Songs like Four Letter Word by Your Headlights Are On
Based on a tempo of (+/- 10%) and a similar genre
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The Antlers
French Exit
105 bpm • F Maj • 04:03 • -8.28db
25% Popularity • 60% Danceability • 51% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
25% Popularity • 60% Danceability • 51% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Your Headlights Are On
Four Letter Word
105 bpm • E min • 05:32 • -11.52db
3% Popularity • 70% Danceability • 40% Energy • 48% Liveness
1% Instrumentalness • 14% Positiveness
3% Popularity • 70% Danceability • 40% Energy • 48% Liveness
1% Instrumentalness • 14% Positiveness
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HjaltalÃn
Crack in a Stone
105 bpm • C Maj • 04:10 • -9.91db
18% Popularity • 73% Danceability • 70% Energy • 11% Liveness
59% Instrumentalness • 68% Positiveness
18% Popularity • 73% Danceability • 70% Energy • 11% Liveness
59% Instrumentalness • 68% Positiveness
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The Notwist
Close To The Glass
105 bpm • F# Maj • 03:01 • -10.38db
0% Popularity • 69% Danceability • 71% Energy • 7% Liveness
40% Instrumentalness • 57% Positiveness
0% Popularity • 69% Danceability • 71% Energy • 7% Liveness
40% Instrumentalness • 57% Positiveness
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múm
Candlestick
105 bpm • G Maj • 03:31 • -8.88db
18% Popularity • 88% Danceability • 69% Energy • 19% Liveness
18% Instrumentalness • 53% Positiveness
18% Popularity • 88% Danceability • 69% Energy • 19% Liveness
18% Instrumentalness • 53% Positiveness
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Matthew Dear
Gem
105 bpm • C# Maj • 04:07 • -8.81db
9% Popularity • 25% Danceability • 67% Energy • 10% Liveness
66% Instrumentalness • 11% Positiveness
9% Popularity • 25% Danceability • 67% Energy • 10% Liveness
66% Instrumentalness • 11% Positiveness
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The Amazing
Broken
105 bpm • D Maj • 05:00 • -8.13db
11% Popularity • 33% Danceability • 63% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
11% Popularity • 33% Danceability • 63% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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Grizzly Bear
Sleeping Ute
105 bpm • F# min • 04:35 • -6db
37% Popularity • 33% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 33% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jana Hunter
Babies
105 bpm • D Maj • 03:16 • -10.02db
8% Popularity • 79% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 79% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Low
Amethyst
106 bpm • D min • 05:20 • -21.13db
21% Popularity • 56% Danceability • 6% Energy • 11% Liveness
28% Instrumentalness • 11% Positiveness
21% Popularity • 56% Danceability • 6% Energy • 11% Liveness
28% Instrumentalness • 11% Positiveness
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HjaltalÃn
Traffic Music
106 bpm • F Maj • 04:51 • -7.64db
9% Popularity • 39% Danceability • 63% Energy • 18% Liveness
1% Instrumentalness • 24% Positiveness
9% Popularity • 39% Danceability • 63% Energy • 18% Liveness
1% Instrumentalness • 24% Positiveness
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The Memory Band
This Is How We Walk On The Moon
104 bpm • F# min • 03:43 • -10.02db
13% Popularity • 49% Danceability • 70% Energy • 32% Liveness
85% Instrumentalness • 47% Positiveness
13% Popularity • 49% Danceability • 70% Energy • 32% Liveness
85% Instrumentalness • 47% Positiveness
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Midlake
Young Bride
106 bpm • F min • 04:51 • -10db
39% Popularity • 51% Danceability • 54% Energy • 23% Liveness
2% Instrumentalness • 56% Positiveness
39% Popularity • 51% Danceability • 54% Energy • 23% Liveness
2% Instrumentalness • 56% Positiveness
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Nurses
Technicolor
104 bpm • F min • 03:40 • -7.38db
10% Popularity • 63% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 63% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Kurt Vile
Baby's Arms
103 bpm • B min • 03:56 • -9.64db
37% Popularity • 29% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 29% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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Dark Dark Dark
How It Went Down
104 bpm • C min • 04:44 • -13.82db
2% Popularity • 52% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
2% Popularity • 52% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Flo Morrissey
Pages of Gold
103 bpm • C# Maj • 03:52 • -7.86db
23% Popularity • 49% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 49% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Ingrid Helene HÃ¥vik
Marianna
103 bpm • C# Maj • 05:24 • -7.72db
15% Popularity • 35% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
15% Popularity • 35% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Moonface
Everyone Is Noah, Everyone Is The Ark
102 bpm • C min • 03:08 • -10.6db
7% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Here We Go Magic
Only Pieces
102 bpm • B Maj • 03:48 • -5.35db
1% Popularity • 70% Danceability • 86% Energy • 9% Liveness
53% Instrumentalness • 72% Positiveness
1% Popularity • 70% Danceability • 86% Energy • 9% Liveness
53% Instrumentalness • 72% Positiveness
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Kurt Vile
On Tour
103 bpm • C Maj • 05:26 • -9db
25% Popularity • 58% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
25% Popularity • 58% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
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Emily Wells
Piece of It
102 bpm • D min • 03:38 • -14.16db
8% Popularity • 31% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 31% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Dungen
Allas Sak
108 bpm • C min • 03:29 • -5.46db
10% Popularity • 42% Danceability • 79% Energy • 32% Liveness
8% Instrumentalness • 37% Positiveness
10% Popularity • 42% Danceability • 79% Energy • 32% Liveness
8% Instrumentalness • 37% Positiveness
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Your Headlights Are On
We Real Cool, We
102 bpm • D# min • 03:06 • -7.42db
9% Popularity • 70% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 70% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Willy Mason
Shadows In The Dark
108 bpm • C Maj • 03:56 • -9.04db
16% Popularity • 73% Danceability • 48% Energy • 11% Liveness
38% Instrumentalness • 54% Positiveness
16% Popularity • 73% Danceability • 48% Energy • 11% Liveness
38% Instrumentalness • 54% Positiveness
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Skriet
FÃ¥glarna
102 bpm • G Maj • 05:38 • -10.01db
14% Popularity • 49% Danceability • 59% Energy • 48% Liveness
86% Instrumentalness • 46% Positiveness
14% Popularity • 49% Danceability • 59% Energy • 48% Liveness
86% Instrumentalness • 46% Positiveness
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Kurt Vile
Runner Ups
102 bpm • D# min • 04:00 • -6.86db
33% Popularity • 36% Danceability • 71% Energy • 12% Liveness
96% Instrumentalness • 53% Positiveness
33% Popularity • 36% Danceability • 71% Energy • 12% Liveness
96% Instrumentalness • 53% Positiveness
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Cold Mailman
My Recurring Dream
108 bpm • E min • 04:31 • -6.41db
11% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Amanda Bergman
Rats and Rifles
102 bpm • G Maj • 03:11 • -9.32db
13% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Your Headlights Are On
Cold Mountain
102 bpm • E min • 06:00 • -10.84db
2% Popularity • 36% Danceability • 50% Energy • 13% Liveness
23% Instrumentalness • 5% Positiveness
2% Popularity • 36% Danceability • 50% Energy • 13% Liveness
23% Instrumentalness • 5% Positiveness
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The Amazing
The Fog
101 bpm • E min • 04:29 • -14.95db
8% Popularity • 43% Danceability • 46% Energy • 14% Liveness
11% Instrumentalness • 33% Positiveness
8% Popularity • 43% Danceability • 46% Energy • 14% Liveness
11% Instrumentalness • 33% Positiveness
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EmilÃana Torrini
When Fever Breaks
109 bpm • B min • 07:29 • -12.36db
15% Popularity • 73% Danceability • 48% Energy • 6% Liveness
62% Instrumentalness • 23% Positiveness
15% Popularity • 73% Danceability • 48% Energy • 6% Liveness
62% Instrumentalness • 23% Positiveness
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Bodies Of Water
One Hand Loves the Other
109 bpm • F min • 03:45 • -6.75db
11% Popularity • 46% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 46% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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The Luyas
Too Beautiful To Work
101 bpm • C Maj • 03:41 • -7db
11% Popularity • 47% Danceability • 78% Energy • 36% Liveness
90% Instrumentalness • 19% Positiveness
11% Popularity • 47% Danceability • 78% Energy • 36% Liveness
90% Instrumentalness • 19% Positiveness
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Dirty Projectors
Gun Has No Trigger
101 bpm • A min • 03:24 • -5.89db
19% Popularity • 68% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 68% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Braids
Glass Deers
101 bpm • F# Maj • 08:11 • -8.84db
0% Popularity • 27% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
0% Popularity • 27% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Lost In The Trees
Neither Here Nor There
110 bpm • D Maj • 05:33 • -8db
20% Popularity • 68% Danceability • 71% Energy • 10% Liveness
15% Instrumentalness • 30% Positiveness
20% Popularity • 68% Danceability • 71% Energy • 10% Liveness
15% Instrumentalness • 30% Positiveness
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Promise And The Monster
Sheets
110 bpm • E min • 03:36 • -10.6db
9% Popularity • 39% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 39% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Notwist
Casino
110 bpm • C# min • 03:14 • -11.76db
0% Popularity • 60% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 60% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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múm
Toothwheels
100 bpm • C Maj • 04:47 • -11.37db
27% Popularity • 71% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 34% Positiveness
27% Popularity • 71% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 34% Positiveness
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Hundred Waters
Visitor
100 bpm • C# Maj • 03:48 • -8.24db
10% Popularity • 59% Danceability • 62% Energy • 6% Liveness
89% Instrumentalness • 21% Positiveness
10% Popularity • 59% Danceability • 62% Energy • 6% Liveness
89% Instrumentalness • 21% Positiveness
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Farao
The Hours
100 bpm • G min • 04:22 • -8.83db
15% Popularity • 62% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 62% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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HjaltalÃn
Letter to (...)
100 bpm • G# Maj • 05:25 • -11.17db
10% Popularity • 62% Danceability • 49% Energy • 12% Liveness
27% Instrumentalness • 11% Positiveness
10% Popularity • 62% Danceability • 49% Energy • 12% Liveness
27% Instrumentalness • 11% Positiveness
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Dirty Projectors
Offspring Are Blank
100 bpm • D# Maj • 04:00 • -6.7db
14% Popularity • 34% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 34% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Wye Oak
Take It In
110 bpm • G# Maj • 05:50 • -11.11db
17% Popularity • 48% Danceability • 31% Energy • 11% Liveness
27% Instrumentalness • 3% Positiveness
17% Popularity • 48% Danceability • 31% Energy • 11% Liveness
27% Instrumentalness • 3% Positiveness
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Lost In The Trees
All Alone In An Empty House
111 bpm • A Maj • 05:44 • -11.14db
17% Popularity • 34% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
17% Popularity • 34% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Jens Lekman
She Just Don't Want To Be With You Anymo...
100 bpm • G# Maj • 03:53 • -9.91db
8% Popularity • 74% Danceability • 53% Energy • 8% Liveness
29% Instrumentalness • 63% Positiveness
8% Popularity • 74% Danceability • 53% Energy • 8% Liveness
29% Instrumentalness • 63% Positiveness
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Lightning Dust
Never Seen
111 bpm • G min • 04:57 • -12.86db
7% Popularity • 47% Danceability • 31% Energy • 8% Liveness
32% Instrumentalness • 8% Positiveness
7% Popularity • 47% Danceability • 31% Energy • 8% Liveness
32% Instrumentalness • 8% Positiveness
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Mice Parade
Double Dolphins On the Nickel
99 bpm • C min • 05:24 • -11db
15% Popularity • 33% Danceability • 45% Energy • 9% Liveness
59% Instrumentalness • 38% Positiveness
15% Popularity • 33% Danceability • 45% Energy • 9% Liveness
59% Instrumentalness • 38% Positiveness
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Peter Broderick
Below It
99 bpm • G Maj • 04:01 • -12.37db
12% Popularity • 47% Danceability • 40% Energy • 18% Liveness
5% Instrumentalness • 50% Positiveness
12% Popularity • 47% Danceability • 40% Energy • 18% Liveness
5% Instrumentalness • 50% Positiveness
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I Am Oak
Palpable
99 bpm • B min • 03:58 • -15.68db
16% Popularity • 53% Danceability • 34% Energy • 11% Liveness
66% Instrumentalness • 19% Positiveness
16% Popularity • 53% Danceability • 34% Energy • 11% Liveness
66% Instrumentalness • 19% Positiveness
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Moonface
November 2011
99 bpm • C Maj • 05:05 • -9.02db
10% Popularity • 41% Danceability • 28% Energy • 8% Liveness
7% Instrumentalness • 28% Positiveness
10% Popularity • 41% Danceability • 28% Energy • 8% Liveness
7% Instrumentalness • 28% Positiveness
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Magnet
Everything's Perfect
112 bpm • A# Maj • 03:58 • -8.43db
9% Popularity • 49% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 49% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 33% Positiveness
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Tunng
Jenny Again
99 bpm • C Maj • 03:22 • -17.72db
28% Popularity • 52% Danceability • 27% Energy • 8% Liveness
5% Instrumentalness • 21% Positiveness
28% Popularity • 52% Danceability • 27% Energy • 8% Liveness
5% Instrumentalness • 21% Positiveness
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Django Django
Hand of Man
112 bpm • A min • 02:36 • -13.21db
24% Popularity • 71% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 63% Positiveness
24% Popularity • 71% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 63% Positiveness
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Matthew E. White
Big Love
99 bpm • E min • 04:39 • -11db
17% Popularity • 48% Danceability • 69% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
17% Popularity • 48% Danceability • 69% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
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The Antlers
Intruders
112 bpm • F Maj • 05:23 • -11.62db
19% Popularity • 56% Danceability • 42% Energy • 10% Liveness
31% Instrumentalness • 36% Positiveness
19% Popularity • 56% Danceability • 42% Energy • 10% Liveness
31% Instrumentalness • 36% Positiveness
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Cold Mailman
Time Is of the Essence
112 bpm • G Maj • 04:28 • -10.55db
9% Popularity • 64% Danceability • 52% Energy • 12% Liveness
14% Instrumentalness • 10% Positiveness
9% Popularity • 64% Danceability • 52% Energy • 12% Liveness
14% Instrumentalness • 10% Positiveness
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Mogwai
Hound Of Winter
112 bpm • A min • 03:53 • -12db
1% Popularity • 49% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
1% Popularity • 49% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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The Amazing
Gone
98 bpm • F# min • 06:13 • -11.37db
10% Popularity • 31% Danceability • 65% Energy • 10% Liveness
57% Instrumentalness • 73% Positiveness
10% Popularity • 31% Danceability • 65% Energy • 10% Liveness
57% Instrumentalness • 73% Positiveness
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Willy Mason
Carry On
112 bpm • C Maj • 03:54 • -9.44db
16% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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El Perro del Mar
Glory To The World
98 bpm • C# Maj • 02:52 • -12.84db
14% Popularity • 53% Danceability • 26% Energy • 12% Liveness
23% Instrumentalness • 23% Positiveness
14% Popularity • 53% Danceability • 26% Energy • 12% Liveness
23% Instrumentalness • 23% Positiveness
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Mark Kozelek & Jimmy LaValle
Baby in Death Can I Rest Next to Your Gr...
98 bpm • C Maj • 08:12 • -14.91db
21% Popularity • 57% Danceability • 41% Energy • 12% Liveness
56% Instrumentalness • 16% Positiveness
21% Popularity • 57% Danceability • 41% Energy • 12% Liveness
56% Instrumentalness • 16% Positiveness
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Matthew E. White
Gone Away
98 bpm • C Maj • 06:53 • -12.68db
10% Popularity • 42% Danceability • 22% Energy • 16% Liveness
13% Instrumentalness • 14% Positiveness
10% Popularity • 42% Danceability • 22% Energy • 16% Liveness
13% Instrumentalness • 14% Positiveness
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HjaltalÃn
Lucifer / He Felt Like a Woman
98 bpm • C# Maj • 05:34 • -11.93db
10% Popularity • 60% Danceability • 47% Energy • 11% Liveness
80% Instrumentalness • 43% Positiveness
10% Popularity • 60% Danceability • 47% Energy • 11% Liveness
80% Instrumentalness • 43% Positiveness
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The Dodos
Confidence
113 bpm • C# Maj • 04:49 • -7db
20% Popularity • 33% Danceability • 84% Energy • 12% Liveness
37% Instrumentalness • 45% Positiveness
20% Popularity • 33% Danceability • 84% Energy • 12% Liveness
37% Instrumentalness • 45% Positiveness
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Wye Oak
Please Concrete
113 bpm • G# Maj • 03:13 • -15.42db
15% Popularity • 53% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 53% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Your Headlights Are On
Leütenhaven
113 bpm • D Maj • 02:29 • -19.5db
1% Popularity • 19% Danceability • 26% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
1% Popularity • 19% Danceability • 26% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Emmy The Great
Dinosaur Sex
98 bpm • G Maj • 05:37 • -13.66db
8% Popularity • 43% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
8% Popularity • 43% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
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MONEY
Bluebell Fields
113 bpm • F Maj • 04:39 • -10.8db
9% Popularity • 40% Danceability • 42% Energy • 12% Liveness
69% Instrumentalness • 9% Positiveness
9% Popularity • 40% Danceability • 42% Energy • 12% Liveness
69% Instrumentalness • 9% Positiveness
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Grizzly Bear
Speak In Rounds
97 bpm • C Maj • 04:24 • -7.72db
32% Popularity • 54% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 56% Positiveness
32% Popularity • 54% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 56% Positiveness
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Tobias Jesso Jr.
Hollywood
97 bpm • C Maj • 06:08 • -11.99db
21% Popularity • 32% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 14% Positiveness
21% Popularity • 32% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 14% Positiveness
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Under Byen
Det er mig der holder træerne sammen
97 bpm • D# Maj • 03:33 • -9.06db
17% Popularity • 55% Danceability • 51% Energy • 13% Liveness
62% Instrumentalness • 30% Positiveness
17% Popularity • 55% Danceability • 51% Energy • 13% Liveness
62% Instrumentalness • 30% Positiveness
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Highasakite
Iran
114 bpm • A min • 04:06 • -5db
4% Popularity • 54% Danceability • 87% Energy • 24% Liveness
2% Instrumentalness • 48% Positiveness
4% Popularity • 54% Danceability • 87% Energy • 24% Liveness
2% Instrumentalness • 48% Positiveness
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This Is Head
XVI
114 bpm • G Maj • 06:06 • -10.43db
10% Popularity • 72% Danceability • 52% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
10% Popularity • 72% Danceability • 52% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Wild Beasts
Nature Boy
114 bpm • D min • 03:33 • -13.42db
18% Popularity • 66% Danceability • 39% Energy • 10% Liveness
46% Instrumentalness • 60% Positiveness
18% Popularity • 66% Danceability • 39% Energy • 10% Liveness
46% Instrumentalness • 60% Positiveness
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Alice Boman
Over
114 bpm • D min • 03:24 • -10db
16% Popularity • 63% Danceability • 44% Energy • 13% Liveness
37% Instrumentalness • 12% Positiveness
16% Popularity • 63% Danceability • 44% Energy • 13% Liveness
37% Instrumentalness • 12% Positiveness
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Pascal Pinon
Ekki Vanmeta
114 bpm • A# Maj • 03:16 • -10.08db
19% Popularity • 72% Danceability • 50% Energy • 81% Liveness
80% Instrumentalness • 93% Positiveness
19% Popularity • 72% Danceability • 50% Energy • 81% Liveness
80% Instrumentalness • 93% Positiveness
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Cold Mailman
Pull Yourself Together and Fall in Love ...
114 bpm • D Maj • 04:10 • -9.99db
10% Popularity • 53% Danceability • 68% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
10% Popularity • 53% Danceability • 68% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
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Sharon Van Etten
Words (Music from the Film "Tig")
96 bpm • C Maj • 04:10 • -14.74db
15% Popularity • 28% Danceability • 30% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
15% Popularity • 28% Danceability • 30% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
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Villagers
{Awayland}
96 bpm • C# min • 02:35 • -17.16db
21% Popularity • 24% Danceability • 11% Energy • 13% Liveness
70% Instrumentalness • 9% Positiveness
21% Popularity • 24% Danceability • 11% Energy • 13% Liveness
70% Instrumentalness • 9% Positiveness
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Wild Beasts
This Is Our Lot
96 bpm • C# min • 04:32 • -8.45db
22% Popularity • 55% Danceability • 59% Energy • 10% Liveness
3% Instrumentalness • 72% Positiveness
22% Popularity • 55% Danceability • 59% Energy • 10% Liveness
3% Instrumentalness • 72% Positiveness
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Ane Brun
Love And Misery
115 bpm • G Maj • 03:39 • -10.48db
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
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Taken By Trees
Highest High
96 bpm • G Maj • 03:26 • -13.73db
10% Popularity • 62% Danceability • 52% Energy • 12% Liveness
81% Instrumentalness • 45% Positiveness
10% Popularity • 62% Danceability • 52% Energy • 12% Liveness
81% Instrumentalness • 45% Positiveness
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Jens Lekman
Erica America
115 bpm • C Maj • 03:56 • -8db
10% Popularity • 64% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 64% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Port St. Willow
Amawalk
115 bpm • A Maj • 06:12 • -13.53db
12% Popularity • 52% Danceability • 53% Energy • 24% Liveness
35% Instrumentalness • 34% Positiveness
12% Popularity • 52% Danceability • 53% Energy • 24% Liveness
35% Instrumentalness • 34% Positiveness
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Villagers
The Waves
115 bpm • E min • 05:00 • -7.82db
19% Popularity • 68% Danceability • 58% Energy • 9% Liveness
65% Instrumentalness • 82% Positiveness
19% Popularity • 68% Danceability • 58% Energy • 9% Liveness
65% Instrumentalness • 82% Positiveness
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Wild Beasts
Daughters
115 bpm • B min • 04:46 • -13.91db
18% Popularity • 70% Danceability • 36% Energy • 10% Liveness
24% Instrumentalness • 42% Positiveness
18% Popularity • 70% Danceability • 36% Energy • 10% Liveness
24% Instrumentalness • 42% Positiveness
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Diagrams
Ghost Lit
115 bpm • B min • 02:58 • -9.43db
16% Popularity • 66% Danceability • 61% Energy • 56% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 66% Danceability • 61% Energy • 56% Liveness
0% Instrumentalness • 55% Positiveness
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Your Headlights Are On
A Whole Day Nearer Now
96 bpm • A min • 05:06 • -6.35db
2% Popularity • 46% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 46% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Sharon Van Etten
Give Out
115 bpm • G# min • 04:19 • -8.89db
32% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Wye Oak
Siamese
115 bpm • E min • 04:10 • -7.84db
17% Popularity • 50% Danceability • 56% Energy • 12% Liveness
69% Instrumentalness • 26% Positiveness
17% Popularity • 50% Danceability • 56% Energy • 12% Liveness
69% Instrumentalness • 26% Positiveness
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Amason
Margins
96 bpm • A Maj • 03:10 • -6.88db
21% Popularity • 47% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 47% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Rockettothesky
Barrie for Billy Mackenzie
95 bpm • F min • 03:29 • -8db
19% Popularity • 54% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 54% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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These New Puritans
Fragment Two
95 bpm • C# min • 04:30 • -13.85db
20% Popularity • 56% Danceability • 36% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
20% Popularity • 56% Danceability • 36% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
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Jenny Wilson
COMMON AROUND HERE
116 bpm • B min • 04:07 • -11.46db
8% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Your Headlights Are On
Diskobar
95 bpm • F# min • 03:22 • -7.76db
5% Popularity • 59% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 67% Positiveness
5% Popularity • 59% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 67% Positiveness
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Luluc
Tangled Heart
95 bpm • C# Maj • 05:41 • -9.23db
3% Popularity • 32% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
3% Popularity • 32% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
