Songs like F.S.P by Dead Sex Puppets
Based on a tempo of (+/- 10%) and a similar genre
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The Frestonians
Slow Dance
140 bpm • B min • 03:55 • -10.35db
14% Popularity • 54% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 74% Positiveness
14% Popularity • 54% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 74% Positiveness
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Dead Sex Puppets
So Shall It Be
140 bpm • C Maj • 03:04 • -6.8db
1% Popularity • 50% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 50% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Boogie and the Mean Machine
Heartbroken
140 bpm • C Maj • 02:12 • -7.28db
9% Popularity • 38% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 38% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Allied Force
Going Nowhere
140 bpm • B min • 03:07 • -12.61db
14% Popularity • 53% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 53% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Babes Nyc
C'mon Baby
140 bpm • D Maj • 01:31 • -8.89db
17% Popularity • 50% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 50% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Ashtray Avenue
So Fine
140 bpm • A Maj • 02:57 • -5.97db
10% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Wanker
My Girl Sleeps
139 bpm • C# min • 03:10 • -11.13db
10% Popularity • 45% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
10% Popularity • 45% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
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Dead Sex Puppets
Everybody Dies
140 bpm • G Maj • 02:49 • -9.27db
1% Popularity • 53% Danceability • 83% Energy • 34% Liveness
12% Instrumentalness • 76% Positiveness
1% Popularity • 53% Danceability • 83% Energy • 34% Liveness
12% Instrumentalness • 76% Positiveness
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Louis Sainsbury
Sum of Self
141 bpm • F# Maj • 04:00 • -10.91db
27% Popularity • 44% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 44% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Allied Force
Rage
140 bpm • C Maj • 06:49 • -20.18db
14% Popularity • 32% Danceability • 34% Energy • 5% Liveness
78% Instrumentalness • 42% Positiveness
14% Popularity • 32% Danceability • 34% Energy • 5% Liveness
78% Instrumentalness • 42% Positiveness
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Babes Nyc
Lazer Gun
140 bpm • E Maj • 01:45 • -7.94db
17% Popularity • 34% Danceability • 86% Energy • 69% Liveness
42% Instrumentalness • 56% Positiveness
17% Popularity • 34% Danceability • 86% Energy • 69% Liveness
42% Instrumentalness • 56% Positiveness
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ZÓNA A
Odpoved
141 bpm • G Maj • 03:19 • -6.17db
8% Popularity • 33% Danceability • 96% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
8% Popularity • 33% Danceability • 96% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
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Franc Kathlen
Soy Militar
138 bpm • E Maj • 02:23 • -9.16db
19% Popularity • 42% Danceability • 83% Energy • 32% Liveness
14% Instrumentalness • 32% Positiveness
19% Popularity • 42% Danceability • 83% Energy • 32% Liveness
14% Instrumentalness • 32% Positiveness
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Dead Sex Puppets
Under The Effluence
140 bpm • D Maj • 03:31 • -10.42db
2% Popularity • 51% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
2% Popularity • 51% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Kenneth Cocker
Never Speak Too Loud
138 bpm • F# Maj • 03:25 • -9.91db
21% Popularity • 46% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 46% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Carnival Road
Just Like The Rain
142 bpm • A Maj • 03:49 • -9.37db
8% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Babes Nyc
Hyperactive
141 bpm • D Maj • 02:28 • -9db
4% Popularity • 36% Danceability • 63% Energy • 18% Liveness
10% Instrumentalness • 20% Positiveness
4% Popularity • 36% Danceability • 63% Energy • 18% Liveness
10% Instrumentalness • 20% Positiveness
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Dead Rats
Cool as Fuck
142 bpm • C Maj • 03:43 • -3db
9% Popularity • 35% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 35% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Franc Kathlen
Una Canción
138 bpm • C# min • 04:13 • -9.99db
19% Popularity • 39% Danceability • 58% Energy • 13% Liveness
22% Instrumentalness • 58% Positiveness
19% Popularity • 39% Danceability • 58% Energy • 13% Liveness
22% Instrumentalness • 58% Positiveness
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AJ Rains Band
Defines You
142 bpm • D Maj • 03:21 • -9.89db
13% Popularity • 39% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
13% Popularity • 39% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
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Dead Sex Puppets
Rock That Horse
140 bpm • D Maj • 02:07 • -1.43db
1% Popularity • 39% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
1% Popularity • 39% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Red Anger
Revolution Numb
138 bpm • C Maj • 03:40 • -4.61db
12% Popularity • 48% Danceability • 85% Energy • 58% Liveness
2% Instrumentalness • 37% Positiveness
12% Popularity • 48% Danceability • 85% Energy • 58% Liveness
2% Instrumentalness • 37% Positiveness
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Babes Nyc
The City, the Bridge, the Sky
142 bpm • B min • 02:52 • -21.05db
14% Popularity • 34% Danceability • 33% Energy • 28% Liveness
76% Instrumentalness • 16% Positiveness
14% Popularity • 34% Danceability • 33% Energy • 28% Liveness
76% Instrumentalness • 16% Positiveness
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Santi Ddc
Elefanteak Bidean
143 bpm • B min • 04:00 • -3.84db
10% Popularity • 52% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 52% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Franc Kathlen
Tema Catarsis
143 bpm • G Maj • 02:59 • -11.94db
19% Popularity • 26% Danceability • 72% Energy • 38% Liveness
3% Instrumentalness • 49% Positiveness
19% Popularity • 26% Danceability • 72% Energy • 38% Liveness
3% Instrumentalness • 49% Positiveness
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Marcus Magnusson
Getaway
137 bpm • D min • 04:17 • -7.15db
21% Popularity • 68% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 68% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Dead Sex Puppets
Monkey C
140 bpm • A Maj • 02:46 • -6.7db
1% Popularity • 36% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 21% Positiveness
1% Popularity • 36% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 21% Positiveness
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Greg Kosic
Birds of a Feather
143 bpm • D Maj • 02:30 • -7.48db
12% Popularity • 50% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 50% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Dead Rats
Wild Habits
143 bpm • G Maj • 01:13 • -4.55db
10% Popularity • 20% Danceability • 99% Energy • 29% Liveness
5% Instrumentalness • 17% Positiveness
10% Popularity • 20% Danceability • 99% Energy • 29% Liveness
5% Instrumentalness • 17% Positiveness
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The Latest
Try It With Me
137 bpm • B min • 03:37 • -7.38db
21% Popularity • 44% Danceability • 75% Energy • 55% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 44% Danceability • 75% Energy • 55% Liveness
0% Instrumentalness • 59% Positiveness
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Ryan Whiskey
Bad Bitch
143 bpm • F Maj • 02:01 • -21.76db
9% Popularity • 54% Danceability • 40% Energy • 19% Liveness
41% Instrumentalness • 62% Positiveness
9% Popularity • 54% Danceability • 40% Energy • 19% Liveness
41% Instrumentalness • 62% Positiveness
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Fatal Blow
Small town punks
137 bpm • D Maj • 02:29 • -2.59db
17% Popularity • 40% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 40% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Dead Sex Puppets
4 Leaf (Over) Clover
140 bpm • D Maj • 03:28 • -6.76db
1% Popularity • 52% Danceability • 94% Energy • 45% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 52% Danceability • 94% Energy • 45% Liveness
0% Instrumentalness • 33% Positiveness
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RAFz.
From 1 to 10
144 bpm • C# min • 04:01 • -10.47db
11% Popularity • 58% Danceability • 66% Energy • 10% Liveness
30% Instrumentalness • 48% Positiveness
11% Popularity • 58% Danceability • 66% Energy • 10% Liveness
30% Instrumentalness • 48% Positiveness
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Gracebilt
Happy Hurricane
144 bpm • G Maj • 04:46 • -4.39db
32% Popularity • 48% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 48% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 34% Positiveness
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Burning Heads
Storm In My Throat
144 bpm • C Maj • 03:14 • -5.08db
14% Popularity • 46% Danceability • 93% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
14% Popularity • 46% Danceability • 93% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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Sex Pistols
Don't Give Me No Lip, Child
144 bpm • B min • 03:27 • -7.19db
26% Popularity • 34% Danceability • 88% Energy • 87% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 34% Danceability • 88% Energy • 87% Liveness
0% Instrumentalness • 24% Positiveness
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Budah
Around The World
136 bpm • C Maj • 04:23 • -6.17db
40% Popularity • 47% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 47% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Dead Sex Puppets
Shatterscape
140 bpm • D Maj • 05:06 • -7.4db
18% Popularity • 32% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 32% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Franc Kathlen
Entre Tu Y Yo
136 bpm • B min • 04:26 • -11db
19% Popularity • 34% Danceability • 77% Energy • 11% Liveness
58% Instrumentalness • 31% Positiveness
19% Popularity • 34% Danceability • 77% Energy • 11% Liveness
58% Instrumentalness • 31% Positiveness
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Occupy
The Fight
145 bpm • G Maj • 01:55 • -5.91db
17% Popularity • 29% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 29% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Red Anger
Flies
135 bpm • G Maj • 04:02 • -4.62db
12% Popularity • 46% Danceability • 83% Energy • 12% Liveness
20% Instrumentalness • 11% Positiveness
12% Popularity • 46% Danceability • 83% Energy • 12% Liveness
20% Instrumentalness • 11% Positiveness
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Dead Clones
Party of Dead
145 bpm • B min • 03:58 • -4.72db
21% Popularity • 52% Danceability • 94% Energy • 32% Liveness
3% Instrumentalness • 82% Positiveness
21% Popularity • 52% Danceability • 94% Energy • 32% Liveness
3% Instrumentalness • 82% Positiveness
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Fields of Dawn
Footsteps
145 bpm • C# min • 03:21 • -6.44db
9% Popularity • 53% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 53% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Dead Sex Puppets
Fight In Me
140 bpm • D Maj • 02:18 • -4.21db
5% Popularity • 44% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
5% Popularity • 44% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Franc Kathlen
Reasons for love
135 bpm • A Maj • 03:18 • -11.49db
19% Popularity • 35% Danceability • 71% Energy • 46% Liveness
33% Instrumentalness • 41% Positiveness
19% Popularity • 35% Danceability • 71% Energy • 46% Liveness
33% Instrumentalness • 41% Positiveness
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Martyn Cuthbert
Eyes on the Prize
145 bpm • C Maj • 03:38 • -6.99db
6% Popularity • 50% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
6% Popularity • 50% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Coma Beach
Absurd
135 bpm • A min • 05:16 • -16db
8% Popularity • 51% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 51% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Pcd555
P555
135 bpm • A Maj • 03:35 • -12.12db
16% Popularity • 30% Danceability • 68% Energy • 54% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 30% Danceability • 68% Energy • 54% Liveness
0% Instrumentalness • 45% Positiveness
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The Original Pony
Get Down (It’s Party Weekend With Me)
145 bpm • A Maj • 04:12 • -9.27db
18% Popularity • 43% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 43% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Dead Sex Puppets
Naked all Alone (Bonus Track)
140 bpm • D Maj • 02:53 • -6.17db
2% Popularity • 42% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 42% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Jason Paul & the Know It Alls
We Shoulda Been
135 bpm • G# Maj • 02:50 • -9.88db
13% Popularity • 67% Danceability • 67% Energy • 10% Liveness
65% Instrumentalness • 94% Positiveness
13% Popularity • 67% Danceability • 67% Energy • 10% Liveness
65% Instrumentalness • 94% Positiveness
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Fields of Dawn
Lives & Times
145 bpm • E Maj • 04:03 • -3.58db
10% Popularity • 41% Danceability • 98% Energy • 18% Liveness
2% Instrumentalness • 19% Positiveness
10% Popularity • 41% Danceability • 98% Energy • 18% Liveness
2% Instrumentalness • 19% Positiveness
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Brian Carroll
Thailand Story
146 bpm • C# Maj • 03:54 • -4.91db
17% Popularity • 47% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 47% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Red Anger
Path of The eyes
134 bpm • C Maj • 03:35 • -5.04db
12% Popularity • 52% Danceability • 84% Energy • 43% Liveness
15% Instrumentalness • 51% Positiveness
12% Popularity • 52% Danceability • 84% Energy • 43% Liveness
15% Instrumentalness • 51% Positiveness
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"DEMONS"
Tragedy
146 bpm • D Maj • 02:34 • -10db
8% Popularity • 22% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 22% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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Dead Sex Puppets
Immaculate Toxicity
140 bpm • C Maj • 02:33 • -2.93db
3% Popularity • 20% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
3% Popularity • 20% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Johnny Moped
Lockdown Boy
146 bpm • G Maj • 02:53 • -4.83db
13% Popularity • 44% Danceability • 83% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 44% Danceability • 83% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
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Casanova Skull
Zombie Crush
146 bpm • E Maj • 02:06 • -6.31db
24% Popularity • 60% Danceability • 84% Energy • 22% Liveness
68% Instrumentalness • 48% Positiveness
24% Popularity • 60% Danceability • 84% Energy • 22% Liveness
68% Instrumentalness • 48% Positiveness
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KSU
Esperal blues
146 bpm • D Maj • 03:03 • -6.64db
12% Popularity • 46% Danceability • 96% Energy • 31% Liveness
70% Instrumentalness • 60% Positiveness
12% Popularity • 46% Danceability • 96% Energy • 31% Liveness
70% Instrumentalness • 60% Positiveness
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Red Anger
...... (Lives go on)
146 bpm • B Maj • 03:30 • -4.75db
12% Popularity • 41% Danceability • 84% Energy • 8% Liveness
19% Instrumentalness • 74% Positiveness
12% Popularity • 41% Danceability • 84% Energy • 8% Liveness
19% Instrumentalness • 74% Positiveness
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The Winter Project
Lenny's on the Roof
134 bpm • F Maj • 01:04 • -5.2db
14% Popularity • 64% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 64% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Dead Sex Puppets
Find Out The Hard Way
140 bpm • A Maj • 02:28 • -2.66db
1% Popularity • 30% Danceability • 96% Energy • 22% Liveness
1% Instrumentalness • 19% Positiveness
1% Popularity • 30% Danceability • 96% Energy • 22% Liveness
1% Instrumentalness • 19% Positiveness
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prior?
what a life!!
134 bpm • E min • 02:15 • -5.71db
10% Popularity • 56% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
10% Popularity • 56% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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The Whatleys
Whiskey and Failure
134 bpm • D Maj • 02:26 • -12.3db
12% Popularity • 26% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 26% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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The Business
Drinking and Driving
147 bpm • D Maj • 03:11 • -7.29db
16% Popularity • 57% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 57% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Aldrich Eugene
Ele Nao Quer Viver Mais
133 bpm • F# Maj • 03:20 • -6.48db
28% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Modern Marriage
Lewey's Got A Two-Piece
133 bpm • E min • 03:24 • -8.4db
12% Popularity • 62% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 62% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Dead Sex Puppets
Once Upon Suburbia
144 bpm • C Maj • 02:50 • -3.6db
1% Popularity • 32% Danceability • 95% Energy • 38% Liveness
1% Instrumentalness • 14% Positiveness
1% Popularity • 32% Danceability • 95% Energy • 38% Liveness
1% Instrumentalness • 14% Positiveness
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Jack Hardy
A Perfect Day
148 bpm • C Maj • 03:44 • -11db
15% Popularity • 42% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 42% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Pubholics
Acting Singles
148 bpm • A Maj • 02:59 • -4.14db
14% Popularity • 47% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 47% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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The Business
Harder Life
147 bpm • E Maj • 03:54 • -6.95db
16% Popularity • 55% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 55% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Mike Ponting
Waiting my whole life
132 bpm • A# Maj • 03:34 • -10.37db
20% Popularity • 44% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 44% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Levellers
Battle Of The Beanfield - Live in Lausan...
148 bpm • E min • 03:40 • -5.84db
8% Popularity • 33% Danceability • 90% Energy • 26% Liveness
1% Instrumentalness • 65% Positiveness
8% Popularity • 33% Danceability • 90% Energy • 26% Liveness
1% Instrumentalness • 65% Positiveness
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Dead Sex Puppets
Soft Headed & Impotent
145 bpm • E min • 02:27 • -5.33db
1% Popularity • 41% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 41% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
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Red Anger
Falling
148 bpm • G# min • 03:59 • -5.3db
12% Popularity • 37% Danceability • 86% Energy • 11% Liveness
7% Instrumentalness • 35% Positiveness
12% Popularity • 37% Danceability • 86% Energy • 11% Liveness
7% Instrumentalness • 35% Positiveness
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Square Tugs
Favourite Things
132 bpm • D Maj • 01:35 • -7.04db
10% Popularity • 33% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 33% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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TUNGTVANN
This Story
149 bpm • B min • 02:50 • -17.63db
10% Popularity • 42% Danceability • 55% Energy • 13% Liveness
6% Instrumentalness • 58% Positiveness
10% Popularity • 42% Danceability • 55% Energy • 13% Liveness
6% Instrumentalness • 58% Positiveness
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The Whatleys
Rules We Live By
131 bpm • C Maj • 03:07 • -12.74db
12% Popularity • 27% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 27% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Alicia Lucas
Second Good
149 bpm • E Maj • 04:38 • -12.85db
26% Popularity • 45% Danceability • 79% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
26% Popularity • 45% Danceability • 79% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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Dead Sex Puppets
Clown To The Crowd
135 bpm • D Maj • 02:47 • -5.12db
1% Popularity • 49% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
1% Popularity • 49% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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arnett Augustus
Lagers For Me And Mates Me
149 bpm • C Maj • 02:45 • -11.41db
27% Popularity • 32% Danceability • 62% Energy • 12% Liveness
7% Instrumentalness • 70% Positiveness
27% Popularity • 32% Danceability • 62% Energy • 12% Liveness
7% Instrumentalness • 70% Positiveness
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Maurice Gill
Dont Know
131 bpm • C Maj • 03:46 • -13.59db
23% Popularity • 49% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 49% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Wegrowbeards
Miners Strike
131 bpm • C Maj • 01:47 • -4.28db
17% Popularity • 48% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 48% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Houdini's Code
Freak Show
150 bpm • D min • 03:29 • -10.19db
5% Popularity • 42% Danceability • 78% Energy • 8% Liveness
3% Instrumentalness • 67% Positiveness
5% Popularity • 42% Danceability • 78% Energy • 8% Liveness
3% Instrumentalness • 67% Positiveness
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Franc Kathlen
La Lucha
131 bpm • C Maj • 02:00 • -11.45db
19% Popularity • 41% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 41% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Dead Sex Puppets
Welcome Mat
132 bpm • A Maj • 03:25 • -1.31db
6% Popularity • 24% Danceability • 79% Energy • 14% Liveness
10% Instrumentalness • 22% Positiveness
6% Popularity • 24% Danceability • 79% Energy • 14% Liveness
10% Instrumentalness • 22% Positiveness
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Appear Law
Inspire Marketing
130 bpm • F Maj • 02:16 • -4db
17% Popularity • 32% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 32% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Red Anger
Enemies
150 bpm • B Maj • 03:19 • -5.67db
12% Popularity • 50% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 50% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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The Goldstars
My Money
150 bpm • B min • 02:17 • -7.42db
13% Popularity • 52% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 52% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Danger Line
Draw The Line
130 bpm • G Maj • 03:11 • -7.57db
18% Popularity • 46% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 46% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Martyn Cuthbert
Time Machine
130 bpm • G Maj • 03:10 • -5.96db
18% Popularity • 46% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 46% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Dead Sex Puppets
Maximum Derision
150 bpm • G# Maj • 02:31 • -3.74db
1% Popularity • 46% Danceability • 100% Energy • 17% Liveness
0% Instrumentalness • 3% Positiveness
1% Popularity • 46% Danceability • 100% Energy • 17% Liveness
0% Instrumentalness • 3% Positiveness
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Oskviggen
A brotherhood of man
130 bpm • D Maj • 02:43 • -5.68db
18% Popularity • 74% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 74% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Crimson Disc
Distance Loving
130 bpm • C Maj • 03:36 • -8.16db
14% Popularity • 70% Danceability • 64% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 70% Danceability • 64% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
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Franc Kathlen
Sin Esperar
151 bpm • A min • 03:00 • -9.9db
19% Popularity • 34% Danceability • 58% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
19% Popularity • 34% Danceability • 58% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
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Jack Adamant
Stuck & Paralysed
130 bpm • G Maj • 02:53 • -5.65db
19% Popularity • 49% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 49% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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90s Fat Kid
Support your Local Addicts
130 bpm • G Maj • 03:34 • -3.93db
11% Popularity • 57% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 57% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
