Songs like Für eine Nacht voller Seligkeit by Rudi Schuricke
Based on a tempo of (+/- 10%) and a similar genre
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Willy Hagara
Eine Kutsche voller Mädels
98 bpm • F Maj • 02:27 • -10db
11% Popularity • 79% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 79% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Will Brandes
Marina - Remastered 2004
98 bpm • E Maj • 02:47 • -7.84db
15% Popularity • 60% Danceability • 47% Energy • 56% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 60% Danceability • 47% Energy • 56% Liveness
0% Instrumentalness • 51% Positiveness
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Wolf Lorey
Wer verliebt ist braucht Musik
98 bpm • D# Maj • 02:41 • -15db
2% Popularity • 83% Danceability • 20% Energy • 13% Liveness
12% Instrumentalness • 94% Positiveness
2% Popularity • 83% Danceability • 20% Energy • 13% Liveness
12% Instrumentalness • 94% Positiveness
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Conny Froboess
Zwei kleine Italiener
98 bpm • A# Maj • 02:45 • -13db
47% Popularity • 64% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 64% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Lolita
Addio Amigo
98 bpm • D Maj • 02:52 • -10db
13% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Rudi Schuricke
Für eine Nacht voller Seligkeit
98 bpm • D# Maj • 02:38 • -20.62db
10% Popularity • 78% Danceability • 17% Energy • 16% Liveness
9% Instrumentalness • 79% Positiveness
10% Popularity • 78% Danceability • 17% Energy • 16% Liveness
9% Instrumentalness • 79% Positiveness
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Lilian Harvey
Guten Tag, liebes Glück
97 bpm • D# Maj • 03:07 • -14db
14% Popularity • 40% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 40% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Will Brandes
Marina
98 bpm • E Maj • 02:47 • -7.68db
16% Popularity • 70% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 70% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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René Carol
Im Hafen von Adano
99 bpm • D Maj • 03:03 • -9db
13% Popularity • 29% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 29% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Evelyn Künneke
Sing Nachtigall Sing
99 bpm • C Maj • 03:04 • -14db
14% Popularity • 50% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
14% Popularity • 50% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Lolita
Fahr mich in die Ferne, mein blonder Mat...
98 bpm • G Maj • 02:12 • -10db
20% Popularity • 69% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 69% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Rudi Schuricke
Mit Musik geht alles besser
99 bpm • C Maj • 02:44 • -11db
15% Popularity • 79% Danceability • 32% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
15% Popularity • 79% Danceability • 32% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
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Trude Herr
Ich bin eine Frau von Format
99 bpm • D# Maj • 02:37 • -9db
21% Popularity • 59% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 59% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Manfred Zalden
Meine Lieblingsmelodie
99 bpm • C Maj • 02:50 • -14db
8% Popularity • 73% Danceability • 30% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
8% Popularity • 73% Danceability • 30% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
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Kurt Widmann & sein Orchester
Es war noch nie so schön wie heut'
99 bpm • D# Maj • 02:33 • -12.34db
1% Popularity • 70% Danceability • 42% Energy • 24% Liveness
8% Instrumentalness • 79% Positiveness
1% Popularity • 70% Danceability • 42% Energy • 24% Liveness
8% Instrumentalness • 79% Positiveness
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Barnabas von Geczy
Ich tanze mit dir in den Himmel hinein
97 bpm • G# Maj • 02:56 • -13.85db
14% Popularity • 40% Danceability • 21% Energy • 34% Liveness
47% Instrumentalness • 23% Positiveness
14% Popularity • 40% Danceability • 21% Energy • 34% Liveness
47% Instrumentalness • 23% Positiveness
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Lolita
El Paso
99 bpm • G Maj • 03:02 • -9db
19% Popularity • 71% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 71% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Peter Kreuder
Raetsel um Beate: Maedel, dein Mund ist ...
97 bpm • D# Maj • 03:05 • -10.37db
0% Popularity • 71% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 71% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Kurt Drabek
Meine Freundin hat ein Auto
96 bpm • C min • 02:38 • -12.1db
1% Popularity • 76% Danceability • 35% Energy • 30% Liveness
21% Instrumentalness • 91% Positiveness
1% Popularity • 76% Danceability • 35% Energy • 30% Liveness
21% Instrumentalness • 91% Positiveness
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Lale Andersen
Lily Marlen
100 bpm • E Maj • 03:25 • -7db
21% Popularity • 38% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 38% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Bruce Low
Gestern wollt' ich beten geh'n
100 bpm • G# Maj • 02:47 • -9db
8% Popularity • 65% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 65% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Kuhn
Milch macht müde Männer munter
100 bpm • G# Maj • 02:37 • -7.93db
11% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Zarah Leander
Davon geht die Welt nicht unter
100 bpm • D Maj • 02:32 • -9db
27% Popularity • 52% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 52% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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René Carol
Der Goldschmied von Toledo
96 bpm • D Maj • 02:26 • -7.14db
10% Popularity • 42% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 42% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Siw Malmkvist
Leibeskummer lohnt sich nicht
100 bpm • C# Maj • 02:28 • -8db
38% Popularity • 58% Danceability • 65% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 58% Danceability • 65% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
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Gerhard Winkler
Du wirst von so vielen geliebt (Foxtrott...
96 bpm • F min • 02:40 • -11.53db
0% Popularity • 57% Danceability • 18% Energy • 38% Liveness
1% Instrumentalness • 38% Positiveness
0% Popularity • 57% Danceability • 18% Energy • 38% Liveness
1% Instrumentalness • 38% Positiveness
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Marika Rökk
Potpourri, From : ''Gasparone'' ( Ich We...
96 bpm • D# Maj • 05:18 • -12.56db
2% Popularity • 44% Danceability • 25% Energy • 71% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 44% Danceability • 25% Energy • 71% Liveness
0% Instrumentalness • 30% Positiveness
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Joseph Schmidt
Heut' ist der schönste Tag in meinem Le...
96 bpm • A# Maj • 03:26 • -9.93db
24% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Die James Brothers
Wenn
96 bpm • D# Maj • 02:22 • -12.09db
17% Popularity • 68% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 68% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Willy Berking
Dreizehn kleine Affen
95 bpm • D# Maj • 02:45 • -14.74db
4% Popularity • 74% Danceability • 26% Energy • 26% Liveness
50% Instrumentalness • 80% Positiveness
4% Popularity • 74% Danceability • 26% Energy • 26% Liveness
50% Instrumentalness • 80% Positiveness
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Zarah Leander
Nur nicht aus Liebe weinen
101 bpm • A# Maj • 03:21 • -13.32db
15% Popularity • 46% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
15% Popularity • 46% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Lale Andersen
Wenn Du Kein Mädel Weisst (Good Night, ...
101 bpm • A# Maj • 03:08 • -11.88db
15% Popularity • 35% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 35% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Lilian Harvey
Das gibt's nur einmal (Christels Lied)
95 bpm • D# Maj • 03:07 • -12.15db
12% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
12% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
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Hans Rehmstedt
Ja, der Peter
101 bpm • G# Maj • 02:32 • -13.03db
1% Popularity • 74% Danceability • 29% Energy • 6% Liveness
75% Instrumentalness • 92% Positiveness
1% Popularity • 74% Danceability • 29% Energy • 6% Liveness
75% Instrumentalness • 92% Positiveness
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Friedrich Schröder
Uber die Dacher der grossen Stadt
95 bpm • C min • 02:55 • -10.83db
2% Popularity • 64% Danceability • 26% Energy • 19% Liveness
20% Instrumentalness • 50% Positiveness
2% Popularity • 64% Danceability • 26% Energy • 19% Liveness
20% Instrumentalness • 50% Positiveness
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Schréder
Laß die Frau Nicht Weinen
95 bpm • F Maj • 02:47 • -12.27db
1% Popularity • 79% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 79% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Conny Froboess
Lady Sunshine und Mr. Moon
95 bpm • D# Maj • 02:20 • -11db
39% Popularity • 62% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 62% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Lolita
Weisser Holunder
95 bpm • F Maj • 02:49 • -11.19db
19% Popularity • 45% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 45% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Jan & Kjeld
Hello, Mary Lou
102 bpm • F Maj • 02:11 • -6db
25% Popularity • 72% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 72% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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René Carol
La-Le-Lu
95 bpm • G Maj • 03:04 • -10.52db
9% Popularity • 26% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 26% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Willy Engel-Berger
Stern von Rio: Stern von Rio
94 bpm • D Maj • 02:58 • -13.93db
1% Popularity • 42% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 42% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Lilian Harvey
Das gibt's nur einmal
102 bpm • D# Maj • 03:05 • -9db
19% Popularity • 40% Danceability • 42% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
19% Popularity • 40% Danceability • 42% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
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Gerhard Winkler
Mütterlein (Answer Me)
102 bpm • D# Maj • 03:29 • -12.93db
7% Popularity • 33% Danceability • 22% Energy • 16% Liveness
5% Instrumentalness • 33% Positiveness
7% Popularity • 33% Danceability • 22% Energy • 16% Liveness
5% Instrumentalness • 33% Positiveness
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Lolita
Ãœber alle sieben Meere
102 bpm • E Maj • 02:53 • -8.78db
18% Popularity • 36% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 36% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Erhard Bauschke Tanz-Orchester
Sommer, See und Sonnenschein
102 bpm • A# Maj • 03:16 • -8db
8% Popularity • 81% Danceability • 53% Energy • 4% Liveness
79% Instrumentalness • 94% Positiveness
8% Popularity • 81% Danceability • 53% Energy • 4% Liveness
79% Instrumentalness • 94% Positiveness
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Rudi Schuricke
Sei lieb zu mir
102 bpm • F Maj • 03:20 • -6.21db
9% Popularity • 32% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 32% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Hans Carste
Wie geht's, mein Fraulein? Ich heisse Kl...
94 bpm • A min • 02:44 • -12.56db
0% Popularity • 65% Danceability • 23% Energy • 31% Liveness
6% Instrumentalness • 64% Positiveness
0% Popularity • 65% Danceability • 23% Energy • 31% Liveness
6% Instrumentalness • 64% Positiveness
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Lys Assia
Tammy
94 bpm • G# Maj • 02:25 • -6db
18% Popularity • 33% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 33% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Friedrich Schroeder
Oh, diese Maenner: Dich hat der liebe Go...
103 bpm • F Maj • 02:46 • -13.83db
3% Popularity • 63% Danceability • 15% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
3% Popularity • 63% Danceability • 15% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Lolita
Seemann, deine Heimat ist das Meer
102 bpm • G Maj • 02:49 • -8db
40% Popularity • 50% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 50% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Dorthe
Sind Sie der Graf von Luxemburg?
94 bpm • F min • 02:51 • -11db
37% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Rudi Schuricke
Es werden wieder Rosen blüh'n
93 bpm • D# Maj • 03:03 • -11.97db
2% Popularity • 26% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
2% Popularity • 26% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lonny Kellner
Bum-Budi-Bum, das kann gefährlich sein
93 bpm • G Maj • 03:01 • -11db
12% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Lys Assia
Gelbe Rose dort in Texas
94 bpm • G# Maj • 02:11 • -6.8db
13% Popularity • 73% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 73% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Willy Schneider
Ich Hab MEin Herz In Heidelberg
103 bpm • D Maj • 02:41 • -8db
15% Popularity • 65% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 65% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Lolita
Die Sterne der Prärie
103 bpm • A# Maj • 02:31 • -9db
14% Popularity • 55% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 55% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Dino Olivieri
Nacht fuer Nacht
103 bpm • F Maj • 03:21 • -15.59db
4% Popularity • 26% Danceability • 27% Energy • 25% Liveness
52% Instrumentalness • 19% Positiveness
4% Popularity • 26% Danceability • 27% Energy • 25% Liveness
52% Instrumentalness • 19% Positiveness
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Rudi Schuricke
Komm zurück
93 bpm • G Maj • 02:49 • -12.98db
13% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Gerd Böttcher
Adieu, Lebewohl, Goodbye
103 bpm • C Maj • 02:24 • -11db
17% Popularity • 50% Danceability • 51% Energy • 51% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 50% Danceability • 51% Energy • 51% Liveness
0% Instrumentalness • 72% Positiveness
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Dorthe
Wärst du doch in Düsseldorf geblieben
93 bpm • E Maj • 02:34 • -9db
36% Popularity • 67% Danceability • 63% Energy • 57% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 67% Danceability • 63% Energy • 57% Liveness
0% Instrumentalness • 97% Positiveness
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Gerhard Winkler
Alle Jahre wieder im Frühling
103 bpm • D# Maj • 03:15 • -16.16db
0% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Hans Rehmstedt
Wenn zwei wie Du und ich
93 bpm • D# Maj • 03:00 • -14.05db
1% Popularity • 70% Danceability • 22% Energy • 10% Liveness
9% Instrumentalness • 51% Positiveness
1% Popularity • 70% Danceability • 22% Energy • 10% Liveness
9% Instrumentalness • 51% Positiveness
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Mireille Mathieu
Hinter den Kulissen von Paris
104 bpm • E Maj • 02:32 • -8.88db
29% Popularity • 44% Danceability • 43% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 44% Danceability • 43% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
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Rudi Schuricke
Komm Zurück
93 bpm • A min • 02:48 • -13.91db
9% Popularity • 52% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 52% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Nana Gualdi
Junge Leute brauchen Liebe (Everybody Lo...
92 bpm • D# Maj • 02:45 • -10db
16% Popularity • 73% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 73% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Jimmy Makulis
Auf Cuba sind die Mädchen braun
104 bpm • D# Maj • 02:22 • -6db
18% Popularity • 58% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 58% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Gerhard Winkler
Ein Lied ohne Ende
104 bpm • D# Maj • 03:10 • -10.08db
1% Popularity • 25% Danceability • 31% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
1% Popularity • 25% Danceability • 31% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
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Heinz Erhardt
Ach, Marianne
104 bpm • F# Maj • 02:21 • -7db
21% Popularity • 57% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 57% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Bully Buhlan
Ich hab Mich So An Dich Gewohnt
92 bpm • G Maj • 03:07 • -13.36db
10% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Lys Assia
Wenn die Glocken erklingen
92 bpm • D Maj • 02:51 • -5.9db
15% Popularity • 41% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 41% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Bibi Johns
Papa Tanzt Mambo
92 bpm • A Maj • 03:02 • -8.51db
11% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Zarah Leander
Cabaret Paris
105 bpm • D# Maj • 02:20 • -7db
14% Popularity • 46% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 46% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Walter Jäger
Ich kauf' mir ein ganz kleines Auto
105 bpm • D# Maj • 02:50 • -14.79db
5% Popularity • 78% Danceability • 26% Energy • 12% Liveness
5% Instrumentalness • 87% Positiveness
5% Popularity • 78% Danceability • 26% Energy • 12% Liveness
5% Instrumentalness • 87% Positiveness
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Kurt Widmann & sein Orchester
Warum, weshalb und wieso
105 bpm • G min • 02:48 • -11.22db
0% Popularity • 66% Danceability • 46% Energy • 23% Liveness
27% Instrumentalness • 74% Positiveness
0% Popularity • 66% Danceability • 46% Energy • 23% Liveness
27% Instrumentalness • 74% Positiveness
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Paul Kuhn
Quando Quando Quando
105 bpm • A# Maj • 02:47 • -10db
23% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Hans Carste
Kuss mich, bitte, bitte kuss mich
105 bpm • G# Maj • 02:55 • -12.1db
1% Popularity • 70% Danceability • 33% Energy • 33% Liveness
56% Instrumentalness • 64% Positiveness
1% Popularity • 70% Danceability • 33% Energy • 33% Liveness
56% Instrumentalness • 64% Positiveness
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Rudi Schuricke
Küß Mich, Bitte Küß Mich
105 bpm • G# Maj • 02:51 • -9.3db
18% Popularity • 70% Danceability • 39% Energy • 30% Liveness
42% Instrumentalness • 56% Positiveness
18% Popularity • 70% Danceability • 39% Energy • 30% Liveness
42% Instrumentalness • 56% Positiveness
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Michael Jary
Blau wie der weite Himmel
106 bpm • D Maj • 03:23 • -14.16db
1% Popularity • 36% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
1% Popularity • 36% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
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Friedrich Schröder
Kleiner Mann ganz gross: Weil der D-Zugf...
106 bpm • G# Maj • 02:55 • -12.6db
1% Popularity • 86% Danceability • 32% Energy • 15% Liveness
2% Instrumentalness • 83% Positiveness
1% Popularity • 86% Danceability • 32% Energy • 15% Liveness
2% Instrumentalness • 83% Positiveness
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Lolita
Seemann, deine Heimat ist das Meer
106 bpm • G Maj • 02:45 • -11.77db
16% Popularity • 49% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 49% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Kuhn
Quando, Quando, Quando
105 bpm • A# Maj • 02:48 • -8db
13% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Joseph Schmidt
Ein Lied Geht Um die Welt
91 bpm • D# Maj • 02:40 • -8db
19% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Franz Grothe
Der singende tor: Ja und nein
106 bpm • C Maj • 02:23 • -13.35db
2% Popularity • 85% Danceability • 36% Energy • 10% Liveness
34% Instrumentalness • 86% Positiveness
2% Popularity • 85% Danceability • 36% Energy • 10% Liveness
34% Instrumentalness • 86% Positiveness
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Lale Andersen
Es geht alles vorüber, es geht alles vo...
106 bpm • F Maj • 03:20 • -11db
19% Popularity • 44% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 44% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Kurt Widmann & sein Orchester
Wunderbar, wunderbar wie du heute tanzt
106 bpm • F Maj • 02:36 • -11.43db
2% Popularity • 78% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
2% Popularity • 78% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Lolita und Alfons Bauer mit seinen Grinzing Schrammeln
Jung san ma, fesch san ma
106 bpm • F Maj • 02:51 • -11db
11% Popularity • 74% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 74% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Kuhn
Der Mann am Klavier
105 bpm • G Maj • 02:24 • -10db
15% Popularity • 65% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 65% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Lilian Harvey
Irgendwo auf der Welt
91 bpm • D Maj • 03:10 • -11db
17% Popularity • 45% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 45% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Fred Bertelmann
Heimat Deine Sterne
106 bpm • E Maj • 03:51 • -11db
11% Popularity • 25% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 25% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Illo Schieder
Sieben einsame Tage
90 bpm • C# Maj • 02:07 • -10.3db
15% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Rudi Schuricke
Dreh dich noch einmal um
90 bpm • C Maj • 03:28 • -10.42db
6% Popularity • 36% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
6% Popularity • 36% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Bruce Low
Hörst Du mein heimliches Rufen
106 bpm • F Maj • 02:36 • -9.22db
12% Popularity • 36% Danceability • 39% Energy • 32% Liveness
7% Instrumentalness • 38% Positiveness
12% Popularity • 36% Danceability • 39% Energy • 32% Liveness
7% Instrumentalness • 38% Positiveness
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Evelyn Rehs
Ein bisschen Romantik gehort zu jeder Fr...
106 bpm • G# Maj • 02:41 • -17.27db
2% Popularity • 63% Danceability • 12% Energy • 40% Liveness
1% Instrumentalness • 52% Positiveness
2% Popularity • 63% Danceability • 12% Energy • 40% Liveness
1% Instrumentalness • 52% Positiveness
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Kurt Widmann
Warum Weshalb Wieso
107 bpm • G# min • 02:49 • -10.91db
6% Popularity • 62% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
6% Popularity • 62% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Gerd Böttcher
Für Gaby tu' ich alles
107 bpm • B Maj • 02:18 • -13db
31% Popularity • 64% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 64% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Anneliese Rothenberger
La Le Lu
90 bpm • F Maj • 03:34 • -9db
13% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Willy Hagara
Es kann im Frühling sein
107 bpm • C# Maj • 01:56 • -9db
11% Popularity • 75% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 75% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Paul Kuhn
Der Mann am Klavier
90 bpm • G Maj • 02:06 • -10db
29% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
