Songs like Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante by Samuel Barber
Based on a tempo of (+/- 10%) and a similar genre
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Samuel Barber
Capricorn Concerto, Op. 21: Allegro ma n...
88 bpm • D Maj • 06:48 • -26.42db
0% Popularity • 26% Danceability • 6% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
0% Popularity • 26% Danceability • 6% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
Verdi: Otello, Act 4: "Ave Maria piena d...
88 bpm • G# Maj • 04:49 • -23db
18% Popularity • 15% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 1. Stabat Mater
88 bpm • E min • 04:31 • -24.88db
35% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Anatoly Lyadov
3 Morceaux, Op. 11: I. Prelude in B Mino...
88 bpm • E min • 03:32 • -27.47db
10% Popularity • 24% Danceability • 3% Energy • 7% Liveness
50% Instrumentalness • 5% Positiveness
10% Popularity • 24% Danceability • 3% Energy • 7% Liveness
50% Instrumentalness • 5% Positiveness
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Johannes Brahms
Mondnacht, WoO 21
88 bpm • G Maj • 02:37 • -21db
2% Popularity • 31% Danceability • 10% Energy • 7% Liveness
82% Instrumentalness • 6% Positiveness
2% Popularity • 31% Danceability • 10% Energy • 7% Liveness
82% Instrumentalness • 6% Positiveness
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Henri Duparc
Chanson triste (version for voice and pi...
87 bpm • D# Maj • 03:25 • -22db
10% Popularity • 18% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
10% Popularity • 18% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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Samuel Barber
Four Songs Op. 13: No. 3 Sure On This Sh...
88 bpm • A# Maj • 02:31 • -17.02db
20% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum (A Midsummer's Nig...
89 bpm • E Maj • 05:33 • -29.25db
31% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: Grand Concerto for Cello in G...
89 bpm • E Maj • 09:46 • -15db
12% Popularity • 15% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
12% Popularity • 15% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Richard Strauss
4 Letzte Lieder (4 Last Songs), TrV 296:...
89 bpm • D# Maj • 07:40 • -28db
10% Popularity • 10% Danceability • 4% Energy • 26% Liveness
74% Instrumentalness • 3% Positiveness
10% Popularity • 10% Danceability • 4% Energy • 26% Liveness
74% Instrumentalness • 3% Positiveness
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Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: X. Nocturne -...
89 bpm • A min • 05:03 • -25db
35% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Samuel Barber
Music for a scene from Shelley, Op. 7
88 bpm • C Maj • 09:00 • -23.35db
5% Popularity • 9% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 3% Positiveness
5% Popularity • 9% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 3% Positiveness
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Vincenzo Bellini
Dido and Aeneas: Dido's Lament
89 bpm • C min • 04:49 • -15.19db
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
33% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Vesperae solennes de confessore,...
89 bpm • F Maj • 05:04 • -27.49db
6% Popularity • 20% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
6% Popularity • 20% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
32% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Wilhelm Stenhammar
2 Sentimental Romances, Op. 28: No. 1 - ...
87 bpm • A Maj • 06:47 • -21.8db
13% Popularity • 18% Danceability • 10% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
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Samuel Barber
Barber: Summer Music, Op. 31: III. Livel...
88 bpm • G# Maj • 01:16 • -30.13db
1% Popularity • 61% Danceability • 12% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
1% Popularity • 61% Danceability • 12% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Rachmaninov / Transcr. Balsom: 14 Romanc...
87 bpm • C# min • 05:02 • -18db
23% Popularity • 10% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: The Last Spring, Op. 34, No. 2
89 bpm • G Maj • 05:47 • -25db
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Nabucco / Act III: "Va, pensiero" (Arr. ...
89 bpm • F# Maj • 03:07 • -19.49db
13% Popularity • 18% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 10% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 10% Positiveness
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César Franck
Messe a 3 voix (Mass in 3 voices), Op. 1...
89 bpm • A Maj • 05:01 • -28db
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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Anonymous
4 Songs, Op. 13: No. 3. Sure on this shi...
87 bpm • E min • 02:31 • -22.87db
15% Popularity • 17% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: String Quartet in B Major, Op. 1...
89 bpm • A# min • 07:00 • -29db
2% Popularity • 10% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
2% Popularity • 10% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 2, Septemb...
89 bpm • D Maj • 04:53 • -24db
13% Popularity • 13% Danceability • 6% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 6% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
A Chloris (Arr. For Cor Anglais & Orches...
87 bpm • E Maj • 04:15 • -27db
32% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
32% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: IV. Ada...
87 bpm • F Maj • 10:59 • -33db
46% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
46% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Manuel de Falla
Nana (Bercuese) from Siete conciones pop...
89 bpm • A Maj • 02:07 • -23db
16% Popularity • 23% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Four Songs, Op. 2: 2. The Nightingale an...
87 bpm • B min • 02:57 • -24.94db
12% Popularity • 24% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Samuel Barber
Vanessa, Op. 32: Act I: Scene 1: Potage ...
87 bpm • C Maj • 02:13 • -26.59db
0% Popularity • 36% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 36% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Edward Elgar
Chanson de Matin, Op. 15 No 1
87 bpm • G Maj • 02:47 • -18.1db
13% Popularity • 19% Danceability • 14% Energy • 14% Liveness
9% Instrumentalness • 15% Positiveness
13% Popularity • 19% Danceability • 14% Energy • 14% Liveness
9% Instrumentalness • 15% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Patricia Janečková
Kdyz mne stará matka - Zigeunerlieder, ...
86 bpm • D Maj • 02:29 • -12db
17% Popularity • 15% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber - Four songs, op. 13: Sure on thi...
89 bpm • G min • 02:17 • -19db
13% Popularity • 20% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
13% Popularity • 20% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
30% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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Frederick Delius
Legende
86 bpm • G# Maj • 08:15 • -24db
13% Popularity • 17% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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![Je te veux (I want you) [arr. E. Blackwood] cover art](https://i.scdn.co/image/ab67616d00001e026dd33ceae26466d0243ab588)
Erik Satie
Je te veux (I want you) [arr. E. Blackwo...
90 bpm • A Maj • 03:41 • -23.23db
17% Popularity • 22% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 22% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
86 bpm • E min • 08:31 • -22.92db
11% Popularity • 10% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: Dover Beach, Op. 3
87 bpm • A# Maj • 08:25 • -25db
0% Popularity • 12% Danceability • 7% Energy • 8% Liveness
24% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 7% Energy • 8% Liveness
24% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
No. 14, Vocalise
86 bpm • C min • 07:06 • -21db
3% Popularity • 20% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
3% Popularity • 20% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les larmes de Jacqueline, Op. 76, No. 2
90 bpm • C Maj • 07:11 • -19.82db
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Charles Gounod
Ave Maria, CG 89a: arr. from Bach's Prel...
86 bpm • C Maj • 03:31 • -19.13db
21% Popularity • 15% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
21% Popularity • 15% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Andreas Scholl
Fac Me Cruce
90 bpm • B min • 03:21 • -19db
25% Popularity • 51% Danceability • 1% Energy • 6% Liveness
19% Instrumentalness • 8% Positiveness
25% Popularity • 51% Danceability • 1% Energy • 6% Liveness
19% Instrumentalness • 8% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
32% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: Summer Music, Op. 31: II. Faster
87 bpm • C# min • 00:34 • -32.3db
1% Popularity • 56% Danceability • 1% Energy • 18% Liveness
12% Instrumentalness • 46% Positiveness
1% Popularity • 56% Danceability • 1% Energy • 18% Liveness
12% Instrumentalness • 46% Positiveness
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OperaBabes
Dido's Lament
90 bpm • G min • 03:29 • -12db
13% Popularity • 14% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 14% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
90 bpm • E Maj • 03:37 • -12db
19% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
19% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
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Adelaide Symphony Orchestra
Kinderszenen, Op. 15 "Scenes from Childh...
86 bpm • F Maj • 03:30 • -29.48db
20% Popularity • 9% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 9% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: II. Gagliarda: Alle...
90 bpm • D Maj • 03:34 • -21.17db
21% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
21% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Samuel Barber
Prayers of Kierkegaard, Op. 30: O Thou W...
86 bpm • C Maj • 04:38 • -23.83db
5% Popularity • 9% Danceability • 2% Energy • 23% Liveness
56% Instrumentalness • 4% Positiveness
5% Popularity • 9% Danceability • 2% Energy • 23% Liveness
56% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Requiem, K. 626: III. Sequentia: b. Tuba...
86 bpm • A# Maj • 03:17 • -25.13db
45% Popularity • 21% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 21% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Cello Sonata No. 3 in A Major, Op. 69: I...
91 bpm • E Maj • 01:50 • -29.97db
21% Popularity • 11% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
21% Popularity • 11% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Ernest Chausson
Hébée Op. 2 N°6
86 bpm • A min • 02:53 • -25db
15% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Andante Cantabile from String Quartet No...
91 bpm • F Maj • 07:57 • -37db
16% Popularity • 10% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
3 Songs, Op.10: Rain has fallen
90 bpm • F Maj • 02:14 • -25.41db
0% Popularity • 28% Danceability • 6% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
0% Popularity • 28% Danceability • 6% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Great Mass in C Minor, K. 427 (417a): I....
86 bpm • C min • 06:33 • -23.09db
8% Popularity • 12% Danceability • 6% Energy • 12% Liveness
16% Instrumentalness • 6% Positiveness
8% Popularity • 12% Danceability • 6% Energy • 12% Liveness
16% Instrumentalness • 6% Positiveness
► Preview
Vincenzo Bellini
Norma / Act I: "Casta Diva" (Arr. by Mat...
91 bpm • F Maj • 05:15 • -20.52db
19% Popularity • 17% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Sea Pictures, Op. 37: No. 4, Where Coral...
91 bpm • B min • 04:00 • -27db
9% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: Magnificat in G Minor, RV 610b:...
91 bpm • F min • 03:23 • -19.92db
10% Popularity • 16% Danceability • 11% Energy • 6% Liveness
2% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 11% Energy • 6% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
50% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
50% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Barber: 3 Songs, Op. 2: No. 1, The Daisi...
90 bpm • F Maj • 01:05 • -26.47db
0% Popularity • 32% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 32% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Ralph Vaughan Williams
Dona Nobis Pacem: Agnus Dei
85 bpm • G min • 03:26 • -23db
19% Popularity • 18% Danceability • 6% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 6% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
91 bpm • D# Maj • 08:11 • -22.97db
23% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
23% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
► Preview
Claude Debussy
Trois chansons de Bilitis, L. 90: No. 1,...
85 bpm • F# Maj • 02:45 • -29db
23% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Nulla in Mundo Pax Sincera, RV 630
85 bpm • D# Maj • 05:54 • -20.57db
13% Popularity • 26% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 26% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied
92 bpm • D# Maj • 02:13 • -32.09db
26% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Samuel Barber
Barber: 3 Songs, Op. 2: No. 2, With Rue ...
90 bpm • B min • 01:09 • -23.22db
0% Popularity • 24% Danceability • 10% Energy • 20% Liveness
86% Instrumentalness • 13% Positiveness
0% Popularity • 24% Danceability • 10% Energy • 20% Liveness
86% Instrumentalness • 13% Positiveness
► Preview
Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
84 bpm • F# min • 05:20 • -16db
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
92 bpm • G Maj • 07:33 • -9.98db
16% Popularity • 36% Danceability • 32% Energy • 12% Liveness
24% Instrumentalness • 21% Positiveness
16% Popularity • 36% Danceability • 32% Energy • 12% Liveness
24% Instrumentalness • 21% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act I Scene 7: Aria: Ca...
92 bpm • D# min • 10:30 • -25db
27% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Harmonies des bois, Op. 76: II. Les larm...
84 bpm • C Maj • 06:22 • -26.77db
26% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
26% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Samuel Barber
Cello Concerto, Op. 22: II. Andante sost...
90 bpm • A Maj • 06:27 • -28.59db
12% Popularity • 12% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Patricia Janečková
Sancta Maria - Cavalleria rusticana
84 bpm • F Maj • 03:57 • -10.57db
19% Popularity • 12% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 12% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Benjamin Godard
Jocelyn, Suite No. 2: Berceuse
92 bpm • F Maj • 05:33 • -33.67db
13% Popularity • 23% Danceability • 2% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
13% Popularity • 23% Danceability • 2% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
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Elin Manahan Thomas
Du ring an meinem finger
84 bpm • F Maj • 02:59 • -14db
7% Popularity • 40% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 40% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
On The Wings Of Song Op. 34 No. 2
84 bpm • D Maj • 03:47 • -19.93db
28% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 5. Solo (...
92 bpm • G Maj • 07:36 • -29db
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: Summer Music, Op. 31: IV. With m...
91 bpm • D# Maj • 04:50 • -30.62db
1% Popularity • 18% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
1% Popularity • 18% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Anton Bruckner
Mass No. 2 in E Minor, WAB 27: II. Glori...
92 bpm • C Maj • 05:44 • -19.3db
11% Popularity • 19% Danceability • 4% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Son tutta duolo
92 bpm • G min • 02:56 • -26.33db
23% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
23% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
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Joseph Canteloube
Songs of the Auvergne, Book I: 2. Baïl�...
92 bpm • A# Maj • 06:14 • -20.82db
8% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Francesco Nicola Fago
Fago: Il Faraone sommerso: "Alla gente a...
92 bpm • E Maj • 04:45 • -21db
29% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Giovanni Battista Pergolesi
I. Stabat mater dolorosa
84 bpm • E min • 04:38 • -24.86db
8% Popularity • 14% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Samuel Barber
Mutations from Bach
92 bpm • A# Maj • 05:38 • -19db
10% Popularity • 11% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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John Dowland
Weepe you no more, sad fountaines
93 bpm • F# min • 04:09 • -30.98db
7% Popularity • 33% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 33% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
16% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
16% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Ottone in villa, RV 729, Act II Scene VI...
84 bpm • E Maj • 05:35 • -28db
20% Popularity • 16% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 16% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
33% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
25% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Samuel Barber
3 Songs, Op.10: Sleep now
93 bpm • F# Maj • 02:39 • -28.8db
0% Popularity • 19% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 19% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Reynaldo Hahn
Hahn: Chansons grises: No. 5, L'heure ex...
83 bpm • B Maj • 02:15 • -38db
24% Popularity • 24% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 24% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness