Songs like For Your Love by Gwen McCrae
Based on a tempo of (+/- 10%) and a similar genre
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Lovelites
Love so Strong
155 bpm • C# Maj • 03:10 • -7db
28% Popularity • 55% Danceability • 67% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 55% Danceability • 67% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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Gwen McCrae
For Your Love
155 bpm • C# Maj • 02:50 • -14.25db
33% Popularity • 51% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 51% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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George Jackson
Walking the City Streets
155 bpm • G Maj • 04:15 • -9.05db
21% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Little Beaver
Let the Good Times Roll
155 bpm • B min • 05:24 • -12db
29% Popularity • 66% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 66% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Yvonne Fair
Stay A Little Longer
154 bpm • C Maj • 03:26 • -8.31db
12% Popularity • 34% Danceability • 53% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 34% Danceability • 53% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
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The Miracles
Up Again
156 bpm • D min • 03:12 • -11.63db
13% Popularity • 51% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
13% Popularity • 51% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
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Tom Brock
I Love You More And More
156 bpm • G# min • 04:05 • -7.85db
30% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Luther Ingram
Dying & Crying
153 bpm • F# Maj • 03:51 • -8.9db
16% Popularity • 46% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 46% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Archie Bell & The Drells
Love Will Rain on You
152 bpm • B Maj • 03:07 • -9.94db
20% Popularity • 45% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 45% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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![Show Me The Way To Go [with Gene Chandler] cover art](https://i.scdn.co/image/ab67616d00001e0261ea7774a12beccfd528fc21)
Barbara Acklin
Show Me The Way To Go [with Gene Chandle...
157 bpm • C# min • 02:32 • -6.67db
10% Popularity • 47% Danceability • 62% Energy • 73% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 47% Danceability • 62% Energy • 73% Liveness
0% Instrumentalness • 86% Positiveness
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The Shirelles
Brother Brother
152 bpm • D Maj • 03:07 • -8.48db
20% Popularity • 44% Danceability • 82% Energy • 45% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 44% Danceability • 82% Energy • 45% Liveness
0% Instrumentalness • 47% Positiveness
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Ernie Hines
Electrified Love
158 bpm • A# Maj • 04:21 • -7.31db
13% Popularity • 51% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 51% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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Holland-Dozier
The Picture Will Never Change
158 bpm • B Maj • 04:35 • -13.57db
3% Popularity • 44% Danceability • 79% Energy • 3% Liveness
12% Instrumentalness • 79% Positiveness
3% Popularity • 44% Danceability • 79% Energy • 3% Liveness
12% Instrumentalness • 79% Positiveness
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Patrice Rushen
Givin' It Up Is Givin' Up
152 bpm • E Maj • 04:54 • -11db
33% Popularity • 72% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 72% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Bobby Thurston
I Want Your Body
159 bpm • G min • 04:39 • -11.96db
23% Popularity • 59% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 59% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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The Delfonics
Can't Go On Living
159 bpm • A Maj • 03:10 • -9.53db
19% Popularity • 35% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 35% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Ruby Johnson
I'll Run Your Hurt Away
151 bpm • F Maj • 03:07 • -9.98db
28% Popularity • 64% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 64% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Margie Joseph
I Been Down
151 bpm • G# min • 03:14 • -16.62db
11% Popularity • 66% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 66% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Archie Bell & The Drells
There's No Other Like You
150 bpm • C Maj • 04:42 • -9db
15% Popularity • 57% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 57% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Loleatta Holloway
Casanova
149 bpm • C# min • 03:45 • -12.66db
10% Popularity • 54% Danceability • 62% Energy • 58% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 54% Danceability • 62% Energy • 58% Liveness
0% Instrumentalness • 88% Positiveness
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The Isley Brothers
Brother, Brother
149 bpm • D# Maj • 03:16 • -8.55db
23% Popularity • 53% Danceability • 65% Energy • 69% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 53% Danceability • 65% Energy • 69% Liveness
0% Instrumentalness • 97% Positiveness
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Bobby Thurston
Sittin' in the Park
161 bpm • G Maj • 04:14 • -12.29db
17% Popularity • 48% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 48% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Syl Johnson
Please, Don't Give up on Me
149 bpm • E min • 02:35 • -10.56db
16% Popularity • 53% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 53% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Carolyn Franklin
Sunshine Holiday
149 bpm • C Maj • 02:07 • -13db
26% Popularity • 61% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 61% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
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Rufus & Chaka Khan
Walkin' In The Sun
162 bpm • C Maj • 02:58 • -11db
41% Popularity • 47% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 47% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Loleatta Holloway
Casanova
149 bpm • C# min • 03:44 • -6.49db
29% Popularity • 52% Danceability • 82% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 52% Danceability • 82% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
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Gwen McCrae
Starting All over Again
148 bpm • B Maj • 03:42 • -4.32db
11% Popularity • 51% Danceability • 78% Energy • 51% Liveness
14% Instrumentalness • 69% Positiveness
11% Popularity • 51% Danceability • 78% Energy • 51% Liveness
14% Instrumentalness • 69% Positiveness
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Alice Clark
Charms of the Arms of my Love
162 bpm • A# Maj • 02:39 • -5db
17% Popularity • 36% Danceability • 62% Energy • 52% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 36% Danceability • 62% Energy • 52% Liveness
0% Instrumentalness • 59% Positiveness
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Leroy Hutson
Lover's Holiday
148 bpm • F# Maj • 03:47 • -10db
15% Popularity • 53% Danceability • 86% Energy • 33% Liveness
4% Instrumentalness • 90% Positiveness
15% Popularity • 53% Danceability • 86% Energy • 33% Liveness
4% Instrumentalness • 90% Positiveness
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Margie Joseph
Let's Go Somewhere and Love
148 bpm • D min • 02:56 • -15.4db
8% Popularity • 67% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 67% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Barbara & The Browns
I Don't Want To Have To Wait
147 bpm • D min • 02:47 • -10.77db
19% Popularity • 48% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
19% Popularity • 48% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
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Betty Wright
Pure Love
147 bpm • F Maj • 02:37 • -9.38db
20% Popularity • 54% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 54% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Gwen McCrae
Be for Real - Remastered Version
148 bpm • D Maj • 04:38 • -14.22db
10% Popularity • 52% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 52% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Mel & Tim
Keep The Faith
146 bpm • F min • 03:59 • -10.69db
24% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Resonaires
Standing With You
146 bpm • D# Maj • 04:20 • -7.88db
23% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Little Beaver
Miami Girl
146 bpm • D# min • 03:09 • -8.21db
19% Popularity • 50% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 50% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Edwin Starr
There You Go
145 bpm • A# min • 03:04 • -14.05db
27% Popularity • 74% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 74% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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Betty Wright
Pure Love - Single Version
147 bpm • F Maj • 02:35 • -13.68db
24% Popularity • 53% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 53% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Brick
Fun
146 bpm • A min • 03:33 • -11db
25% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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The Chi-Lites
Go Away Dream
166 bpm • G Maj • 03:26 • -8db
36% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Lamont Dozier
Fish Ain't Bitin'
166 bpm • E Maj • 04:21 • -10.33db
30% Popularity • 44% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 44% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Syl Johnson
Diamond in the Rough
145 bpm • E min • 02:56 • -8db
11% Popularity • 75% Danceability • 62% Energy • 5% Liveness
2% Instrumentalness • 60% Positiveness
11% Popularity • 75% Danceability • 62% Energy • 5% Liveness
2% Instrumentalness • 60% Positiveness
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Walter Jackson
Speak Her Name
145 bpm • F min • 02:42 • -11db
11% Popularity • 46% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 46% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Betty Wright
Girls Can't Do What the Guys Do
164 bpm • D min • 02:07 • -7.83db
37% Popularity • 48% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 48% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Saun & Starr
Dear Mr. Teddy
167 bpm • F Maj • 03:14 • -8db
36% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Sly & The Family Stone
This Is Love
166 bpm • C Maj • 02:53 • -9.92db
23% Popularity • 57% Danceability • 31% Energy • 18% Liveness
2% Instrumentalness • 93% Positiveness
23% Popularity • 57% Danceability • 31% Energy • 18% Liveness
2% Instrumentalness • 93% Positiveness
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Roberta Flack
Sunday and Sister Jones
143 bpm • D# min • 05:00 • -12.61db
28% Popularity • 53% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 53% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Sam Dees
Win Or Lose
143 bpm • D Maj • 02:54 • -12db
41% Popularity • 59% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 59% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Gwen McCrae
The Melody of Life
143 bpm • A min • 05:57 • -13.47db
12% Popularity • 74% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 74% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Betty Wright
I Found That Guy
168 bpm • F min • 03:33 • -8.29db
18% Popularity • 36% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 36% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
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Z.Z. Hill
Clean Up America
168 bpm • A# Maj • 03:01 • -8.33db
28% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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McFadden & Whitehead
I've Been Pushed Aside
143 bpm • A# Maj • 05:12 • -10db
24% Popularity • 58% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 58% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Carol Douglas
We Do It
169 bpm • C Maj • 03:12 • -12.32db
26% Popularity • 50% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 50% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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The Brothers Of Soul
The Love I Found in You
169 bpm • F min • 02:48 • -12db
25% Popularity • 51% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 51% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Eddie Kendricks
Skippin' Work Today
142 bpm • A# Maj • 04:37 • -12.16db
28% Popularity • 59% Danceability • 42% Energy • 70% Liveness
16% Instrumentalness • 68% Positiveness
28% Popularity • 59% Danceability • 42% Energy • 70% Liveness
16% Instrumentalness • 68% Positiveness
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The Emotions
The Best Part Of A Love Affair
142 bpm • B min • 03:29 • -16.1db
12% Popularity • 52% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 52% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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William DeVaughn
Kiss and Make Up
142 bpm • C Maj • 02:48 • -12.34db
22% Popularity • 69% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
22% Popularity • 69% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
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Margie Joseph
How Will I Know - LP / Single Version
142 bpm • A min • 04:01 • -18.52db
14% Popularity • 69% Danceability • 27% Energy • 7% Liveness
11% Instrumentalness • 83% Positiveness
14% Popularity • 69% Danceability • 27% Energy • 7% Liveness
11% Instrumentalness • 83% Positiveness
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Lamont Dozier
All Cried Out
141 bpm • A Maj • 04:35 • -9db
13% Popularity • 65% Danceability • 70% Energy • 4% Liveness
9% Instrumentalness • 73% Positiveness
13% Popularity • 65% Danceability • 70% Energy • 4% Liveness
9% Instrumentalness • 73% Positiveness
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The Soul Children
Move Over
141 bpm • C# Maj • 02:57 • -13db
28% Popularity • 52% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 52% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Milton Wright
Magic Music
141 bpm • A Maj • 03:38 • -9db
23% Popularity • 69% Danceability • 59% Energy • 15% Liveness
24% Instrumentalness • 94% Positiveness
23% Popularity • 69% Danceability • 59% Energy • 15% Liveness
24% Instrumentalness • 94% Positiveness
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Tom Brock
There's nothing in this world
141 bpm • B min • 04:33 • -10.35db
16% Popularity • 56% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 56% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Barbara Lynn
Nice and Easy
140 bpm • D Maj • 01:53 • -9.88db
35% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Little Beaver
Thats's How It Is
172 bpm • G# Maj • 03:28 • -8.5db
18% Popularity • 22% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 22% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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George Jackson
I Want You So Bad
172 bpm • E Maj • 03:02 • -6.59db
17% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Bristol
You And I
172 bpm • D# Maj • 03:40 • -9db
19% Popularity • 53% Danceability • 65% Energy • 46% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 53% Danceability • 65% Energy • 46% Liveness
0% Instrumentalness • 82% Positiveness
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Gwen McCrae
Love Without Sex
140 bpm • F min • 04:30 • -4.28db
19% Popularity • 39% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 39% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Rotary Connection
Love Has Fallen On Me - Remastered
173 bpm • C min • 04:18 • -13.26db
21% Popularity • 34% Danceability • 42% Energy • 33% Liveness
3% Instrumentalness • 45% Positiveness
21% Popularity • 34% Danceability • 42% Energy • 33% Liveness
3% Instrumentalness • 45% Positiveness
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George Benson
My Woman's Good To Me
173 bpm • D# Maj • 03:15 • -13.02db
11% Popularity • 35% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 35% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Thelma Houston
If It's The Last Thing I Do
139 bpm • G Maj • 03:10 • -8.02db
29% Popularity • 52% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 52% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Natural Four
Try Love Again
173 bpm • A min • 04:25 • -13db
27% Popularity • 46% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 46% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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The Chi-Lites
Happy Being Lonely
139 bpm • G Maj • 03:39 • -8.21db
15% Popularity • 42% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 42% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Miracles
I Don't Need No Reason
173 bpm • F# min • 02:09 • -7db
39% Popularity • 38% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 38% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Arthur Conley
I'm a Lonely Stranger
174 bpm • A min • 02:46 • -9.15db
12% Popularity • 38% Danceability • 36% Energy • 13% Liveness
16% Instrumentalness • 43% Positiveness
12% Popularity • 38% Danceability • 36% Energy • 13% Liveness
16% Instrumentalness • 43% Positiveness
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Little Beaver
I'm Losin' the Feelin
138 bpm • G min • 03:18 • -10.52db
48% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Margie Joseph
I'll Take Care of You
138 bpm • C min • 03:39 • -14.54db
10% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Eddie Holman
Am I A Loser
174 bpm • B Maj • 02:39 • -11db
16% Popularity • 23% Danceability • 33% Energy • 59% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 23% Danceability • 33% Energy • 59% Liveness
0% Instrumentalness • 47% Positiveness
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Billy Stewart
What Have I Done?
174 bpm • G# Maj • 02:50 • -5.49db
14% Popularity • 45% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 45% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Betty Everett
Wondering
138 bpm • G Maj • 04:01 • -16db
14% Popularity • 59% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 59% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Lyn Collins
Reach Out For Me
175 bpm • C Maj • 03:40 • -7.05db
8% Popularity • 32% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 32% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Wildflower
You Knock Me Out
175 bpm • C Maj • 03:21 • -6.72db
15% Popularity • 51% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 51% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Margie Joseph
(Strange) I Still Love You
137 bpm • A Maj • 03:36 • -13db
11% Popularity • 45% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 45% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Luther Ingram
To The Other Man
137 bpm • D# Maj • 04:02 • -7.97db
15% Popularity • 50% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 50% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Dionne Warwick
Move Me No Mountain
175 bpm • F min • 05:03 • -6.01db
36% Popularity • 42% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 42% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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The Ebonys
A Love of Your Own
137 bpm • D min • 05:30 • -11db
29% Popularity • 55% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
29% Popularity • 55% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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Roberta Flack
Reverend Lee
176 bpm • E min • 04:32 • -15.23db
22% Popularity • 40% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 40% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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D.J. Rogers
Faithful to the End
136 bpm • C Maj • 03:53 • -13db
27% Popularity • 46% Danceability • 32% Energy • 80% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 46% Danceability • 32% Energy • 80% Liveness
0% Instrumentalness • 51% Positiveness
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Barbara Lynn
I'll Suffer
176 bpm • G Maj • 03:05 • -12db
20% Popularity • 39% Danceability • 41% Energy • 20% Liveness
8% Instrumentalness • 71% Positiveness
20% Popularity • 39% Danceability • 41% Energy • 20% Liveness
8% Instrumentalness • 71% Positiveness
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The Originals
Sunrise
136 bpm • A# Maj • 04:52 • -12.27db
17% Popularity • 47% Danceability • 49% Energy • 9% Liveness
62% Instrumentalness • 43% Positiveness
17% Popularity • 47% Danceability • 49% Energy • 9% Liveness
62% Instrumentalness • 43% Positiveness
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Willie Hutch
A Love That's Worth Having
176 bpm • G min • 02:51 • -6db
35% Popularity • 34% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 34% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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George Jackson
How Can I Get Next To You
176 bpm • D# Maj • 03:36 • -8.44db
24% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Eugene Record
Love Don't Live by Sex Alone
136 bpm • F# min • 05:32 • -10.46db
7% Popularity • 48% Danceability • 49% Energy • 13% Liveness
15% Instrumentalness • 54% Positiveness
7% Popularity • 48% Danceability • 49% Energy • 13% Liveness
15% Instrumentalness • 54% Positiveness
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Alfreda Brockington
I'll Wait for You
136 bpm • D min • 02:20 • -9.01db
12% Popularity • 45% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 45% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Tyrone Davis
Ain't Nothing I Can Do
136 bpm • A# min • 04:45 • -11.59db
27% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Persuaders
Peace in the Valley of Love
136 bpm • F# Maj • 03:55 • -11.45db
12% Popularity • 48% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 48% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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William DeVaughn
You Can Do It
178 bpm • C Maj • 03:23 • -11.39db
17% Popularity • 50% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 50% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Minnie Riperton
Here We Go
178 bpm • F# min • 07:00 • -9.66db
29% Popularity • 53% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 53% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 73% Positiveness
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Syl Johnson
Is It Because I'm Black
134 bpm • G# min • 03:25 • -9.77db
12% Popularity • 72% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 72% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
