Songs like Forest Spirit by Joel Vandroogenbroeck
Based on a tempo of (+/- 10%) and a similar genre
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Joel Vandroogenbroeck
Forest Spirit
163 bpm • G min • 03:21 • -23.03db
18% Popularity • 55% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
18% Popularity • 55% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
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Hawkestrel
Biometrics
164 bpm • G# min • 08:30 • -9.12db
5% Popularity • 31% Danceability • 70% Energy • 13% Liveness
76% Instrumentalness • 30% Positiveness
5% Popularity • 31% Danceability • 70% Energy • 13% Liveness
76% Instrumentalness • 30% Positiveness
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Klaus Schulze
2. Satz: Gewitter (Energy Rise - Energy ...
164 bpm • C min • 05:38 • -18.43db
14% Popularity • 9% Danceability • 22% Energy • 24% Liveness
25% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 22% Energy • 24% Liveness
25% Instrumentalness • 3% Positiveness
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Roedelius
Veilchenwurzeln
161 bpm • D Maj • 05:04 • -9.83db
22% Popularity • 26% Danceability • 62% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
22% Popularity • 26% Danceability • 62% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
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Brainticket
To Another Universe
165 bpm • D Maj • 04:56 • -17.69db
14% Popularity • 58% Danceability • 38% Energy • 34% Liveness
90% Instrumentalness • 65% Positiveness
14% Popularity • 58% Danceability • 38% Energy • 34% Liveness
90% Instrumentalness • 65% Positiveness
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Software
Cosmic Calimba
161 bpm • G min • 02:21 • -19db
35% Popularity • 54% Danceability • 37% Energy • 8% Liveness
84% Instrumentalness • 54% Positiveness
35% Popularity • 54% Danceability • 37% Energy • 8% Liveness
84% Instrumentalness • 54% Positiveness
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Joel Vandroogenbroeck
Forest Spirit
162 bpm • G min • 03:40 • -27.62db
0% Popularity • 58% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 43% Positiveness
0% Popularity • 58% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 43% Positiveness
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Synergetic Voice Orchestra
A Tale
160 bpm • F min • 05:35 • -18.86db
25% Popularity • 26% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
25% Popularity • 26% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
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Mark Isham
Raffles In Rio
165 bpm • F Maj • 04:40 • -21.98db
11% Popularity • 64% Danceability • 28% Energy • 9% Liveness
96% Instrumentalness • 98% Positiveness
11% Popularity • 64% Danceability • 28% Energy • 9% Liveness
96% Instrumentalness • 98% Positiveness
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Roedelius
Freudentanz
165 bpm • B Maj • 02:00 • -11.68db
29% Popularity • 45% Danceability • 47% Energy • 12% Liveness
86% Instrumentalness • 36% Positiveness
29% Popularity • 45% Danceability • 47% Energy • 12% Liveness
86% Instrumentalness • 36% Positiveness
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Kay Gardner
Inner Mood I
167 bpm • E min • 01:30 • -24.95db
24% Popularity • 41% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 84% Positiveness
24% Popularity • 41% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 84% Positiveness
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Software
Small Spark
159 bpm • D# min • 05:27 • -27.57db
17% Popularity • 36% Danceability • 19% Energy • 13% Liveness
50% Instrumentalness • 29% Positiveness
17% Popularity • 36% Danceability • 19% Energy • 13% Liveness
50% Instrumentalness • 29% Positiveness
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Isao Tomita
The Snow Is Dancing
159 bpm • G min • 02:13 • -17.85db
27% Popularity • 24% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 7% Positiveness
27% Popularity • 24% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 7% Positiveness
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Suzanne Ciani
The Third Wave - Love In The Waves
167 bpm • C# Maj • 05:17 • -22db
27% Popularity • 10% Danceability • 15% Energy • 94% Liveness
95% Instrumentalness • 8% Positiveness
27% Popularity • 10% Danceability • 15% Energy • 94% Liveness
95% Instrumentalness • 8% Positiveness
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Joel Vandroogenbroeck
Plastic Gnome
167 bpm • C# Maj • 02:05 • -20.87db
0% Popularity • 70% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 45% Positiveness
0% Popularity • 70% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 45% Positiveness
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Janet Beat
Dancing On Moonbeams
167 bpm • C# Maj • 10:09 • -32.38db
20% Popularity • 38% Danceability • 15% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
20% Popularity • 38% Danceability • 15% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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The Advisory Circle
Sundial
159 bpm • B min • 03:27 • -14.38db
22% Popularity • 21% Danceability • 22% Energy • 15% Liveness
37% Instrumentalness • 46% Positiveness
22% Popularity • 21% Danceability • 22% Energy • 15% Liveness
37% Instrumentalness • 46% Positiveness
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Yasuaki Shimizu
Boutique Joy
167 bpm • C Maj • 01:23 • -18.52db
28% Popularity • 69% Danceability • 3% Energy • 8% Liveness
12% Instrumentalness • 27% Positiveness
28% Popularity • 69% Danceability • 3% Energy • 8% Liveness
12% Instrumentalness • 27% Positiveness
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Michael Masley
Soleil
159 bpm • G Maj • 03:25 • -15.55db
13% Popularity • 22% Danceability • 31% Energy • 7% Liveness
95% Instrumentalness • 8% Positiveness
13% Popularity • 22% Danceability • 31% Energy • 7% Liveness
95% Instrumentalness • 8% Positiveness
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Jun Fukamachi
Breathing New Life
168 bpm • D Maj • 04:54 • -17.96db
16% Popularity • 56% Danceability • 30% Energy • 13% Liveness
76% Instrumentalness • 68% Positiveness
16% Popularity • 56% Danceability • 30% Energy • 13% Liveness
76% Instrumentalness • 68% Positiveness
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Kay Gardner
See My Wings Shining: Brow / 3rd Eye Cha...
159 bpm • A min • 06:17 • -25.82db
33% Popularity • 25% Danceability • 6% Energy • 7% Liveness
96% Instrumentalness • 38% Positiveness
33% Popularity • 25% Danceability • 6% Energy • 7% Liveness
96% Instrumentalness • 38% Positiveness
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Cluster
Isodea
168 bpm • F# min • 04:02 • -15db
29% Popularity • 57% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 54% Positiveness
29% Popularity • 57% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 54% Positiveness
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Roedelius
Felix Austria
168 bpm • C Maj • 04:19 • -7.62db
14% Popularity • 19% Danceability • 35% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 35% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Klaus Schulze
Last Not Least
169 bpm • F# min • 07:01 • -18.64db
24% Popularity • 9% Danceability • 26% Energy • 15% Liveness
98% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 26% Energy • 15% Liveness
98% Instrumentalness • 4% Positiveness
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Steve Roach
Towards The Dream
158 bpm • D min • 07:09 • -16.61db
17% Popularity • 41% Danceability • 73% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
17% Popularity • 41% Danceability • 73% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
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Popol Vuh
They Danced, They Laughed, as of Old
157 bpm • F Maj • 04:51 • -13.21db
19% Popularity • 27% Danceability • 37% Energy • 32% Liveness
93% Instrumentalness • 7% Positiveness
19% Popularity • 27% Danceability • 37% Energy • 32% Liveness
93% Instrumentalness • 7% Positiveness
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Jordan De La Sierra
Nimbu-Pani: The Lemon-Water Song
157 bpm • C# min • 05:23 • -13.75db
8% Popularity • 44% Danceability • 49% Energy • 10% Liveness
28% Instrumentalness • 9% Positiveness
8% Popularity • 44% Danceability • 49% Energy • 10% Liveness
28% Instrumentalness • 9% Positiveness
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Robert Bearns
Flowers of Our Childhood
169 bpm • C Maj • 05:08 • -26db
19% Popularity • 18% Danceability • 29% Energy • 15% Liveness
22% Instrumentalness • 30% Positiveness
19% Popularity • 18% Danceability • 29% Energy • 15% Liveness
22% Instrumentalness • 30% Positiveness
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Edgar Froese
A Dali-esque Sleep Fuse
169 bpm • D Maj • 08:33 • -19db
15% Popularity • 31% Danceability • 29% Energy • 18% Liveness
87% Instrumentalness • 5% Positiveness
15% Popularity • 31% Danceability • 29% Energy • 18% Liveness
87% Instrumentalness • 5% Positiveness
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Kay Gardner
Touching Souls
169 bpm • D Maj • 05:45 • -19db
7% Popularity • 37% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
7% Popularity • 37% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Woo
Waterdrum
157 bpm • A Maj • 02:25 • -20.04db
31% Popularity • 48% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
31% Popularity • 48% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Cos
Oostend, Oostend
169 bpm • E Maj • 02:50 • -19.66db
34% Popularity • 27% Danceability • 33% Energy • 14% Liveness
96% Instrumentalness • 5% Positiveness
34% Popularity • 27% Danceability • 33% Energy • 14% Liveness
96% Instrumentalness • 5% Positiveness
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Pablo's Eye
A Long Standing Dream
170 bpm • F Maj • 06:49 • -23db
12% Popularity • 42% Danceability • 33% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 42% Danceability • 33% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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越智義朗
Anywhere
170 bpm • C min • 05:06 • -18.06db
16% Popularity • 62% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 62% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Roedelius
Mein Freund Farouk
170 bpm • D Maj • 04:19 • -10.97db
22% Popularity • 42% Danceability • 36% Energy • 10% Liveness
99% Instrumentalness • 12% Positiveness
22% Popularity • 42% Danceability • 36% Energy • 10% Liveness
99% Instrumentalness • 12% Positiveness
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K. Leimer
At Daybreak
171 bpm • G Maj • 01:31 • -20db
47% Popularity • 31% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 53% Positiveness
47% Popularity • 31% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 53% Positiveness
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Popol Vuh
Nachts: Schnee
171 bpm • A min • 01:51 • -22.47db
32% Popularity • 8% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
32% Popularity • 8% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Kosmischer Läufer
Walzer der roten Katze
171 bpm • C Maj • 01:34 • -18.66db
28% Popularity • 54% Danceability • 10% Energy • 13% Liveness
85% Instrumentalness • 95% Positiveness
28% Popularity • 54% Danceability • 10% Energy • 13% Liveness
85% Instrumentalness • 95% Positiveness
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Ash Ra Tempel
Le souire volé
171 bpm • A min • 06:06 • -21.89db
17% Popularity • 48% Danceability • 53% Energy • 28% Liveness
87% Instrumentalness • 55% Positiveness
17% Popularity • 48% Danceability • 53% Energy • 28% Liveness
87% Instrumentalness • 55% Positiveness
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越智義朗
Dawning
170 bpm • C# Maj • 05:20 • -17.28db
11% Popularity • 48% Danceability • 23% Energy • 6% Liveness
96% Instrumentalness • 23% Positiveness
11% Popularity • 48% Danceability • 23% Energy • 6% Liveness
96% Instrumentalness • 23% Positiveness
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Brian Eno
Old Land
171 bpm • G Maj • 04:13 • -26db
28% Popularity • 8% Danceability • 2% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
28% Popularity • 8% Danceability • 2% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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Piero Umiliani
Nel Villaggio
172 bpm • G Maj • 02:28 • -17.2db
30% Popularity • 46% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
30% Popularity • 46% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
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Popol Vuh
Hosianna-Mantra
170 bpm • F min • 10:11 • -11.94db
27% Popularity • 22% Danceability • 38% Energy • 18% Liveness
47% Instrumentalness • 6% Positiveness
27% Popularity • 22% Danceability • 38% Energy • 18% Liveness
47% Instrumentalness • 6% Positiveness
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Joel Vandroogenbroeck
Rock Program - Analog Remaster
155 bpm • G# min • 02:25 • -12.55db
2% Popularity • 80% Danceability • 24% Energy • 9% Liveness
43% Instrumentalness • 52% Positiveness
2% Popularity • 80% Danceability • 24% Energy • 9% Liveness
43% Instrumentalness • 52% Positiveness
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Tonto's Expanding Head Band
Tama
172 bpm • A min • 05:19 • -18db
14% Popularity • 17% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 16% Positiveness
14% Popularity • 17% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 16% Positiveness
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Jun Fukamachi
At The Cutting Edge
154 bpm • D Maj • 04:41 • -12.57db
10% Popularity • 67% Danceability • 56% Energy • 9% Liveness
85% Instrumentalness • 81% Positiveness
10% Popularity • 67% Danceability • 56% Energy • 9% Liveness
85% Instrumentalness • 81% Positiveness
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Kitaro
Moon-Light
173 bpm • A Maj • 03:34 • -16.67db
20% Popularity • 27% Danceability • 20% Energy • 12% Liveness
26% Instrumentalness • 22% Positiveness
20% Popularity • 27% Danceability • 20% Energy • 12% Liveness
26% Instrumentalness • 22% Positiveness
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Roedelius
Auf leisen Sohlen
173 bpm • A# Maj • 03:51 • -8.96db
17% Popularity • 34% Danceability • 36% Energy • 32% Liveness
95% Instrumentalness • 26% Positiveness
17% Popularity • 34% Danceability • 36% Energy • 32% Liveness
95% Instrumentalness • 26% Positiveness
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Cluster
Lerandis
174 bpm • B min • 01:46 • -22.58db
36% Popularity • 53% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
36% Popularity • 53% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
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Joel Vandroogenbroeck
New Wave Rock - Analog Remaster
154 bpm • C Maj • 02:47 • -6.76db
2% Popularity • 58% Danceability • 77% Energy • 48% Liveness
12% Instrumentalness • 75% Positiveness
2% Popularity • 58% Danceability • 77% Energy • 48% Liveness
12% Instrumentalness • 75% Positiveness
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Vito Ricci
Hollywood - Original Mix
153 bpm • G# Maj • 02:37 • -10.2db
22% Popularity • 63% Danceability • 54% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
22% Popularity • 63% Danceability • 54% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Moebius
Two Oldtimers
174 bpm • B Maj • 07:02 • -14.93db
13% Popularity • 34% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 7% Positiveness
13% Popularity • 34% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 7% Positiveness
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Pauline Anna Strom
Morning Splendor
174 bpm • D Maj • 06:02 • -13.55db
24% Popularity • 16% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
24% Popularity • 16% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Woo
The Frog's Fandango
174 bpm • G Maj • 02:53 • -17.29db
29% Popularity • 70% Danceability • 31% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
29% Popularity • 70% Danceability • 31% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
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Harald Grosskopf
B. Aldrian
174 bpm • C# Maj • 04:55 • -9db
16% Popularity • 8% Danceability • 28% Energy • 60% Liveness
92% Instrumentalness • 3% Positiveness
16% Popularity • 8% Danceability • 28% Energy • 60% Liveness
92% Instrumentalness • 3% Positiveness
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Joel Vandroogenbroeck
Rocks - Analog Remaster
173 bpm • D# Maj • 03:06 • -9.51db
7% Popularity • 51% Danceability • 68% Energy • 8% Liveness
44% Instrumentalness • 84% Positiveness
7% Popularity • 51% Danceability • 68% Energy • 8% Liveness
44% Instrumentalness • 84% Positiveness
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Chaitanya Hari Deuter
Night Rain
175 bpm • F# min • 02:48 • -26db
28% Popularity • 40% Danceability • 7% Energy • 6% Liveness
86% Instrumentalness • 47% Positiveness
28% Popularity • 40% Danceability • 7% Energy • 6% Liveness
86% Instrumentalness • 47% Positiveness
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Kosmischer Läufer
Die Libellen
175 bpm • G# Maj • 01:29 • -15db
32% Popularity • 51% Danceability • 34% Energy • 14% Liveness
93% Instrumentalness • 97% Positiveness
32% Popularity • 51% Danceability • 34% Energy • 14% Liveness
93% Instrumentalness • 97% Positiveness
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Manuel Göttsching
Pluralis 3 - Mixed
176 bpm • A# min • 04:06 • -21.54db
12% Popularity • 24% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
12% Popularity • 24% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Woo
It's Love
152 bpm • F min • 03:06 • -17.52db
36% Popularity • 44% Danceability • 28% Energy • 8% Liveness
82% Instrumentalness • 39% Positiveness
36% Popularity • 44% Danceability • 28% Energy • 8% Liveness
82% Instrumentalness • 39% Positiveness
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Wilson Tanner
Keith
176 bpm • C Maj • 05:21 • -18.12db
19% Popularity • 69% Danceability • 7% Energy • 8% Liveness
43% Instrumentalness • 30% Positiveness
19% Popularity • 69% Danceability • 7% Energy • 8% Liveness
43% Instrumentalness • 30% Positiveness
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Laurie Spiegel
Strand of Life ("Viroid")
151 bpm • G Maj • 01:21 • -35.21db
46% Popularity • 22% Danceability • 13% Energy • 12% Liveness
69% Instrumentalness • 3% Positiveness
46% Popularity • 22% Danceability • 13% Energy • 12% Liveness
69% Instrumentalness • 3% Positiveness
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Laraaji
The Dance No. 3
151 bpm • D# Maj • 03:21 • -10.62db
29% Popularity • 34% Danceability • 96% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
29% Popularity • 34% Danceability • 96% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
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Omni Gardens
Watering Plants
176 bpm • C Maj • 03:08 • -20.43db
24% Popularity • 76% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 77% Positiveness
24% Popularity • 76% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 77% Positiveness
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Oksana Linde
Mariposas Acuáticas
150 bpm • C# min • 01:44 • -8.51db
18% Popularity • 34% Danceability • 41% Energy • 15% Liveness
2% Instrumentalness • 56% Positiveness
18% Popularity • 34% Danceability • 41% Energy • 15% Liveness
2% Instrumentalness • 56% Positiveness
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Woo
Om Shanti
176 bpm • F Maj • 02:28 • -12.39db
28% Popularity • 51% Danceability • 42% Energy • 12% Liveness
68% Instrumentalness • 51% Positiveness
28% Popularity • 51% Danceability • 42% Energy • 12% Liveness
68% Instrumentalness • 51% Positiveness
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Benjamin Lew
Moments
177 bpm • A# Maj • 04:39 • -15.78db
12% Popularity • 32% Danceability • 25% Energy • 11% Liveness
83% Instrumentalness • 53% Positiveness
12% Popularity • 32% Danceability • 25% Energy • 11% Liveness
83% Instrumentalness • 53% Positiveness
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Joel Vandroogenbroeck
Wono Sari - Analog Remaster
177 bpm • F Maj • 03:00 • -16.25db
2% Popularity • 50% Danceability • 16% Energy • 15% Liveness
63% Instrumentalness • 34% Positiveness
2% Popularity • 50% Danceability • 16% Energy • 15% Liveness
63% Instrumentalness • 34% Positiveness
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Edgar Froese
Stuntman
150 bpm • C# Maj • 04:18 • -16db
30% Popularity • 30% Danceability • 24% Energy • 10% Liveness
8% Instrumentalness • 3% Positiveness
30% Popularity • 30% Danceability • 24% Energy • 10% Liveness
8% Instrumentalness • 3% Positiveness
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Roberto Musci
Nexus On The Beach
150 bpm • F min • 06:09 • -17.8db
32% Popularity • 33% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 33% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Deux Filles
Sur la plage - Remastered
148 bpm • C# Maj • 03:18 • -20.56db
18% Popularity • 21% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
18% Popularity • 21% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Woo
Trish's Return
151 bpm • D Maj • 03:03 • -16.86db
14% Popularity • 50% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 50% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Steve Roach
Merge
180 bpm • F min • 06:23 • -10.97db
15% Popularity • 58% Danceability • 55% Energy • 32% Liveness
94% Instrumentalness • 70% Positiveness
15% Popularity • 58% Danceability • 55% Energy • 32% Liveness
94% Instrumentalness • 70% Positiveness
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Moebius
Landebahn
180 bpm • G Maj • 01:28 • -22.1db
31% Popularity • 31% Danceability • 8% Energy • 24% Liveness
92% Instrumentalness • 19% Positiveness
31% Popularity • 31% Danceability • 8% Energy • 24% Liveness
92% Instrumentalness • 19% Positiveness
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Kosmischer Läufer
Der Hörraum
148 bpm • C# min • 01:32 • -16.34db
27% Popularity • 40% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
27% Popularity • 40% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Joan Bibiloni
El Salto Del Martin
180 bpm • D min • 02:44 • -13.27db
30% Popularity • 57% Danceability • 40% Energy • 14% Liveness
88% Instrumentalness • 44% Positiveness
30% Popularity • 57% Danceability • 40% Energy • 14% Liveness
88% Instrumentalness • 44% Positiveness
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Bernard Fevre
Le monde avait 5 ans
148 bpm • F Maj • 02:39 • -12.82db
21% Popularity • 29% Danceability • 25% Energy • 12% Liveness
95% Instrumentalness • 20% Positiveness
21% Popularity • 29% Danceability • 25% Energy • 12% Liveness
95% Instrumentalness • 20% Positiveness
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Joel Vandroogenbroeck
Summer Clouds - Analog Remaster
180 bpm • D min • 03:17 • -13.08db
3% Popularity • 11% Danceability • 20% Energy • 19% Liveness
93% Instrumentalness • 5% Positiveness
3% Popularity • 11% Danceability • 20% Energy • 19% Liveness
93% Instrumentalness • 5% Positiveness
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Pauline Anna Strom
Equatorial Sunrise
180 bpm • A min • 06:10 • -14.48db
15% Popularity • 75% Danceability • 43% Energy • 9% Liveness
74% Instrumentalness • 95% Positiveness
15% Popularity • 75% Danceability • 43% Energy • 9% Liveness
74% Instrumentalness • 95% Positiveness
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William Shatner
Sunset
180 bpm • C Maj • 04:25 • -12.75db
0% Popularity • 36% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 36% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Jan Hammer
Oceans And Continents
147 bpm • C Maj • 06:16 • -16.5db
16% Popularity • 22% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
16% Popularity • 22% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
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Robert Aiki Aubrey Lowe
Strange Dreams
180 bpm • G Maj • 08:26 • -14.73db
8% Popularity • 15% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Will Ackerman
Synopsis
147 bpm • D Maj • 05:07 • -21.27db
5% Popularity • 74% Danceability • 27% Energy • 8% Liveness
31% Instrumentalness • 76% Positiveness
5% Popularity • 74% Danceability • 27% Energy • 8% Liveness
31% Instrumentalness • 76% Positiveness
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Popol Vuh
Love-Love
147 bpm • D min • 05:22 • -16.4db
11% Popularity • 32% Danceability • 32% Energy • 8% Liveness
92% Instrumentalness • 27% Positiveness
11% Popularity • 32% Danceability • 32% Energy • 8% Liveness
92% Instrumentalness • 27% Positiveness
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June11
Memories
182 bpm • G# min • 04:23 • -17.18db
19% Popularity • 17% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Pauline Anna Strom
The Unveiling
146 bpm • E min • 05:09 • -21.65db
16% Popularity • 30% Danceability • 17% Energy • 17% Liveness
15% Instrumentalness • 33% Positiveness
16% Popularity • 30% Danceability • 17% Energy • 17% Liveness
15% Instrumentalness • 33% Positiveness
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Craig Leon
Nommo
183 bpm • F Maj • 07:17 • -13.78db
9% Popularity • 42% Danceability • 20% Energy • 11% Liveness
59% Instrumentalness • 9% Positiveness
9% Popularity • 42% Danceability • 20% Energy • 11% Liveness
59% Instrumentalness • 9% Positiveness
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Suzanne Ciani
The First Wave - Birth Of Venus
145 bpm • G# Maj • 05:04 • -19.82db
32% Popularity • 40% Danceability • 31% Energy • 96% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 40% Danceability • 31% Energy • 96% Liveness
84% Instrumentalness • 4% Positiveness
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Joel Vandroogenbroeck
Magnetic Blues
184 bpm • C Maj • 04:07 • -27.59db
0% Popularity • 33% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
0% Popularity • 33% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Finis Africae
El secreto de las 12
144 bpm • F Maj • 07:01 • -9.23db
15% Popularity • 16% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 16% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 14% Positiveness
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Roedelius
Minne
184 bpm • C Maj • 02:17 • -16.7db
17% Popularity • 31% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 41% Positiveness
17% Popularity • 31% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 41% Positiveness
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Klaus Schønning
Sunrise
144 bpm • G Maj • 03:09 • -23.64db
19% Popularity • 14% Danceability • 11% Energy • 27% Liveness
97% Instrumentalness • 3% Positiveness
19% Popularity • 14% Danceability • 11% Energy • 27% Liveness
97% Instrumentalness • 3% Positiveness
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Marc Monsen
Updating
144 bpm • A min • 02:48 • -14.64db
1% Popularity • 35% Danceability • 64% Energy • 44% Liveness
88% Instrumentalness • 36% Positiveness
1% Popularity • 35% Danceability • 64% Energy • 44% Liveness
88% Instrumentalness • 36% Positiveness
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Morgan Fisher
Ice Melting
144 bpm • A min • 07:45 • -22.91db
10% Popularity • 28% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
10% Popularity • 28% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
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Woo
Taizee
144 bpm • G# Maj • 02:05 • -17.85db
31% Popularity • 46% Danceability • 34% Energy • 12% Liveness
14% Instrumentalness • 63% Positiveness
31% Popularity • 46% Danceability • 34% Energy • 12% Liveness
14% Instrumentalness • 63% Positiveness
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Thomas Dinger
Ballgeflüster
185 bpm • G Maj • 07:08 • -13.53db
12% Popularity • 34% Danceability • 43% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
12% Popularity • 34% Danceability • 43% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
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Roedelius
Étoiles
185 bpm • C Maj • 03:55 • -19.17db
15% Popularity • 35% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
15% Popularity • 35% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Giuliano Sorgini
Ricognizione
143 bpm • A# min • 01:43 • -14.96db
19% Popularity • 81% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
19% Popularity • 81% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
