Songs like Frank and Judy by Jordan White
Based on a tempo of (+/- 10%) and a similar genre
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Stagg & Collins
gently gently
150 bpm • D# Maj • 02:34 • -13.32db
21% Popularity • 51% Danceability • 50% Energy • 93% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 51% Danceability • 50% Energy • 93% Liveness
0% Instrumentalness • 28% Positiveness
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First Name Surname
Song and Name
150 bpm • G Maj • 03:30 • -7.1db
7% Popularity • 60% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 60% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Jordan White
Frank and Judy
150 bpm • G# min • 02:51 • -16.89db
1% Popularity • 61% Danceability • 40% Energy • 29% Liveness
28% Instrumentalness • 47% Positiveness
1% Popularity • 61% Danceability • 40% Energy • 29% Liveness
28% Instrumentalness • 47% Positiveness
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Golden Shoulders
Patience Darling, Patience
150 bpm • D Maj • 02:12 • -8.38db
9% Popularity • 56% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 56% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Taufik Nurtosyid
Menyenangkan - Acoustic
149 bpm • D# Maj • 01:22 • -10.42db
18% Popularity • 69% Danceability • 26% Energy • 29% Liveness
51% Instrumentalness • 36% Positiveness
18% Popularity • 69% Danceability • 26% Energy • 29% Liveness
51% Instrumentalness • 36% Positiveness
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J Mascis
Drawerings
150 bpm • G Maj • 04:29 • -11.51db
8% Popularity • 49% Danceability • 43% Energy • 95% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 49% Danceability • 43% Energy • 95% Liveness
0% Instrumentalness • 62% Positiveness
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Frank Gappa
Used To This
149 bpm • B min • 04:53 • -6.87db
10% Popularity • 55% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 55% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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food bed gospel
lemonade limone
151 bpm • D Maj • 03:08 • -7.6db
9% Popularity • 52% Danceability • 74% Energy • 8% Liveness
50% Instrumentalness • 51% Positiveness
9% Popularity • 52% Danceability • 74% Energy • 8% Liveness
50% Instrumentalness • 51% Positiveness
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J. Robbins
Abandoned Mansions
149 bpm • C# Maj • 02:29 • -5db
10% Popularity • 53% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 53% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Ovens
Long Walk Home
149 bpm • A# Maj • 01:01 • -0.96db
10% Popularity • 19% Danceability • 96% Energy • 22% Liveness
3% Instrumentalness • 41% Positiveness
10% Popularity • 19% Danceability • 96% Energy • 22% Liveness
3% Instrumentalness • 41% Positiveness
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Taufik Nurtosyid
Adem - Acoustic
151 bpm • A# Maj • 01:14 • -7.92db
18% Popularity • 63% Danceability • 38% Energy • 37% Liveness
20% Instrumentalness • 41% Positiveness
18% Popularity • 63% Danceability • 38% Energy • 37% Liveness
20% Instrumentalness • 41% Positiveness
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Robert Pollard
Flat Beauty
151 bpm • F Maj • 01:50 • -3.79db
16% Popularity • 38% Danceability • 97% Energy • 15% Liveness
11% Instrumentalness • 35% Positiveness
16% Popularity • 38% Danceability • 97% Energy • 15% Liveness
11% Instrumentalness • 35% Positiveness
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Stagg & Collins
little green men
151 bpm • C Maj • 01:52 • -11.8db
21% Popularity • 42% Danceability • 46% Energy • 93% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 42% Danceability • 46% Energy • 93% Liveness
0% Instrumentalness • 12% Positiveness
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steve moore thirst
angel
152 bpm • D Maj • 02:35 • -11.29db
21% Popularity • 31% Danceability • 30% Energy • 14% Liveness
22% Instrumentalness • 24% Positiveness
21% Popularity • 31% Danceability • 30% Energy • 14% Liveness
22% Instrumentalness • 24% Positiveness
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Mick Overmere
Ocean Waves
152 bpm • B Maj • 02:35 • -7.89db
8% Popularity • 39% Danceability • 59% Energy • 18% Liveness
87% Instrumentalness • 55% Positiveness
8% Popularity • 39% Danceability • 59% Energy • 18% Liveness
87% Instrumentalness • 55% Positiveness
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Silkworm
Drunk
148 bpm • G# min • 03:05 • -12.15db
14% Popularity • 59% Danceability • 61% Energy • 67% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 59% Danceability • 61% Energy • 67% Liveness
0% Instrumentalness • 90% Positiveness
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Paul Fuster
Olive Branch
148 bpm • A Maj • 04:32 • -10db
14% Popularity • 48% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 48% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Dario Garcia
Up Side Down
152 bpm • D min • 02:47 • -10.56db
7% Popularity • 57% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 57% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Hedda Wesley
Season
148 bpm • D# Maj • 03:02 • -15.72db
25% Popularity • 44% Danceability • 32% Energy • 28% Liveness
66% Instrumentalness • 62% Positiveness
25% Popularity • 44% Danceability • 32% Energy • 28% Liveness
66% Instrumentalness • 62% Positiveness
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Stefan Bodevin
On the Vine
152 bpm • D# Maj • 02:40 • -20.82db
8% Popularity • 35% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
8% Popularity • 35% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
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Trip Kit Opus
Who I used to be
148 bpm • E Maj • 03:40 • -15.14db
7% Popularity • 56% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 56% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Saxon Chaplin
Small Bite
152 bpm • G Maj • 03:41 • -8.76db
23% Popularity • 54% Danceability • 92% Energy • 24% Liveness
6% Instrumentalness • 76% Positiveness
23% Popularity • 54% Danceability • 92% Energy • 24% Liveness
6% Instrumentalness • 76% Positiveness
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Ovens
St. Chominski's Dance
148 bpm • G Maj • 02:23 • -5.71db
7% Popularity • 24% Danceability • 86% Energy • 26% Liveness
3% Instrumentalness • 49% Positiveness
7% Popularity • 24% Danceability • 86% Energy • 26% Liveness
3% Instrumentalness • 49% Positiveness
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Stagg & Collins
Selmeston Way
153 bpm • G Maj • 02:46 • -8.3db
19% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Guided By Voices
Dusted
153 bpm • C# Maj • 02:06 • -12.21db
12% Popularity • 27% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 27% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Elf Power
O What a Beautiful Dream
147 bpm • A Maj • 02:16 • -9.84db
8% Popularity • 54% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 54% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Cough Drop Acid
Bad Habit
146 bpm • C Maj • 02:31 • -8.37db
10% Popularity • 55% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 55% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Lead Transportation
Staking Information
146 bpm • A Maj • 03:46 • -6db
17% Popularity • 46% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 46% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Ovens
Running in Place
147 bpm • A Maj • 01:22 • -3.51db
8% Popularity • 24% Danceability • 91% Energy • 13% Liveness
13% Instrumentalness • 55% Positiveness
8% Popularity • 24% Danceability • 91% Energy • 13% Liveness
13% Instrumentalness • 55% Positiveness
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Run Role
Just Excuses
146 bpm • A Maj • 03:46 • -6db
16% Popularity • 46% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 46% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Tom Bailey Backing Tracks
Ethereal Acoustic Guitar Ballad Backing ...
146 bpm • A Maj • 07:07 • -17.61db
8% Popularity • 72% Danceability • 27% Energy • 11% Liveness
82% Instrumentalness • 28% Positiveness
8% Popularity • 72% Danceability • 27% Energy • 11% Liveness
82% Instrumentalness • 28% Positiveness
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Steve Charles
To Love Somebody
146 bpm • A Maj • 03:22 • -10.84db
7% Popularity • 37% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 37% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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The Inbreds
Attitude
146 bpm • C Maj • 03:14 • -7.94db
12% Popularity • 41% Danceability • 72% Energy • 11% Liveness
73% Instrumentalness • 15% Positiveness
12% Popularity • 41% Danceability • 72% Energy • 11% Liveness
73% Instrumentalness • 15% Positiveness
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Loose Fur
Pretty Sparks
154 bpm • E Maj • 03:12 • -10.98db
9% Popularity • 37% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 37% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Ovens
Cows
146 bpm • B Maj • 01:43 • -5.36db
8% Popularity • 29% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 29% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Catbreath?
Inteerlude
145 bpm • G Maj • 01:20 • -16.05db
12% Popularity • 54% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 54% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Nick Brobak
Love You a Ton
145 bpm • C# Maj • 01:19 • -20.37db
10% Popularity • 69% Danceability • 22% Energy • 11% Liveness
83% Instrumentalness • 55% Positiveness
10% Popularity • 69% Danceability • 22% Energy • 11% Liveness
83% Instrumentalness • 55% Positiveness
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Elf Power
The Arrow Flies Close
145 bpm • A Maj • 02:37 • -8db
7% Popularity • 54% Danceability • 64% Energy • 14% Liveness
2% Instrumentalness • 77% Positiveness
7% Popularity • 54% Danceability • 64% Energy • 14% Liveness
2% Instrumentalness • 77% Positiveness
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13 All But Strong
The Death - Acoustic
144 bpm • C# Maj • 02:43 • -20.78db
9% Popularity • 60% Danceability • 16% Energy • 11% Liveness
55% Instrumentalness • 7% Positiveness
9% Popularity • 60% Danceability • 16% Energy • 11% Liveness
55% Instrumentalness • 7% Positiveness
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Royal Trux
The Sewers of Mars
144 bpm • A Maj • 03:30 • -5.97db
8% Popularity • 43% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 43% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Vegas Gialketsis
In Time I Swore
144 bpm • C# Maj • 03:32 • -13.63db
8% Popularity • 66% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 66% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Lynd Geoffrey
No City Mountain
144 bpm • D Maj • 04:07 • -16.25db
26% Popularity • 50% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 50% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Lemonheads
Down About It - Acoustic
156 bpm • C Maj • 02:47 • -12.85db
11% Popularity • 43% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 43% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Dewi Allano
Absolution - Remastered 2023
144 bpm • D Maj • 05:29 • -7.49db
15% Popularity • 50% Danceability • 36% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 50% Danceability • 36% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Six Organs Of Admittance
Thicker Than A Smokey
157 bpm • D min • 03:12 • -17.54db
16% Popularity • 42% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 13% Positiveness
16% Popularity • 42% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 13% Positiveness
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Eddie Kay
Rusted
144 bpm • D Maj • 03:58 • -11.91db
11% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Hang-Ups
I'm In the Picture
157 bpm • G Maj • 03:30 • -12.39db
11% Popularity • 54% Danceability • 45% Energy • 9% Liveness
6% Instrumentalness • 70% Positiveness
11% Popularity • 54% Danceability • 45% Energy • 9% Liveness
6% Instrumentalness • 70% Positiveness
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The Blind Leads the Blind
Revelation
143 bpm • F# Maj • 05:04 • -8db
7% Popularity • 28% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 28% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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J Mascis + The Fog
Everybody Lets Me Down
158 bpm • G Maj • 03:14 • -6.1db
10% Popularity • 20% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 20% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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The Hill
Dent
158 bpm • D Maj • 02:21 • -11.47db
13% Popularity • 35% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
13% Popularity • 35% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
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Lisa Sweet
Reproduction Or Threat
142 bpm • A Maj • 04:40 • -11.92db
25% Popularity • 48% Danceability • 51% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
25% Popularity • 48% Danceability • 51% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
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Lifter Puller
Mission Viejo
158 bpm • G Maj • 02:57 • -7.21db
15% Popularity • 37% Danceability • 76% Energy • 29% Liveness
75% Instrumentalness • 68% Positiveness
15% Popularity • 37% Danceability • 76% Energy • 29% Liveness
75% Instrumentalness • 68% Positiveness
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Mike Koop
Watch This
142 bpm • E Maj • 04:03 • -14.99db
10% Popularity • 74% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 74% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Have Gun, Will Travel
Pharaohs & Kings
142 bpm • F# min • 04:22 • -12.66db
9% Popularity • 57% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 57% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Hello Shark
2 Sunnies, 3 Bloodies
158 bpm • G Maj • 01:25 • -9.3db
15% Popularity • 49% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 49% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Hal from Cooperstown
we're in love you dumb dumb
142 bpm • D# min • 00:59 • -9.38db
10% Popularity • 56% Danceability • 42% Energy • 13% Liveness
74% Instrumentalness • 32% Positiveness
10% Popularity • 56% Danceability • 42% Energy • 13% Liveness
74% Instrumentalness • 32% Positiveness
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Lisa Sweet
Great Thing
142 bpm • C Maj • 05:20 • -11.59db
25% Popularity • 40% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 40% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Joseph Church
Gags
142 bpm • G min • 03:17 • -10.89db
22% Popularity • 22% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 22% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Seamus McAllister
Run Away From Sin Naked
159 bpm • G Maj • 01:54 • -13.87db
7% Popularity • 44% Danceability • 38% Energy • 31% Liveness
24% Instrumentalness • 58% Positiveness
7% Popularity • 44% Danceability • 38% Energy • 31% Liveness
24% Instrumentalness • 58% Positiveness
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Ricardo Portman
On the Distance of Your Song
141 bpm • D Maj • 02:21 • -16.07db
9% Popularity • 43% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 43% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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food bed gospel
on earth
141 bpm • D Maj • 02:39 • -7.68db
9% Popularity • 58% Danceability • 73% Energy • 11% Liveness
85% Instrumentalness • 47% Positiveness
9% Popularity • 58% Danceability • 73% Energy • 11% Liveness
85% Instrumentalness • 47% Positiveness
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Cirilo Carrizo
Ánimo Folk
160 bpm • E min • 01:48 • -13.53db
8% Popularity • 53% Danceability • 46% Energy • 14% Liveness
99% Instrumentalness • 7% Positiveness
8% Popularity • 53% Danceability • 46% Energy • 14% Liveness
99% Instrumentalness • 7% Positiveness
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Janne Elias
Dance in the Rain
160 bpm • C min • 04:24 • -9.87db
9% Popularity • 38% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
9% Popularity • 38% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
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J Mascis
Thumb
141 bpm • G Maj • 03:10 • -11.56db
11% Popularity • 47% Danceability • 28% Energy • 62% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 47% Danceability • 28% Energy • 62% Liveness
0% Instrumentalness • 24% Positiveness
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Pimentas Incandescentes
Último Sentimento
160 bpm • F# min • 01:56 • -15.88db
12% Popularity • 50% Danceability • 42% Energy • 19% Liveness
94% Instrumentalness • 57% Positiveness
12% Popularity • 50% Danceability • 42% Energy • 19% Liveness
94% Instrumentalness • 57% Positiveness
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Ovens
Abduction
160 bpm • F# min • 01:28 • -5.46db
9% Popularity • 20% Danceability • 99% Energy • 67% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 20% Danceability • 99% Energy • 67% Liveness
0% Instrumentalness • 19% Positiveness
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food bed gospel
laurelhurst
141 bpm • G Maj • 01:58 • -6.84db
10% Popularity • 40% Danceability • 69% Energy • 11% Liveness
45% Instrumentalness • 50% Positiveness
10% Popularity • 40% Danceability • 69% Energy • 11% Liveness
45% Instrumentalness • 50% Positiveness
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Jordan White
Bloodshot
160 bpm • C Maj • 05:25 • -2.91db
0% Popularity • 36% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 36% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Frank Gappa
Not A Good Look
140 bpm • D Maj • 04:25 • -4.81db
10% Popularity • 45% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 45% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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The Glands
work it out
140 bpm • B Maj • 03:32 • -4.08db
12% Popularity • 30% Danceability • 96% Energy • 36% Liveness
28% Instrumentalness • 64% Positiveness
12% Popularity • 30% Danceability • 96% Energy • 36% Liveness
28% Instrumentalness • 64% Positiveness
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Eric's Trip
View Master
140 bpm • F# Maj • 02:46 • -10.47db
11% Popularity • 48% Danceability • 85% Energy • 19% Liveness
16% Instrumentalness • 45% Positiveness
11% Popularity • 48% Danceability • 85% Energy • 19% Liveness
16% Instrumentalness • 45% Positiveness
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Harley Rogers
Saharan Mirage
140 bpm • A min • 04:16 • -19.85db
9% Popularity • 37% Danceability • 18% Energy • 5% Liveness
83% Instrumentalness • 8% Positiveness
9% Popularity • 37% Danceability • 18% Energy • 5% Liveness
83% Instrumentalness • 8% Positiveness
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Hermann Stempel
Far From Perfect
139 bpm • C# Maj • 02:40 • -9.18db
19% Popularity • 52% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 52% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Muhamad
Lies Hurt - Acoustic
139 bpm • G min • 01:51 • -17.91db
18% Popularity • 78% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
18% Popularity • 78% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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Woodrow Jeremiah
She's Family
139 bpm • B Maj • 03:11 • -6.29db
25% Popularity • 32% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 32% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
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Justin Taylor
Lake Champlain
139 bpm • E Maj • 02:53 • -6.97db
11% Popularity • 19% Danceability • 52% Energy • 15% Liveness
16% Instrumentalness • 35% Positiveness
11% Popularity • 19% Danceability • 52% Energy • 15% Liveness
16% Instrumentalness • 35% Positiveness
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The Forum
Alicante
162 bpm • C Maj • 01:09 • -22.01db
13% Popularity • 37% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
13% Popularity • 37% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
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Brian Bailey
Dreaming In The Meadow
138 bpm • C Maj • 04:33 • -8.93db
9% Popularity • 24% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 24% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Jayden Lu
Logical love
138 bpm • G Maj • 02:56 • -14.09db
17% Popularity • 35% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 35% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Onelinedrawing
15,000
138 bpm • C# Maj • 04:02 • -12.45db
7% Popularity • 48% Danceability • 54% Energy • 67% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 48% Danceability • 54% Energy • 67% Liveness
0% Instrumentalness • 57% Positiveness
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Quiet Local
Pull Through
138 bpm • C# Maj • 07:36 • -11.93db
11% Popularity • 67% Danceability • 31% Energy • 12% Liveness
5% Instrumentalness • 28% Positiveness
11% Popularity • 67% Danceability • 31% Energy • 12% Liveness
5% Instrumentalness • 28% Positiveness
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Lynd Geoffrey
Get Job
138 bpm • A Maj • 02:41 • -18.46db
26% Popularity • 50% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 50% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Pete Gwilt
Beer Monkey
138 bpm • A min • 03:02 • -7.58db
20% Popularity • 52% Danceability • 70% Energy • 13% Liveness
91% Instrumentalness • 74% Positiveness
20% Popularity • 52% Danceability • 70% Energy • 13% Liveness
91% Instrumentalness • 74% Positiveness
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First Name Surname
Campionats De Tolerància
137 bpm • A min • 02:13 • -13.18db
7% Popularity • 52% Danceability • 33% Energy • 6% Liveness
98% Instrumentalness • 37% Positiveness
7% Popularity • 52% Danceability • 33% Energy • 6% Liveness
98% Instrumentalness • 37% Positiveness
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Cough Drop Acid
Caught Up
137 bpm • D Maj • 01:14 • -9.89db
11% Popularity • 44% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 44% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Infinity Of Cosmic Journey
Cosmic Dreamscape
164 bpm • E Maj • 01:11 • -18.95db
9% Popularity • 68% Danceability • 30% Energy • 10% Liveness
97% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 30% Energy • 10% Liveness
97% Instrumentalness • 96% Positiveness
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Superchunk
As in a Blender
137 bpm • D Maj • 02:21 • -7.1db
24% Popularity • 36% Danceability • 82% Energy • 30% Liveness
10% Instrumentalness • 46% Positiveness
24% Popularity • 36% Danceability • 82% Energy • 30% Liveness
10% Instrumentalness • 46% Positiveness
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Stagg & Collins
From the barrel of a gun.
137 bpm • G# min • 02:49 • -9.72db
21% Popularity • 58% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 58% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Morgan Geordi
Attempt To Write
137 bpm • C# Maj • 05:18 • -11.69db
23% Popularity • 46% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 46% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Klinghoffer
Down and Strung Out
137 bpm • D min • 01:05 • -25.59db
19% Popularity • 42% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
19% Popularity • 42% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Verne Coverdale
Cradle Queen
137 bpm • D Maj • 04:02 • -12.46db
24% Popularity • 47% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 47% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Edwards
Freud On The Beach - Demo
137 bpm • D min • 04:43 • -17.08db
1% Popularity • 45% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 45% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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i CONSULT
In The Night Time We Shone - Demo Home R...
136 bpm • A# Maj • 04:32 • -18.34db
7% Popularity • 51% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 51% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Delia Hume
Conversation
165 bpm • F# Maj • 02:23 • -12.89db
30% Popularity • 49% Danceability • 34% Energy • 10% Liveness
89% Instrumentalness • 51% Positiveness
30% Popularity • 49% Danceability • 34% Energy • 10% Liveness
89% Instrumentalness • 51% Positiveness
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Taufik Nurtosyid
Takkan Ada C - Acoustic
136 bpm • B min • 01:01 • -9.72db
22% Popularity • 67% Danceability • 48% Energy • 11% Liveness
94% Instrumentalness • 69% Positiveness
22% Popularity • 67% Danceability • 48% Energy • 11% Liveness
94% Instrumentalness • 69% Positiveness
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Stephanie Bertram
Hill
136 bpm • G Maj • 03:47 • -5.4db
23% Popularity • 37% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 37% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Seamus McAllister
Jesus, Take Me With You
135 bpm • E Maj • 01:08 • -12.6db
11% Popularity • 45% Danceability • 32% Energy • 27% Liveness
10% Instrumentalness • 78% Positiveness
11% Popularity • 45% Danceability • 32% Energy • 27% Liveness
10% Instrumentalness • 78% Positiveness
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The Long Winters
Staying Put - Demo
135 bpm • E Maj • 03:38 • -9.33db
9% Popularity • 46% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 46% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
