm • F min • 04:17 • -8db
21% Popularity • 47% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Ben Thompson
Time
150 bpm • F# min • 03:18 • -6.62db
4% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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COIN
Boyfriend
150 bpm • C Maj • 02:59 • -4.83db
49% Popularity • 57% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Elah Hale
My House
150 bpm • F# min • 03:15 • -4.67db
29% Popularity • 52% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Rex Orange County
Never Had The Balls
150 bpm • F Maj • 03:56 • -7.81db
50% Popularity • 70% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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DWLLRS
Iced Coffee
150 bpm • D# min • 03:04 • -6.57db
26% Popularity • 57% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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will hyde
easy for u.
150 bpm • F# min • 02:16 • -6db
25% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Ben Thompson
You Got It
150 bpm • F# min • 04:32 • -5.01db
3% Popularity • 62% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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wordsbyjuni
enjoy it while u can!
150 bpm • F# min • 02:24 • -9.79db
15% Popularity • 62% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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mxmtoon
bon iver
150 bpm • A# Maj • 03:16 • -6.81db
42% Popularity • 58% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Sally Boy
Sally Boy
150 bpm • A Maj • 02:43 • -7.21db
8% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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khai dreams
Good Advice
149 bpm • G# Maj • 02:44 • -9.56db
39% Popularity • 80% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
66% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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THE DRIVER ERA
flashdrive
164 bpm • A Maj • 03:33 • -5.41db
45% Popularity • 46% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Rence
Endless
164 bpm • G Maj • 03:26 • -6.18db
39% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Slush Puppy
I Don't Like Ur Friends
148 bpm • G Maj • 03:32 • -9.69db
22% Popularity • 62% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Belaganas
Silk
148 bpm • E Maj • 03:53 • -5db
31% Popularity • 57% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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FINNEAS
I Don't Miss You at All
148 bpm • C# min • 02:08 • -7.57db
56% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Healy
Part of Me
148 bpm • B Maj • 03:21 • -7.97db
39% Popularity • 87% Danceability • 33% Energy • 9% Liveness
3% Instrumentalness • 59% Positiveness
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Christian French
bright side of the moon
148 bpm • B min • 03:10 • -5.88db
41% Popularity • 65% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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teak
Cheerios & Chocolate Milk
148 bpm • B min • 03:34 • -6.46db
33% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Zachary Knowles
cherry wine
148 bpm • C# min • 03:08 • -11db
37% Popularity • 60% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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COIN
Malibu 1992
147 bpm • F# Maj • 05:41 • -7.69db
59% Popularity • 56% Danceability • 32% Energy • 17% Liveness
13% Instrumentalness • 50% Positiveness
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bülow
First Place
165 bpm • D# Maj • 02:33 • -6.39db
35% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Weston Estate
Hold On
147 bpm • A# min • 02:39 • -5.77db
42% Popularity • 54% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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ROLE MODEL
neverletyougo
147 bpm • G# Maj • 02:58 • -10.41db
51% Popularity • 79% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Graham Riley
Rain
166 bpm • D Maj • 03:09 • -6db
33% Popularity • 46% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 37% Positiveness
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ella jane
bored&blind
146 bpm • C# Maj • 03:41 • -9.77db
41% Popularity • 73% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Ben Kessler
Cruise Control
146 bpm • F Maj • 02:39 • -8.42db
31% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Verzache
All I Need
146 bpm • A Maj • 03:23 • -5.33db
47% Popularity • 66% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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MAX
Missed Calls
146 bpm • C# Maj • 02:34 • -6.65db
29% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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ROLE MODEL
doyouseeit
145 bpm • G Maj • 02:29 • -6db
35% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Wallows
OK - with Remi Wolf & Solomonophonic
145 bpm • A# Maj • 02:42 • -4.4db
45% Popularity • 65% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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bbno$
help herself
168 bpm • E min • 02:46 • -6.99db
55% Popularity • 59% Danceability • 84% Energy • 14% Liveness
2% Instrumentalness • 67% Positiveness
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renforshort
fuck, i luv my friends
168 bpm • E Maj • 02:43 • -5.67db
42% Popularity • 44% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Verzache
Look Away
145 bpm • G Maj • 03:32 • -5.09db
31% Popularity • 73% Danceability • 78% Energy • 29% Liveness
1% Instrumentalness • 62% Positiveness
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Nolie
Clever
144 bpm • A min • 02:31 • -11.5db
16% Popularity • 82% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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ROLE MODEL
can you say the same
145 bpm • C# Maj • 03:15 • -11.75db
33% Popularity • 70% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
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Healy
Back in Time
144 bpm • A Maj • 03:18 • -8db
26% Popularity • 81% Danceability • 36% Energy • 10% Liveness
15% Instrumentalness • 59% Positiveness
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Still Woozy
Lava
169 bpm • C# Maj • 02:37 • -10.07db
60% Popularity • 62% Danceability • 62% Energy • 26% Liveness
1% Instrumentalness • 67% Positiveness
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Your Neighbors
Theirs
143 bpm • C# Maj • 03:10 • -6.56db
26% Popularity • 48% Danceability • 59% Energy • 39% Liveness
1% Instrumentalness • 52% Positiveness
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dempsey hope
time flies
144 bpm • G# Maj • 02:18 • -9.4db
35% Popularity • 51% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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HARBOUR
Get You High
170 bpm • C Maj • 03:54 • -6.14db
51% Popularity • 46% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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ROLE MODEL
forever&more
168 bpm • A Maj • 02:56 • -5.84db
58% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Ant Saunders
I Had A Love Song
170 bpm • F Maj • 02:35 • -7.6db
23% Popularity • 64% Danceability • 66% Energy • 54% Liveness
0% Instrumentalness • 84% Positiveness
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Verzache
Tongue Tied
143 bpm • F# Maj • 03:22 • -7.19db
33% Popularity • 70% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Your Neighbors
Temporary
170 bpm • D Maj • 03:59 • -8db
34% Popularity • 54% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Cautious Clay
Stolen Moments
171 bpm • A# Maj • 02:17 • -9.37db
40% Popularity • 43% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Conan Gray
Little League
142 bpm • E min • 03:14 • -6.42db
57% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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ROLE MODEL
not a fan
144 bpm • C# min • 03:27 • -8db
36% Popularity • 76% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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THE DRIVER ERA
Take Me Away
142 bpm • C# Maj • 03:23 • -7.2db
47% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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BENEE
Same Effect
142 bpm • D Maj • 04:04 • -7.63db
48% Popularity • 78% Danceability • 60% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
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Wallows
Wish Me Luck
142 bpm • G# Maj • 03:45 • -4.85db
40% Popularity • 56% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
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Blue Nude
20
172 bpm • C Maj • 04:45 • -10.42db
23% Popularity • 39% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Huron John
Andy
172 bpm • E Maj • 03:38 • -5.81db
23% Popularity • 65% Danceability • 69% Energy • 14% Liveness
5% Instrumentalness • 56% Positiveness
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ROLE MODEL
stripclub music
144 bpm • D# Maj • 02:54 • -8.7db
35% Popularity • 67% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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at. lanta
Pick You Up
172 bpm • B min • 03:30 • -8.78db
19% Popularity • 53% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 41% Positiveness
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Weston Estate
Saturday Nights
172 bpm • C min • 02:30 • -7db
49% Popularity • 57% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Hadji Gaviota
46th & Bliss
172 bpm • A Maj • 02:41 • -6.05db
29% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Claire Rosinkranz
BeVerly Hills BoYfRiEnd
173 bpm • C Maj • 02:43 • -11db
40% Popularity • 59% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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tobi lou
hot tub DREAM Machine
140 bpm • B Maj • 03:25 • -8.25db
43% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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ROLE MODEL
minimal
170 bpm • C# Maj • 02:43 • -4.44db
49% Popularity • 57% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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for the people in the back