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Freakin' Out On the Interstate
Songs like
Freakin' Out On the Interstate
by
Briston Maroney
Based on a tempo of (+/- 10%) and a similar genre
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Beach Weather
Sex, Drugs, Etc.
144 bpm • E min • 03:16 • -5.09db
83% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
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Mt. Joy
Silver Lining
144 bpm • C Maj • 03:18 • -6.53db
77% Popularity • 54% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Briston Maroney
Freakin' Out On the Interstate
144 bpm • E Maj • 04:11 • -5.02db
70% Popularity • 45% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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David Kushner
Mr. Forgettable
145 bpm • G# min • 03:07 • -9.23db
76% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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HARBOUR
Float
145 bpm • B Maj • 04:31 • -6.33db
58% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Mac DeMarco
Freaking Out The Neighborhood
143 bpm • G# min • 02:53 • -5.74db
55% Popularity • 57% Danceability • 82% Energy • 39% Liveness
3% Instrumentalness • 83% Positiveness
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Sarah and the Sundays
Ruby Fields
145 bpm • C# min • 03:07 • -7db
50% Popularity • 54% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Arlie
barcelona boots
145 bpm • A# min • 03:47 • -4db
44% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Rex Orange County
Best Friend
145 bpm • F# Maj • 04:22 • -5.25db
75% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Maeson
Beggar's Song
145 bpm • F# Maj • 03:55 • -7db
51% Popularity • 45% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Hozier
From Eden
143 bpm • C Maj • 04:43 • -5.46db
65% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Peach Pit
Sweet FA
145 bpm • C# min • 03:35 • -7.89db
50% Popularity • 57% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Her's
What Once Was
146 bpm • D# min • 04:15 • -4.37db
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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The Lumineers
Sleep On The Floor
142 bpm • G Maj • 03:31 • -8.06db
71% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Faye Webster
Kingston
142 bpm • A# min • 03:22 • -9.13db
77% Popularity • 73% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Local Natives
When Am I Gonna Lose You
142 bpm • B Maj • 04:24 • -4.66db
58% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Briston Maroney
St. Augustine
142 bpm • B Maj • 04:05 • -12db
35% Popularity • 50% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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The Growlers
Dope on a Rope
146 bpm • G Maj • 04:10 • -3.86db
57% Popularity • 42% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Sjowgren
Seventeen
146 bpm • G Maj • 03:45 • -5.6db
63% Popularity • 61% Danceability • 72% Energy • 5% Liveness
8% Instrumentalness • 33% Positiveness
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Wallows
Uncomfortable
142 bpm • D Maj • 04:54 • -2.81db
56% Popularity • 40% Danceability • 77% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
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Caamp
Vagabond
142 bpm • E Maj • 02:09 • -11.92db
72% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Kid Bloom
Different State of Mind
141 bpm • B Maj • 03:45 • -9.93db
55% Popularity • 66% Danceability • 38% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
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Briston Maroney
Oregon
146 bpm • A# Maj • 03:18 • -5db
47% Popularity • 57% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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COIN
Malibu 1992
147 bpm • F# Maj • 05:41 • -7.69db
58% Popularity • 56% Danceability • 32% Energy • 17% Liveness
13% Instrumentalness • 50% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Arlie
didya think
140 bpm • E Maj • 03:20 • -2.97db
58% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
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Michael Marcagi
Scared To Start
148 bpm • G Maj • 02:39 • -11.26db
91% Popularity • 53% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
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Cage The Elephant
Come a Little Closer
148 bpm • C# min • 03:49 • -1.79db
73% Popularity • 44% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Ashes To Amber
IRIS
140 bpm • F# Maj • 02:31 • -9.09db
63% Popularity • 72% Danceability • 54% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
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Dayglow
Hot Rod
140 bpm • G Maj • 03:24 • -7.07db
70% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Peach Pit
Being so Normal
148 bpm • F# min • 03:40 • -8.89db
54% Popularity • 54% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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BØRNS
10,000 Emerald Pools
140 bpm • F# Maj • 02:54 • -5.59db
64% Popularity • 57% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Racoma
Country
140 bpm • B Maj • 03:07 • -7.15db
61% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
66% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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flipturn
Space Cowboy
139 bpm • C Maj • 04:06 • -6.73db
51% Popularity • 48% Danceability • 50% Energy • 26% Liveness
54% Instrumentalness • 14% Positiveness
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Dayglow
Close To You
140 bpm • F# Maj • 03:14 • -6db
67% Popularity • 88% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Blondes
Coming of Age
149 bpm • D Maj • 04:08 • -2.31db
51% Popularity • 52% Danceability • 87% Energy • 21% Liveness
6% Instrumentalness • 50% Positiveness
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Tame Impala
Feels Like We Only Go Backwards
150 bpm • D min • 03:12 • -2.35db
76% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
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Sarah and the Sundays
Vices
150 bpm • C min • 04:35 • -6.66db
48% Popularity • 56% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Briston Maroney
Caroline
150 bpm • G Maj • 03:25 • -10.64db
59% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Richy Mitch & The Coal Miners
Lake Missoula
138 bpm • B min • 01:46 • -13.04db
74% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
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Dayglow
False Direction
150 bpm • B Maj • 04:37 • -10db
51% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Cub Sport
Come On Mess Me Up
150 bpm • E Maj • 03:23 • -5.6db
51% Popularity • 33% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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The Lumineers
A.M. RADIO
138 bpm • C# Maj • 03:57 • -6.4db
51% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Still Woozy
Goodie Bag
138 bpm • G min • 02:26 • -12.3db
77% Popularity • 74% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Briston Maroney
Paradise
150 bpm • C# Maj • 02:44 • -2db
50% Popularity • 48% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Suki Waterhouse
Good Looking
150 bpm • E Maj • 03:34 • -9.08db
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Palace
Heaven Up There
138 bpm • E Maj • 07:17 • -10.54db
55% Popularity • 42% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 18% Positiveness
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Wallows
Scrawny
138 bpm • F# min • 02:46 • -5.28db
67% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Briston Maroney
Closer
150 bpm • C# min • 03:43 • -8.72db
28% Popularity • 48% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Lord Huron
Love Like Ghosts
137 bpm • A Maj • 03:44 • -7.23db
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Lumineers
Cleopatra
151 bpm • G# Maj • 03:21 • -6.77db
56% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Zach Bryan
Sarah's Place
152 bpm • G Maj • 03:34 • -5.1db
78% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Dominic Fike
3 Nights
152 bpm • G min • 02:57 • -6.59db
75% Popularity • 82% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Gregory Alan Isakov
Amsterdam
152 bpm • D# Maj • 03:18 • -12.51db
73% Popularity • 55% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 53% Positiveness
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Briston Maroney
It's Not My Fault
137 bpm • D Maj • 03:31 • -11.77db
30% Popularity • 46% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Young the Giant
Mind Over Matter (Reprise)
152 bpm • C Maj • 03:50 • -6.35db
78% Popularity • 39% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Cage The Elephant
Cold Cold Cold
136 bpm • F Maj • 03:34 • -6.07db
70% Popularity • 55% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Wallows
Just Like a Movie
136 bpm • B Maj • 04:07 • -5.18db
59% Popularity • 45% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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The Backseat Lovers
Maple Syrup
153 bpm • D Maj • 04:03 • -9.7db
71% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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Rainbow Kitten Surprise
Seven
136 bpm • D Maj • 03:45 • -7.24db
55% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Del Water Gap
All We Ever Do Is Talk
153 bpm • D Maj • 03:46 • -5.49db
60% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Noah Kahan
The View Between Villages
153 bpm • C# Maj • 03:35 • -13.91db
71% Popularity • 31% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Houndmouth
Sedona
135 bpm • D# Maj • 03:59 • -8.24db
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Mt. Joy
Bathroom Light
135 bpm • D# Maj • 03:08 • -10.82db
63% Popularity • 65% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Boyscott
Nova Scotia 500
135 bpm • F# min • 03:12 • -4.52db
60% Popularity • 60% Danceability • 77% Energy • 36% Liveness
72% Instrumentalness • 48% Positiveness
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Still Woozy
Get By
135 bpm • G Maj • 02:26 • -7db
61% Popularity • 78% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 90% Positiveness
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Dayglow
Listerine
135 bpm • B Maj • 03:35 • -11.55db
58% Popularity • 69% Danceability • 58% Energy • 33% Liveness
82% Instrumentalness • 90% Positiveness
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Wilderado
Rubble To Rubble
135 bpm • A min • 03:24 • -8.38db
54% Popularity • 56% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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BØRNS
American Money
135 bpm • F# min • 04:20 • -5.26db
65% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Racoma
Get On
135 bpm • E Maj • 03:17 • -7.49db
55% Popularity • 53% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Djo
Chateau (Feel Alright)
135 bpm • G Maj • 04:32 • -12db
73% Popularity • 64% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Still Woozy
Wolfcat
135 bpm • D Maj • 02:54 • -12.58db
54% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Briston Maroney
Freakin' Out On The Interstate - Acousti...
134 bpm • E Maj • 05:04 • -7.89db
34% Popularity • 46% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Rayland Baxter
Yellow Eyes
154 bpm • A# Maj • 03:50 • -7.9db
58% Popularity • 50% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Backseat Lovers
Pool House
134 bpm • G Maj • 04:29 • -11.18db
70% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Palace
Holy Smoke
134 bpm • A min • 03:18 • -6.11db
51% Popularity • 36% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Winnetka Bowling League
Slow Dances
134 bpm • B Maj • 03:52 • -5.39db
53% Popularity • 60% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Chance Peña
In My Room
134 bpm • E Maj • 02:57 • -13.63db
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Briston Maroney
Rose
155 bpm • E Maj • 06:11 • -8.41db
46% Popularity • 43% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Peach Pit
Tommy's Party
134 bpm • G Maj • 06:01 • -8.72db
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
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Young the Giant
Mind Over Matter
155 bpm • C Maj • 04:04 • -4.45db
74% Popularity • 47% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Greta Van Fleet
Light My Love
134 bpm • F Maj • 04:30 • -4.47db
67% Popularity • 37% Danceability • 78% Energy • 11% Liveness
20% Instrumentalness • 48% Positiveness
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The Neighbourhood
Pretty Boy
155 bpm • F# Maj • 03:54 • -11.46db
75% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
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Chance Peña
Sleep Deprivation
134 bpm • D Maj • 02:35 • -11db
74% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Krooked Kings
Bird Scooter
155 bpm • B Maj • 03:18 • -5.75db
46% Popularity • 59% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Wallows
Pictures of Girls
155 bpm • F# Maj • 03:24 • -5.5db
58% Popularity • 44% Danceability • 82% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
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Noah Kahan
New Perspective
157 bpm • F Maj • 04:16 • -10db
73% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Joe P
Leaves
133 bpm • F# Maj • 04:03 • -7db
40% Popularity • 44% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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The Lumineers
Where The Skies Are Blue
132 bpm • A Maj • 02:20 • -6.58db
63% Popularity • 57% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Cage The Elephant
Social Cues
132 bpm • A Maj • 03:39 • -3.1db
66% Popularity • 67% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Rainbow Kitten Surprise
Lady Lie
132 bpm • A min • 03:35 • -10.46db
60% Popularity • 58% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Adam Melchor
Joyride
132 bpm • A Maj • 03:32 • -7db
49% Popularity • 52% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Colony House
You Know It
158 bpm • D# Maj • 03:02 • -2.9db
60% Popularity • 40% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Briston Maroney
Chattanooga
131 bpm • A Maj • 03:29 • -8.17db
23% Popularity • 56% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Kevin Abstract
Peach
132 bpm • G Maj • 02:56 • -5.85db
64% Popularity • 65% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Phoebe Bridgers
Kyoto
131 bpm • B Maj • 03:04 • -6.89db
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Freakin' Out On the Interstate