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Songs like
forever&more
by
ROLE MODEL
Based on a tempo of (+/- 10%) and a similar genre
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bbno$
help herself
168 bpm • E min • 02:46 • -6.99db
57% Popularity • 59% Danceability • 84% Energy • 14% Liveness
2% Instrumentalness • 67% Positiveness
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Arden Jones
either way
168 bpm • G Maj • 03:00 • -4.27db
42% Popularity • 49% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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ROLE MODEL
forever&more
168 bpm • A Maj • 02:56 • -5.84db
60% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Christian French
OH WELL
168 bpm • G Maj • 02:54 • -4.59db
45% Popularity • 69% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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renforshort
fuck, i luv my friends
168 bpm • E Maj • 02:43 • -5.67db
45% Popularity • 44% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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SEBASTIAN PAUL
CRUSH
168 bpm • F# Maj • 03:08 • -8.13db
44% Popularity • 54% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Deb Never
Funky
167 bpm • C# min • 03:34 • -7.02db
35% Popularity • 56% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Arden Jones
SMILE
168 bpm • A min • 02:41 • -7db
50% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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ROLE MODEL
minimal
170 bpm • C# Maj • 02:43 • -4.44db
52% Popularity • 57% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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HARBOUR
Get You High
170 bpm • C Maj • 03:54 • -6.14db
53% Popularity • 46% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Dreamer Boy
Best of Me
166 bpm • B Maj • 02:37 • -6.17db
25% Popularity • 56% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Peter McPoland
Shit Show
170 bpm • C# Maj • 03:20 • -3.64db
55% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Aidan Bissett
All That I'm Craving
170 bpm • A Maj • 03:12 • -5db
51% Popularity • 48% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Arden Jones
Parallel Parking
168 bpm • G# min • 01:58 • -4.18db
54% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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THE DRIVER ERA
A Kiss
170 bpm • F# Maj • 04:31 • -4.65db
63% Popularity • 70% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Devon
BULLETS
170 bpm • C Maj • 03:38 • -9db
39% Popularity • 56% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
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Blanks
What You Do To Me
170 bpm • D# Maj • 03:16 • -5.84db
39% Popularity • 50% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Social House
Bentley Coupe
170 bpm • B Maj • 02:54 • -7.95db
37% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Nicky Youre
Never Go Wrong
165 bpm • F Maj • 02:35 • -6.45db
58% Popularity • 58% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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X Lovers
Too Fast
166 bpm • C# Maj • 02:33 • -4.11db
36% Popularity • 73% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Conan Gray
Disaster
171 bpm • C Maj • 02:33 • -5.18db
69% Popularity • 61% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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COIN
Heart Eyes
165 bpm • C Maj • 03:41 • -6.98db
45% Popularity • 54% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Harry Styles
Keep Driving
165 bpm • A Maj • 02:20 • -9.67db
77% Popularity • 72% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Playyard
Sweet Jane
172 bpm • A Maj • 02:14 • -8.47db
50% Popularity • 57% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Valley
CHAMPAGNE
172 bpm • F# Maj • 03:00 • -5db
45% Popularity • 54% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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JAWNY
adios
164 bpm • F# min • 03:23 • -5db
59% Popularity • 52% Danceability • 85% Energy • 57% Liveness
0% Instrumentalness • 44% Positiveness
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THE DRIVER ERA
flashdrive
164 bpm • A Maj • 03:33 • -5.41db
45% Popularity • 46% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Del Water Gap
Alone Together
172 bpm • G min • 03:25 • -10db
49% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Rence
Endless
164 bpm • G Maj • 03:26 • -6.18db
42% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Claire Rosinkranz
BeVerly Hills BoYfRiEnd
173 bpm • C Maj • 02:43 • -8.71db
49% Popularity • 61% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Cautious Clay
Puffer
173 bpm • G Maj • 02:32 • -8.86db
44% Popularity • 45% Danceability • 76% Energy • 34% Liveness
2% Instrumentalness • 21% Positiveness
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Wallows
I Don't Want to Talk
162 bpm • G Maj • 03:43 • -3.22db
56% Popularity • 46% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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The Backseat Lovers
Kilby Girl
162 bpm • C# Maj • 04:42 • -9.97db
77% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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renforshort
made for you
162 bpm • C# Maj • 02:52 • -4.89db
35% Popularity • 64% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Thomas Headon
Bored
162 bpm • D Maj • 02:39 • -6.54db
48% Popularity • 66% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Claire Rosinkranz
i'm too pretty for this
174 bpm • G Maj • 02:46 • -5.18db
56% Popularity • 50% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Motel 7
Things I Hate
162 bpm • F# Maj • 03:37 • -6.87db
32% Popularity • 65% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Dayglow
Radio
175 bpm • F# Maj • 03:14 • -3.28db
46% Popularity • 59% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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DWLLRS
Fiction
161 bpm • F# Maj • 03:16 • -4.62db
26% Popularity • 52% Danceability • 75% Energy • 58% Liveness
0% Instrumentalness • 38% Positiveness
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Landon Conrath
lowercase
175 bpm • B Maj • 02:38 • -9.29db
57% Popularity • 74% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Peter McPoland
Romeo & Juliet
161 bpm • C Maj • 02:46 • -7.11db
61% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
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Claire Rosinkranz
BeVerly Hills BoYfRiEnd
173 bpm • C Maj • 02:43 • -11db
42% Popularity • 59% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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remy
everything about me
176 bpm • D# min • 03:07 • -8.12db
26% Popularity • 45% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Headon
How Do I Know?
176 bpm • C# min • 03:18 • -5.12db
35% Popularity • 45% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Aidan Bissett
Dumped
176 bpm • B Maj • 02:43 • -5db
46% Popularity • 56% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Landon Conrath
Papercuts
176 bpm • A# Maj • 02:52 • -6db
57% Popularity • 62% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Valley
hiccup
160 bpm • A Maj • 02:44 • -8.96db
53% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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david hugo
we made it.
176 bpm • F Maj • 02:44 • -7.91db
53% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Christian French
avalanche
160 bpm • B Maj • 03:19 • -3.92db
54% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Dayglow
Run the World!!!
160 bpm • C Maj • 02:56 • -7.71db
61% Popularity • 71% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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Aidan Bissett
More Than Friends
160 bpm • F# Maj • 03:03 • -6.79db
68% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Neighbourhood
Stargazing
160 bpm • C Maj • 03:37 • -7.8db
74% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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SAIAH
LAZLO
160 bpm • F Maj • 03:00 • -4.89db
33% Popularity • 57% Danceability • 78% Energy • 53% Liveness
63% Instrumentalness • 62% Positiveness
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Lance Redeker
Truman
160 bpm • C Maj • 03:28 • -7.31db
33% Popularity • 58% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
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Hippo Campus
Bad Dream Baby
160 bpm • E Maj • 02:58 • -6.56db
55% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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COIN
Valentine
160 bpm • A Maj • 03:13 • -7db
53% Popularity • 52% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Aidan Bissett
Different
160 bpm • B min • 03:20 • -5.51db
43% Popularity • 52% Danceability • 62% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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Christian Leave
Your Life Your Time
159 bpm • B Maj • 02:40 • -5.95db
55% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
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Allen Haley
TAKEN BACK
178 bpm • F# Maj • 02:33 • -5.16db
46% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Ruel
YOU AGAINST YOURSELF
178 bpm • F# Maj • 02:26 • -6db
53% Popularity • 47% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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ROLE MODEL
alive
158 bpm • F# min • 03:02 • -5.45db
36% Popularity • 54% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 30% Positiveness
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mehro
pretty kids
158 bpm • G Maj • 02:39 • -7.14db
39% Popularity • 73% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 86% Positiveness
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Aidan Bissett
Worst Girls of All Time
159 bpm • F# Maj • 02:53 • -5.97db
38% Popularity • 45% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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BENEE
If I Get To Meet You
157 bpm • D Maj • 03:02 • -7.1db
53% Popularity • 68% Danceability • 68% Energy • 8% Liveness
6% Instrumentalness • 80% Positiveness
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Stephen Dawes
It Could Be Me
179 bpm • E Maj • 02:07 • -9.05db
51% Popularity • 58% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Claire Rosinkranz
Sad in Hawaii
157 bpm • D Maj • 02:31 • -4.69db
46% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Thomas Headon
2009 TOYOTA
157 bpm • F# Maj • 02:21 • -3.77db
46% Popularity • 72% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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ROLE MODEL
for the people in the back
156 bpm • D# min • 02:34 • -4.43db
44% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Grady
kissing girls
181 bpm • C Maj • 01:40 • -7.32db
50% Popularity • 42% Danceability • 46% Energy • 49% Liveness
0% Instrumentalness • 72% Positiveness
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Ashes To Amber
ARIZONA THUNDER
156 bpm • A Maj • 02:41 • -10.67db
40% Popularity • 66% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Lizzy McAlpine
all my ghosts
155 bpm • D# Maj • 03:17 • -12db
62% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Valley
homebody
155 bpm • C# Maj • 03:11 • -7.24db
46% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Peter McPoland
Come Around
155 bpm • G Maj • 02:53 • -3db
41% Popularity • 50% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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ROLE MODEL
never give up
156 bpm • C Maj • 03:29 • -10.25db
26% Popularity • 70% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Krooked Kings
Bird Scooter
155 bpm • B Maj • 03:18 • -5.75db
49% Popularity • 59% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Tai Verdes
100sadsongs
155 bpm • D Maj • 02:56 • -7db
40% Popularity • 65% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Del Water Gap
Hurting Kind
155 bpm • A Maj • 03:40 • -8db
48% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Stephen Dawes
Friends Don’t Keep Secrets
155 bpm • A Maj • 02:11 • -17db
44% Popularity • 54% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Blake Rose
Casanova
155 bpm • B Maj • 03:01 • -6db
46% Popularity • 57% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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HARBOUR
With Love
154 bpm • D Maj • 03:37 • -4.33db
44% Popularity • 34% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Thomas Headon
Nobody Has To Know
154 bpm • A Maj • 03:06 • -4.23db
36% Popularity • 61% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Tai Verdes
TWO SUGARS
155 bpm • B min • 02:55 • -4.94db
51% Popularity • 67% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Landon Conrath
2AM
154 bpm • G Maj • 02:33 • -7.04db
61% Popularity • 70% Danceability • 71% Energy • 8% Liveness
14% Instrumentalness • 98% Positiveness
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SEBASTIAN PAUL
BACK AND FORTH
154 bpm • D# Maj • 03:00 • -7.05db
53% Popularity • 58% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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ROLE MODEL
better the first time
154 bpm • C Maj • 03:09 • -3.51db
38% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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MyKey
Mazda5
154 bpm • G# Maj • 02:12 • -5db
39% Popularity • 44% Danceability • 85% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
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Hippo Campus
Ride or Die
184 bpm • A Maj • 03:30 • -6.18db
47% Popularity • 54% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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COIN
Crash My Car
184 bpm • F Maj • 03:08 • -5.86db
65% Popularity • 24% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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spill tab
Grade A
152 bpm • A Maj • 01:46 • -8.6db
53% Popularity • 72% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
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easy life
DEAR MISS HOLLOWAY
150 bpm • C# min • 03:29 • -7db
44% Popularity • 54% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
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ROLE MODEL
save a seat
152 bpm • C min • 03:07 • -11.22db
33% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Briston Maroney
Paradise
150 bpm • C# Maj • 02:44 • -2db
53% Popularity • 48% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Dayglow
Balcony
150 bpm • B min • 02:31 • -6db
52% Popularity • 70% Danceability • 83% Energy • 3% Liveness
60% Instrumentalness • 98% Positiveness
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DWLLRS
Iced Coffee
150 bpm • D# min • 03:04 • -6.57db
29% Popularity • 57% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Ben Thompson
Time
150 bpm • F# min • 03:18 • -6.62db
3% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Sarah and the Sundays
Vices
150 bpm • C min • 04:35 • -6.66db
50% Popularity • 56% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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ROLE MODEL
gucci chair
150 bpm • C# min • 03:07 • -7.8db
35% Popularity • 37% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Rex Orange County
KEEP IT UP
150 bpm • G# Maj • 03:03 • -7db
59% Popularity • 71% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Dayglow
False Direction
150 bpm • B Maj • 04:37 • -10db
53% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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young friend
HEADCASE
150 bpm • C# Maj • 02:54 • -5.9db
33% Popularity • 62% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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forever&more