Songs like Forbidden City by Marty Friedman
Based on a tempo of (+/- 10%) and a similar genre
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Marty Friedman
Forbidden City
170 bpm • B min • 08:18 • -12.73db
31% Popularity • 13% Danceability • 86% Energy • 22% Liveness
79% Instrumentalness • 19% Positiveness
31% Popularity • 13% Danceability • 86% Energy • 22% Liveness
79% Instrumentalness • 19% Positiveness
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Angel Witch
Free Man
169 bpm • D min • 04:42 • -12.6db
27% Popularity • 28% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 28% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Bruce Dickinson
Tyranny Of Souls
169 bpm • G Maj • 05:48 • -4.56db
18% Popularity • 19% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 19% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Death Angel
A Room With A View
169 bpm • G Maj • 04:41 • -10db
36% Popularity • 31% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 21% Positiveness
36% Popularity • 31% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 21% Positiveness
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Stratovarius
The Abyss of Your Eyes
171 bpm • B Maj • 05:38 • -7.5db
30% Popularity • 36% Danceability • 94% Energy • 36% Liveness
1% Instrumentalness • 31% Positiveness
30% Popularity • 36% Danceability • 94% Energy • 36% Liveness
1% Instrumentalness • 31% Positiveness
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Opeth
Ending Credits
168 bpm • E min • 03:36 • -9.11db
46% Popularity • 50% Danceability • 54% Energy • 34% Liveness
91% Instrumentalness • 33% Positiveness
46% Popularity • 50% Danceability • 54% Energy • 34% Liveness
91% Instrumentalness • 33% Positiveness
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Liquid Tension Experiment
Freedom Of Speech
171 bpm • D Maj • 09:19 • -5.06db
28% Popularity • 24% Danceability • 92% Energy • 28% Liveness
82% Instrumentalness • 22% Positiveness
28% Popularity • 24% Danceability • 92% Energy • 28% Liveness
82% Instrumentalness • 22% Positiveness
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Michael Angelo Batio
2X Again
168 bpm • A# min • 05:27 • -10.1db
15% Popularity • 32% Danceability • 89% Energy • 27% Liveness
76% Instrumentalness • 45% Positiveness
15% Popularity • 32% Danceability • 89% Energy • 27% Liveness
76% Instrumentalness • 45% Positiveness
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Dario Imaz
Mil Destinos
173 bpm • A Maj • 03:32 • -2.67db
4% Popularity • 29% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
4% Popularity • 29% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Russ Hewitt
Vivir Libre
168 bpm • C# min • 05:27 • -9.16db
3% Popularity • 60% Danceability • 75% Energy • 9% Liveness
93% Instrumentalness • 96% Positiveness
3% Popularity • 60% Danceability • 75% Energy • 9% Liveness
93% Instrumentalness • 96% Positiveness
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Megadeth
Dogs Of Chernobyl
167 bpm • D Maj • 06:14 • -5.3db
46% Popularity • 41% Danceability • 97% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
46% Popularity • 41% Danceability • 97% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Metal Church
Badlands
167 bpm • A min • 07:24 • -9db
34% Popularity • 37% Danceability • 91% Energy • 30% Liveness
3% Instrumentalness • 46% Positiveness
34% Popularity • 37% Danceability • 91% Energy • 30% Liveness
3% Instrumentalness • 46% Positiveness
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Crimson Glory
Lost Reflection
173 bpm • G# min • 04:49 • -9.65db
27% Popularity • 18% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 18% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Bruce Dickinson
Taking the Queen (2001 Remaster)
174 bpm • C Maj • 04:49 • -7.24db
32% Popularity • 38% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 38% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Circle II Circle
Watching in Silence
174 bpm • G min • 04:25 • -7.8db
36% Popularity • 33% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 33% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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KK's Priest
Hellfire Thunderbolt
174 bpm • G# min • 03:49 • -3.13db
38% Popularity • 41% Danceability • 98% Energy • 10% Liveness
30% Instrumentalness • 25% Positiveness
38% Popularity • 41% Danceability • 98% Energy • 10% Liveness
30% Instrumentalness • 25% Positiveness
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Buckethead
Crack the Sky
174 bpm • C min • 05:06 • -6.74db
31% Popularity • 42% Danceability • 79% Energy • 40% Liveness
79% Instrumentalness • 25% Positiveness
31% Popularity • 42% Danceability • 79% Energy • 40% Liveness
79% Instrumentalness • 25% Positiveness
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Shadow Gallery
Stiletto in the Sand
166 bpm • A# Maj • 01:56 • -8.68db
28% Popularity • 31% Danceability • 90% Energy • 63% Liveness
66% Instrumentalness • 25% Positiveness
28% Popularity • 31% Danceability • 90% Energy • 63% Liveness
66% Instrumentalness • 25% Positiveness
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Crimson Glory
Queen of the Masquerade
174 bpm • D# Maj • 05:32 • -4.21db
37% Popularity • 24% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 24% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Andromeda
In the Deepest of Waters
165 bpm • G Maj • 07:07 • -7.14db
17% Popularity • 27% Danceability • 92% Energy • 27% Liveness
10% Instrumentalness • 29% Positiveness
17% Popularity • 27% Danceability • 92% Energy • 27% Liveness
10% Instrumentalness • 29% Positiveness
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Marty Friedman
Lovesorrow
165 bpm • C Maj • 04:25 • -4.93db
12% Popularity • 19% Danceability • 48% Energy • 18% Liveness
60% Instrumentalness • 14% Positiveness
12% Popularity • 19% Danceability • 48% Energy • 18% Liveness
60% Instrumentalness • 14% Positiveness
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Tony MacAlpine
Wheel of Fortune
165 bpm • E min • 03:43 • -10db
21% Popularity • 13% Danceability • 91% Energy • 19% Liveness
77% Instrumentalness • 8% Positiveness
21% Popularity • 13% Danceability • 91% Energy • 19% Liveness
77% Instrumentalness • 8% Positiveness
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Michael Angelo Batio
Zeppelin Forever
177 bpm • G# Maj • 07:10 • -6.69db
14% Popularity • 22% Danceability • 88% Energy • 10% Liveness
70% Instrumentalness • 32% Positiveness
14% Popularity • 22% Danceability • 88% Energy • 10% Liveness
70% Instrumentalness • 32% Positiveness
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Manowar
Gates of Valhalla
163 bpm • A Maj • 07:12 • -9.7db
28% Popularity • 23% Danceability • 98% Energy • 12% Liveness
11% Instrumentalness • 4% Positiveness
28% Popularity • 23% Danceability • 98% Energy • 12% Liveness
11% Instrumentalness • 4% Positiveness
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Bruce Dickinson
Accident of Birth (2001 Remaster)
177 bpm • A min • 04:23 • -4.78db
40% Popularity • 38% Danceability • 97% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 38% Danceability • 97% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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Joe Satriani
Crushing Day
163 bpm • C Maj • 05:15 • -5.93db
42% Popularity • 46% Danceability • 70% Energy • 7% Liveness
91% Instrumentalness • 67% Positiveness
42% Popularity • 46% Danceability • 70% Energy • 7% Liveness
91% Instrumentalness • 67% Positiveness
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Marty Friedman
Kaze Ga Fuiteiru
176 bpm • C# min • 05:15 • -4.28db
20% Popularity • 20% Danceability • 97% Energy • 21% Liveness
95% Instrumentalness • 15% Positiveness
20% Popularity • 20% Danceability • 97% Energy • 21% Liveness
95% Instrumentalness • 15% Positiveness
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Tony MacAlpine
The Taker
177 bpm • C# Maj • 03:22 • -9.38db
20% Popularity • 32% Danceability • 95% Energy • 14% Liveness
91% Instrumentalness • 19% Positiveness
20% Popularity • 32% Danceability • 95% Energy • 14% Liveness
91% Instrumentalness • 19% Positiveness
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Michael Romeo
Black
178 bpm • D Maj • 06:18 • -5.41db
32% Popularity • 45% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 45% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Megadeth
Sacrifice
161 bpm • E Maj • 04:08 • -3.31db
42% Popularity • 29% Danceability • 96% Energy • 5% Liveness
5% Instrumentalness • 47% Positiveness
42% Popularity • 29% Danceability • 96% Energy • 5% Liveness
5% Instrumentalness • 47% Positiveness
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Cacophony
Where My Fortune Lies
180 bpm • B Maj • 04:32 • -10.7db
19% Popularity • 12% Danceability • 90% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
19% Popularity • 12% Danceability • 90% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
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Joe Satriani
Midnight
162 bpm • E min • 01:42 • -12db
40% Popularity • 45% Danceability • 45% Energy • 18% Liveness
72% Instrumentalness • 16% Positiveness
40% Popularity • 45% Danceability • 45% Energy • 18% Liveness
72% Instrumentalness • 16% Positiveness
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Marty Friedman
West
180 bpm • D Maj • 05:44 • -12.42db
19% Popularity • 26% Danceability • 28% Energy • 76% Liveness
87% Instrumentalness • 13% Positiveness
19% Popularity • 26% Danceability • 28% Energy • 76% Liveness
87% Instrumentalness • 13% Positiveness
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Impellitteri
PHANTOM OF THE OPERA
161 bpm • G min • 04:11 • -1.64db
10% Popularity • 17% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 17% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Kiko Loureiro
Escaping
180 bpm • D Maj • 05:34 • -6db
29% Popularity • 34% Danceability • 93% Energy • 25% Liveness
91% Instrumentalness • 25% Positiveness
29% Popularity • 34% Danceability • 93% Energy • 25% Liveness
91% Instrumentalness • 25% Positiveness
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Andromeda
Preemptive Strike
160 bpm • D# min • 02:32 • -8.66db
32% Popularity • 42% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 42% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Beyond Twilight
The Devil's Waltz (Instrumental)
180 bpm • C min • 02:39 • -6.96db
19% Popularity • 30% Danceability • 96% Energy • 7% Liveness
94% Instrumentalness • 50% Positiveness
19% Popularity • 30% Danceability • 96% Energy • 7% Liveness
94% Instrumentalness • 50% Positiveness
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At Vance
Invention No. Thirteen
160 bpm • A min • 01:17 • -20.74db
31% Popularity • 49% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 65% Positiveness
31% Popularity • 49% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 65% Positiveness
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Marty Friedman
Gimme a Dose
180 bpm • E min • 03:45 • -5.43db
15% Popularity • 33% Danceability • 96% Energy • 39% Liveness
89% Instrumentalness • 21% Positiveness
15% Popularity • 33% Danceability • 96% Energy • 39% Liveness
89% Instrumentalness • 21% Positiveness
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Time Requiem
Brutal Mentor
160 bpm • A min • 05:52 • -7.16db
12% Popularity • 23% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 23% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Kiko Loureiro
Imminent Threat
160 bpm • C min • 05:16 • -4.79db
28% Popularity • 32% Danceability • 93% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
28% Popularity • 32% Danceability • 93% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
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Tony MacAlpine
Chrome Castles
160 bpm • C# Maj • 03:36 • -4.34db
36% Popularity • 42% Danceability • 97% Energy • 16% Liveness
86% Instrumentalness • 31% Positiveness
36% Popularity • 42% Danceability • 97% Energy • 16% Liveness
86% Instrumentalness • 31% Positiveness
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Joe Stump
Symphonic Pandemonium
160 bpm • D# min • 02:10 • -6.04db
20% Popularity • 15% Danceability • 72% Energy • 21% Liveness
50% Instrumentalness • 75% Positiveness
20% Popularity • 15% Danceability • 72% Energy • 21% Liveness
50% Instrumentalness • 75% Positiveness
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Theodore Ziras
Terminus Ad Quem
160 bpm • A min • 03:48 • -5.11db
10% Popularity • 33% Danceability • 93% Energy • 70% Liveness
90% Instrumentalness • 18% Positiveness
10% Popularity • 33% Danceability • 93% Energy • 70% Liveness
90% Instrumentalness • 18% Positiveness
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Marty Friedman
Evil Thrill
160 bpm • A min • 05:30 • -11.94db
21% Popularity • 16% Danceability • 94% Energy • 8% Liveness
81% Instrumentalness • 25% Positiveness
21% Popularity • 16% Danceability • 94% Energy • 8% Liveness
81% Instrumentalness • 25% Positiveness
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Cacophony
Savage
159 bpm • G min • 05:48 • -9.75db
24% Popularity • 17% Danceability • 94% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
24% Popularity • 17% Danceability • 94% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Kiko Loureiro
Black Ice
160 bpm • A Maj • 04:47 • -5.7db
21% Popularity • 26% Danceability • 91% Energy • 25% Liveness
66% Instrumentalness • 12% Positiveness
21% Popularity • 26% Danceability • 91% Energy • 25% Liveness
66% Instrumentalness • 12% Positiveness
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Chris Poland
Return to Metalopolis
160 bpm • B min • 03:04 • -5.14db
14% Popularity • 26% Danceability • 94% Energy • 25% Liveness
90% Instrumentalness • 38% Positiveness
14% Popularity • 26% Danceability • 94% Energy • 25% Liveness
90% Instrumentalness • 38% Positiveness
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Hayden Bacon
Theft
158 bpm • D# Maj • 05:29 • -7.35db
27% Popularity • 26% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 26% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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James Labrie
Sheer Heart Attack
183 bpm • F min • 03:27 • -7.71db
4% Popularity • 34% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
4% Popularity • 34% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Marty Friedman
For a Friend
159 bpm • D Maj • 03:18 • -5.96db
20% Popularity • 18% Danceability • 71% Energy • 37% Liveness
92% Instrumentalness • 18% Positiveness
20% Popularity • 18% Danceability • 71% Energy • 37% Liveness
92% Instrumentalness • 18% Positiveness
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John Petrucci
Wishful Thinking
158 bpm • F# Maj • 07:28 • -5db
32% Popularity • 39% Danceability • 66% Energy • 32% Liveness
81% Instrumentalness • 43% Positiveness
32% Popularity • 39% Danceability • 66% Energy • 32% Liveness
81% Instrumentalness • 43% Positiveness
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Kiko Loureiro
No Gravity
160 bpm • E Maj • 04:23 • -6.23db
34% Popularity • 49% Danceability • 82% Energy • 10% Liveness
90% Instrumentalness • 65% Positiveness
34% Popularity • 49% Danceability • 82% Energy • 10% Liveness
90% Instrumentalness • 65% Positiveness
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Borislav Mitic
The Absolute
158 bpm • G# min • 06:16 • -4db
9% Popularity • 39% Danceability • 95% Energy • 22% Liveness
84% Instrumentalness • 16% Positiveness
9% Popularity • 39% Danceability • 95% Energy • 22% Liveness
84% Instrumentalness • 16% Positiveness
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Vanden Plas
Fire Blossom - The God Thing
157 bpm • C# Maj • 02:55 • -5.51db
28% Popularity • 27% Danceability • 90% Energy • 10% Liveness
85% Instrumentalness • 35% Positiveness
28% Popularity • 27% Danceability • 90% Energy • 10% Liveness
85% Instrumentalness • 35% Positiveness
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Accept
Just By My Own
156 bpm • C Maj • 03:29 • -7.8db
21% Popularity • 13% Danceability • 76% Energy • 28% Liveness
90% Instrumentalness • 44% Positiveness
21% Popularity • 13% Danceability • 76% Energy • 28% Liveness
90% Instrumentalness • 44% Positiveness
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Cacophony
The Ninja
156 bpm • A# Maj • 07:24 • -10.16db
27% Popularity • 15% Danceability • 89% Energy • 33% Liveness
19% Instrumentalness • 12% Positiveness
27% Popularity • 15% Danceability • 89% Energy • 33% Liveness
19% Instrumentalness • 12% Positiveness
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John Petrucci
Happy Song
156 bpm • E Maj • 06:01 • -4.93db
37% Popularity • 37% Danceability • 98% Energy • 17% Liveness
91% Instrumentalness • 43% Positiveness
37% Popularity • 37% Danceability • 98% Energy • 17% Liveness
91% Instrumentalness • 43% Positiveness
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Marcel Coenen
Rondo Alla Turca, K. 331: Sonata Opus
156 bpm • F# min • 02:55 • -4.56db
8% Popularity • 34% Danceability • 97% Energy • 6% Liveness
93% Instrumentalness • 31% Positiveness
8% Popularity • 34% Danceability • 97% Energy • 6% Liveness
93% Instrumentalness • 31% Positiveness
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Candlemass
Into The Unfathomed Tower
156 bpm • G# min • 03:02 • -3.83db
32% Popularity • 14% Danceability • 94% Energy • 13% Liveness
80% Instrumentalness • 28% Positiveness
32% Popularity • 14% Danceability • 94% Energy • 13% Liveness
80% Instrumentalness • 28% Positiveness
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Chris Poland
Club Ded
156 bpm • G min • 03:35 • -5.52db
12% Popularity • 23% Danceability • 94% Energy • 26% Liveness
87% Instrumentalness • 43% Positiveness
12% Popularity • 23% Danceability • 94% Energy • 26% Liveness
87% Instrumentalness • 43% Positiveness
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Accept
Symphony of Pain
185 bpm • E min • 04:39 • -5.75db
37% Popularity • 39% Danceability • 97% Energy • 6% Liveness
1% Instrumentalness • 35% Positiveness
37% Popularity • 39% Danceability • 97% Energy • 6% Liveness
1% Instrumentalness • 35% Positiveness
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Lost Symphony
Denial of Anger
155 bpm • G Maj • 09:48 • -5.71db
5% Popularity • 13% Danceability • 88% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
5% Popularity • 13% Danceability • 88% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Iron Maiden
Losfer Words (Big 'Orra) - 2015 Remaster
155 bpm • G Maj • 04:15 • -5.03db
45% Popularity • 35% Danceability • 98% Energy • 17% Liveness
86% Instrumentalness • 58% Positiveness
45% Popularity • 35% Danceability • 98% Energy • 17% Liveness
86% Instrumentalness • 58% Positiveness
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Tony MacAlpine
Agrionia
153 bpm • C Maj • 04:31 • -11.34db
14% Popularity • 30% Danceability • 82% Energy • 16% Liveness
93% Instrumentalness • 39% Positiveness
14% Popularity • 30% Danceability • 82% Energy • 16% Liveness
93% Instrumentalness • 39% Positiveness
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Bruce Dickinson
Abduction
189 bpm • E min • 03:50 • -5db
30% Popularity • 36% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 36% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Liquid Tension Experiment
Universal Mind
153 bpm • C Maj • 07:53 • -4.88db
37% Popularity • 23% Danceability • 91% Energy • 10% Liveness
85% Instrumentalness • 51% Positiveness
37% Popularity • 23% Danceability • 91% Energy • 10% Liveness
85% Instrumentalness • 51% Positiveness
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Sortilège
Hymne À La Mort
153 bpm • A min • 05:33 • -7.64db
13% Popularity • 20% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 20% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Vitalij Kuprij
Piano Overture
152 bpm • F# min • 05:36 • -8.25db
15% Popularity • 32% Danceability • 86% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
15% Popularity • 32% Danceability • 86% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Joe Stump
Speed Metal Messiah
152 bpm • C# min • 04:44 • -3.82db
27% Popularity • 26% Danceability • 97% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
27% Popularity • 26% Danceability • 97% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
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Vicious Rumors
Premonition
152 bpm • C# Maj • 01:03 • -7.55db
32% Popularity • 13% Danceability • 88% Energy • 23% Liveness
91% Instrumentalness • 37% Positiveness
32% Popularity • 13% Danceability • 88% Energy • 23% Liveness
91% Instrumentalness • 37% Positiveness
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Crimson Glory
Eternal World
150 bpm • B Maj • 03:50 • -10.56db
15% Popularity • 44% Danceability • 96% Energy • 24% Liveness
30% Instrumentalness • 26% Positiveness
15% Popularity • 44% Danceability • 96% Energy • 24% Liveness
30% Instrumentalness • 26% Positiveness
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Kiko Loureiro
Du Monde
150 bpm • F Maj • 04:28 • -5.98db
26% Popularity • 40% Danceability • 88% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
26% Popularity • 40% Danceability • 88% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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John Petrucci
The Oddfather
150 bpm • A min • 06:25 • -5.45db
32% Popularity • 44% Danceability • 97% Energy • 10% Liveness
64% Instrumentalness • 24% Positiveness
32% Popularity • 44% Danceability • 97% Energy • 10% Liveness
64% Instrumentalness • 24% Positiveness
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Rusty Cooley
Under the Influence
150 bpm • G# min • 06:50 • -5db
20% Popularity • 19% Danceability • 96% Energy • 25% Liveness
75% Instrumentalness • 20% Positiveness
20% Popularity • 19% Danceability • 96% Energy • 25% Liveness
75% Instrumentalness • 20% Positiveness
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Joe Stump
The Red Priest
150 bpm • G# min • 05:27 • -3.31db
14% Popularity • 26% Danceability • 98% Energy • 45% Liveness
87% Instrumentalness • 37% Positiveness
14% Popularity • 26% Danceability • 98% Energy • 45% Liveness
87% Instrumentalness • 37% Positiveness
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Megadeth
The Hardest Part of Letting Go... Sealed...
150 bpm • D min • 04:41 • -6.46db
32% Popularity • 37% Danceability • 83% Energy • 29% Liveness
9% Instrumentalness • 25% Positiveness
32% Popularity • 37% Danceability • 83% Energy • 29% Liveness
9% Instrumentalness • 25% Positiveness
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Michael Angelo Batio
Peace
150 bpm • A min • 06:28 • -10.29db
14% Popularity • 12% Danceability • 63% Energy • 9% Liveness
33% Instrumentalness • 13% Positiveness
14% Popularity • 12% Danceability • 63% Energy • 9% Liveness
33% Instrumentalness • 13% Positiveness
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Opeth
Era
150 bpm • A min • 05:41 • -9.47db
35% Popularity • 23% Danceability • 82% Energy • 48% Liveness
91% Instrumentalness • 13% Positiveness
35% Popularity • 23% Danceability • 82% Energy • 48% Liveness
91% Instrumentalness • 13% Positiveness
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Michael Lee Firkins
Runaway Train
150 bpm • F min • 03:08 • -13.73db
18% Popularity • 40% Danceability • 84% Energy • 29% Liveness
26% Instrumentalness • 18% Positiveness
18% Popularity • 40% Danceability • 84% Energy • 29% Liveness
26% Instrumentalness • 18% Positiveness
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At Vance
Etude No. 4
150 bpm • G min • 02:18 • -7db
28% Popularity • 34% Danceability • 90% Energy • 26% Liveness
83% Instrumentalness • 24% Positiveness
28% Popularity • 34% Danceability • 90% Energy • 26% Liveness
83% Instrumentalness • 24% Positiveness
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Adagio
Dominate
193 bpm • C Maj • 05:59 • -5.42db
17% Popularity • 28% Danceability • 99% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
17% Popularity • 28% Danceability • 99% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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Psychotic Waltz
My Grave
149 bpm • C min • 03:27 • -7.55db
14% Popularity • 45% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 45% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Poland
Alexandria
149 bpm • A min • 04:06 • -5.74db
11% Popularity • 47% Danceability • 92% Energy • 4% Liveness
82% Instrumentalness • 37% Positiveness
11% Popularity • 47% Danceability • 92% Energy • 4% Liveness
82% Instrumentalness • 37% Positiveness
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Michael Angelo Batio
Burn
194 bpm • B min • 05:29 • -5.88db
19% Popularity • 31% Danceability • 98% Energy • 36% Liveness
63% Instrumentalness • 35% Positiveness
19% Popularity • 31% Danceability • 98% Energy • 36% Liveness
63% Instrumentalness • 35% Positiveness
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Cacophony
Floating World
149 bpm • A min • 05:10 • -13.14db
16% Popularity • 23% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 23% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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APOLO 7
Métale Bravura (Deluxe Edition)
195 bpm • D min • 03:40 • -1.65db
7% Popularity • 33% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 33% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Marty Friedman
Makenaide
148 bpm • D Maj • 03:13 • -3.01db
21% Popularity • 23% Danceability • 97% Energy • 29% Liveness
74% Instrumentalness • 11% Positiveness
21% Popularity • 23% Danceability • 97% Energy • 29% Liveness
74% Instrumentalness • 11% Positiveness
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Daniele Gottardo
Marrakech Market
148 bpm • G min • 04:30 • -4.56db
28% Popularity • 27% Danceability • 69% Energy • 40% Liveness
61% Instrumentalness • 42% Positiveness
28% Popularity • 27% Danceability • 69% Energy • 40% Liveness
61% Instrumentalness • 42% Positiveness
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Manowar
Bridge of Death
148 bpm • C# min • 08:58 • -10.06db
24% Popularity • 20% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 20% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Threshold
Phenomenon
146 bpm • C# Maj • 05:28 • -7.02db
16% Popularity • 52% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 52% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Cacophony
Desert Island
148 bpm • B Maj • 06:24 • -10.3db
21% Popularity • 28% Danceability • 91% Energy • 7% Liveness
13% Instrumentalness • 16% Positiveness
21% Popularity • 28% Danceability • 91% Energy • 7% Liveness
13% Instrumentalness • 16% Positiveness
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Yngwie Malmsteen
Black Star
146 bpm • B Maj • 04:51 • -14.02db
45% Popularity • 32% Danceability • 73% Energy • 7% Liveness
17% Instrumentalness • 47% Positiveness
45% Popularity • 32% Danceability • 73% Energy • 7% Liveness
17% Instrumentalness • 47% Positiveness
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Michael Romeo
Divide & Conquer
146 bpm • G# Maj • 04:46 • -5.86db
32% Popularity • 43% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 43% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Witherfall
End Of Time
146 bpm • C min • 09:36 • -5.06db
18% Popularity • 22% Danceability • 91% Energy • 45% Liveness
6% Instrumentalness • 6% Positiveness
18% Popularity • 22% Danceability • 91% Energy • 45% Liveness
6% Instrumentalness • 6% Positiveness
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Diamond Head
Shades of Black
146 bpm • B Maj • 04:39 • -6.48db
26% Popularity • 43% Danceability • 81% Energy • 11% Liveness
58% Instrumentalness • 27% Positiveness
26% Popularity • 43% Danceability • 81% Energy • 11% Liveness
58% Instrumentalness • 27% Positiveness
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John Petrucci
Curve
146 bpm • B Maj • 06:22 • -3.95db
26% Popularity • 44% Danceability • 95% Energy • 15% Liveness
84% Instrumentalness • 21% Positiveness
26% Popularity • 44% Danceability • 95% Energy • 15% Liveness
84% Instrumentalness • 21% Positiveness
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Cacophony
Sword of the Warrior
147 bpm • C Maj • 05:09 • -12.73db
16% Popularity • 28% Danceability • 93% Energy • 32% Liveness
2% Instrumentalness • 6% Positiveness
16% Popularity • 28% Danceability • 93% Energy • 32% Liveness
2% Instrumentalness • 6% Positiveness
