Songs like Frozen Melody by Edward Vesala
Based on a tempo of (+/- 10%) and a similar genre
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Peter Brötzmann
Improvisation über ein Thema von Js Bac...
99 bpm • C Maj • 01:29 • -24.43db
13% Popularity • 54% Danceability • 0% Energy • 14% Liveness
22% Instrumentalness • 29% Positiveness
13% Popularity • 54% Danceability • 0% Energy • 14% Liveness
22% Instrumentalness • 29% Positiveness
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Randy Weston
Portrait of Vivian
99 bpm • A min • 03:40 • -16.97db
8% Popularity • 39% Danceability • 4% Energy • 32% Liveness
11% Instrumentalness • 9% Positiveness
8% Popularity • 39% Danceability • 4% Energy • 32% Liveness
11% Instrumentalness • 9% Positiveness
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Jan Garbarek Quartet
Mah-Jong
99 bpm • G Maj • 01:53 • -22.27db
16% Popularity • 24% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 24% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
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Nicolas Masson
Travelers
99 bpm • F# min • 03:44 • -19.01db
9% Popularity • 37% Danceability • 3% Energy • 14% Liveness
69% Instrumentalness • 13% Positiveness
9% Popularity • 37% Danceability • 3% Energy • 14% Liveness
69% Instrumentalness • 13% Positiveness
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Michael Cain
Siegfried And Roy
99 bpm • C Maj • 01:24 • -23db
12% Popularity • 49% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 39% Positiveness
12% Popularity • 49% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 39% Positiveness
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Paul Bley Trio
Sideways In Mexico
99 bpm • D Maj • 02:57 • -22.52db
18% Popularity • 49% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 49% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Barre Phillips
Quest - Pt. 1
99 bpm • C Maj • 02:38 • -36.41db
10% Popularity • 49% Danceability • 0% Energy • 35% Liveness
43% Instrumentalness • 14% Positiveness
10% Popularity • 49% Danceability • 0% Energy • 35% Liveness
43% Instrumentalness • 14% Positiveness
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Edward Vesala
Komba
99 bpm • C min • 06:07 • -13.67db
0% Popularity • 29% Danceability • 41% Energy • 40% Liveness
2% Instrumentalness • 33% Positiveness
0% Popularity • 29% Danceability • 41% Energy • 40% Liveness
2% Instrumentalness • 33% Positiveness
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Steve Lehman Trio
Ih Calam & Ynnus
99 bpm • A Maj • 05:54 • -9.48db
10% Popularity • 48% Danceability • 65% Energy • 5% Liveness
91% Instrumentalness • 47% Positiveness
10% Popularity • 48% Danceability • 65% Energy • 5% Liveness
91% Instrumentalness • 47% Positiveness
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Reggie Workman
Fast Forward
99 bpm • C Maj • 06:39 • -11.37db
3% Popularity • 39% Danceability • 52% Energy • 22% Liveness
9% Instrumentalness • 31% Positiveness
3% Popularity • 39% Danceability • 52% Energy • 22% Liveness
9% Instrumentalness • 31% Positiveness
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Jeff Coffin
New Dawn
99 bpm • G# Maj • 06:45 • -12.14db
15% Popularity • 37% Danceability • 47% Energy • 35% Liveness
64% Instrumentalness • 36% Positiveness
15% Popularity • 37% Danceability • 47% Energy • 35% Liveness
64% Instrumentalness • 36% Positiveness
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Teppo Hauta-aho
Bhanki - Live at Liisankatu Studios, Hel...
99 bpm • D min • 09:29 • -9.1db
0% Popularity • 36% Danceability • 63% Energy • 34% Liveness
5% Instrumentalness • 44% Positiveness
0% Popularity • 36% Danceability • 63% Energy • 34% Liveness
5% Instrumentalness • 44% Positiveness
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Max Roach
Conversation
99 bpm • F# Maj • 03:49 • -20.13db
14% Popularity • 42% Danceability • 44% Energy • 19% Liveness
71% Instrumentalness • 70% Positiveness
14% Popularity • 42% Danceability • 44% Energy • 19% Liveness
71% Instrumentalness • 70% Positiveness
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Curtis Amy
Amyable
99 bpm • C Maj • 06:14 • -21.64db
8% Popularity • 66% Danceability • 18% Energy • 26% Liveness
19% Instrumentalness • 52% Positiveness
8% Popularity • 66% Danceability • 18% Energy • 26% Liveness
19% Instrumentalness • 52% Positiveness
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Dave Holland Quintet
Bedouin Trail
98 bpm • C Maj • 08:48 • -30.72db
7% Popularity • 46% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
7% Popularity • 46% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
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Mu Quintet
Diogenes' Pot
100 bpm • F min • 08:46 • -12.82db
10% Popularity • 42% Danceability • 43% Energy • 11% Liveness
82% Instrumentalness • 35% Positiveness
10% Popularity • 42% Danceability • 43% Energy • 11% Liveness
82% Instrumentalness • 35% Positiveness
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Gary Burton Quartet
Ballet
98 bpm • G# Maj • 04:57 • -13.52db
9% Popularity • 35% Danceability • 37% Energy • 33% Liveness
2% Instrumentalness • 28% Positiveness
9% Popularity • 35% Danceability • 37% Energy • 33% Liveness
2% Instrumentalness • 28% Positiveness
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Per Henrik Wallin
East River Carousel
100 bpm • C# Maj • 06:21 • -13.73db
8% Popularity • 39% Danceability • 43% Energy • 18% Liveness
89% Instrumentalness • 58% Positiveness
8% Popularity • 39% Danceability • 43% Energy • 18% Liveness
89% Instrumentalness • 58% Positiveness
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Kari Heinilä
Lill' Lisa
100 bpm • D Maj • 06:04 • -10.81db
0% Popularity • 26% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
0% Popularity • 26% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Rui Hallvares Andrade Paes
Spårvagn
98 bpm • F Maj • 06:57 • -12.43db
12% Popularity • 48% Danceability • 28% Energy • 8% Liveness
8% Instrumentalness • 37% Positiveness
12% Popularity • 48% Danceability • 28% Energy • 8% Liveness
8% Instrumentalness • 37% Positiveness
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Edward Vesala
Nana
98 bpm • F Maj • 04:17 • -15.99db
0% Popularity • 35% Danceability • 33% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
0% Popularity • 35% Danceability • 33% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
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Tony Williams
Touch Me
100 bpm • F Maj • 01:23 • -23.63db
31% Popularity • 56% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 83% Positiveness
31% Popularity • 56% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 83% Positiveness
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Art Ensemble Of Chicago
Walking In The Moonlight
100 bpm • F Maj • 04:07 • -18.88db
11% Popularity • 51% Danceability • 6% Energy • 15% Liveness
27% Instrumentalness • 22% Positiveness
11% Popularity • 51% Danceability • 6% Energy • 15% Liveness
27% Instrumentalness • 22% Positiveness
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Don Cherry
Folk Medley
98 bpm • D Maj • 02:42 • -37.76db
9% Popularity • 46% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 17% Positiveness
9% Popularity • 46% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 17% Positiveness
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Kari Heinilä
Canzonetta
100 bpm • C Maj • 07:06 • -13.11db
0% Popularity • 47% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
0% Popularity • 47% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
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Woody Shaw
A Deed For Dolphy
98 bpm • G Maj • 08:57 • -16.9db
8% Popularity • 32% Danceability • 27% Energy • 24% Liveness
15% Instrumentalness • 29% Positiveness
8% Popularity • 32% Danceability • 27% Energy • 24% Liveness
15% Instrumentalness • 29% Positiveness
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Dave Holland Quintet
The Balance
101 bpm • G min • 09:18 • -21.24db
20% Popularity • 42% Danceability • 26% Energy • 10% Liveness
82% Instrumentalness • 47% Positiveness
20% Popularity • 42% Danceability • 26% Energy • 10% Liveness
82% Instrumentalness • 47% Positiveness
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Furio Di Castri
Beloved
101 bpm • G min • 02:34 • -23db
16% Popularity • 61% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
16% Popularity • 61% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
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François Théberge
Adnimals
101 bpm • E min • 05:27 • -15.7db
8% Popularity • 42% Danceability • 26% Energy • 25% Liveness
89% Instrumentalness • 29% Positiveness
8% Popularity • 42% Danceability • 26% Energy • 25% Liveness
89% Instrumentalness • 29% Positiveness
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Eberhard Weber
Cambridge
97 bpm • F Maj • 04:16 • -24db
23% Popularity • 43% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
23% Popularity • 43% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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Ferenc Snétberger
Titok
97 bpm • C Maj • 02:20 • -25.11db
24% Popularity • 38% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
24% Popularity • 38% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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John Surman
Caractacus - Remastered 1985
101 bpm • F min • 07:14 • -12.95db
28% Popularity • 41% Danceability • 44% Energy • 18% Liveness
28% Instrumentalness • 29% Positiveness
28% Popularity • 41% Danceability • 44% Energy • 18% Liveness
28% Instrumentalness • 29% Positiveness
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Edward Vesala
Kynnyspuulla
97 bpm • C min • 06:36 • -14.63db
0% Popularity • 36% Danceability • 23% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
0% Popularity • 36% Danceability • 23% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Furio Di Castri
Who
97 bpm • A# min • 03:18 • -25.74db
20% Popularity • 54% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
20% Popularity • 54% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
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Helge Lien Trio
Berlin Basement
97 bpm • C Maj • 01:15 • -34.59db
24% Popularity • 54% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
24% Popularity • 54% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Eberhard Weber
Yellow Fields
101 bpm • A Maj • 10:04 • -14db
12% Popularity • 32% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
12% Popularity • 32% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Larry Grenadier
Pettiford
97 bpm • G# Maj • 03:41 • -28.49db
16% Popularity • 51% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
16% Popularity • 51% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
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John Surman
Event - Remastered 1985
102 bpm • A min • 03:19 • -18.41db
28% Popularity • 30% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 9% Positiveness
28% Popularity • 30% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 9% Positiveness
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Edward Vesala
Early Messenger
97 bpm • E Maj • 02:27 • -22db
0% Popularity • 33% Danceability • 11% Energy • 10% Liveness
24% Instrumentalness • 6% Positiveness
0% Popularity • 33% Danceability • 11% Energy • 10% Liveness
24% Instrumentalness • 6% Positiveness
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Laboratorio Novamusica
Harald Bojè Blues
102 bpm • A# min • 05:37 • -23.23db
9% Popularity • 42% Danceability • 8% Energy • 6% Liveness
24% Instrumentalness • 12% Positiveness
9% Popularity • 42% Danceability • 8% Energy • 6% Liveness
24% Instrumentalness • 12% Positiveness
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Rudresh Mahanthappa
Bird Calls #2
102 bpm • C Maj • 01:09 • -9.85db
11% Popularity • 55% Danceability • 33% Energy • 17% Liveness
92% Instrumentalness • 97% Positiveness
11% Popularity • 55% Danceability • 33% Energy • 17% Liveness
92% Instrumentalness • 97% Positiveness
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Henri Texier
Standing Horse
102 bpm • C Maj • 01:51 • -25.52db
13% Popularity • 65% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
13% Popularity • 65% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Vernau Mier
Zenzero
96 bpm • A min • 05:48 • -12.85db
11% Popularity • 40% Danceability • 30% Energy • 76% Liveness
48% Instrumentalness • 34% Positiveness
11% Popularity • 40% Danceability • 30% Energy • 76% Liveness
48% Instrumentalness • 34% Positiveness
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Eberhard Weber
Langenhagen
102 bpm • F Maj • 03:53 • -26.87db
13% Popularity • 50% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
13% Popularity • 50% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Edward Vesala
Sylvan Swizzle
101 bpm • G# Maj • 08:36 • -19.36db
1% Popularity • 32% Danceability • 7% Energy • 30% Liveness
66% Instrumentalness • 4% Positiveness
1% Popularity • 32% Danceability • 7% Energy • 30% Liveness
66% Instrumentalness • 4% Positiveness
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Ran Blake
Symphony in Green
96 bpm • A min • 04:44 • -19db
8% Popularity • 52% Danceability • 16% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
8% Popularity • 52% Danceability • 16% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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Elton Dean
I Remember Clifford
96 bpm • D# Maj • 07:23 • -12.8db
7% Popularity • 39% Danceability • 34% Energy • 15% Liveness
3% Instrumentalness • 44% Positiveness
7% Popularity • 39% Danceability • 34% Energy • 15% Liveness
3% Instrumentalness • 44% Positiveness
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Peter Erskine
Liten visa till Karin
96 bpm • C Maj • 04:52 • -25.97db
7% Popularity • 34% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
7% Popularity • 34% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Louis Sclavis
Esquisse 1
102 bpm • G# Maj • 02:04 • -25.31db
29% Popularity • 38% Danceability • 7% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 38% Danceability • 7% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Charles Lloyd
Heaven
102 bpm • F Maj • 04:13 • -15.62db
7% Popularity • 41% Danceability • 20% Energy • 12% Liveness
25% Instrumentalness • 17% Positiveness
7% Popularity • 41% Danceability • 20% Energy • 12% Liveness
25% Instrumentalness • 17% Positiveness
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Edward Vesala
Hadendas
96 bpm • C# Maj • 05:05 • -15.36db
0% Popularity • 65% Danceability • 33% Energy • 16% Liveness
6% Instrumentalness • 47% Positiveness
0% Popularity • 65% Danceability • 33% Energy • 16% Liveness
6% Instrumentalness • 47% Positiveness
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John Zorn
Rigal
103 bpm • G min • 06:09 • -11.44db
14% Popularity • 43% Danceability • 43% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
14% Popularity • 43% Danceability • 43% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
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John Surman
The Dandelion, Pt. 2
95 bpm • F min • 02:08 • -19.01db
24% Popularity • 22% Danceability • 18% Energy • 15% Liveness
80% Instrumentalness • 17% Positiveness
24% Popularity • 22% Danceability • 18% Energy • 15% Liveness
80% Instrumentalness • 17% Positiveness
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Dave Douglas
A Single Sky
95 bpm • D Maj • 02:05 • -10.54db
15% Popularity • 50% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
15% Popularity • 50% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Kari Heinilä
Piece #2
103 bpm • B Maj • 06:33 • -12.98db
0% Popularity • 40% Danceability • 32% Energy • 30% Liveness
6% Instrumentalness • 12% Positiveness
0% Popularity • 40% Danceability • 32% Energy • 30% Liveness
6% Instrumentalness • 12% Positiveness
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Chad Taylor
Box Step
103 bpm • A min • 05:59 • -17db
9% Popularity • 42% Danceability • 32% Energy • 9% Liveness
53% Instrumentalness • 36% Positiveness
9% Popularity • 42% Danceability • 32% Energy • 9% Liveness
53% Instrumentalness • 36% Positiveness
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Edward Vesala
A Glimmer Of Sepal
96 bpm • E Maj • 05:29 • -15.67db
0% Popularity • 30% Danceability • 8% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
0% Popularity • 30% Danceability • 8% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
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Jacky Terrasson
What Happens au 6ème...
103 bpm • A# min • 01:45 • -15.91db
26% Popularity • 62% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 46% Positiveness
26% Popularity • 62% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 46% Positiveness
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John Surman
Ritual - Remastered 1985
95 bpm • D Maj • 08:48 • -10.5db
23% Popularity • 24% Danceability • 82% Energy • 12% Liveness
3% Instrumentalness • 44% Positiveness
23% Popularity • 24% Danceability • 82% Energy • 12% Liveness
3% Instrumentalness • 44% Positiveness
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Jaimie Branch
reflections on a broken sea
103 bpm • B min • 02:14 • -15.28db
11% Popularity • 66% Danceability • 46% Energy • 20% Liveness
93% Instrumentalness • 54% Positiveness
11% Popularity • 66% Danceability • 46% Energy • 20% Liveness
93% Instrumentalness • 54% Positiveness
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Roland Kirk Quartet
From Bechet, Byas, And Fats
103 bpm • F min • 06:28 • -16.96db
13% Popularity • 42% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 42% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
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Collin Walcott
Prancing
95 bpm • G Maj • 03:22 • -18.83db
13% Popularity • 63% Danceability • 41% Energy • 10% Liveness
85% Instrumentalness • 69% Positiveness
13% Popularity • 63% Danceability • 41% Energy • 10% Liveness
85% Instrumentalness • 69% Positiveness
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Edward Vesala
The Invisible Storm
103 bpm • A# min • 07:23 • -15.15db
0% Popularity • 35% Danceability • 38% Energy • 34% Liveness
89% Instrumentalness • 16% Positiveness
0% Popularity • 35% Danceability • 38% Energy • 34% Liveness
89% Instrumentalness • 16% Positiveness
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Mark Turner
Jacky's Place
94 bpm • C# min • 06:02 • -12.76db
11% Popularity • 41% Danceability • 48% Energy • 6% Liveness
62% Instrumentalness • 70% Positiveness
11% Popularity • 41% Danceability • 48% Energy • 6% Liveness
62% Instrumentalness • 70% Positiveness
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John Zorn
Nefesh
94 bpm • C Maj • 03:33 • -15.47db
8% Popularity • 56% Danceability • 33% Energy • 12% Liveness
88% Instrumentalness • 49% Positiveness
8% Popularity • 56% Danceability • 33% Energy • 12% Liveness
88% Instrumentalness • 49% Positiveness
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Tomasz Stanko Quartet
Soul of Things, Var. 5
94 bpm • F min • 05:41 • -16.43db
9% Popularity • 47% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
9% Popularity • 47% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Gil Evans
Nothing Like You
104 bpm • A# min • 02:36 • -12.79db
12% Popularity • 35% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 35% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 34% Positiveness
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Harold Land Quintet
Angel Dance
94 bpm • A min • 03:38 • -13.8db
7% Popularity • 43% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 43% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Edward Vesala
Mop Mop
95 bpm • G# Maj • 05:41 • -17.17db
0% Popularity • 43% Danceability • 43% Energy • 47% Liveness
54% Instrumentalness • 45% Positiveness
0% Popularity • 43% Danceability • 43% Energy • 47% Liveness
54% Instrumentalness • 45% Positiveness
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Jan Garbarek Quartet
Blupp
94 bpm • F Maj • 01:08 • -26.56db
10% Popularity • 72% Danceability • 0% Energy • 8% Liveness
5% Instrumentalness • 31% Positiveness
10% Popularity • 72% Danceability • 0% Energy • 8% Liveness
5% Instrumentalness • 31% Positiveness
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City of Women
Veivikone
104 bpm • D Maj • 04:29 • -6.43db
0% Popularity • 39% Danceability • 97% Energy • 27% Liveness
62% Instrumentalness • 32% Positiveness
0% Popularity • 39% Danceability • 97% Energy • 27% Liveness
62% Instrumentalness • 32% Positiveness
► Preview
Ingrid Laubrock
Kasumi
94 bpm • G Maj • 02:02 • -20db
19% Popularity • 41% Danceability • 5% Energy • 9% Liveness
61% Instrumentalness • 21% Positiveness
19% Popularity • 41% Danceability • 5% Energy • 9% Liveness
61% Instrumentalness • 21% Positiveness
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Rui Hallvares Andrade Paes
Parisare
94 bpm • C# Maj • 05:40 • -12.12db
12% Popularity • 48% Danceability • 50% Energy • 16% Liveness
45% Instrumentalness • 64% Positiveness
12% Popularity • 48% Danceability • 50% Energy • 16% Liveness
45% Instrumentalness • 64% Positiveness
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Dave Holland Quartet
Processional
104 bpm • C# Maj • 07:16 • -18.16db
13% Popularity • 65% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 45% Positiveness
13% Popularity • 65% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 45% Positiveness
► Preview
Edward Vesala
Alhambra Mood
95 bpm • F min • 06:36 • -20.62db
0% Popularity • 31% Danceability • 11% Energy • 13% Liveness
86% Instrumentalness • 32% Positiveness
0% Popularity • 31% Danceability • 11% Energy • 13% Liveness
86% Instrumentalness • 32% Positiveness
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Jakob Bro
Weightless
105 bpm • G Maj • 05:32 • -22.35db
12% Popularity • 31% Danceability • 17% Energy • 12% Liveness
64% Instrumentalness • 12% Positiveness
12% Popularity • 31% Danceability • 17% Energy • 12% Liveness
64% Instrumentalness • 12% Positiveness
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Andrew Hill
Black Fire
94 bpm • G# Maj • 06:56 • -15db
10% Popularity • 43% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 43% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Jackie McLean
Cancellation - Digital Remaster/2006
93 bpm • F# min • 07:43 • -5.25db
14% Popularity • 44% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 44% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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John O'Gallagher
Quartet (After Op. 22)
94 bpm • C# Maj • 05:26 • -8.97db
9% Popularity • 54% Danceability • 63% Energy • 9% Liveness
25% Instrumentalness • 79% Positiveness
9% Popularity • 54% Danceability • 63% Energy • 9% Liveness
25% Instrumentalness • 79% Positiveness
► Preview
Christina Dahl
Silent Storm
105 bpm • F min • 09:25 • -15.03db
8% Popularity • 35% Danceability • 37% Energy • 6% Liveness
37% Instrumentalness • 7% Positiveness
8% Popularity • 35% Danceability • 37% Energy • 6% Liveness
37% Instrumentalness • 7% Positiveness
► Preview
Edward Vesala
Murli Manohar
105 bpm • E min • 02:06 • -22.36db
0% Popularity • 59% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 62% Positiveness
0% Popularity • 59% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 62% Positiveness
► Preview
Art Ensemble Of Chicago
Prayer For Jimbo Kwesi
105 bpm • D Maj • 09:47 • -21.07db
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Matthew Shipp Trio
The Unidentifiable
93 bpm • F min • 07:10 • -9.42db
8% Popularity • 39% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 60% Positiveness
8% Popularity • 39% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 60% Positiveness
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Roscoe Mitchell
And Then There Was Peace
93 bpm • F min • 04:51 • -30.44db
8% Popularity • 18% Danceability • 1% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 1% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
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Dave Holland Quartet
Nemesis
106 bpm • F min • 11:31 • -16db
10% Popularity • 48% Danceability • 45% Energy • 11% Liveness
48% Instrumentalness • 52% Positiveness
10% Popularity • 48% Danceability • 45% Energy • 11% Liveness
48% Instrumentalness • 52% Positiveness
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Dejan Terzic
Prometheus
93 bpm • D min • 05:34 • -14.61db
9% Popularity • 46% Danceability • 43% Energy • 9% Liveness
70% Instrumentalness • 54% Positiveness
9% Popularity • 46% Danceability • 43% Energy • 9% Liveness
70% Instrumentalness • 54% Positiveness
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Craig Taborn
New Glory
93 bpm • A min • 03:14 • -18db
9% Popularity • 48% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 91% Positiveness
9% Popularity • 48% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 91% Positiveness
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Steph Richards
Canopy
106 bpm • C# Maj • 03:41 • -15.44db
11% Popularity • 46% Danceability • 43% Energy • 39% Liveness
77% Instrumentalness • 42% Positiveness
11% Popularity • 46% Danceability • 43% Energy • 39% Liveness
77% Instrumentalness • 42% Positiveness
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Anat Fort Trio
Murmuration
106 bpm • D# Maj • 05:27 • -19.49db
7% Popularity • 38% Danceability • 8% Energy • 9% Liveness
22% Instrumentalness • 25% Positiveness
7% Popularity • 38% Danceability • 8% Energy • 9% Liveness
22% Instrumentalness • 25% Positiveness
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John Surman
Premonition - Remastered 1985
106 bpm • G Maj • 03:45 • -12.65db
28% Popularity • 34% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 34% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
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Beagle Deveraux
Je T'aime...Paris
106 bpm • C# Maj • 04:35 • -24.51db
13% Popularity • 41% Danceability • 28% Energy • 90% Liveness
79% Instrumentalness • 13% Positiveness
13% Popularity • 41% Danceability • 28% Energy • 90% Liveness
79% Instrumentalness • 13% Positiveness
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Codona
Colemanwonder: Race Face / Sortie / Sir ...
92 bpm • G Maj • 03:40 • -20.47db
10% Popularity • 66% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 18% Positiveness
10% Popularity • 66% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 18% Positiveness
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Edward Vesala
Call From The See
106 bpm • G min • 01:58 • -20.27db
1% Popularity • 23% Danceability • 48% Energy • 66% Liveness
5% Instrumentalness • 4% Positiveness
1% Popularity • 23% Danceability • 48% Energy • 66% Liveness
5% Instrumentalness • 4% Positiveness
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MaurÃcio Tagliari
EICNSCS para 6 músicos
107 bpm • B Maj • 08:03 • -12.08db
12% Popularity • 43% Danceability • 51% Energy • 6% Liveness
65% Instrumentalness • 16% Positiveness
12% Popularity • 43% Danceability • 51% Energy • 6% Liveness
65% Instrumentalness • 16% Positiveness
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Krzysztof Komeda
Knife in the Water 6
92 bpm • B min • 02:39 • -37.71db
17% Popularity • 36% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
17% Popularity • 36% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Enrico Rava Quintet
Tribe
92 bpm • F min • 05:00 • -18.47db
8% Popularity • 57% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 37% Positiveness
8% Popularity • 57% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 37% Positiveness
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Anthony Williams
Extras - Remastered 2009/Rudy Van Gelder...
92 bpm • F Maj • 08:09 • -10.84db
10% Popularity • 43% Danceability • 39% Energy • 10% Liveness
46% Instrumentalness • 50% Positiveness
10% Popularity • 43% Danceability • 39% Energy • 10% Liveness
46% Instrumentalness • 50% Positiveness
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Bruce Clayton Purse
Think
92 bpm • F Maj • 01:35 • -17.78db
11% Popularity • 20% Danceability • 16% Energy • 32% Liveness
87% Instrumentalness • 28% Positiveness
11% Popularity • 20% Danceability • 16% Energy • 32% Liveness
87% Instrumentalness • 28% Positiveness