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Friday I’m In Love - Recorded at Spotify Studios...
Songs like
Friday I’m In Love - Recorded at Spotify Studios NYC
by
Phoebe Bridgers
Based on a tempo of (+/- 10%) and a similar genre
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Run River North
Mr. Brightside
123 bpm • D Maj • 04:32 • -12db
54% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Adam Melchor
Moon in the Morning
123 bpm • F min • 03:14 • -9.13db
42% Popularity • 46% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Big Thief
Paul - 2023 Remaster
123 bpm • B Maj • 03:03 • -8.57db
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Phoebe Bridgers
Friday I’m In Love - Recorded at Spoti...
123 bpm • G Maj • 03:40 • -15.19db
58% Popularity • 45% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Lizzy McAlpine
Drunk, Running
124 bpm • C Maj • 04:05 • -9.59db
68% Popularity • 31% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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SYML
Here Comes the Sun
124 bpm • F# Maj • 03:02 • -13.01db
54% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Noah Cyrus
re: Stacks - Spotify Singles
124 bpm • A Maj • 05:09 • -11.39db
51% Popularity • 56% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 11% Positiveness
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Angus & Julia Stone
Youngblood
124 bpm • G min • 03:52 • -8.6db
43% Popularity • 66% Danceability • 67% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
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Taylor Swift
happiness
122 bpm • B Maj • 05:15 • -10.73db
68% Popularity • 56% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Phoebe Bridgers
Halloween
122 bpm • C# Maj • 04:31 • -18.74db
58% Popularity • 49% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 37% Positiveness
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Lizzy McAlpine
Come Down Soon
122 bpm • G min • 03:44 • -10.5db
66% Popularity • 60% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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MUNA
Motivation - Recorded at Electric Lady S...
124 bpm • D Maj • 03:26 • -8.79db
46% Popularity • 64% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Better Oblivion Community Center
Dominos
122 bpm • B Maj • 04:32 • -11.87db
37% Popularity • 60% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 31% Positiveness
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Tom Speight
Dakota
122 bpm • D# Maj • 04:54 • -9.8db
43% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Holly Humberstone
Falling Asleep At The Wheel
122 bpm • C Maj • 03:23 • -8db
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Phoebe Bridgers
Kyoto - Spotify Singles
124 bpm • B Maj • 03:30 • -11.27db
42% Popularity • 36% Danceability • 27% Energy • 35% Liveness
6% Instrumentalness • 33% Positiveness
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Matilda Mann
Doomsday
122 bpm • F# Maj • 03:09 • -11db
46% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Joy Williams
Front Porch
124 bpm • C# Maj • 03:51 • -10.02db
57% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Rose Cousins
I Would Die 4 U
121 bpm • A min • 03:00 • -11.46db
52% Popularity • 59% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Sharon Van Etten
Seventeen - Norah Jones
121 bpm • A# Maj • 04:53 • -6db
36% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The National
Light Years
125 bpm • E Maj • 03:33 • -11.67db
60% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
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Sam Phillips
If I Could Write
125 bpm • G Maj • 02:18 • -12db
46% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Trousdale
Wouldn't Come Back
125 bpm • B Maj • 03:39 • -9.42db
55% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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SZA
Ghost in the Machine
125 bpm • F# Maj • 03:38 • -9.57db
77% Popularity • 62% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
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dodie
Cool Girl
125 bpm • D Maj • 03:19 • -15db
43% Popularity • 73% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 21% Positiveness
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Iron & Wine
Time After Time
125 bpm • C# Maj • 02:50 • -13.3db
66% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
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Haley Heynderickx
Drinking Song
120 bpm • C Maj • 03:15 • -11.31db
50% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Gracie Abrams
Rockland
126 bpm • F Maj • 03:37 • -11.34db
63% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Sharon Van Etten
One Day
120 bpm • E Maj • 04:43 • -7db
44% Popularity • 60% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Phoebe Bridgers
Chinese Satellite
120 bpm • A# Maj • 03:37 • -9.93db
60% Popularity • 30% Danceability • 45% Energy • 15% Liveness
2% Instrumentalness • 36% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
65% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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Gordi
Extraordinary Life
120 bpm • A Maj • 03:41 • -11.45db
33% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Better Oblivion Community Center
Sleepwalkin'
119 bpm • C# min • 03:12 • -7.51db
46% Popularity • 40% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Joy Oladokun
look up
120 bpm • C Maj • 03:33 • -9.71db
59% Popularity • 45% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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boygenius
Not Strong Enough
127 bpm • C# Maj • 03:54 • -5.85db
78% Popularity • 51% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Phoebe Bridgers
Killer + The Sound
127 bpm • C Maj • 07:55 • -15db
52% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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Taylor Swift
hoax
119 bpm • G# Maj • 03:40 • -15.07db
69% Popularity • 66% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Lisa Hannigan
Fall
119 bpm • D# Maj • 02:59 • -12.64db
50% Popularity • 47% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Matilda Mann
As It Is
128 bpm • A# Maj • 03:04 • -12.61db
44% Popularity • 66% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Phoebe Bridgers
Chelsea
128 bpm • B Maj • 04:42 • -15.45db
51% Popularity • 39% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Orla Gartland
More Like You
128 bpm • D Maj • 03:40 • -10.13db
46% Popularity • 88% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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S. Carey
Rose Petals
128 bpm • A# Maj • 03:33 • -12db
50% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Taylor Swift
cowboy like me
128 bpm • C Maj • 04:35 • -9.01db
69% Popularity • 60% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Lizzy McAlpine
All Falls Down
128 bpm • F Maj • 02:51 • -7.01db
65% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Japanese Breakfast
Dreams - Recorded at Spotify Studios NYC
128 bpm • E Maj • 04:39 • -9db
41% Popularity • 52% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
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Phoebe Bridgers
Goodbye To Love
128 bpm • F# Maj • 04:02 • -12.11db
41% Popularity • 33% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
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Taken By Trees
Sweet Child o' Mine
118 bpm • D# Maj • 05:02 • -11db
54% Popularity • 55% Danceability • 49% Energy • 8% Liveness
34% Instrumentalness • 45% Positiveness
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Elliott Smith
Angeles
118 bpm • E min • 02:57 • -23.53db
60% Popularity • 53% Danceability • 10% Energy • 15% Liveness
28% Instrumentalness • 60% Positiveness
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Samia
Desperado
118 bpm • B Maj • 03:40 • -10.16db
30% Popularity • 50% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Daulton Hopkins
I Melt with You
118 bpm • E Maj • 03:37 • -12db
50% Popularity • 66% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Gregory Alan Isakov
Words
118 bpm • C# Maj • 04:01 • -17.71db
57% Popularity • 45% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
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Fleet Foxes
Wading In Waist-High Water
128 bpm • G Maj • 02:15 • -15.27db
51% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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boygenius
Ketchum, ID
118 bpm • C Maj • 03:35 • -12.15db
56% Popularity • 39% Danceability • 10% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
67% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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The Harmaleighs
Girls Just Want to Have Fun
117 bpm • B Maj • 02:37 • -21.22db
28% Popularity • 60% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
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Dan Auerbach
Never in My Wildest Dreams
117 bpm • F Maj • 02:56 • -6.77db
61% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Novo Amor
Anchor
117 bpm • A Maj • 04:17 • -11.48db
79% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Jade Bird
What Am I Here For
129 bpm • G Maj • 04:43 • -13db
45% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Caamp
Strawberries
117 bpm • D# Maj • 03:39 • -19db
60% Popularity • 55% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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The Killers
Runaway Horses - Abridged
129 bpm • A Maj • 03:24 • -15db
44% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Olivia Vedder
My Father's Daughter
129 bpm • A# Maj • 02:50 • -11.25db
53% Popularity • 70% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Phoebe Bridgers
That Funny Feeling
117 bpm • E Maj • 06:40 • -11db
63% Popularity • 52% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Chappell Roan
Good Luck, Babe!
117 bpm • B min • 03:38 • -5.86db
79% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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HAIM
The Steps
117 bpm • D Maj • 04:07 • -4.97db
48% Popularity • 70% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Billie Eilish
Your Power
130 bpm • A min • 04:05 • -14.03db
74% Popularity • 63% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Katie Pruitt
Out Of The Blue
117 bpm • F# Maj • 05:12 • -8db
46% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Blanco White
Olalla
130 bpm • C min • 04:08 • -11.95db
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
75% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Fenne Lily
For a While
130 bpm • D Maj • 03:54 • -12db
39% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Rosie Thomas
Always Be My Baby
130 bpm • C# Maj • 04:14 • -13.52db
39% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Someone
True Love Will Find You In The End
130 bpm • A# Maj • 03:35 • -15.68db
33% Popularity • 58% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
52% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Oh Wonder
Don't You Worry
130 bpm • A Maj • 03:39 • -11.18db
50% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Big Red Machine
Latter Days
130 bpm • C Maj • 03:38 • -10.08db
40% Popularity • 70% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Better Oblivion Community Center
Dylan Thomas
116 bpm • D Maj • 03:36 • -8db
54% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Big Thief
Masterpiece - solo
131 bpm • E Maj • 04:00 • -8.58db
52% Popularity • 57% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Phoebe Bridgers
Scott Street - Recorded at Spotify Studi...
131 bpm • A# Maj • 05:32 • -12.25db
38% Popularity • 57% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Fenne Lily
More Than You Know - Recorded at Metropo...
131 bpm • F# min • 03:40 • -16db
30% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Iron & Wine
Autumn Town Leaves
116 bpm • C# Maj • 03:15 • -15db
61% Popularity • 66% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Local Natives
Lemon [Sharon Van Etten]
131 bpm • D# Maj • 03:17 • -8.74db
41% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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girl in red
I'm Back
131 bpm • C Maj • 02:59 • -10.14db
59% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Head And The Heart
Let's Be Still
131 bpm • A Maj • 04:28 • -10.72db
59% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Phoebe Bridgers
Kyoto
131 bpm • B Maj • 03:04 • -6.89db
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Caroline Spence
The Middle
131 bpm • F# Maj • 03:43 • -9.18db
41% Popularity • 65% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Of Monsters and Men
Circles
115 bpm • C Maj • 03:43 • -7.29db
50% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Zander Hawley
Daylight
132 bpm • G# Maj • 03:13 • -8.34db
28% Popularity • 58% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Fenne Lily
Hypochondriac
132 bpm • D# Maj • 03:12 • -7db
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
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Delaney Bailey
j's lullaby (darlin' i'd wait for you)
115 bpm • G# Maj • 04:49 • -20.08db
65% Popularity • 43% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Gregory Alan Isakov
Honey, It's Alright
132 bpm • C Maj • 03:11 • -15.66db
59% Popularity • 47% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Gracie Abrams
Stay
114 bpm • A# Maj • 02:57 • -10.5db
70% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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Harry Styles
Matilda
114 bpm • D Maj • 04:05 • -10db
80% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Big Thief
Change
133 bpm • A# Maj • 04:55 • -13db
60% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Aly & AJ
Slow Dancing
114 bpm • G Maj • 04:27 • -9db
53% Popularity • 70% Danceability • 46% Energy • 11% Liveness
24% Instrumentalness • 31% Positiveness
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The Paper Kites
Climb On Your Tears
114 bpm • D Maj • 06:04 • -13db
33% Popularity • 63% Danceability • 32% Energy • 13% Liveness
8% Instrumentalness • 32% Positiveness
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Wyvern Lingo
Used
114 bpm • D Maj • 04:12 • -10.95db
40% Popularity • 38% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Friday I’m In Love - Recorded at Spotify Studios...