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Friends In High Places
Songs like
Friends In High Places
by
Johan Söderqvist
Based on a tempo of (+/- 10%) and a similar genre
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Johan Söderqvist
Friends In High Places
91 bpm • G min • 01:59 • -15.09db
28% Popularity • 31% Danceability • 34% Energy • 7% Liveness
68% Instrumentalness • 5% Positiveness
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Dynamedion
Grandiose Magnificence
91 bpm • A# Maj • 02:08 • -23db
17% Popularity • 60% Danceability • 6% Energy • 11% Liveness
22% Instrumentalness • 63% Positiveness
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Daniel Pemberton
Riot & Flames - Bonus Track
91 bpm • A Maj • 01:59 • -13.21db
29% Popularity • 41% Danceability • 66% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Jason Graves
Whitman's Test
91 bpm • D min • 05:10 • -17db
13% Popularity • 11% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Arnaud Roy
War of the Sundered (Gravity Well Remix)
90 bpm • D min • 03:26 • -15.26db
10% Popularity • 14% Danceability • 35% Energy • 22% Liveness
89% Instrumentalness • 7% Positiveness
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Piotr Musiał
Reaching the Shores (Bonus Track)
90 bpm • E min • 01:34 • -17.12db
28% Popularity • 18% Danceability • 25% Energy • 18% Liveness
86% Instrumentalness • 11% Positiveness
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Kevin Kiner
Obi-wan and Satine
90 bpm • C Maj • 02:43 • -13db
32% Popularity • 15% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Mud And Blood
90 bpm • A min • 03:04 • -19.2db
30% Popularity • 10% Danceability • 14% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Christopher Drake
One of us will die
90 bpm • D# Maj • 01:09 • -10.84db
13% Popularity • 11% Danceability • 36% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Thomas Wander
Bombing Six
92 bpm • C min • 03:38 • -16.22db
21% Popularity • 28% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
The Beast Of Beauclair
90 bpm • G Maj • 01:37 • -8.28db
40% Popularity • 37% Danceability • 90% Energy • 53% Liveness
86% Instrumentalness • 14% Positiveness
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Mikolai Stroinski
Commanding The Fury
90 bpm • G Maj • 02:08 • -11.51db
48% Popularity • 53% Danceability • 78% Energy • 43% Liveness
2% Instrumentalness • 40% Positiveness
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Tyler Bates
Bound by Blood
90 bpm • F Maj • 01:42 • -9.36db
23% Popularity • 47% Danceability • 75% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Michael Curran
Xenomancer
90 bpm • D Maj • 03:11 • -12.08db
13% Popularity • 40% Danceability • 64% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Sean Murray
Melville
90 bpm • D Maj • 03:14 • -12db
32% Popularity • 56% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Johan Söderqvist
Zeebrugge Harbour
90 bpm • A min • 02:28 • -16.96db
22% Popularity • 30% Danceability • 48% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
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Piotr Musiał
For Honor! For Toussaint!
90 bpm • A min • 02:04 • -9.17db
45% Popularity • 63% Danceability • 82% Energy • 33% Liveness
3% Instrumentalness • 47% Positiveness
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Ian Livingstone
The battle at Arcole
90 bpm • C Maj • 01:56 • -12.22db
20% Popularity • 46% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
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Borislav Slavov
A Part of Their Story
90 bpm • G min • 04:11 • -14db
34% Popularity • 34% Danceability • 22% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Nick Phoenix
Super Strength
90 bpm • C min • 01:58 • -6.52db
35% Popularity • 30% Danceability • 65% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Jason Graves
Sir Galahad
92 bpm • E min • 03:47 • -18.05db
18% Popularity • 12% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Howard Shore
The Nazgûl
90 bpm • D min • 06:04 • -24.89db
43% Popularity • 10% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
Tesham Mutna
90 bpm • G Maj • 02:02 • -8.31db
37% Popularity • 45% Danceability • 57% Energy • 27% Liveness
25% Instrumentalness • 11% Positiveness
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Kevin Kiner
Darth Maul Breaks Obi-wan
92 bpm • G min • 01:54 • -12.95db
27% Popularity • 11% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Gaute Storaas
Sleðrenna
92 bpm • G Maj • 01:22 • -14.63db
10% Popularity • 46% Danceability • 60% Energy • 9% Liveness
84% Instrumentalness • 28% Positiveness
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Johan Söderqvist
Epilogue "We Will Fight.."
90 bpm • A# min • 02:13 • -15.44db
31% Popularity • 12% Danceability • 24% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Piotr Musiał
Construction Site
89 bpm • F# min • 04:08 • -18.1db
27% Popularity • 25% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Clinton Shorter
A Lifetime of Losing
89 bpm • A# Maj • 01:35 • -24.95db
39% Popularity • 10% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Petri Alanko
Welcome to Bright Falls
93 bpm • G min • 04:25 • -19db
29% Popularity • 18% Danceability • 6% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
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Kevin Kiner
Ahsoka and the 501st
90 bpm • E min • 02:16 • -14.71db
32% Popularity • 12% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Lucas King
Jedi Temple Star Killer
93 bpm • E min • 02:39 • -15.91db
18% Popularity • 11% Danceability • 19% Energy • 9% Liveness
75% Instrumentalness • 12% Positiveness
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Tyler Bates
Oath Keeper's Gift
89 bpm • G min • 03:19 • -12.46db
16% Popularity • 15% Danceability • 46% Energy • 6% Liveness
95% Instrumentalness • 9% Positiveness
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Piotr Musiał
The Moon Over Mount Gorgon
90 bpm • D min • 02:05 • -14db
44% Popularity • 13% Danceability • 34% Energy • 12% Liveness
74% Instrumentalness • 7% Positiveness
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Nick Arundel
You Should Have Listened to My Warning
89 bpm • C# Maj • 02:10 • -13.87db
29% Popularity • 50% Danceability • 73% Energy • 13% Liveness
84% Instrumentalness • 54% Positiveness
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Ilan Eshkeri
A Reckoning in Blood
88 bpm • G min • 04:35 • -12.76db
33% Popularity • 30% Danceability • 53% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Mikael Karlsson
Prelude To A Lost Cause - Orchestral Ver...
88 bpm • F Maj • 02:16 • -13.11db
11% Popularity • 11% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Stephen Rippy
I, Menevero
88 bpm • G Maj • 02:33 • -12.02db
23% Popularity • 12% Danceability • 24% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Salazar
88 bpm • D# Maj • 04:27 • -15db
39% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Jeff van Dyck
Hero's Battle
94 bpm • B Maj • 02:58 • -11.35db
19% Popularity • 55% Danceability • 80% Energy • 8% Liveness
87% Instrumentalness • 94% Positiveness
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Christopher Lennertz
Surkesh
94 bpm • C Maj • 02:28 • -11.05db
26% Popularity • 12% Danceability • 55% Energy • 7% Liveness
54% Instrumentalness • 8% Positiveness
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John Ottman
Eric's Rebirth
88 bpm • G min • 02:48 • -17.22db
18% Popularity • 15% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Something Big Is Coming
94 bpm • F min • 03:44 • -16.36db
29% Popularity • 27% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Brad Derrick
Weapons Drawn
94 bpm • F Maj • 01:47 • -13db
43% Popularity • 42% Danceability • 61% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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David Buckley
Clock Tower
88 bpm • C min • 01:18 • -27.49db
24% Popularity • 15% Danceability • 9% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Christopher Drake
Arkham Origins End Titles
94 bpm • D Maj • 01:49 • -14db
25% Popularity • 19% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Howard Shore
Weathertop
88 bpm • D# Maj • 02:14 • -21.23db
43% Popularity • 29% Danceability • 25% Energy • 58% Liveness
77% Instrumentalness • 8% Positiveness
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Geoff Zanelli
El Matador Del Mar
88 bpm • C min • 08:04 • -11.76db
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Johan Söderqvist
Triumph
94 bpm • D min • 02:25 • -14db
34% Popularity • 34% Danceability • 56% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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Nick Arundel
Arkham City Main Theme
95 bpm • C# Maj • 02:47 • -13.86db
50% Popularity • 22% Danceability • 54% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
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Ilan Eshkeri
The Way of the Samurai
95 bpm • G min • 03:19 • -11.75db
38% Popularity • 55% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
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Jan Valta
Losing Father's Sword
87 bpm • F min • 04:37 • -16.29db
26% Popularity • 9% Danceability • 13% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Justin E. Bell
Hope, Forever
87 bpm • D min • 01:59 • -18.98db
40% Popularity • 38% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Kevin Kiner
Journey Into the Star Cluster
95 bpm • A min • 02:48 • -12.69db
35% Popularity • 37% Danceability • 15% Energy • 8% Liveness
64% Instrumentalness • 38% Positiveness
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Johan Söderqvist
Russian Dirge
88 bpm • D min • 03:07 • -15.69db
23% Popularity • 25% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Mark Mothersbaugh
Where To?
95 bpm • F Maj • 02:22 • -17db
29% Popularity • 12% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
No Mercy
95 bpm • G# Maj • 04:10 • -13.27db
32% Popularity • 52% Danceability • 46% Energy • 28% Liveness
69% Instrumentalness • 23% Positiveness
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Joris de Man
Motherless - Part 1 - Motherland
87 bpm • D min • 01:41 • -20.61db
35% Popularity • 13% Danceability • 18% Energy • 58% Liveness
87% Instrumentalness • 12% Positiveness
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Christopher Lennertz
A Future For The Krogan
96 bpm • B min • 03:29 • -15.86db
35% Popularity • 18% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Howard Shore
Ironfoot - Extended Version
86 bpm • D min • 06:11 • -14db
28% Popularity • 10% Danceability • 39% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Battle Victorious
87 bpm • C# min • 01:08 • -14.49db
30% Popularity • 22% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Piotr Musiał
Blood Run
86 bpm • G min • 02:01 • -14db
37% Popularity • 19% Danceability • 42% Energy • 16% Liveness
74% Instrumentalness • 4% Positiveness
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Russell Shaw
Albion Awaits
86 bpm • D# min • 02:06 • -19.51db
38% Popularity • 19% Danceability • 11% Energy • 50% Liveness
96% Instrumentalness • 7% Positiveness
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Dynamedion
Global Union Anthem
86 bpm • D Maj • 03:07 • -13.33db
16% Popularity • 25% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Harry Gregson-Williams
Emergency Launch
96 bpm • C# Maj • 03:09 • -18db
31% Popularity • 24% Danceability • 30% Energy • 8% Liveness
75% Instrumentalness • 3% Positiveness
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Oleksa Lozowchuk
Whatever Comes
96 bpm • G min • 03:09 • -16.66db
42% Popularity • 15% Danceability • 48% Energy • 24% Liveness
65% Instrumentalness • 8% Positiveness
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Doyle W. Donehoo
Fight Without Hope
96 bpm • A min • 03:06 • -11.32db
28% Popularity • 46% Danceability • 44% Energy • 20% Liveness
98% Instrumentalness • 8% Positiveness
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Piotr Musiał
The Inevitable
96 bpm • F min • 04:06 • -12.66db
32% Popularity • 34% Danceability • 47% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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Geoff Zanelli
She Needs the Sea
96 bpm • G Maj • 02:32 • -11.76db
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Tyler Bates
The Marked One
86 bpm • F# min • 02:07 • -9.84db
19% Popularity • 29% Danceability • 83% Energy • 17% Liveness
67% Instrumentalness • 43% Positiveness
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Johan Söderqvist
Nothing Is Written
96 bpm • B min • 03:40 • -15.28db
30% Popularity • 32% Danceability • 44% Energy • 10% Liveness
24% Instrumentalness • 8% Positiveness
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Jan Valta
The River Sasau Theme
86 bpm • F Maj • 01:54 • -12.36db
29% Popularity • 23% Danceability • 30% Energy • 16% Liveness
83% Instrumentalness • 4% Positiveness
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Christopher Lennertz
One Man Can Make a Difference
86 bpm • F Maj • 02:08 • -15.24db
18% Popularity • 9% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
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Piotr Musiał
The Last Autumn Theme
86 bpm • F min • 02:44 • -13.36db
35% Popularity • 29% Danceability • 41% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Dynamedion
The Moribund People
97 bpm • G# min • 02:12 • -18.9db
28% Popularity • 27% Danceability • 22% Energy • 13% Liveness
48% Instrumentalness • 11% Positiveness
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Maclaine Diemer
Heart of Thorns Theme
97 bpm • A# Maj • 02:51 • -13.17db
33% Popularity • 25% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 21% Positiveness
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Stephen Barton
Eno Cordova's Theme
85 bpm • D min • 02:44 • -22.79db
36% Popularity • 10% Danceability • 7% Energy • 14% Liveness
66% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Steel On Steel
85 bpm • A# min • 01:56 • -18.25db
27% Popularity • 17% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
The Hunt Is Coming
97 bpm • G Maj • 02:05 • -6.89db
44% Popularity • 43% Danceability • 72% Energy • 7% Liveness
16% Instrumentalness • 17% Positiveness
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Piotr Musiał
The Shepherd
85 bpm • A min • 04:04 • -15.55db
35% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
34% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Michael Giacchino
Guardians of the Whills Suite
85 bpm • A min • 02:52 • -17db
38% Popularity • 10% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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Stephen Barton
Bt-7274
85 bpm • B Maj • 05:39 • -11.94db
35% Popularity • 14% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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John Devereaux
In the Line of Fire
98 bpm • D min • 02:46 • -14.28db
13% Popularity • 42% Danceability • 42% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Johan Söderqvist
Redemption
85 bpm • E min • 01:58 • -20.13db
28% Popularity • 18% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 2% Positiveness
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Harry Gregson-Williams
Power Changes Everything
98 bpm • G Maj • 01:19 • -18.07db
32% Popularity • 57% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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Ilan Eshkeri
Komoda Beach
84 bpm • G# Maj • 03:31 • -20.07db
34% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Jason Graves
The Tomb Raider
84 bpm • G Maj • 00:51 • -14.94db
28% Popularity • 45% Danceability • 31% Energy • 21% Liveness
91% Instrumentalness • 50% Positiveness
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Stephen Barton
When Two Sides Go to War
85 bpm • A min • 04:09 • -14.02db
21% Popularity • 20% Danceability • 44% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Brad Derrick
The Three Banners: Fanfare
99 bpm • A min • 01:39 • -14.88db
46% Popularity • 13% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Howard Shore
Balin's Tomb
84 bpm • D min • 08:30 • -19.02db
40% Popularity • 18% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Advanced Soldier Overture
99 bpm • D Maj • 03:26 • -10db
28% Popularity • 16% Danceability • 66% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Jin Sakai
84 bpm • G min • 02:51 • -14.26db
45% Popularity • 43% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Jason Graves
The Knights' Theme
84 bpm • F Maj • 03:28 • -17db
33% Popularity • 8% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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John Ottman
Time's Up
84 bpm • G# Maj • 04:18 • -16.49db
22% Popularity • 15% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Geoff Zanelli
Kill the Sparrow
99 bpm • D min • 06:15 • -10.94db
31% Popularity • 24% Danceability • 60% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Tyler Bates
Dad
84 bpm • A min • 02:28 • -12db
34% Popularity • 8% Danceability • 44% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Sword in Hand
83 bpm • C# Maj • 02:35 • -19.04db
20% Popularity • 29% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Dynamedion
Old Money
83 bpm • B min • 02:03 • -17.01db
23% Popularity • 14% Danceability • 29% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Stephen Rippy
Get Ye Sum
100 bpm • C Maj • 03:17 • -12.63db
22% Popularity • 41% Danceability • 24% Energy • 29% Liveness
75% Instrumentalness • 7% Positiveness
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John Ottman
Apocalypse
84 bpm • A# Maj • 03:43 • -15.56db
20% Popularity • 15% Danceability • 18% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
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Friends In High Places