Songs like Fragment of Stasimon from Orestes by Euripides - Ancient Manuscript by Petros Tabouris
Based on a tempo of (+/- 10%) and a similar genre
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The Wandering Jester
The Snowed Inn
115 bpm • F Maj • 02:09 • -12.68db
15% Popularity • 87% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 41% Positiveness
15% Popularity • 87% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 41% Positiveness
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Mary Ann Tedstone Glover
Bacchus
115 bpm • A min • 02:50 • -7.17db
20% Popularity • 64% Danceability • 72% Energy • 11% Liveness
98% Instrumentalness • 53% Positiveness
20% Popularity • 64% Danceability • 72% Energy • 11% Liveness
98% Instrumentalness • 53% Positiveness
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Petros Tabouris Ensemble
Etude in Dorios Harmonia, Minor System i...
115 bpm • A min • 03:20 • -19.63db
12% Popularity • 89% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 87% Positiveness
12% Popularity • 89% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 87% Positiveness
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Farya Faraji
The Battle of Kreta
115 bpm • C# Maj • 03:41 • -16.61db
23% Popularity • 58% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 76% Positiveness
23% Popularity • 58% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 76% Positiveness
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Ludi Scaenici
Extasis
115 bpm • F Maj • 03:25 • -15.61db
11% Popularity • 35% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 35% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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Petros Tabouris
Athlos
115 bpm • A min • 03:09 • -19.03db
8% Popularity • 89% Danceability • 21% Energy • 9% Liveness
95% Instrumentalness • 87% Positiveness
8% Popularity • 89% Danceability • 21% Energy • 9% Liveness
95% Instrumentalness • 87% Positiveness
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Joan Ambrosio Dalza
Piva
115 bpm • C Maj • 02:32 • -16db
15% Popularity • 59% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
15% Popularity • 59% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
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Alessandro Penna
0.1 Yoruba
114 bpm • D# min • 02:58 • -20db
26% Popularity • 32% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
26% Popularity • 32% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Synaulia
Fortuna
114 bpm • C Maj • 01:08 • -27.01db
9% Popularity • 57% Danceability • 10% Energy • 14% Liveness
67% Instrumentalness • 12% Positiveness
9% Popularity • 57% Danceability • 10% Energy • 14% Liveness
67% Instrumentalness • 12% Positiveness
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Guiraut Riquier
Au temps d'auost
114 bpm • G Maj • 01:00 • -17db
18% Popularity • 64% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
18% Popularity • 64% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
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Gregorio Paniagua
Hymne au Soleil
114 bpm • G Maj • 01:57 • -18.3db
11% Popularity • 54% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
11% Popularity • 54% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Joyosa
Ziryab
114 bpm • E min • 06:01 • -12.79db
19% Popularity • 76% Danceability • 53% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
19% Popularity • 76% Danceability • 53% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Tito Rinesi
Balkan Migrations
116 bpm • A# Maj • 04:11 • -9.8db
13% Popularity • 62% Danceability • 30% Energy • 9% Liveness
32% Instrumentalness • 10% Positiveness
13% Popularity • 62% Danceability • 30% Energy • 9% Liveness
32% Instrumentalness • 10% Positiveness
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Celestial Aeon Project
Arabian Nights
116 bpm • C# Maj • 02:21 • -10.04db
19% Popularity • 64% Danceability • 83% Energy • 22% Liveness
92% Instrumentalness • 80% Positiveness
19% Popularity • 64% Danceability • 83% Energy • 22% Liveness
92% Instrumentalness • 80% Positiveness
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Chris Palmer
Sufi Whirling (Dervish Dance)
114 bpm • G Maj • 03:35 • -8.73db
18% Popularity • 68% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 91% Positiveness
18% Popularity • 68% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 91% Positiveness
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Alkemie
A Deer's End
114 bpm • C Maj • 01:43 • -22.25db
13% Popularity • 26% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 34% Positiveness
13% Popularity • 26% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 34% Positiveness
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Musica calamus
Maitre De La Maison
114 bpm • C Maj • 02:49 • -4db
19% Popularity • 58% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 69% Positiveness
19% Popularity • 58% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 69% Positiveness
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Capella de Ministrers
Derdj Zidane
114 bpm • G Maj • 05:18 • -20db
11% Popularity • 41% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 12% Positiveness
11% Popularity • 41% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 12% Positiveness
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Michael Levy
"Salah" - Traditional Egyptian Folk Song
114 bpm • E min • 01:55 • -16.1db
21% Popularity • 49% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
21% Popularity • 49% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Alessandro Penna
0.3 Mithraeum
116 bpm • E min • 02:44 • -16.41db
22% Popularity • 69% Danceability • 15% Energy • 34% Liveness
96% Instrumentalness • 51% Positiveness
22% Popularity • 69% Danceability • 15% Energy • 34% Liveness
96% Instrumentalness • 51% Positiveness
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Michael Atherton
Shen - Eternity
114 bpm • G Maj • 02:45 • -21.39db
9% Popularity • 32% Danceability • 3% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
9% Popularity • 32% Danceability • 3% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
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Synaulia
Imperium
116 bpm • G Maj • 03:34 • -15.59db
12% Popularity • 60% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
12% Popularity • 60% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Monica Williams
You are Adventure
117 bpm • A Maj • 05:06 • -14.68db
14% Popularity • 32% Danceability • 45% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
14% Popularity • 32% Danceability • 45% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Eduardo Paniagua
Danza Del Agua (Argelia)
113 bpm • D min • 04:21 • -20.14db
12% Popularity • 44% Danceability • 21% Energy • 50% Liveness
5% Instrumentalness • 30% Positiveness
12% Popularity • 44% Danceability • 21% Energy • 50% Liveness
5% Instrumentalness • 30% Positiveness
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Haig Yazdjian
Rast Longa
117 bpm • G min • 02:22 • -17db
9% Popularity • 62% Danceability • 41% Energy • 9% Liveness
87% Instrumentalness • 93% Positiveness
9% Popularity • 62% Danceability • 41% Energy • 9% Liveness
87% Instrumentalness • 93% Positiveness
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Yunus Emre
Pesrev: Pesrev (Yunus Emre (Ilahileri), ...
118 bpm • G Maj • 01:28 • -19db
20% Popularity • 66% Danceability • 29% Energy • 16% Liveness
98% Instrumentalness • 84% Positiveness
20% Popularity • 66% Danceability • 29% Energy • 16% Liveness
98% Instrumentalness • 84% Positiveness
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Ahmed Mukhtar
Alleys of the Old City
112 bpm • G Maj • 05:55 • -19.06db
14% Popularity • 80% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 45% Positiveness
14% Popularity • 80% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 45% Positiveness
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Petros Tabouris
Kirki's Dance
112 bpm • C# Maj • 02:00 • -16.45db
13% Popularity • 78% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
13% Popularity • 78% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Renato Di Prinzio
Anonymus Bellermanni Exercere VI (Instru...
118 bpm • C Maj • 02:13 • -28.92db
18% Popularity • 74% Danceability • 7% Energy • 14% Liveness
60% Instrumentalness • 3% Positiveness
18% Popularity • 74% Danceability • 7% Energy • 14% Liveness
60% Instrumentalness • 3% Positiveness
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Ludi Scaenici
Ipsa Lyra
118 bpm • G Maj • 01:38 • -20.28db
21% Popularity • 62% Danceability • 11% Energy • 8% Liveness
97% Instrumentalness • 62% Positiveness
21% Popularity • 62% Danceability • 11% Energy • 8% Liveness
97% Instrumentalness • 62% Positiveness
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Eleni Karaindrou
Medea's Lament II
112 bpm • D Maj • 01:45 • -23.28db
16% Popularity • 29% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 8% Positiveness
16% Popularity • 29% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 8% Positiveness
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Thanasis Vasilas
Acropolis
118 bpm • E Maj • 01:55 • -13.03db
11% Popularity • 70% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 70% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Capella de Ministrers
Shatakhi Dzernapar
112 bpm • B Maj • 06:15 • -24db
10% Popularity • 33% Danceability • 8% Energy • 35% Liveness
40% Instrumentalness • 4% Positiveness
10% Popularity • 33% Danceability • 8% Energy • 35% Liveness
40% Instrumentalness • 4% Positiveness
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Chattergee Shankar
Gamilia Patinada Mikras Asias
118 bpm • A Maj • 03:17 • -11.12db
2% Popularity • 41% Danceability • 84% Energy • 46% Liveness
93% Instrumentalness • 95% Positiveness
2% Popularity • 41% Danceability • 84% Energy • 46% Liveness
93% Instrumentalness • 95% Positiveness
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Renato Di Prinzio
Dantza Samnita (Edición Deluxe)
112 bpm • D Maj • 01:58 • -13.23db
15% Popularity • 76% Danceability • 24% Energy • 10% Liveness
18% Instrumentalness • 13% Positiveness
15% Popularity • 76% Danceability • 24% Energy • 10% Liveness
18% Instrumentalness • 13% Positiveness
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Ludi Scaenici
Tibiae Sonant
112 bpm • A min • 02:40 • -13.97db
13% Popularity • 30% Danceability • 4% Energy • 7% Liveness
78% Instrumentalness • 48% Positiveness
13% Popularity • 30% Danceability • 4% Energy • 7% Liveness
78% Instrumentalness • 48% Positiveness
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Daemonia Nymphe
Nymphs Of The Seagod Nereus
118 bpm • G Maj • 04:51 • -9.88db
18% Popularity • 60% Danceability • 41% Energy • 10% Liveness
29% Instrumentalness • 7% Positiveness
18% Popularity • 60% Danceability • 41% Energy • 10% Liveness
29% Instrumentalness • 7% Positiveness
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Ani Williams
Abyddos
112 bpm • G min • 08:53 • -13db
22% Popularity • 37% Danceability • 16% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
22% Popularity • 37% Danceability • 16% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
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Kiwilik Mendedir
Menim Kimi
118 bpm • D# Maj • 01:06 • -24.8db
13% Popularity • 50% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 51% Positiveness
13% Popularity • 50% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 51% Positiveness
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Vox Vulgaris
Eşek Bayramı
119 bpm • E Maj • 03:47 • -11.59db
18% Popularity • 58% Danceability • 64% Energy • 62% Liveness
96% Instrumentalness • 40% Positiveness
18% Popularity • 58% Danceability • 64% Energy • 62% Liveness
96% Instrumentalness • 40% Positiveness
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Jeffrey Goodman
Love Song of King Tutankhamun's Princess...
119 bpm • A min • 02:55 • -19.58db
3% Popularity • 25% Danceability • 29% Energy • 31% Liveness
1% Instrumentalness • 19% Positiveness
3% Popularity • 25% Danceability • 29% Energy • 31% Liveness
1% Instrumentalness • 19% Positiveness
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Ági Szalóki
Berceuses: Hajda lilibe (Roumanie Moldav...
111 bpm • A min • 05:03 • -26.45db
8% Popularity • 37% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 37% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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John Kenny
Gaels & Gauls
111 bpm • G# Maj • 02:20 • -26.34db
8% Popularity • 39% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
8% Popularity • 39% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Ali Jihad Racy
The Land Of The Blessed
111 bpm • G min • 06:55 • -17db
15% Popularity • 60% Danceability • 9% Energy • 10% Liveness
24% Instrumentalness • 36% Positiveness
15% Popularity • 60% Danceability • 9% Energy • 10% Liveness
24% Instrumentalness • 36% Positiveness
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Invadable Harmony
The Persian Raider
119 bpm • C min • 02:09 • -17.67db
11% Popularity • 46% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
11% Popularity • 46% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Synaulia
Acutus
111 bpm • C Maj • 01:25 • -17.66db
12% Popularity • 73% Danceability • 57% Energy • 4% Liveness
74% Instrumentalness • 6% Positiveness
12% Popularity • 73% Danceability • 57% Energy • 4% Liveness
74% Instrumentalness • 6% Positiveness
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Jeffrey Goodman
Cleopatra's Song of the Nile
119 bpm • B min • 06:14 • -22.38db
3% Popularity • 24% Danceability • 23% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
3% Popularity • 24% Danceability • 23% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Daemonia Nymphe
Message Horn's Enchanting Echo
111 bpm • C min • 02:17 • -15db
32% Popularity • 22% Danceability • 11% Energy • 11% Liveness
27% Instrumentalness • 26% Positiveness
32% Popularity • 22% Danceability • 11% Energy • 11% Liveness
27% Instrumentalness • 26% Positiveness
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Fumie Hihara
Kojo no stuki hensoukyoku
111 bpm • C min • 05:19 • -12.44db
19% Popularity • 39% Danceability • 28% Energy • 7% Liveness
88% Instrumentalness • 32% Positiveness
19% Popularity • 39% Danceability • 28% Energy • 7% Liveness
88% Instrumentalness • 32% Positiveness
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Vaxevaneris Stylianos Hephaestion
The Word of Ekatis
111 bpm • F min • 03:25 • -12.73db
12% Popularity • 36% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 36% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Bettina Joy De Guzman
Hymn to Aphrodite
111 bpm • G min • 02:12 • -27.58db
8% Popularity • 42% Danceability • 6% Energy • 8% Liveness
45% Instrumentalness • 39% Positiveness
8% Popularity • 42% Danceability • 6% Energy • 8% Liveness
45% Instrumentalness • 39% Positiveness
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Haig Yazdjian
Nihavend Longa
111 bpm • G min • 03:01 • -17db
13% Popularity • 54% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 94% Positiveness
13% Popularity • 54% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 94% Positiveness
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Jeffrey Goodman
Nefertiti's Song of the White Goddess
119 bpm • G# min • 03:45 • -22.27db
9% Popularity • 41% Danceability • 11% Energy • 10% Liveness
55% Instrumentalness • 5% Positiveness
9% Popularity • 41% Danceability • 11% Energy • 10% Liveness
55% Instrumentalness • 5% Positiveness
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Petros Tabouris
First Delphic Hymn to Apollo
111 bpm • C Maj • 03:59 • -15.96db
13% Popularity • 67% Danceability • 8% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
13% Popularity • 67% Danceability • 8% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Capella de Ministrers
Calata a la spagnola
120 bpm • C Maj • 02:12 • -19.35db
8% Popularity • 52% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
8% Popularity • 52% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
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Alfonso X El Sabio
Cantiga 35: O que a Santa Maria (arr. J....
110 bpm • C Maj • 04:04 • -18db
18% Popularity • 43% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
18% Popularity • 43% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
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Egschiglen
Erdene Uul
120 bpm • G# Maj • 03:24 • -17.17db
16% Popularity • 17% Danceability • 22% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 22% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
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Celestial Aeon Project
Aladdin Meets Jasmine
120 bpm • C Maj • 01:37 • -14.12db
15% Popularity • 60% Danceability • 18% Energy • 62% Liveness
86% Instrumentalness • 8% Positiveness
15% Popularity • 60% Danceability • 18% Energy • 62% Liveness
86% Instrumentalness • 8% Positiveness
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Jeffrey Goodman
Nefertiti's Song of the Magic Birds
120 bpm • A# min • 04:14 • -26.87db
11% Popularity • 54% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 16% Positiveness
11% Popularity • 54% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 16% Positiveness
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Petros Tabouris
Study on Hypofrygian Harmonia, Chromatic...
120 bpm • G Maj • 03:06 • -14.67db
11% Popularity • 83% Danceability • 33% Energy • 7% Liveness
80% Instrumentalness • 79% Positiveness
11% Popularity • 83% Danceability • 33% Energy • 7% Liveness
80% Instrumentalness • 79% Positiveness
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Nicostrauss
Messing at the Sukh (Bonus Track)
120 bpm • A min • 02:44 • -7.13db
9% Popularity • 67% Danceability • 72% Energy • 7% Liveness
90% Instrumentalness • 68% Positiveness
9% Popularity • 67% Danceability • 72% Energy • 7% Liveness
90% Instrumentalness • 68% Positiveness
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Panos Stefos
Protos Delfikos Ymnos Ston Apollona
110 bpm • C Maj • 03:59 • -11.31db
1% Popularity • 55% Danceability • 16% Energy • 24% Liveness
1% Instrumentalness • 20% Positiveness
1% Popularity • 55% Danceability • 16% Energy • 24% Liveness
1% Instrumentalness • 20% Positiveness
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Tyler Cunningham
Tankards and Thieves
120 bpm • A min • 02:26 • -13db
7% Popularity • 86% Danceability • 43% Energy • 8% Liveness
87% Instrumentalness • 32% Positiveness
7% Popularity • 86% Danceability • 43% Energy • 8% Liveness
87% Instrumentalness • 32% Positiveness
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Celestial Aeon Project
The Sultan's Palace
120 bpm • C Maj • 01:14 • -14.01db
18% Popularity • 65% Danceability • 38% Energy • 27% Liveness
82% Instrumentalness • 14% Positiveness
18% Popularity • 65% Danceability • 38% Energy • 27% Liveness
82% Instrumentalness • 14% Positiveness
► Preview
Jeffrey Goodman
Egyptian Goddess Tefnut's Magic Rain Spe...
120 bpm • C# Maj • 05:39 • -17.73db
5% Popularity • 42% Danceability • 34% Energy • 39% Liveness
79% Instrumentalness • 6% Positiveness
5% Popularity • 42% Danceability • 34% Energy • 39% Liveness
79% Instrumentalness • 6% Positiveness
► Preview
Petros Tabouris
Study on Frygios Harmonia, Meizon System...
120 bpm • D min • 02:00 • -15db
15% Popularity • 80% Danceability • 33% Energy • 9% Liveness
85% Instrumentalness • 89% Positiveness
15% Popularity • 80% Danceability • 33% Energy • 9% Liveness
85% Instrumentalness • 89% Positiveness
► Preview
Pericles Papapetropoulos
Mysterious Zeibekiko - Instrumental
110 bpm • D min • 06:01 • -15db
11% Popularity • 76% Danceability • 28% Energy • 7% Liveness
7% Instrumentalness • 49% Positiveness
11% Popularity • 76% Danceability • 28% Energy • 7% Liveness
7% Instrumentalness • 49% Positiveness
► Preview
Ali Jihad Racy
The Triumph Of The Deceased
120 bpm • C min • 05:30 • -23db
11% Popularity • 41% Danceability • 6% Energy • 25% Liveness
76% Instrumentalness • 15% Positiveness
11% Popularity • 41% Danceability • 6% Energy • 25% Liveness
76% Instrumentalness • 15% Positiveness
► Preview
Daemonia Nymphe
Ida's Dactyls
120 bpm • D# Maj • 04:05 • -10db
17% Popularity • 72% Danceability • 27% Energy • 11% Liveness
11% Instrumentalness • 22% Positiveness
17% Popularity • 72% Danceability • 27% Energy • 11% Liveness
11% Instrumentalness • 22% Positiveness
► Preview
Celestial Aeon Project
The Wondrous Bazaar
120 bpm • F Maj • 01:45 • -14.93db
15% Popularity • 65% Danceability • 73% Energy • 12% Liveness
72% Instrumentalness • 31% Positiveness
15% Popularity • 65% Danceability • 73% Energy • 12% Liveness
72% Instrumentalness • 31% Positiveness
► Preview
Musica calamus
Branle De Chevaux
120 bpm • C Maj • 02:49 • -7db
26% Popularity • 71% Danceability • 66% Energy • 10% Liveness
95% Instrumentalness • 92% Positiveness
26% Popularity • 71% Danceability • 66% Energy • 10% Liveness
95% Instrumentalness • 92% Positiveness
► Preview
Jeffrey Goodman
Anthem to the Rising Moon
120 bpm • A min • 04:55 • -29.26db
19% Popularity • 51% Danceability • 6% Energy • 14% Liveness
96% Instrumentalness • 25% Positiveness
19% Popularity • 51% Danceability • 6% Energy • 14% Liveness
96% Instrumentalness • 25% Positiveness
► Preview
Petros Tabouris
Study on Hypodorian Harmonia, Diatonic G...
120 bpm • D min • 01:33 • -15.3db
9% Popularity • 80% Danceability • 33% Energy • 9% Liveness
85% Instrumentalness • 89% Positiveness
9% Popularity • 80% Danceability • 33% Energy • 9% Liveness
85% Instrumentalness • 89% Positiveness
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Alphonse X le Sage
Madre de Deus
120 bpm • G Maj • 03:01 • -16.83db
12% Popularity • 30% Danceability • 22% Energy • 14% Liveness
46% Instrumentalness • 22% Positiveness
12% Popularity • 30% Danceability • 22% Energy • 14% Liveness
46% Instrumentalness • 22% Positiveness
► Preview
Bettina Joy De Guzman
Invocation to Aphrodite
120 bpm • A min • 02:58 • -28.32db
8% Popularity • 54% Danceability • 14% Energy • 9% Liveness
47% Instrumentalness • 76% Positiveness
8% Popularity • 54% Danceability • 14% Energy • 9% Liveness
47% Instrumentalness • 76% Positiveness
► Preview
Eduardo Paniagua
Los Siete Gozos. CSM 1
120 bpm • D min • 06:53 • -11.13db
11% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Nicostrauss
Der Bach
110 bpm • A min • 02:03 • -10db
21% Popularity • 74% Danceability • 57% Energy • 25% Liveness
89% Instrumentalness • 90% Positiveness
21% Popularity • 74% Danceability • 57% Energy • 25% Liveness
89% Instrumentalness • 90% Positiveness
► Preview
Jeffrey Goodman
Amun-Ra's Anthem to the Rising Sun
120 bpm • G Maj • 02:50 • -20db
14% Popularity • 48% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
14% Popularity • 48% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
► Preview
Petros Tabouris
Study on Iamvos Rhythm
120 bpm • C Maj • 00:47 • -13.48db
11% Popularity • 86% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 79% Positiveness
11% Popularity • 86% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 79% Positiveness
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Vaxevaneris Stylianos Hephaestion
The Promise of Zeus
120 bpm • D min • 03:44 • -8.34db
19% Popularity • 60% Danceability • 57% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
19% Popularity • 60% Danceability • 57% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Phil Thornton
From Memphis to Heliopolis
110 bpm • D Maj • 06:12 • -5.75db
20% Popularity • 72% Danceability • 65% Energy • 18% Liveness
31% Instrumentalness • 39% Positiveness
20% Popularity • 72% Danceability • 65% Energy • 18% Liveness
31% Instrumentalness • 39% Positiveness
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Michael Levy
Hymn to Persephone
110 bpm • B Maj • 03:30 • -22.19db
19% Popularity • 61% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 14% Positiveness
19% Popularity • 61% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 14% Positiveness
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Baptiste Romain
Der han (The cock) (after Neidhart)
110 bpm • F Maj • 02:34 • -19db
12% Popularity • 20% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 5% Positiveness
12% Popularity • 20% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 5% Positiveness
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Jeffrey Goodman
King Tut's Spirit Drum Song
120 bpm • G# min • 04:15 • -20.72db
12% Popularity • 67% Danceability • 56% Energy • 9% Liveness
71% Instrumentalness • 50% Positiveness
12% Popularity • 67% Danceability • 56% Energy • 9% Liveness
71% Instrumentalness • 50% Positiveness
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Petros Tabouris
Athenaeus Paian - Stone Carving
110 bpm • C Maj • 03:59 • -15.1db
12% Popularity • 54% Danceability • 10% Energy • 18% Liveness
95% Instrumentalness • 48% Positiveness
12% Popularity • 54% Danceability • 10% Energy • 18% Liveness
95% Instrumentalness • 48% Positiveness
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Farya Faraji
Theodora : Empress of Rome
110 bpm • G Maj • 04:20 • -10.24db
21% Popularity • 47% Danceability • 26% Energy • 12% Liveness
72% Instrumentalness • 9% Positiveness
21% Popularity • 47% Danceability • 26% Energy • 12% Liveness
72% Instrumentalness • 9% Positiveness
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Michael Atherton
Atum - Creator Sun God
121 bpm • A# min • 03:19 • -30db
20% Popularity • 34% Danceability • 3% Energy • 11% Liveness
73% Instrumentalness • 6% Positiveness
20% Popularity • 34% Danceability • 3% Energy • 11% Liveness
73% Instrumentalness • 6% Positiveness
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Guiraut Riquier
La segonda retroencha
121 bpm • D min • 01:28 • -24db
21% Popularity • 57% Danceability • 18% Energy • 15% Liveness
4% Instrumentalness • 66% Positiveness
21% Popularity • 57% Danceability • 18% Energy • 15% Liveness
4% Instrumentalness • 66% Positiveness
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Michael Levy
Epitaph of Seikilos (Complete Ancient Gr...
121 bpm • B min • 03:28 • -20db
23% Popularity • 57% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
23% Popularity • 57% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Bashir Abdel Aal
Al Khayan (Syria)
121 bpm • A Maj • 08:06 • -26.29db
22% Popularity • 31% Danceability • 3% Energy • 14% Liveness
60% Instrumentalness • 4% Positiveness
22% Popularity • 31% Danceability • 3% Energy • 14% Liveness
60% Instrumentalness • 4% Positiveness
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Petros Tabouris
Armistice
120 bpm • D min • 02:56 • -15.3db
2% Popularity • 80% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 88% Positiveness
2% Popularity • 80% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 88% Positiveness
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Saif Al-Khayyat
Sulaf
109 bpm • E min • 04:47 • -17.35db
7% Popularity • 48% Danceability • 32% Energy • 8% Liveness
70% Instrumentalness • 10% Positiveness
7% Popularity • 48% Danceability • 32% Energy • 8% Liveness
70% Instrumentalness • 10% Positiveness
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Taiko Dreamers
Poetry
109 bpm • F# Maj • 01:09 • -16.55db
17% Popularity • 82% Danceability • 61% Energy • 10% Liveness
46% Instrumentalness • 17% Positiveness
17% Popularity • 82% Danceability • 61% Energy • 10% Liveness
46% Instrumentalness • 17% Positiveness
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Altai Khangai
Tovshuuriin judar
109 bpm • A Maj • 02:27 • -18.48db
15% Popularity • 69% Danceability • 20% Energy • 26% Liveness
90% Instrumentalness • 55% Positiveness
15% Popularity • 69% Danceability • 20% Energy • 26% Liveness
90% Instrumentalness • 55% Positiveness
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Panos Stefos
Mantalena
108 bpm • A Maj • 02:32 • -11.19db
9% Popularity • 65% Danceability • 25% Energy • 9% Liveness
19% Instrumentalness • 43% Positiveness
9% Popularity • 65% Danceability • 25% Energy • 9% Liveness
19% Instrumentalness • 43% Positiveness
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Daemonia Nymphe
Summoning Divine Selene
122 bpm • E Maj • 03:21 • -11.48db
30% Popularity • 73% Danceability • 33% Energy • 8% Liveness
74% Instrumentalness • 18% Positiveness
30% Popularity • 73% Danceability • 33% Energy • 8% Liveness
74% Instrumentalness • 18% Positiveness
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![Delphic Hymn to Apollo [syrinx] cover art](https://i.scdn.co/image/ab67616d00001e02938f8d341d4b976672beee68)
Petros Tabouris
Delphic Hymn to Apollo [syrinx]
110 bpm • C Maj • 03:56 • -8.04db
17% Popularity • 61% Danceability • 22% Energy • 44% Liveness
2% Instrumentalness • 18% Positiveness
17% Popularity • 61% Danceability • 22% Energy • 44% Liveness
2% Instrumentalness • 18% Positiveness
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Anon
Lamento di Tristan - Istampitta and Rott...
122 bpm • D Maj • 02:22 • -30.7db
8% Popularity • 44% Danceability • 18% Energy • 28% Liveness
98% Instrumentalness • 88% Positiveness
8% Popularity • 44% Danceability • 18% Energy • 28% Liveness
98% Instrumentalness • 88% Positiveness
