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I haven da Marie Kaltenborn var død
Songs like
I haven da Marie Kaltenborn var død
by
Trine Franksdatter
Based on a tempo of (+/- 10%) and a similar genre
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Trine Franksdatter
I haven da Marie Kaltenborn var død
133 bpm • G Maj • 05:56 • -28.58db
3% Popularity • 22% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Les fleurs et les arbres
133 bpm • E Maj • 02:00 • -23db
9% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Basilica of the National Shrine of the Immaculate Conception Choir
Christus vincit
133 bpm • G Maj • 03:47 • -20.07db
17% Popularity • 22% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 11% Positiveness
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Alessandro Constantini
Confitemini Domino, IAC 1
133 bpm • A min • 01:34 • -23.32db
23% Popularity • 26% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Speech to Mortals
Dark November
133 bpm • D Maj • 01:13 • -36.44db
10% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: III. Credo
133 bpm • C Maj • 06:16 • -24.08db
7% Popularity • 18% Danceability • 13% Energy • 28% Liveness
5% Instrumentalness • 5% Positiveness
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Trine Franksdatter
Benedictus
133 bpm • G min • 01:48 • -24.43db
0% Popularity • 18% Danceability • 5% Energy • 7% Liveness
37% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Oh! Mi babbino caro
133 bpm • G# Maj • 02:58 • -23.51db
7% Popularity • 19% Danceability • 9% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Stephen Hatfield
The Virgin Mary Had a Baby Boy
133 bpm • G# Maj • 03:23 • -26.88db
9% Popularity • 38% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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M'ANAM
Tenebrae
133 bpm • F min • 03:14 • -21.25db
9% Popularity • 16% Danceability • 8% Energy • 30% Liveness
2% Instrumentalness • 4% Positiveness
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Kiev Chamber Choir
Only Begotten Son
132 bpm • F Maj • 04:48 • -24.17db
8% Popularity • 22% Danceability • 10% Energy • 11% Liveness
14% Instrumentalness • 3% Positiveness
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Traditional Song
Adoramus Te, Panem Caelitum
134 bpm • D Maj • 03:04 • -23.01db
13% Popularity • 21% Danceability • 5% Energy • 8% Liveness
14% Instrumentalness • 6% Positiveness
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Valentin Silvestrov
2 Sacred Chants: No. 1, Mercy of Peace
132 bpm • E Maj • 05:03 • -32db
11% Popularity • 16% Danceability • 4% Energy • 10% Liveness
33% Instrumentalness • 3% Positiveness
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Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
132 bpm • A# Maj • 02:13 • -17.07db
9% Popularity • 38% Danceability • 19% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
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Trine Franksdatter
Etude in April
134 bpm • F Maj • 02:11 • -16.52db
0% Popularity • 35% Danceability • 21% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
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Josef Rheinberger
Mass in Es, Agnus Dei
134 bpm • D# Maj • 04:22 • -23.67db
7% Popularity • 16% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Choral Arts Initiative
Fear (Becoming the Ocean)
134 bpm • G min • 05:31 • -17.45db
8% Popularity • 19% Danceability • 15% Energy • 6% Liveness
47% Instrumentalness • 4% Positiveness
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Saint Vladimir's Seminary Women's Sextet
Rejoice, O Virgin Theotokos
134 bpm • A min • 01:50 • -23.89db
13% Popularity • 24% Danceability • 5% Energy • 15% Liveness
66% Instrumentalness • 12% Positiveness
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Kastalski Mixed Choir
Triptych 01: I Can Love
134 bpm • F Maj • 02:37 • -21.47db
8% Popularity • 24% Danceability • 17% Energy • 13% Liveness
16% Instrumentalness • 18% Positiveness
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Jake Runestand
Let My Love Be Heard - 360° / 8D Binaur...
132 bpm • E Maj • 04:42 • -17.12db
8% Popularity • 18% Danceability • 20% Energy • 13% Liveness
62% Instrumentalness • 3% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
134 bpm • B min • 01:46 • -29.48db
12% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
34% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Henryk Górecki
Ave, carmina milia
132 bpm • G Maj • 04:37 • -20.45db
11% Popularity • 26% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Arvo Pärt
The Woman with the Alabaster Box
135 bpm • G min • 06:41 • -33.89db
10% Popularity • 16% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt 3. "Moses' S...
135 bpm • D# Maj • 01:15 • -20.38db
16% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Lumen Valo
Francis Poulenc: Quem vidistis pastores
131 bpm • B min • 02:50 • -18.84db
13% Popularity • 26% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Michael John Trotta
Trotta: Ubi Caritas
131 bpm • D Maj • 02:25 • -21db
14% Popularity • 39% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
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Eric Whitacre
Lux Aurumque
131 bpm • C# min • 04:11 • -25.19db
11% Popularity • 16% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Trine Franksdatter
Intermezzo 1
135 bpm • D Maj • 01:08 • -21.11db
0% Popularity • 48% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Caroline Shaw
And the Swallow (Psalm 84)
135 bpm • A# min • 04:32 • -29.89db
10% Popularity • 17% Danceability • 3% Energy • 19% Liveness
44% Instrumentalness • 3% Positiveness
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The Acclamation Chorale
I Want to Thank You, Lord
131 bpm • C# Maj • 02:20 • -19.67db
9% Popularity • 35% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Lumen Valo
Michael Pretorias, arr.: Es ist ein Ros ...
135 bpm • E Maj • 02:39 • -26.63db
7% Popularity • 21% Danceability • 6% Energy • 20% Liveness
2% Instrumentalness • 10% Positiveness
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Patrick Vu
On the Hillside
131 bpm • C# Maj • 05:22 • -31.2db
11% Popularity • 18% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Pärt Uusberg
Muusika
131 bpm • F Maj • 02:55 • -27db
8% Popularity • 19% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Morgan Overton
I'm Making A Statement
135 bpm • F# Maj • 06:19 • -30.77db
8% Popularity • 22% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
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Sara Wennerberg-Reuter
Motett, "Stilla komme och välkomna vare...
131 bpm • C# Maj • 02:07 • -31.16db
9% Popularity • 16% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Christendom College Choir
Jesus My Lord, My God, My All
131 bpm • F# Maj • 02:50 • -26.94db
11% Popularity • 22% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
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Gregorian Chants
Memorare
131 bpm • F min • 02:02 • -16.14db
13% Popularity • 28% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Pyotr Ilyich Tchaikovsky
O Thou, From Whom All Blessings Come
131 bpm • E min • 02:11 • -24.03db
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Rebecca Dale
I Wandered Lonely As A Cloud
130 bpm • E min • 04:45 • -24.2db
13% Popularity • 19% Danceability • 8% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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St. Symeon Orthodox Church Choir
Moleben I, II (Little Litany)
135 bpm • G# Maj • 05:12 • -22.5db
10% Popularity • 23% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 9% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
30% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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Beckenhorst Singers
Hallelu Yah: Three Psalms of Praise, II....
130 bpm • A Maj • 05:13 • -23.21db
9% Popularity • 23% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 7% Positiveness
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Klaus-Martin Bresgott
Esti dal - Nachtlied
130 bpm • F Maj • 02:41 • -23.92db
15% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Enrique Lacárcel Bautista
Tonight
136 bpm • C min • 02:37 • -19.3db
13% Popularity • 22% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Messa a quattro voci, SV 190: VI. Agnus ...
136 bpm • E min • 04:46 • -25.57db
10% Popularity • 16% Danceability • 10% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Three Whitman Settings: 3. The Last Invo...
136 bpm • G min • 03:04 • -26.5db
9% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Larimar Music Vibes
From the heart
130 bpm • E Maj • 03:18 • -19.4db
24% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Laudate Mennonite Ensemble
When We Love
130 bpm • A Maj • 03:10 • -20.7db
18% Popularity • 21% Danceability • 13% Energy • 18% Liveness
4% Instrumentalness • 6% Positiveness
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James Whitbourn
Annelies (chamber version): VI. Courage
137 bpm • B min • 04:18 • -24.87db
11% Popularity • 22% Danceability • 4% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Trine Franksdatter
Kyrie
137 bpm • G Maj • 04:14 • -14.76db
0% Popularity • 20% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: IVa. Sanctus
129 bpm • C Maj • 02:46 • -24.37db
8% Popularity • 19% Danceability • 12% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
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Gregorian Chants
Cor Amandum Salvatoris
137 bpm • E min • 02:37 • -18.56db
12% Popularity • 28% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Vocal Arts Nashville
There Was a Time
137 bpm • A Maj • 04:28 • -14.48db
8% Popularity • 24% Danceability • 19% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Lux Singers
Go to Dark Gethsemane
137 bpm • D min • 04:39 • -32.38db
7% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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St. Tikhon's Seminary & Monastery Choirs
Communion Hymn of Pascha - S. Trubachev
129 bpm • B min • 01:18 • -31.6db
23% Popularity • 17% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Carlos Cordero
¡Ayúdame!
129 bpm • G min • 05:09 • -20.85db
10% Popularity • 22% Danceability • 40% Energy • 34% Liveness
93% Instrumentalness • 8% Positiveness
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Hope Singers
God of Mercy
138 bpm • D Maj • 02:21 • -18.96db
12% Popularity • 16% Danceability • 18% Energy • 19% Liveness
34% Instrumentalness • 3% Positiveness
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Laestadian Lutheran Church
Psalm 23
138 bpm • A Maj • 02:31 • -18.5db
11% Popularity • 19% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Nikolay Nikolayevich Kedrov Sr
Otche nash
128 bpm • C Maj • 03:03 • -32.25db
10% Popularity • 17% Danceability • 1% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Ut re mi fa sol la (Hexachord Mass...
138 bpm • A# Maj • 06:31 • -23.54db
17% Popularity • 19% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Kristian P. Åsmundstad
Som den gylne sol frembryter (arr. Henri...
128 bpm • E min • 04:52 • -23db
11% Popularity • 24% Danceability • 11% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Sexteto Cantábile
Pater Noster (Fernando Moruja)
138 bpm • G# min • 03:00 • -21.17db
21% Popularity • 20% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 1i. Cum Sancto...
138 bpm • G Maj • 01:22 • -15.44db
11% Popularity • 18% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Percy Grainger
Australian Up-Country Song
138 bpm • F Maj • 01:41 • -27.11db
9% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Arautos do Evangelho
Alleluia, Virga Iesse
138 bpm • C Maj • 02:46 • -30.44db
8% Popularity • 18% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 8% Positiveness
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Michael John Trotta
Alleluia
138 bpm • G Maj • 02:23 • -19.39db
13% Popularity • 19% Danceability • 13% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Saint Vladimir's Seminary Women's Sextet
Exapostilarion for the Exaltation of the...
128 bpm • A Maj • 01:40 • -23.05db
10% Popularity • 29% Danceability • 6% Energy • 13% Liveness
2% Instrumentalness • 7% Positiveness
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Oulun kamariorkesteri
Alkukuoro, Vuorten Ylle Aurinko on Nouss...
128 bpm • G Maj • 04:27 • -23.6db
14% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Lumen Valo
Johann von Gardner, arr: Joulun valovirr...
128 bpm • E Maj • 02:14 • -22db
16% Popularity • 18% Danceability • 6% Energy • 6% Liveness
64% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Ut re mi fa sol la (Hexachord Mass...
128 bpm • A# Maj • 05:01 • -22.91db
17% Popularity • 19% Danceability • 12% Energy • 15% Liveness
5% Instrumentalness • 6% Positiveness
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Laestadian Lutheran Church
The Lord's My Shepherd SHZ 371b
128 bpm • G Maj • 03:05 • -22.86db
14% Popularity • 20% Danceability • 20% Energy • 17% Liveness
96% Instrumentalness • 13% Positiveness
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Mike Dixon
3 Love Songs: No. 1. To Love and be Belo...
139 bpm • A# Maj • 02:57 • -23.04db
14% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
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Bob Chilcott
Lauda Jerusalem Dominum
127 bpm • E Maj • 09:06 • -21.93db
26% Popularity • 20% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Arvo Pärt
Triodion: Ode 2, O Most Holy Birthgiver ...
127 bpm • D min • 05:06 • -32.28db
8% Popularity • 18% Danceability • 2% Energy • 7% Liveness
19% Instrumentalness • 3% Positiveness
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Setra Consort
Good Night Dear Heart
127 bpm • B Maj • 03:27 • -30.21db
8% Popularity • 18% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Pedro de Cristo
Ay, mi Dios
126 bpm • G# Maj • 02:04 • -23.93db
11% Popularity • 31% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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John Bell
I Bow My Knee in Prayer
126 bpm • D min • 02:17 • -20.36db
11% Popularity • 25% Danceability • 11% Energy • 9% Liveness
4% Instrumentalness • 10% Positiveness
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Larimar Music Vibes
Behind the ocean
140 bpm • G# min • 03:59 • -18.52db
23% Popularity • 53% Danceability • 4% Energy • 11% Liveness
60% Instrumentalness • 13% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
126 bpm • A Maj • 05:14 • -24.12db
10% Popularity • 21% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Torbjørn Dyrud
Das Blümelein so kleine
140 bpm • G min • 01:45 • -30db
11% Popularity • 19% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: IV. San...
140 bpm • D Maj • 02:05 • -20.38db
18% Popularity • 21% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Henryk Górecki
Sanctus, sanctus, sanctus
126 bpm • D Maj • 02:24 • -40.58db
20% Popularity • 17% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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John Bell
I Owe My Lord a Morning Song
126 bpm • D Maj • 02:04 • -18.1db
10% Popularity • 22% Danceability • 20% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
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Stacey Philipps
Close Distancing
125 bpm • G Maj • 02:45 • -25.44db
9% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
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Dominican Liturgical Center
Wash Me Completely
125 bpm • F# Maj • 02:28 • -20.96db
14% Popularity • 20% Danceability • 13% Energy • 14% Liveness
22% Instrumentalness • 7% Positiveness
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Friedrich Cerha
4 Hölderlin-Fragmente: No. 4, Ihr wande...
141 bpm • F# min • 03:36 • -29.88db
7% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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Cantores in Ecclesia
Gloria Patri
125 bpm • G min • 01:12 • -16.33db
24% Popularity • 21% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Henryk Górecki
Pie Jesu, pastor alme
141 bpm • C Maj • 04:18 • -25.79db
12% Popularity • 17% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Kamerkoor JIP
Miks Ma Ei Tapa Ennast
125 bpm • D Maj • 04:54 • -18.52db
9% Popularity • 20% Danceability • 19% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
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The Hamrahlíð Choir
Stóðum tvö í túni
125 bpm • B Maj • 01:17 • -28.47db
7% Popularity • 36% Danceability • 5% Energy • 40% Liveness
0% Instrumentalness • 18% Positiveness
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子羊の群れキリスト教会
いつもいつものアレルヤ
124 bpm • D min • 06:07 • -25.55db
11% Popularity • 24% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Ut re mi fa sol la (Hexachord Mass...
124 bpm • A# Maj • 03:14 • -21.89db
18% Popularity • 23% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Laestadian Lutheran Church
Way Up High in the Cherry Tree
142 bpm • D# Maj • 01:24 • -16.22db
14% Popularity • 28% Danceability • 13% Energy • 13% Liveness
5% Instrumentalness • 16% Positiveness
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Alexander L'Estrange
Aleluya/ Thuma Mina
124 bpm • F Maj • 05:05 • -23.01db
7% Popularity • 18% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
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Margaret Rizza
Jesus, You Are the Way
143 bpm • E Maj • 03:27 • -22.58db
9% Popularity • 23% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Gabriel "Ariel" G. Arambulo
When the Song of the Angels is Stilled
124 bpm • D# Maj • 02:47 • -36.34db
15% Popularity • 17% Danceability • 2% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Five Creates
My Belief
123 bpm • G# Maj • 03:45 • -28.7db
19% Popularity • 24% Danceability • 4% Energy • 11% Liveness
18% Instrumentalness • 12% Positiveness
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Emil Råberg
The Tyger
143 bpm • F min • 03:28 • -29.28db
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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I haven da Marie Kaltenborn var død