Songs like Foreign Fields by Kacy Hill

174 bpm • C Maj • 02:58 • -6.86db

12% Popularity • 42% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness

174 bpm • E min • 03:25 • -5db

27% Popularity • 50% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness

174 bpm • F# Maj • 03:43 • -11.5db

28% Popularity • 29% Danceability • 38% Energy • 24% Liveness
22% Instrumentalness • 13% Positiveness

174 bpm • D Maj • 04:13 • -6.71db

16% Popularity • 28% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness

176 bpm • G min • 06:09 • -13db

8% Popularity • 59% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness

172 bpm • C# Maj • 03:36 • -12.19db

15% Popularity • 62% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness

176 bpm • C min • 05:01 • -12db

17% Popularity • 53% Danceability • 38% Energy • 12% Liveness
89% Instrumentalness • 31% Positiveness

178 bpm • B min • 05:10 • -10.48db

5% Popularity • 59% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness

171 bpm • F min • 03:37 • -5.78db

12% Popularity • 29% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness

170 bpm • C min • 03:28 • -6.91db

36% Popularity • 69% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness

170 bpm • D# Maj • 04:04 • -10.36db

13% Popularity • 64% Danceability • 66% Energy • 13% Liveness
24% Instrumentalness • 40% Positiveness

179 bpm • G min • 04:53 • -12.38db

18% Popularity • 24% Danceability • 25% Energy • 22% Liveness
1% Instrumentalness • 17% Positiveness

179 bpm • G min • 03:09 • -10db

11% Popularity • 24% Danceability • 47% Energy • 9% Liveness
23% Instrumentalness • 8% Positiveness

169 bpm • D# min • 03:12 • -8.04db

23% Popularity • 39% Danceability • 49% Energy • 15% Liveness
2% Instrumentalness • 31% Positiveness

170 bpm • C# Maj • 02:59 • -8.26db

30% Popularity • 62% Danceability • 56% Energy • 11% Liveness
19% Instrumentalness • 24% Positiveness

180 bpm • E Maj • 03:46 • -13.18db

19% Popularity • 48% Danceability • 31% Energy • 10% Liveness
29% Instrumentalness • 14% Positiveness

180 bpm • F Maj • 04:21 • -9.44db

19% Popularity • 51% Danceability • 37% Energy • 29% Liveness
2% Instrumentalness • 20% Positiveness

180 bpm • G Maj • 03:51 • -7.97db

20% Popularity • 38% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness

168 bpm • F min • 04:17 • -10.56db

21% Popularity • 38% Danceability • 34% Energy • 9% Liveness
4% Instrumentalness • 8% Positiveness

168 bpm • G# Maj • 03:58 • -14.24db

12% Popularity • 45% Danceability • 26% Energy • 11% Liveness
36% Instrumentalness • 27% Positiveness

170 bpm • A# Maj • 02:39 • -7.2db

21% Popularity • 72% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness

182 bpm • D# Maj • 04:47 • -15.92db

24% Popularity • 40% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness

182 bpm • B Maj • 03:52 • -13.07db

33% Popularity • 56% Danceability • 38% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness

182 bpm • D# Maj • 02:50 • -6.37db

13% Popularity • 57% Danceability • 42% Energy • 11% Liveness
4% Instrumentalness • 57% Positiveness

165 bpm • B min • 04:10 • -6db

23% Popularity • 47% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness

162 bpm • F min • 06:45 • -10db

30% Popularity • 29% Danceability • 44% Energy • 10% Liveness
17% Instrumentalness • 26% Positiveness

160 bpm • A min • 03:50 • -11db

9% Popularity • 51% Danceability • 40% Energy • 11% Liveness
21% Instrumentalness • 7% Positiveness

160 bpm • F min • 03:41 • -11.98db

19% Popularity • 78% Danceability • 50% Energy • 10% Liveness
4% Instrumentalness • 57% Positiveness

160 bpm • F Maj • 03:52 • -9db

22% Popularity • 44% Danceability • 66% Energy • 10% Liveness
52% Instrumentalness • 40% Positiveness

160 bpm • G# Maj • 03:45 • -6.95db

18% Popularity • 52% Danceability • 66% Energy • 16% Liveness
7% Instrumentalness • 24% Positiveness

160 bpm • D min • 03:27 • -9.47db

12% Popularity • 47% Danceability • 45% Energy • 64% Liveness
13% Instrumentalness • 36% Positiveness

160 bpm • F# min • 03:11 • -10.13db

11% Popularity • 60% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness

160 bpm • C# min • 04:54 • -7db

28% Popularity • 44% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness

160 bpm • F min • 03:49 • -5.18db

27% Popularity • 62% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness

160 bpm • C Maj • 03:28 • -8db

21% Popularity • 42% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness

158 bpm • E Maj • 03:30 • -9.27db

39% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness

158 bpm • B min • 03:44 • -10.75db

9% Popularity • 38% Danceability • 42% Energy • 14% Liveness
7% Instrumentalness • 48% Positiveness

156 bpm • F min • 03:49 • -11db

28% Popularity • 68% Danceability • 52% Energy • 10% Liveness
22% Instrumentalness • 26% Positiveness

156 bpm • F# min • 03:59 • -5.89db

8% Popularity • 66% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness

194 bpm • C# Maj • 03:23 • -5.1db

15% Popularity • 42% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness

150 bpm • D Maj • 04:09 • -13.81db

30% Popularity • 54% Danceability • 45% Energy • 11% Liveness
72% Instrumentalness • 34% Positiveness

150 bpm • C# min • 04:00 • -8.71db

15% Popularity • 52% Danceability • 48% Energy • 28% Liveness
1% Instrumentalness • 24% Positiveness

156 bpm • C min • 04:22 • -10.68db

25% Popularity • 66% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness

150 bpm • E min • 04:01 • -10.02db

28% Popularity • 72% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness

150 bpm • C# min • 03:48 • -7db

39% Popularity • 50% Danceability • 66% Energy • 6% Liveness
13% Instrumentalness • 9% Positiveness

150 bpm • F min • 03:38 • -5.82db

23% Popularity • 61% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness

150 bpm • F Maj • 04:29 • -9db

29% Popularity • 55% Danceability • 48% Energy • 27% Liveness
42% Instrumentalness • 13% Positiveness

150 bpm • B Maj • 03:32 • -9.44db

7% Popularity • 72% Danceability • 45% Energy • 35% Liveness
8% Instrumentalness • 60% Positiveness

150 bpm • C min • 04:20 • -6.29db

10% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness

150 bpm • A Maj • 03:29 • -9.16db

15% Popularity • 55% Danceability • 54% Energy • 11% Liveness
5% Instrumentalness • 26% Positiveness

150 bpm • B Maj • 02:38 • -11.19db

25% Popularity • 49% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness

148 bpm • F# min • 03:40 • -6.4db

7% Popularity • 50% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness

203 bpm • D Maj • 02:40 • -11.08db

19% Popularity • 27% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness

150 bpm • G# min • 04:32 • -14db

5% Popularity • 56% Danceability • 49% Energy • 38% Liveness
37% Instrumentalness • 9% Positiveness