Songs like From Little Things (featuring John Butler) by The Waifs
Based on a tempo of (+/- 10%) and a similar genre
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The Cruel Sea
Delivery Man
153 bpm • F Maj • 05:08 • -7.64db
29% Popularity • 56% Danceability • 90% Energy • 10% Liveness
30% Instrumentalness • 74% Positiveness
29% Popularity • 56% Danceability • 90% Energy • 10% Liveness
30% Instrumentalness • 74% Positiveness
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The Beautiful Girls
Freedom (Part 2)
153 bpm • B Maj • 03:40 • -11db
40% Popularity • 60% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 60% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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John Butler
Thou Shalt Not Steal
154 bpm • E Maj • 04:50 • -7.82db
28% Popularity • 36% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 36% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Lior
Sitting With a Stranger
154 bpm • C# Maj • 03:15 • -6.81db
21% Popularity • 53% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 53% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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James Kenyon
The Motorbike Song
154 bpm • G Maj • 04:29 • -11.49db
22% Popularity • 60% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
22% Popularity • 60% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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The Waifs
Sweetest Dream
154 bpm • A Maj • 03:22 • -9.62db
22% Popularity • 58% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 58% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Audreys
Chelsea Blues
155 bpm • A min • 04:23 • -8.53db
14% Popularity • 50% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 31% Positiveness
14% Popularity • 50% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 31% Positiveness
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Jeff Lang
The Road Is Not Your Only Friend
155 bpm • F# Maj • 02:38 • -7.38db
10% Popularity • 35% Danceability • 80% Energy • 22% Liveness
34% Instrumentalness • 56% Positiveness
10% Popularity • 35% Danceability • 80% Energy • 22% Liveness
34% Instrumentalness • 56% Positiveness
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Sophie Koh
Charlie
156 bpm • F# Maj • 03:47 • -5.03db
17% Popularity • 35% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 35% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Mama Kin
Tore My Heart Out
150 bpm • C# min • 03:55 • -9.13db
25% Popularity • 63% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 63% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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The Whitlams
No Aphrodisiac
150 bpm • D min • 04:19 • -8.27db
48% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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The Waifs
Stay
156 bpm • A Maj • 02:30 • -7.18db
14% Popularity • 49% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 49% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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The Cruel Sea
This Is Not The Way Home
157 bpm • F Maj • 04:06 • -14.88db
34% Popularity • 48% Danceability • 55% Energy • 9% Liveness
40% Instrumentalness • 56% Positiveness
34% Popularity • 48% Danceability • 55% Energy • 9% Liveness
40% Instrumentalness • 56% Positiveness
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Deborah Conway
Alive and Brilliant
158 bpm • A Maj • 04:04 • -9.09db
25% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Sarah Blasko
Don't Dream It's Over
150 bpm • D Maj • 04:42 • -10.89db
36% Popularity • 54% Danceability • 38% Energy • 8% Liveness
5% Instrumentalness • 12% Positiveness
36% Popularity • 54% Danceability • 38% Energy • 8% Liveness
5% Instrumentalness • 12% Positiveness
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Josh Pyke
Endless Summer - Acoustic
148 bpm • A Maj • 03:36 • -8.35db
32% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Mia Dyson
When The Moment Comes
157 bpm • A Maj • 03:20 • -4.74db
30% Popularity • 40% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 40% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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The Whitlams
Royal In The Afternoon
148 bpm • A min • 02:58 • -4.54db
32% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Tex Perkins
She Speaks A Different Language - Biling...
148 bpm • E min • 04:45 • -9.13db
12% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Weddings Parties Anything
Away, Away
148 bpm • E Maj • 03:51 • -9.01db
26% Popularity • 42% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 42% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Sarah Blasko
Don't U Eva
148 bpm • A# min • 04:19 • -5.62db
28% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Something For Kate
Born to Run
147 bpm • E Maj • 04:33 • -8db
11% Popularity • 26% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
11% Popularity • 26% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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The Temper Trap
Dancing in the Dark - triple j Like A Ve...
147 bpm • B Maj • 03:14 • -6db
40% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Powderfinger
My Kind Of Scene
160 bpm • C Maj • 04:37 • -8.22db
51% Popularity • 46% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 14% Positiveness
51% Popularity • 46% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 14% Positiveness
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Tex Perkins
Harry Was A Bad Bugger
147 bpm • B min • 05:19 • -9.48db
11% Popularity • 49% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 21% Positiveness
11% Popularity • 49% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 21% Positiveness
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The Whitlams
Buy Now Pay Later (Charlie No.2)
147 bpm • A# min • 03:46 • -13.87db
35% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Josh Pyke
Middle Of The Hill
146 bpm • G Maj • 02:27 • -7.05db
43% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Don McGlashan
On My Way to You
146 bpm • A min • 03:42 • -8.99db
28% Popularity • 68% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
28% Popularity • 68% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Epicure
Life Sentence
145 bpm • A Maj • 04:49 • -9.01db
22% Popularity • 58% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 58% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Meg Washington
Underground
145 bpm • A Maj • 03:46 • -10.22db
20% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Clare Bowditch
You Look So Good
145 bpm • C# min • 04:08 • -6.54db
16% Popularity • 32% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 32% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Tiddas
Inside My Kitchen
162 bpm • E Maj • 03:27 • -15.72db
15% Popularity • 49% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 49% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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The Whitlams
No Aphrodisiac (Black Stump)
162 bpm • B min • 02:59 • -7.35db
32% Popularity • 55% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 55% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Mick Thomas
You Remind Me
144 bpm • D min • 05:52 • -8.28db
9% Popularity • 37% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 37% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Powderfinger
Already Gone
162 bpm • E Maj • 03:28 • -8.93db
43% Popularity • 32% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 32% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Ben Lee
Gamble Everything for Love
163 bpm • A min • 03:21 • -9.75db
31% Popularity • 76% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 76% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Jordie Lane
For Everyone
143 bpm • C Maj • 04:21 • -9db
28% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Tex Perkins
Fake That Emotion
143 bpm • G Maj • 05:49 • -12db
21% Popularity • 44% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
21% Popularity • 44% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Claire Anne Taylor
I'm Going Home
142 bpm • G Maj • 03:53 • -12db
17% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Josh Pyke
The Lighthouse Song
142 bpm • C Maj • 03:44 • -8.64db
38% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Paul Dempsey
Ramona Was A Waitress
165 bpm • E Maj • 03:36 • -6.41db
38% Popularity • 55% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 55% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Blue King Brown
Samoa's song
142 bpm • F min • 05:38 • -8.46db
14% Popularity • 53% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
14% Popularity • 53% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Little Birdy
Into My Arms
165 bpm • G# Maj • 03:57 • -7db
15% Popularity • 42% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 42% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Weddings Parties Anything
Under the Clocks
165 bpm • F Maj • 03:29 • -11.48db
23% Popularity • 51% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 51% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Black Sorrows
Wednesday’s Child
142 bpm • G Maj • 03:23 • -7.01db
20% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Mel Parsons
In My Heart
166 bpm • D Maj • 03:01 • -10.34db
22% Popularity • 40% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 40% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Kev Carmody
From Little Things Big Things Grow
166 bpm • E Maj • 05:49 • -16db
24% Popularity • 49% Danceability • 24% Energy • 61% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 49% Danceability • 24% Energy • 61% Liveness
0% Instrumentalness • 51% Positiveness
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Mia Dyson
Roll Me Out (Revisited)
141 bpm • D# Maj • 02:45 • -11.02db
25% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Mama Kin
Red Wood River
140 bpm • D Maj • 03:50 • -7.03db
24% Popularity • 69% Danceability • 46% Energy • 14% Liveness
15% Instrumentalness • 35% Positiveness
24% Popularity • 69% Danceability • 46% Energy • 14% Liveness
15% Instrumentalness • 35% Positiveness
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Don McGlashan
Girl, Make Your Own Mind Up
140 bpm • A min • 04:36 • -7.07db
14% Popularity • 56% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 56% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Augie March
Mother Greer
140 bpm • G Maj • 03:46 • -7.68db
14% Popularity • 51% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 51% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Mel Parsons
Alberta Sun
141 bpm • A# Maj • 04:15 • -8.54db
25% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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The Waifs
Cracks Of Dawn
140 bpm • G# Maj • 04:08 • -6.66db
10% Popularity • 47% Danceability • 67% Energy • 30% Liveness
1% Instrumentalness • 62% Positiveness
10% Popularity • 47% Danceability • 67% Energy • 30% Liveness
1% Instrumentalness • 62% Positiveness
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Powderfinger
Sail The Wildest Stretch
140 bpm • A# Maj • 04:08 • -6.79db
35% Popularity • 43% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 43% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Mama Kin
Coming To Get Ya
168 bpm • A# Maj • 03:57 • -8.71db
15% Popularity • 53% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 53% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Fanny Lumsden
Fierce
139 bpm • F# Maj • 02:38 • -5.58db
27% Popularity • 71% Danceability • 88% Energy • 6% Liveness
7% Instrumentalness • 74% Positiveness
27% Popularity • 71% Danceability • 88% Energy • 6% Liveness
7% Instrumentalness • 74% Positiveness
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Kev Carmody
On the Wire
139 bpm • G Maj • 04:38 • -17.77db
9% Popularity • 50% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 50% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Weddings Parties Anything
Rosy and Grey
169 bpm • G Maj • 05:30 • -3.36db
16% Popularity • 18% Danceability • 66% Energy • 81% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 18% Danceability • 66% Energy • 81% Liveness
0% Instrumentalness • 22% Positiveness
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Dave Dobbyn
Beside You
139 bpm • C# Maj • 03:42 • -6.96db
19% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Things Of Stone and Wood
Happy Birthday Helen
138 bpm • F Maj • 03:48 • -9db
39% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Mama Kin
What's Wrong With Me
138 bpm • A min • 04:23 • -12.51db
20% Popularity • 44% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 44% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Whitlams
I Will Not Go Quietly
137 bpm • C Maj • 03:53 • -5.54db
30% Popularity • 49% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 49% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Colin Hay
Water Song
172 bpm • G Maj • 04:10 • -19db
18% Popularity • 32% Danceability • 12% Energy • 8% Liveness
37% Instrumentalness • 28% Positiveness
18% Popularity • 32% Danceability • 12% Energy • 8% Liveness
37% Instrumentalness • 28% Positiveness
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Mia Dyson
Lonely
172 bpm • E min • 03:41 • -9.47db
19% Popularity • 35% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 35% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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John J. Francis
Simple Ben
172 bpm • B Maj • 07:43 • -10.18db
23% Popularity • 32% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 32% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Things Of Stone and Wood
Happy Birthday Helen
138 bpm • F Maj • 04:02 • -3.25db
14% Popularity • 41% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 41% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Mama Kin
To My Table
137 bpm • C min • 03:28 • -4.99db
14% Popularity • 72% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 72% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Tiddas
For A Short Time
136 bpm • A# Maj • 04:59 • -8.25db
9% Popularity • 45% Danceability • 48% Energy • 69% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 45% Danceability • 48% Energy • 69% Liveness
0% Instrumentalness • 37% Positiveness
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The Whitlams
I Make Hamburgers
136 bpm • C Maj • 03:34 • -6.39db
36% Popularity • 63% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 63% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Lior
Bedouin Song
136 bpm • C# Maj • 03:08 • -14.63db
29% Popularity • 39% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 39% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Stephen Pigram
Mimi
172 bpm • D Maj • 04:49 • -9.17db
15% Popularity • 45% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 45% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Weddings Parties Anything
Hug My Back
173 bpm • D Maj • 01:19 • -17.81db
25% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Sarah Blasko
Always Worth It
135 bpm • C# min • 03:47 • -5.98db
24% Popularity • 46% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 46% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Don Walker
Get Along
135 bpm • B min • 05:28 • -8db
14% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Dave Dobbyn
Don't Hold Your Breath
135 bpm • E min • 04:49 • -12.68db
12% Popularity • 58% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 58% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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The Whitlams
Make The World Safe
174 bpm • F# min • 03:43 • -8db
28% Popularity • 35% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 35% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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The Cruel Sea
Anybody But You
174 bpm • D Maj • 03:56 • -8db
32% Popularity • 33% Danceability • 56% Energy • 9% Liveness
20% Instrumentalness • 66% Positiveness
32% Popularity • 33% Danceability • 56% Energy • 9% Liveness
20% Instrumentalness • 66% Positiveness
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Weddings Parties Anything
Hungry Years
135 bpm • F Maj • 04:23 • -9.68db
19% Popularity • 57% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 57% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 70% Positiveness
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The Screaming Jets
Shivers
135 bpm • F# Maj • 04:26 • -11.96db
39% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
39% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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The Woolshed Sessions
Stringing Me Along
174 bpm • E Maj • 04:09 • -7.34db
15% Popularity • 44% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 44% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Claire Anne Taylor
Judge
174 bpm • F# min • 03:48 • -9db
23% Popularity • 63% Danceability • 38% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 63% Danceability • 38% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
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Greg Johnson
Isabelle
175 bpm • F Maj • 03:48 • -9.02db
29% Popularity • 35% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 35% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Badloves
Caroline
175 bpm • B Maj • 03:04 • -9.69db
27% Popularity • 36% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 36% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Augie March
Victoria's Secrets
134 bpm • A Maj • 04:47 • -7.11db
12% Popularity • 33% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 33% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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The Whitlams
Thankyou (For Loving Me At My Worst)
134 bpm • F Maj • 04:12 • -5.65db
33% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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The Cruel Sea
Too Fast For Me
133 bpm • E Maj • 02:53 • -9.43db
29% Popularity • 69% Danceability • 51% Energy • 13% Liveness
20% Instrumentalness • 37% Positiveness
29% Popularity • 69% Danceability • 51% Energy • 13% Liveness
20% Instrumentalness • 37% Positiveness
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The Beautiful Girls
Dela
176 bpm • F Maj • 03:42 • -9.67db
39% Popularity • 49% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 49% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Mia Dyson
The Passenger
133 bpm • F min • 04:47 • -6.94db
28% Popularity • 48% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 48% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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The Badloves
I Remember
175 bpm • C# min • 03:11 • -11.6db
30% Popularity • 39% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 39% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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The Waifs
When A Man Gets Down
133 bpm • G Maj • 04:08 • -8.96db
18% Popularity • 50% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
18% Popularity • 50% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
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Ben Harper And The Innocent Criminals
Show Me A Little Shame
176 bpm • C Maj • 03:44 • -10.11db
31% Popularity • 41% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 41% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Paul Dempsey
Fast Friends
133 bpm • A Maj • 04:16 • -6.21db
26% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Liz Stringer
High Open Hills
133 bpm • E Maj • 05:38 • -9db
20% Popularity • 42% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 42% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Deborah Conway
String of Pearls
177 bpm • G Maj • 05:59 • -10.37db
18% Popularity • 28% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 28% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Alan Pigram
Maysong
132 bpm • E Maj • 03:50 • -7.09db
19% Popularity • 59% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 59% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Powderfinger
Whatever Makes You Happy
177 bpm • G Maj • 02:28 • -9.73db
34% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Mick Thomas
See You When I'm Looking at You - Radio ...
132 bpm • D Maj • 03:56 • -8db
11% Popularity • 53% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 53% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Greg Johnson
Now the Sun Is Out
178 bpm • C Maj • 03:37 • -7.47db
24% Popularity • 51% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 51% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
